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Christine of the hills
Christine of the hills

Chapter XXVI

Chapter 26 of Christine of the hills is here in full — 46 sentences across 10 reading sections, with audio for every sentence and word.

Cover illustration for Christine of the hills
Context Illustration Reading 1/9 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE END OF THE STORY “She had come out of the theatre with her victory fresh upon her.
The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.
‘He has forgotten,’ she said to herself always.
The purpose of her work, that she might be worthy of her lover; the purpose of her suffering, that he might not suffer, guided her no longer.
She seemed to sink back to a world of misery and of hopeless effort.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Christine of the hills

Chapter XXVI

Chapter 26 of Christine of the hills is here in full — 46 sentences across 10 reading sections, with audio for every sentence and word.

Reading 1/9 · 5 reading units · Lines 1–5

Line 1
THE END OF THE STORY “She had come out of the theatre with her victory fresh upon her.
/ðə end ʌv ðə ˈstɔːri ʃiː hæd kʌm aʊt ʌv ðə ˈθiːətər wɪð hɜːr ˈvɪktəri freʃ əˈpɑːn hɜːr/
Line 2
The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.
Line 3
‘He has forgotten,’ she said to herself always.
/hiː hæz fərˈɡɑːt.n̩ ʃiː sed tuː hərˈself ˈɔːlweɪz/
Line 4
The purpose of her work, that she might be worthy of her lover; the purpose of her suffering, that he might not suffer, guided her no longer.
/ðə ˈpɜːrpəs ʌv hɜːr wɜːrk ðæt ʃiː maɪt biː ˈwɜːr.ði ʌv hɜːr ˈlʌvər ðə ˈpɜːrpəs ʌv hɜːr ˈsʌfərɪŋ ðæt hiː maɪt nɑːt ˈsʌfər ˈɡaɪdəd hɜːr noʊ ˈlɔːŋɡər/
Line 5
She seemed to sink back to a world of misery and of hopeless effort.
/ʃiː siːmd tuː sɪŋk bæk tuː ə wɜːrld ʌv ˈmɪzəri ənd ʌv ˈhoʊpləs ˈefərt/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

clamour verb US /ˈklæmər/

utter or proclaim insistently and noisily

From this reading “The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.”

glare noun US /ɡler/

a light within the field of vision that is brighter than the brightness to which the eyes are adapted

From this reading “The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.”

guided adjective US /ˈɡaɪdəd/

subject to guidance or control especially after launching

From this reading “The purpose of her work, that she might be worthy of her lover; the purpose of her suffering, that he might not suffer, guided her no longer.”

hopeless adjective US /ˈhoʊpləs/

without hope because there seems to be no possibility of comfort or success

From this reading “She seemed to sink back to a world of misery and of hopeless effort.”

reminded verb US /riˈmaɪndɪd/

past form of “remind” — put in the mind of someone

From this reading “The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.”

sink verb US /sɪŋk/

fall or descend to a lower place or level

From this reading “She seemed to sink back to a world of misery and of hopeless effort.”

solitude noun US /ˈsɑːlətuːd/

a state of social isolation

From this reading “The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.”

theatre noun US /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading “THE END OF THE STORY “She had come out of the theatre with her victory fresh upon her.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

sink back verb + particle

In this reading “She seemed to sink back to a world of misery and of hopeless effort.”

come out verb + adjective

appear or become visible; make a showing

In this reading “THE END OF THE STORY “She had come out of the theatre with her victory fresh upon her.”

All words in this reading · 58

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading She seemed to sink back to a world of misery and of hopeless effort.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading ‘He has forgotten,’ she said to herself always.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.

backadverbUS /bæk/

in or to or toward a former location

From this reading She seemed to sink back to a world of misery and of hopeless effort.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading The purpose of her work, that she might be worthy of her lover; the purpose of her suffering, that he might not suffer, guided her no longer.

changeverbUS /tʃeɪndʒ/

cause to change; make different; cause a transformation

From this reading The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.

clamourverbUS /ˈklæmər/

utter or proclaim insistently and noisily

From this reading The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading THE END OF THE STORY “She had come out of the theatre with her victory fresh upon her.

darknessnounUS /ˈdɑːrknəs/

absence of light or illumination

From this reading The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.

effortnounUS /ˈefərt/

earnest and conscientious activity intended to do or accomplish something

From this reading She seemed to sink back to a world of misery and of hopeless effort.

