1
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading § 1.
419
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading NOTES TO BOETHIUS 419 NOTES TO TROILUS 461 INTRODUCTION TO BOETHIUS.
461
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading NOTES TO BOETHIUS 419 NOTES TO TROILUS 461 INTRODUCTION TO BOETHIUS.
used before a singular noun to mean one of a group, when it is not a particular one
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
be in accord; be in agreement
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
used to join words or parts of a sentence that go together
From this reading In my introductory remarks to the Legend of Good Women, I refer to the close connection that is easily seen to subsist between Chaucer's translation of Boethius and his Troilus and Criseyde.
in or near a particular place or position
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
in the space, time, or range separating two things
From this reading In my introductory remarks to the Legend of Good Women, I refer to the close connection that is easily seen to subsist between Chaucer's translation of Boethius and his Troilus and Criseyde.
BOETHIUSnoun
a Roman who was an early Christian philosopher and statesman who was executed for treason; Boethius had a decisive influence on medieval logic (circa 480-524)
From this reading NOTES TO BOETHIUS 419 NOTES TO TROILUS 461 INTRODUCTION TO BOETHIUS.
the two together, not just one
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
Chaucer'snounUS /ˈtʃɔːsərz/
possessive form of “chaucer” — English poet remembered as author of the Canterbury Tales (1340-1400)
From this reading In my introductory remarks to the Legend of Good Women, I refer to the close connection that is easily seen to subsist between Chaucer's translation of Boethius and his Troilus and Criseyde.
at or within a short distance in space or time or having elements near each other
From this reading In my introductory remarks to the Legend of Good Women, I refer to the close connection that is easily seen to subsist between Chaucer's translation of Boethius and his Troilus and Criseyde.
conjunctionnounUS /kənˈdʒʌŋkʃən/
the temporal property of two things happening at the same time
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
a relation between things or events (as in the case of one causing the other or sharing features with it)
From this reading In my introductory remarks to the Legend of Good Women, I refer to the close connection that is easily seen to subsist between Chaucer's translation of Boethius and his Troilus and Criseyde.
Criseyde
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading In my introductory remarks to the Legend of Good Women, I refer to the close connection that is easily seen to subsist between Chaucer's translation of Boethius and his Troilus and Criseyde.
criticsnounUS /ˈkrɪtɪks/
plural of “critic” — a person who is professionally engaged in the analysis and interpretation of works of art
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
the specified day of the month
From this reading DATE OF THE WORK.
earlier in time; previously
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
with ease (“easy” is sometimes used informally for “easily”)
From this reading In my introductory remarks to the Legend of Good Women, I refer to the close connection that is easily seen to subsist between Chaucer's translation of Boethius and his Troilus and Criseyde.
intended to be given to, or used by, somebody
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
having desirable or positive qualities especially those suitable for a thing specified
From this reading In my introductory remarks to the Legend of Good Women, I refer to the close connection that is easily seen to subsist between Chaucer's translation of Boethius and his Troilus and Criseyde.
the (prehensile) extremity of the superior limb
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
belonging to a man, boy, or male animal already mentioned
From this reading In my introductory remarks to the Legend of Good Women, I refer to the close connection that is easily seen to subsist between Chaucer's translation of Boethius and his Troilus and Criseyde.
the person speaking or writing, as the subject of the verb
From this reading In my introductory remarks to the Legend of Good Women, I refer to the close connection that is easily seen to subsist between Chaucer's translation of Boethius and his Troilus and Criseyde.
inside something, or within a place, period, or state
From this reading In my introductory remarks to the Legend of Good Women, I refer to the close connection that is easily seen to subsist between Chaucer's translation of Boethius and his Troilus and Criseyde.
