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Christie Johnstone: A Novel
Christie Johnstone: A Novel

Chapter VII · Chapter 7

Chapter 7 of Christie Johnstone: A Novel is here in full — 143 sentences across 29 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/28 · 5 lines
English subtitles · tap any word to listen 1 / 5
AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.
He and five or six more youngsters were to be in the foremost files of truth, and take the world by storm.
This was at two o'clock; it is now five; whereupon the posture of affairs, the prospects of art, the face of the world, the nature of things, are quite the reverse.
In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.
Things were going on very badly; he had been waiting two hours for an infantine pose as common as dirt, and the little viper would die first.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Christie Johnstone: A Novel

Chapter VII · Chapter 7

Chapter 7 of Christie Johnstone: A Novel is here in full — 143 sentences across 29 reading sections, with audio for every sentence and word.

Reading 1/28 · 5 reading units · Lines 1–5

Line 1
AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.
Line 2
He and five or six more youngsters were to be in the foremost files of truth, and take the world by storm.
/hiː ənd faɪv ɔːr sɪks mɔːr ˈjʌŋstərz wɜːr tuː biː ɪn ðə ˈfɔːrmoʊst faɪlz ʌv truːθ ənd teɪk ðə wɜːrld baɪ stɔːrm/
Line 3
This was at two o'clock; it is now five; whereupon the posture of affairs, the prospects of art, the face of the world, the nature of things, are quite the reverse.
Line 4
In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.
Line 5
Things were going on very badly; he had been waiting two hours for an infantine pose as common as dirt, and the little viper would die first.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

artist's noun US /ˈɑːrtəsts/

possessive form of “artist” — a person whose creative work shows sensitivity and imagination

From this reading “In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.”

dissatisfaction noun US /ˌdɪsætɪˈsfækʃən/

the feeling of being displeased and discontent

From this reading “In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.”

files noun US /faɪlz/

plural of “file” — a set of related records (either written or electronic) kept together

From this reading “He and five or six more youngsters were to be in the foremost files of truth, and take the world by storm.”

intractable adjective US /ˌɪnˈtræktəbəl/

not tractable; difficult to manage or mold

From this reading “In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.”

morose adjective US /mərˈoʊs/

showing a brooding ill humor

From this reading “In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.”

slouching verb US /ˈslaʊtʃɪŋ/

-ing form of “slouch” — assume a drooping posture or carriage

From this reading “In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.”

viper noun US /ˈvaɪpər/

venomous Old World snakes characterized by hollow venom-conducting fangs in the upper jaw

From this reading “Things were going on very badly; he had been waiting two hours for an infantine pose as common as dirt, and the little viper would die first.”

youngsters noun US /ˈjʌŋstərz/

plural of “youngster” — a young person of either sex

From this reading “He and five or six more youngsters were to be in the foremost files of truth, and take the world by storm.”

All words in this reading · 101

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

affairsnounUS /əˈferz/

matters of personal concern

From this reading This was at two o'clock; it is now five; whereupon the posture of affairs, the prospects of art, the face of the world, the nature of things, are quite the reverse.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Things were going on very badly; he had been waiting two hours for an infantine pose as common as dirt, and the little viper would die first.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading He and five or six more youngsters were to be in the foremost files of truth, and take the world by storm.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading This was at two o'clock; it is now five; whereupon the posture of affairs, the prospects of art, the face of the world, the nature of things, are quite the reverse.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

artistnounUS /ˈɑːrtəst/

a person whose creative work shows sensitivity and imagination

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

artist'snounUS /ˈɑːrtəsts/

possessive form of “artist” — a person whose creative work shows sensitivity and imagination

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Things were going on very badly; he had been waiting two hours for an infantine pose as common as dirt, and the little viper would die first.