ENDnounUS /end/

either extremity of something that has length

From this reading THE END OF THE STORY “She had come out of the theatre with her victory fresh upon her.

forgottenadjectiveUS /fərˈɡɑːt.n̩/

Not remembered; lapsed from memory.

From this reading ‘He has forgotten,’ she said to herself always.

freshadjectiveUS /freʃ/

recently made, produced, or harvested

From this reading THE END OF THE STORY “She had come out of the theatre with her victory fresh upon her.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.

glarenounUS /ɡler/

a light within the field of vision that is brighter than the brightness to which the eyes are adapted

From this reading The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.

guidedadjectiveUS /ˈɡaɪdəd/

subject to guidance or control especially after launching

From this reading The purpose of her work, that she might be worthy of her lover; the purpose of her suffering, that he might not suffer, guided her no longer.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading THE END OF THE STORY “She had come out of the theatre with her victory fresh upon her.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading ‘He has forgotten,’ she said to herself always.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading ‘He has forgotten,’ she said to herself always.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading THE END OF THE STORY “She had come out of the theatre with her victory fresh upon her.

herselfpronounUS /hərˈself/

used when the woman or girl doing the action is also its object

From this reading ‘He has forgotten,’ she said to herself always.

hopelessadjectiveUS /ˈhoʊpləs/

without hope because there seems to be no possibility of comfort or success

From this reading She seemed to sink back to a world of misery and of hopeless effort.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.

lightsnounUS /laɪts/

plural of “light” — (physics) electromagnetic radiation that can produce a visual sensation

From this reading The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.

longeradverbUS /ˈlɔːŋɡər/

for more time

From this reading The purpose of her work, that she might be worthy of her lover; the purpose of her suffering, that he might not suffer, guided her no longer.

lovernounUS /ˈlʌvər/

a person who loves someone or is loved by someone

From this reading The purpose of her work, that she might be worthy of her lover; the purpose of her suffering, that he might not suffer, guided her no longer.

meantverbUS /ment/

inflected form of “mean” — mean or intend to express or convey

From this reading The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading The purpose of her work, that she might be worthy of her lover; the purpose of her suffering, that he might not suffer, guided her no longer.

miserynounUS /ˈmɪzəri/

a state of ill-being due to affliction or misfortune

From this reading She seemed to sink back to a world of misery and of hopeless effort.

nodeterminerUS /noʊ/

not any; not one

From this reading The purpose of her work, that she might be worthy of her lover; the purpose of her suffering, that he might not suffer, guided her no longer.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The purpose of her work, that she might be worthy of her lover; the purpose of her suffering, that he might not suffer, guided her no longer.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE END OF THE STORY “She had come out of the theatre with her victory fresh upon her.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading THE END OF THE STORY “She had come out of the theatre with her victory fresh upon her.

ownverbUS /oʊn/

have ownership or possession of

From this reading The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.

purposenounUS /ˈpɜːrpəs/

an anticipated outcome that is intended or that guides your planned actions

From this reading The purpose of her work, that she might be worthy of her lover; the purpose of her suffering, that he might not suffer, guided her no longer.

remindedverbUS /riˈmaɪndɪd/

past form of “remind” — put in the mind of someone

From this reading The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading ‘He has forgotten,’ she said to herself always.

seemedverbUS /siːmd/

past form of “seem” — give a certain impression or have a certain outward aspect

From this reading She seemed to sink back to a world of misery and of hopeless effort.

ShepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading THE END OF THE STORY “She had come out of the theatre with her victory fresh upon her.

sinkverbUS /sɪŋk/

fall or descend to a lower place or level

From this reading She seemed to sink back to a world of misery and of hopeless effort.

solitudenounUS /ˈsɑːlətuːd/

a state of social isolation

From this reading The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.

STORYnounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading THE END OF THE STORY “She had come out of the theatre with her victory fresh upon her.

streetsnounUS /striːts/

plural of “street” — a thoroughfare (usually including sidewalks) that is lined with buildings

From this reading The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.

sufferverbUS /ˈsʌfər/

undergo or be subjected to

From this reading The purpose of her work, that she might be worthy of her lover; the purpose of her suffering, that he might not suffer, guided her no longer.

sufferingnounUS /ˈsʌfərɪŋ/

a state of acute pain

From this reading The purpose of her work, that she might be worthy of her lover; the purpose of her suffering, that he might not suffer, guided her no longer.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE END OF THE STORY “She had come out of the theatre with her victory fresh upon her.

theatrenounUS /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading THE END OF THE STORY “She had come out of the theatre with her victory fresh upon her.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.

triumphnounUS /ˈtraɪəmf/

a successful ending of a struggle or contest

From this reading The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading THE END OF THE STORY “She had come out of the theatre with her victory fresh upon her.

victorynounUS /ˈvɪktəri/

a successful ending of a struggle or contest

From this reading THE END OF THE STORY “She had come out of the theatre with her victory fresh upon her.

voicesnounUS /ˈvɔɪsəz/

plural of “voice” — the distinctive quality or pitch or condition of a person's speech

From this reading The change from the glare of lights and the clamour of voices to the darkness of the streets and her own solitude reminded her how little that triumph meant to her.

withprepositionUS /wɪð/

in the company of; together with

From this reading THE END OF THE STORY “She had come out of the theatre with her victory fresh upon her.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading The purpose of her work, that she might be worthy of her lover; the purpose of her suffering, that he might not suffer, guided her no longer.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading She seemed to sink back to a world of misery and of hopeless effort.

worthyadjectiveUS /ˈwɜːr.ði/

Having or showing the qualities or abilities that merit recognition in character or magic.

From this reading The purpose of her work, that she might be worthy of her lover; the purpose of her suffering, that he might not suffer, guided her no longer.

Chapter 26 of Christine of the hills by Max Pemberton holds 46 sentences, grouped into 10 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 26 of Christine of the hills contain?

Chapter 26 holds 46 sentences of Christine of the hills, unabridged, divided into 10 reading sections.

This page carries chapter 26 of Christine of the hills by Max Pemberton exactly as it stands in the source edition, without abridgement. It runs to 46 sentences, grouped into 10 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 26 of Christine of the hills?

Work through the 10 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 10 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 26 be read aloud to me?

Yes — every sentence and every individual word in chapter 26 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Christine of the hills

Common questions about reading Christine of the hills by Max Pemberton on this page, its source edition and its audio.

Is this the complete text of Christine of the hills?

Yes. All 2867 sentences of Project Gutenberg eBook #72678 are kept, with a record of which sentences cover which part.

Which edition of Christine of the hills is used?

Project Gutenberg eBook #72678, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Christine of the hills take to read?

About 238 minutes of reading across 574 sections of 5 sentences each, at an unhurried pace.

How to read Christine of the hills section by section

How to work through Christine of the hills section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 26 chapters of Christine of the hills to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Christine of the hills

Words and structures a reader meets early in Christine of the hills, each tappable for pronunciation and meaning.

Books
A word that appears in the opening chapter of Christine of the hills; the reader can tap it to hear it and see its dictionary entry.
Pemberton
A word that appears in the opening chapter of Christine of the hills; the reader can tap it to hear it and see its dictionary entry.
Little
A word that appears in the opening chapter of Christine of the hills; the reader can tap it to hear it and see its dictionary entry.
Huguenot
A word that appears in the opening chapter of Christine of the hills; the reader can tap it to hear it and see its dictionary entry.