INTRODUCTIONnounUS /ˌɪntrəˈdʌkʃən/
the act of beginning something new
From this reading NOTES TO BOETHIUS 419 NOTES TO TROILUS 461 INTRODUCTION TO BOETHIUS.
introductoryadjectiveUS /ˌɪntrəˈdʌktəri/
serving to open or begin
From this reading In my introductory remarks to the Legend of Good Women, I refer to the close connection that is easily seen to subsist between Chaucer's translation of Boethius and his Troilus and Criseyde.
the form of “be” used with he, she, it, or a singular noun
From this reading In my introductory remarks to the Legend of Good Women, I refer to the close connection that is easily seen to subsist between Chaucer's translation of Boethius and his Troilus and Criseyde.
a thing, animal, or idea already mentioned
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
LegendnounUS /ˈledʒənd/
a story about mythical or supernatural beings or events
From this reading In my introductory remarks to the Legend of Good Women, I refer to the close connection that is easily seen to subsist between Chaucer's translation of Boethius and his Troilus and Criseyde.
the act that results in something coming to be
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
belonging to the person speaking
From this reading In my introductory remarks to the Legend of Good Women, I refer to the close connection that is easily seen to subsist between Chaucer's translation of Boethius and his Troilus and Criseyde.
used to make a word, phrase, or sentence negative
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
plural of “note” — a brief written record
From this reading NOTES TO BOETHIUS 419 NOTES TO TROILUS 461 INTRODUCTION TO BOETHIUS.
in the historical present; at this point in the narration of a series of past events
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
belonging to, or connected with, somebody or something
From this reading DATE OF THE WORK.
placingverbUS /ˈpleɪsɪŋ/
-ing form of “place” — put into a certain place or abstract location
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
prosenounUS /proʊz/
ordinary writing as distinguished from verse
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
referverbUS /rəˈfɜːr/
make reference to
From this reading In my introductory remarks to the Legend of Good Women, I refer to the close connection that is easily seen to subsist between Chaucer's translation of Boethius and his Troilus and Criseyde.
plural of “remark” — a statement that expresses a personal opinion or belief or adds information
From this reading In my introductory remarks to the Legend of Good Women, I refer to the close connection that is easily seen to subsist between Chaucer's translation of Boethius and his Troilus and Criseyde.
give a certain impression or have a certain outward aspect
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
inflected form of “see” — perceive by sight or have the power to perceive by sight
From this reading In my introductory remarks to the Legend of Good Women, I refer to the close connection that is easily seen to subsist between Chaucer's translation of Boethius and his Troilus and Criseyde.
primarily temporal sense; indicating or being or seeming to be limited in duration
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
to a small degree or extent
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
subsistverbUS /səbˈsɪst/
support oneself
From this reading In my introductory remarks to the Legend of Good Women, I refer to the close connection that is easily seen to subsist between Chaucer's translation of Boethius and his Troilus and Criseyde.
used to introduce what somebody said, thought, or felt
From this reading In my introductory remarks to the Legend of Good Women, I refer to the close connection that is easily seen to subsist between Chaucer's translation of Boethius and his Troilus and Criseyde.
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading DATE OF THE WORK.
the plural of “this”: the people or things near, or just mentioned
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
in spite of the fact that
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
an instance or single occasion for some event
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
used before the base form of a verb to make the infinitive
From this reading NOTES TO BOETHIUS 419 NOTES TO TROILUS 461 INTRODUCTION TO BOETHIUS.
in contact with each other or in proximity
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
translationnounUS /trænzˈleɪʃən/
a written communication in a second language having the same meaning as the written communication in a first language
From this reading In my introductory remarks to the Legend of Good Women, I refer to the close connection that is easily seen to subsist between Chaucer's translation of Boethius and his Troilus and Criseyde.
TROILUS
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading NOTES TO BOETHIUS 419 NOTES TO TROILUS 461 INTRODUCTION TO BOETHIUS.
the cardinal number that is the sum of one and one or a numeral representing this number
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
unlikelyadjectiveUS /ənˈlaɪkli/
not likely to be true or to occur or to have occurred
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
wereauxiliary verbUS /wɜːr/
the past form of “be” used with you, we, they, or a plural noun
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.
plural of “woman” — an adult female person (as opposed to a man)
From this reading In my introductory remarks to the Legend of Good Women, I refer to the close connection that is easily seen to subsist between Chaucer's translation of Boethius and his Troilus and Criseyde.
exert oneself by doing mental or physical work for a purpose or out of necessity
From this reading DATE OF THE WORK.
buildings for carrying on industrial labor
From this reading All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together.