ATprepositionUS /æt/

in or near a particular place or position

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

badlyadverbUS /ˈbædli/

to a severe or serious degree

From this reading Things were going on very badly; he had been waiting two hours for an infantine pose as common as dirt, and the little viper would die first.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading Things were going on very badly; he had been waiting two hours for an infantine pose as common as dirt, and the little viper would die first.

byprepositionUS /baɪ/

showing who or what does the action

From this reading He and five or six more youngsters were to be in the foremost files of truth, and take the world by storm.

chapternounUS /ˈtʃæptər/

a subdivision of a written work; usually numbered and titled

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

CharlesnounUS /tʃɑːrlz/

King of France from 1560 to 1574 whose reign was dominated by his mother Catherine de Medicis (1550-1574)

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

childnounUS /tʃaɪld/

a young person of either sex

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

commencementnounUS /kəˈmensmənt/

the time at which something is supposed to begin

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

commonadjectiveUS /ˈkɑːmən/

belonging to or participated in by a community as a whole; public

From this reading Things were going on very badly; he had been waiting two hours for an infantine pose as common as dirt, and the little viper would die first.

dieverbUS /daɪ/

pass from physical life and lose all bodily attributes and functions necessary to sustain life

From this reading Things were going on very badly; he had been waiting two hours for an infantine pose as common as dirt, and the little viper would die first.

dirtnounUS /dɜːrt/

the part of the earth's surface consisting of humus and disintegrated rock

From this reading Things were going on very badly; he had been waiting two hours for an infantine pose as common as dirt, and the little viper would die first.

dissatisfactionnounUS /ˌdɪsætɪˈsfækʃən/

the feeling of being displeased and discontent

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

Esqnoun

a title of respect for a member of the English gentry ranking just below a knight; placed after the name

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

etc

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading This was at two o'clock; it is now five; whereupon the posture of affairs, the prospects of art, the face of the world, the nature of things, are quite the reverse.

filesnounUS /faɪlz/

plural of “file” — a set of related records (either written or electronic) kept together

From this reading He and five or six more youngsters were to be in the foremost files of truth, and take the world by storm.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading Things were going on very badly; he had been waiting two hours for an infantine pose as common as dirt, and the little viper would die first.

fivenounUS /faɪv/

the cardinal number that is the sum of four and one

From this reading He and five or six more youngsters were to be in the foremost files of truth, and take the world by storm.

floornounUS /flɔːr/

the inside lower horizontal surface (as of a room, hallway, tent, or other structure)

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Things were going on very badly; he had been waiting two hours for an infantine pose as common as dirt, and the little viper would die first.

foremostadjectiveUS /ˈfɔːrmoʊst/

ranking above all others

From this reading He and five or six more youngsters were to be in the foremost files of truth, and take the world by storm.

Gatty

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

gloomilyadverbUS /ˈɡluːməli/

with gloom

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

goingnounUS /ˈɡoʊɪŋ/

the act of departing

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Things were going on very badly; he had been waiting two hours for an infantine pose as common as dirt, and the little viper would die first.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He and five or six more youngsters were to be in the foremost files of truth, and take the world by storm.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

hoursnounUS /ˈaʊərz/

a period of time assigned for work

From this reading Things were going on very badly; he had been waiting two hours for an infantine pose as common as dirt, and the little viper would die first.

hugeadjectiveUS /hjuːdʒ/

unusually great in size or amount or degree or especially extent or scope

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

infantine

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Things were going on very badly; he had been waiting two hours for an infantine pose as common as dirt, and the little viper would die first.

intractableadjectiveUS /ˌɪnˈtræktəbəl/

not tractable; difficult to manage or mold

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading This was at two o'clock; it is now five; whereupon the posture of affairs, the prospects of art, the face of the world, the nature of things, are quite the reverse.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading This was at two o'clock; it is now five; whereupon the posture of affairs, the prospects of art, the face of the world, the nature of things, are quite the reverse.

lastadjectiveUS /læst/

immediately past

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading Things were going on very badly; he had been waiting two hours for an infantine pose as common as dirt, and the little viper would die first.

