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Childhood in literature and art, with some observations on literature
Childhood in literature and art, with some observations on literature

Chapter II

Chapter 2 of Childhood in literature and art, with some observations on literature is here in full — 459 sentences across 92 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/91 · 5 lines
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“For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.
In the Paradiso there are two passages of interest.
Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—
“Faith, Art, and Innocence are found alone With little children; then they scatter fast Before the down across the cheek have grown.
There is that lispeth, and doth learn to fast, Who afterward, with tongue untied from May To April, down his throat all meats will cast.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Childhood in literature and art, with some observations on literature

Chapter II

Chapter 2 of Childhood in literature and art, with some observations on literature is here in full — 459 sentences across 92 reading sections, with audio for every sentence and word.

Reading 1/91 · 5 reading units · Lines 1–5

Line 1
“For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.
Line 2
In the Paradiso there are two passages of interest.
Line 3
Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—
Line 4
“Faith, Art, and Innocence are found alone With little children; then they scatter fast Before the down across the cheek have grown.
/feɪθ ɑːrt ənd ˈɪnəsəns ɑːr faʊnd əˈloʊn wɪð ˈlɪtəl ˈtʃɪldrən ðen ðeɪ ˈskætər fæst bɪˈfɔːr ðə daʊn əˈkrɔːs ðə tʃiːk hæv ɡroʊn/
Line 5
There is that lispeth, and doth learn to fast, Who afterward, with tongue untied from May To April, down his throat all meats will cast.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

canto noun US /ˈkæntoʊ/

the highest part (usually the melody) in a piece of choral music

From this reading “Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—”

checks noun US /tʃeks/

plural of “check” — a written order directing a bank to pay money

From this reading “Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—”

meats noun US /miːts/

plural of “meat” — the flesh of animals (including fishes and birds and snails) used as food

From this reading “There is that lispeth, and doth learn to fast, Who afterward, with tongue untied from May To April, down his throat all meats will cast.”

rapt adjective US /ræpt/

feeling great rapture or delight

From this reading “Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—”

remembers verb US /rɪˈmembərz/

third-person singular of “remember” — recall knowledge from memory; have a recollection

From this reading “Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—”

scatter verb US /ˈskætər/

to cause to separate and go in different directions

From this reading ““Faith, Art, and Innocence are found alone With little children; then they scatter fast Before the down across the cheek have grown.”

shuts verb US /ʃʌts/

third-person singular of “shut” — move so that an opening or passage is obstructed; make shut

From this reading “Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—”

untied adjective US /ənˈtaɪd/

not tied

From this reading “There is that lispeth, and doth learn to fast, Who afterward, with tongue untied from May To April, down his throat all meats will cast.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

human life adjective + noun

In this reading “Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—”

cries bitterly verb + particle counted as “cry bitterly”

In this reading “Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—”

little children adjective + noun counted as “little child”

In this reading ““Faith, Art, and Innocence are found alone With little children; then they scatter fast Before the down across the cheek have grown.”

changes in verb + particle counted as “change in”

In this reading “Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—”

All words in this reading · 108

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

27

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

acrossprepositionUS /əˈkrɔːs/

from one side of something to the other

From this reading “Faith, Art, and Innocence are found alone With little children; then they scatter fast Before the down across the cheek have grown.

afterwardadverbUS /ˈæftərwərd/

happening at a time subsequent to a reference time

From this reading There is that lispeth, and doth learn to fast, Who afterward, with tongue untied from May To April, down his throat all meats will cast.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

aloneadjectiveUS /əˈloʊn/

Having no one else present.

From this reading “Faith, Art, and Innocence are found alone With little children; then they scatter fast Before the down across the cheek have grown.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

AprilnounUS /ˈeɪprəl/

the month following March and preceding May

From this reading There is that lispeth, and doth learn to fast, Who afterward, with tongue untied from May To April, down his throat all meats will cast.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading In the Paradiso there are two passages of interest.

Artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading “Faith, Art, and Innocence are found alone With little children; then they scatter fast Before the down across the cheek have grown.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

BeatricenounUS /ˈbiːətrəs/

the woman who guided Dante through Paradise in the Divine Comedy

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

BeforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading “Faith, Art, and Innocence are found alone With little children; then they scatter fast Before the down across the cheek have grown.

bitterlyadverbUS /ˈbɪtərli/

with bitterness; in a resentful manner

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

breakingnounUS /ˈbreɪkɪŋ/

the act of breaking something

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

cantonounUS /ˈkæntoʊ/

the highest part (usually the melody) in a piece of choral music

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

castverbUS /kæst/

put or send forth

From this reading There is that lispeth, and doth learn to fast, Who afterward, with tongue untied from May To April, down his throat all meats will cast.