lookingnounUS /ˈlʊkɪŋ/

the act of directing the eyes toward something and perceiving it visually

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

modelnounUS /ˈmɑːdəl/

a hypothetical description of a complex entity or process

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading He and five or six more youngsters were to be in the foremost files of truth, and take the world by storm.

moroseadjectiveUS /mərˈoʊs/

showing a brooding ill humor

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

movementsnounUS /ˈmuːvmənts/

plural of “movement” — a change of position that does not entail a change of location

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading This was at two o'clock; it is now five; whereupon the posture of affairs, the prospects of art, the face of the world, the nature of things, are quite the reverse.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading This was at two o'clock; it is now five; whereupon the posture of affairs, the prospects of art, the face of the world, the nature of things, are quite the reverse.

o'clockadverbUS /əˈklɑːk/

according to the clock

From this reading This was at two o'clock; it is now five; whereupon the posture of affairs, the prospects of art, the face of the world, the nature of things, are quite the reverse.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading He and five or six more youngsters were to be in the foremost files of truth, and take the world by storm.

paintedadjectiveUS /ˈpeɪntɪd/

coated with paint

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

pencilnounUS /ˈpensəl/

a thin cylindrical pointed writing implement; a rod of marking substance encased in wood

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

personagenoun

another word for person; a person not meriting identification

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

PolandnounUS /ˈpoʊlənd/

a republic in central Europe; the invasion of Poland by Germany in 1939 started World War II

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

poseverbUS /poʊz/

introduce

From this reading Things were going on very badly; he had been waiting two hours for an infantine pose as common as dirt, and the little viper would die first.

posturenounUS /ˈpɑːstʃər/

the arrangement of the body and its limbs

From this reading This was at two o'clock; it is now five; whereupon the posture of affairs, the prospects of art, the face of the world, the nature of things, are quite the reverse.

prospectsnounUS /ˈprɑːspekts/

plural of “prospect” — the possibility of future success

From this reading This was at two o'clock; it is now five; whereupon the posture of affairs, the prospects of art, the face of the world, the nature of things, are quite the reverse.

quiteadverbUS /kwaɪt/

to a degree (not used with a negative)

From this reading This was at two o'clock; it is now five; whereupon the posture of affairs, the prospects of art, the face of the world, the nature of things, are quite the reverse.

reverseverbUS /rɪˈvɜːrs/

change to the contrary

From this reading This was at two o'clock; it is now five; whereupon the posture of affairs, the prospects of art, the face of the world, the nature of things, are quite the reverse.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

satnounUS /sæt/

the seventh and last day of the week; observed as the Sabbath by Jews and some Christians

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

sixnounUS /sɪks/

the cardinal number that is the sum of five and one

From this reading He and five or six more youngsters were to be in the foremost files of truth, and take the world by storm.

slouchingverbUS /ˈslaʊtʃɪŋ/

-ing form of “slouch” — assume a drooping posture or carriage

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

smalladjectiveUS /smɔːl/

limited or below average in number or quantity or magnitude or extent

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

statenounUS /steɪt/

the territory occupied by one of the constituent administrative districts of a nation

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

stormverbUS /stɔːrm/

behave violently, as if in state of a great anger

From this reading He and five or six more youngsters were to be in the foremost files of truth, and take the world by storm.

StreetnounUS /striːt/

a thoroughfare (usually including sidewalks) that is lined with buildings

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

takeverbUS /teɪk/

carry out

From this reading He and five or six more youngsters were to be in the foremost files of truth, and take the world by storm.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading This was at two o'clock; it is now five; whereupon the posture of affairs, the prospects of art, the face of the world, the nature of things, are quite the reverse.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

trueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

truthnounUS /truːθ/

a fact that has been verified

From this reading He and five or six more youngsters were to be in the foremost files of truth, and take the world by storm.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading This was at two o'clock; it is now five; whereupon the posture of affairs, the prospects of art, the face of the world, the nature of things, are quite the reverse.

usherverbUS /ˈʌʃər/

take (someone) to their seats, as in theaters or auditoriums

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading Things were going on very badly; he had been waiting two hours for an infantine pose as common as dirt, and the little viper would die first.

viewedverbUS /vjuːd/

past form of “view” — deem to be

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

vipernounUS /ˈvaɪpər/

venomous Old World snakes characterized by hollow venom-conducting fangs in the upper jaw

From this reading Things were going on very badly; he had been waiting two hours for an infantine pose as common as dirt, and the little viper would die first.

waitingnounUS /ˈweɪtɪŋ/

the act of waiting (remaining inactive in one place while expecting something)

From this reading Things were going on very badly; he had been waiting two hours for an infantine pose as common as dirt, and the little viper would die first.

WalesnounUS /weɪlz/

one of the four countries that make up the United Kingdom of Great Britain and Northern Ireland; during Roman times the region was known as Cambria

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading AT the commencement of the last chapter, Charles Gatty, artist, was going to usher in a new state of things, true art, etc. Wales was to be painted in Wales, not Poland Street.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading He and five or six more youngsters were to be in the foremost files of truth, and take the world by storm.

whereupon

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This was at two o'clock; it is now five; whereupon the posture of affairs, the prospects of art, the face of the world, the nature of things, are quite the reverse.

whosedeterminerUS /huːz/

belonging to which person

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

withprepositionUS /wɪð/

in the company of; together with

From this reading In the artist's room, on the floor, was a small child, whose movements, and they were many, were viewed with huge dissatisfaction by Charles Gatty, Esq. This personage, pencil in hand, sat slouching and morose, looking gloomily at his intractable model.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading He and five or six more youngsters were to be in the foremost files of truth, and take the world by storm.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Things were going on very badly; he had been waiting two hours for an infantine pose as common as dirt, and the little viper would die first.

youngstersnounUS /ˈjʌŋstərz/

plural of “youngster” — a young person of either sex

From this reading He and five or six more youngsters were to be in the foremost files of truth, and take the world by storm.

Chapter 7 of Christie Johnstone: A Novel by Charles Reade holds 143 sentences, grouped into 29 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 7 of Christie Johnstone: A Novel contain?

Chapter 7 holds 143 sentences of Christie Johnstone: A Novel, unabridged, divided into 29 reading sections.

This page carries chapter 7 of Christie Johnstone: A Novel by Charles Reade exactly as it stands in the public-domain source edition, without abridgement. It runs to 143 sentences, grouped into 29 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 7 of Christie Johnstone: A Novel?

Work through the 29 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 29 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 7 be read aloud to me?

Yes — every sentence and every individual word in chapter 7 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Christie Johnstone: A Novel

Common questions about reading Christie Johnstone: A Novel by Charles Reade on this page, its source edition and its audio.

Is this the complete text of Christie Johnstone: A Novel?

Yes. All 2833 sentences of Project Gutenberg eBook #3671 are kept, with a record of which sentences cover which part.

Which edition of Christie Johnstone: A Novel is used?

Project Gutenberg eBook #3671, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Christie Johnstone: A Novel take to read?

About 236 minutes of reading across 567 sections of 5 sentences each, at an unhurried pace.

How to read Christie Johnstone: A Novel section by section

How to work through Christie Johnstone: A Novel section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 17 chapters of Christie Johnstone: A Novel to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Christie Johnstone: A Novel

Words and structures a reader meets early in Christie Johnstone: A Novel, each tappable for pronunciation and meaning.

Viscount
A word that appears in the opening chapter of Christie Johnstone: A Novel; the reader can tap it to hear it and see its dictionary entry.
Ipsden
A word that appears in the opening chapter of Christie Johnstone: A Novel; the reader can tap it to hear it and see its dictionary entry.
Twenty-five
A word that appears in the opening chapter of Christie Johnstone: A Novel; the reader can tap it to hear it and see its dictionary entry.
Income
A word that appears in the opening chapter of Christie Johnstone: A Novel; the reader can tap it to hear it and see its dictionary entry.