changesnounUS /ˈtʃeɪndʒəz/

plural of “change” — an event that occurs when something passes from one state or phase to another

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

checksnounUS /tʃeks/

plural of “check” — a written order directing a bank to pay money

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

cheeknounUS /tʃiːk/

either side of the face below the eyes

From this reading “Faith, Art, and Innocence are found alone With little children; then they scatter fast Before the down across the cheek have grown.

childhoodnounUS /ˈtʃaɪldhʊd/

the time of person's life when they are a child

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

childrennounUS /ˈtʃɪldrən/

plural of “child” — a young person of either sex

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

circlenounUS /ˈsɜːrkəl/

ellipse in which the two axes are of equal length; a plane curve generated by one point moving at a constant distance from a fixed point

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

closeadjectiveUS /kloʊs/

at or within a short distance in space or time or having elements near each other

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

CountverbUS /kaʊnt/

determine the number or amount of

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

covetousnessnoun

an envious eagerness to possess something

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

criesnounUS /kraɪz/

plural of “cry” — a loud utterance; often in protest or opposition

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

cursenounUS /kɜːrs/

profane or obscene expression usually of surprise or anger

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

divineadjectiveUS /dɪˈvaɪn/

emanating from God

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

dothauxiliary verbUS /dɔːθ/

an old form of “does”

From this reading There is that lispeth, and doth learn to fast, Who afterward, with tongue untied from May To April, down his throat all meats will cast.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading “Faith, Art, and Innocence are found alone With little children; then they scatter fast Before the down across the cheek have grown.

enterprisenounUS /ˈentərpraɪz/

a purposeful or industrious undertaking (especially one that requires effort or boldness)

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

entrancenounUS /ˈentrəns/

something that provides access (to get in or get out)

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

FaithnounUS /feɪθ/

a strong belief in a supernatural power or powers that control human destiny

From this reading “Faith, Art, and Innocence are found alone With little children; then they scatter fast Before the down across the cheek have grown.

fastadverbUS /fæst/

quickly or rapidly (often used as a combining form)

From this reading “Faith, Art, and Innocence are found alone With little children; then they scatter fast Before the down across the cheek have grown.

ForprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

forthadverbUS /fɔːrθ/

from a particular thing or place or position (“forth” is obsolete)

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

foundverbUS /faʊnd/

set up or found

From this reading “Faith, Art, and Innocence are found alone With little children; then they scatter fast Before the down across the cheek have grown.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

fulladjectiveUS /fʊl/

containing as much or as many as is possible or normal

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

grownadjectiveUS /ɡroʊn/

(of animals) fully developed

From this reading “Faith, Art, and Innocence are found alone With little children; then they scatter fast Before the down across the cheek have grown.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading “Faith, Art, and Innocence are found alone With little children; then they scatter fast Before the down across the cheek have grown.

herselfpronounUS /hərˈself/

used when the woman or girl doing the action is also its object

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

holdverbUS /hoʊld/

cause to continue in a certain state, position, or activity; e.g., “keep clean”

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

horridadjectiveUS /ˈhɔːrəd/

exceedingly bad

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

humanadjectiveUS /ˈhjuːmən/

characteristic of humanity

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

HungernounUS /ˈhʌŋɡər/

a physiological need for food; the consequence of food deprivation

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

InnocencenounUS /ˈɪnəsəns/

the quality of innocent naivete

From this reading “Faith, Art, and Innocence are found alone With little children; then they scatter fast Before the down across the cheek have grown.

interestnounUS /ˈɪntrəst/

a sense of concern with and curiosity about someone or something

From this reading In the Paradiso there are two passages of interest.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

learnverbUS /lɜːrn/

gain knowledge or skills

From this reading There is that lispeth, and doth learn to fast, Who afterward, with tongue untied from May To April, down his throat all meats will cast.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

lispeth

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is that lispeth, and doth learn to fast, Who afterward, with tongue untied from May To April, down his throat all meats will cast.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading “Faith, Art, and Innocence are found alone With little children; then they scatter fast Before the down across the cheek have grown.

lowestadjectiveUS /ˈloʊəst/

lowest in rank or importance

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

Mammynoun

an offensive term for a Black nursemaid in the southern U.S.

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

Maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading There is that lispeth, and doth learn to fast, Who afterward, with tongue untied from May To April, down his throat all meats will cast.

meatsnounUS /miːts/

plural of “meat” — the flesh of animals (including fishes and birds and snails) used as food

From this reading There is that lispeth, and doth learn to fast, Who afterward, with tongue untied from May To April, down his throat all meats will cast.

melancholynounUS /ˈmelənkɑːli/

a feeling of thoughtful sadness

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

mennounUS /men/

the force of workers available

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

movementnounUS /ˈmuːvmənt/

a change of position that does not entail a change of location

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

NearadverbUS /nɪr/

near in time or place or relationship

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

NorconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

PanounUS /pɑː/

an informal term for a father; probably derived from baby talk

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

Paradiso

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the Paradiso there are two passages of interest.

passagesnounUS /ˈpæsədʒəz/

plural of “passage” — the act of passing from one state or place to the next

From this reading In the Paradiso there are two passages of interest.

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

raptadjectiveUS /ræpt/

feeling great rapture or delight

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

remembersverbUS /rɪˈmembərz/

third-person singular of “remember” — recall knowledge from memory; have a recollection

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

scatterverbUS /ˈskætər/

to cause to separate and go in different directions

From this reading “Faith, Art, and Innocence are found alone With little children; then they scatter fast Before the down across the cheek have grown.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

shutsverbUS /ʃʌts/

third-person singular of “shut” — move so that an opening or passage is obstructed; make shut

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

speakverbUS /spiːk/

express in speech

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

sportiveadjective

relating to or interested in sports

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

suddenlyadverbUS /ˈsʌdənli/

happening unexpectedly

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

sufferingsnounUS /ˈsʌfərɪŋz/

plural of “suffering” — a state of acute pain

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

suitsnounUS /suːts/

plural of “suit” — a set of garments (usually including a jacket and trousers or skirt) for outerwear all of the same fabric and color

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

surveynounUS /sərˈveɪ/

a detailed critical inspection

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

swiftadjectiveUS /swɪft/

moving very fast

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

thereadverbUS /ðer/

in or at that place or location

From this reading In the Paradiso there are two passages of interest.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading “Faith, Art, and Innocence are found alone With little children; then they scatter fast Before the down across the cheek have grown.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

throatnounUS /θroʊt/

The passage at the back of the mouth.

From this reading There is that lispeth, and doth learn to fast, Who afterward, with tongue untied from May To April, down his throat all meats will cast.

ToparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

tonguenounUS /tʌŋ/

a mobile mass of muscular tissue covered with mucous membrane and located in the oral cavity

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

TowernounUS /ˈtaʊər/

a structure taller than its diameter; can stand alone or be attached to a larger building

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

twenty-seventhadjective

coming next after the twenty-sixth in position

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading In the Paradiso there are two passages of interest.

Ugolino

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

universe's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

untiedadjectiveUS /ənˈtaɪd/

not tied

From this reading There is that lispeth, and doth learn to fast, Who afterward, with tongue untied from May To April, down his throat all meats will cast.

utterancenounUS /ˈʌtərəns/

the use of uttered sounds for auditory communication

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

visionnounUS /ˈvɪʒən/

a vivid mental image

From this reading “For this is not a sportive enterprise To speak the universe’s lowest hold, Nor suits a tongue that Pa and Mammy cries.”[27] And the only picture of childhood in that vision is the melancholy one of the horrid sufferings of Count Ugolino and his children in the Tower of Hunger.

WhopronounUS /huː/

which person or people

From this reading There is that lispeth, and doth learn to fast, Who afterward, with tongue untied from May To April, down his throat all meats will cast.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading There is that lispeth, and doth learn to fast, Who afterward, with tongue untied from May To April, down his throat all meats will cast.

withprepositionUS /wɪð/

in the company of; together with

From this reading Near the close of the twenty-seventh canto, Beatrice, breaking forth into a rapt utterance of the divine all in all, suddenly checks herself as she remembers how the curse of covetousness shuts men out from entrance into the full circle of divine movement, and then, with a swift and melancholy survey of the changes in human life, cries bitterly:—

Chapter 2 of Childhood in literature and art, with some observations on literature by Horace Elisha Scudder holds 459 sentences, grouped into 92 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Childhood in literature and art, with some observations on contain?

Chapter 2 holds 459 sentences of Childhood in literature and art, with some observations on literature, unabridged, divided into 92 reading sections.

This page carries chapter 2 of Childhood in literature and art, with some observations on literature by Horace Elisha Scudder exactly as it stands in the source edition, without abridgement. It runs to 459 sentences, grouped into 92 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of Childhood in literature and art, with some observations on literature?

Work through the 92 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 92 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

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Vocabulary met early in Childhood in literature and art, with some observations on literature

Words and structures a reader meets early in Childhood in literature and art, with some observations on literature, each tappable for pronunciation and meaning.

James
A word that appears in the opening chapter of Childhood in literature and art, with some observations on literature; the reader can tap it to hear it and see its dictionary entry.
Russell
A word that appears in the opening chapter of Childhood in literature and art, with some observations on literature; the reader can tap it to hear it and see its dictionary entry.
Lowell
A word that appears in the opening chapter of Childhood in literature and art, with some observations on literature; the reader can tap it to hear it and see its dictionary entry.
Biography
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