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Circular Saws
Circular Saws

Chapter II

Chapter 2 of Circular Saws is here in full — 581 sentences across 117 reading sections, with audio for every sentence and word.

Cover illustration for Circular Saws
Context Illustration Reading 1/116 · 5 lines
English subtitles · tap any word to listen 1 / 5
“Why did she think so?” said the merchant, daintily wiping the curved blade.
“Because she was a poet,” whispered the dying man.
“And why did she tell the peasant?” asked the merchant, preparing to return to his interrupted rest.
“Because,” said the poet, turning over on his side with a little sigh, “because she was a goose.”
XXIV IN VINO VERITAS “The next story,” said the author, “will be an example of grim realism.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Circular Saws

Chapter II

Chapter 2 of Circular Saws is here in full — 581 sentences across 117 reading sections, with audio for every sentence and word.

Reading 1/116 · 5 reading units · Lines 1–5

Line 1
“Why did she think so?” said the merchant, daintily wiping the curved blade.
/waɪ dɪd ʃiː θɪŋk soʊ sed ðə ˈmɜːr.tʃənt ˈdeɪntəliː ˈwaɪpɪŋ ðə kɜːrvd bleɪd/
Line 2
“Because she was a poet,” whispered the dying man.
/bɪˈkɔːz ʃiː wɑːz ə ˈpoʊət ˈwɪspərd ðə ˈdaɪɪŋ mæn/
Line 3
“And why did she tell the peasant?” asked the merchant, preparing to return to his interrupted rest.
/ənd waɪ dɪd ʃiː tel ðə ˈpezənt æskt ðə ˈmɜːr.tʃənt priˈperɪŋ tuː rɪˈtɜːrn tuː hɪz ˌɪntərˈʌptɪd rest/
Line 4
“Because,” said the poet, turning over on his side with a little sigh, “because she was a goose.”
/bɪˈkɔːz sed ðə ˈpoʊət ˈtɜːrnɪŋ ˈoʊvər ɑːn hɪz saɪd wɪð ə ˈlɪtəl saɪ bɪˈkɔːz ʃiː wɑːz ə ɡuːs/
Line 5
XXIV IN VINO VERITAS “The next story,” said the author, “will be an example of grim realism.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

blade noun US /bleɪd/

especially a leaf of grass or the broad portion of a leaf as distinct from the petiole

From this reading ““Why did she think so?” said the merchant, daintily wiping the curved blade.”

curved adjective US /kɜːrvd/

having or marked by a curve or smoothly rounded bend

From this reading ““Why did she think so?” said the merchant, daintily wiping the curved blade.”

daintily adverb US /ˈdeɪntəliː/

in a dainty and fastidious manner

From this reading ““Why did she think so?” said the merchant, daintily wiping the curved blade.”

goose noun US /ɡuːs/

web-footed long-necked typically gregarious migratory aquatic birds usually larger and less aquatic than ducks

From this reading ““Because,” said the poet, turning over on his side with a little sigh, “because she was a goose.””

peasant noun US /ˈpezənt/

a country person

From this reading ““And why did she tell the peasant?” asked the merchant, preparing to return to his interrupted rest.”

preparing verb US /priˈperɪŋ/

-ing form of “prepare” — make ready or suitable or equip in advance for a particular purpose or for some use, event, etc

From this reading ““And why did she tell the peasant?” asked the merchant, preparing to return to his interrupted rest.”

realism noun US /ˈriːəlɪzəm/

the attribute of accepting the facts of life and favoring practicality and literal truth

From this reading “XXIV IN VINO VERITAS “The next story,” said the author, “will be an example of grim realism.”

wiping verb US /ˈwaɪpɪŋ/

-ing form of “wipe” — rub with a circular motion

From this reading ““Why did she think so?” said the merchant, daintily wiping the curved blade.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

dying man adjective + noun

In this reading ““Because she was a poet,” whispered the dying man.”

All words in this reading · 51

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading “Because she was a poet,” whispered the dying man.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading XXIV IN VINO VERITAS “The next story,” said the author, “will be an example of grim realism.

AndconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading “And why did she tell the peasant?” asked the merchant, preparing to return to his interrupted rest.

askedverbUS /æskt/

past form of “ask” — make a request or demand for something to somebody

From this reading “And why did she tell the peasant?” asked the merchant, preparing to return to his interrupted rest.

authornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading XXIV IN VINO VERITAS “The next story,” said the author, “will be an example of grim realism.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading XXIV IN VINO VERITAS “The next story,” said the author, “will be an example of grim realism.

BecauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading “Because she was a poet,” whispered the dying man.

bladenounUS /bleɪd/

especially a leaf of grass or the broad portion of a leaf as distinct from the petiole

From this reading “Why did she think so?” said the merchant, daintily wiping the curved blade.

curvedadjectiveUS /kɜːrvd/

having or marked by a curve or smoothly rounded bend

From this reading “Why did she think so?” said the merchant, daintily wiping the curved blade.

daintilyadverbUS /ˈdeɪntəliː/

in a dainty and fastidious manner

From this reading “Why did she think so?” said the merchant, daintily wiping the curved blade.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading “Why did she think so?” said the merchant, daintily wiping the curved blade.

dyingadjectiveUS /ˈdaɪɪŋ/

in or associated with the process of passing from life or ceasing to be

From this reading “Because she was a poet,” whispered the dying man.

examplenounUS /ɪɡˈzæmpəl/

an item of information that is typical of a class or group

From this reading XXIV IN VINO VERITAS “The next story,” said the author, “will be an example of grim realism.

goosenounUS /ɡuːs/

web-footed long-necked typically gregarious migratory aquatic birds usually larger and less aquatic than ducks

From this reading “Because,” said the poet, turning over on his side with a little sigh, “because she was a goose.”

grimadjectiveUS /ɡrɪm/

not to be placated or appeased or moved by entreaty

From this reading XXIV IN VINO VERITAS “The next story,” said the author, “will be an example of grim realism.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading “And why did she tell the peasant?” asked the merchant, preparing to return to his interrupted rest.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading XXIV IN VINO VERITAS “The next story,” said the author, “will be an example of grim realism.

interruptedadjectiveUS /ˌɪntərˈʌptɪd/

discontinued temporarily

From this reading “And why did she tell the peasant?” asked the merchant, preparing to return to his interrupted rest.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading “Because,” said the poet, turning over on his side with a little sigh, “because she was a goose.”

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading “Because she was a poet,” whispered the dying man.

merchantnounUS /ˈmɜːr.tʃənt/

A person or company involved in wholesale trade, especially with foreign countries.

From this reading “Why did she think so?” said the merchant, daintily wiping the curved blade.

nextadjectiveUS /nekst/

immediately following in time or order

From this reading XXIV IN VINO VERITAS “The next story,” said the author, “will be an example of grim realism.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading XXIV IN VINO VERITAS “The next story,” said the author, “will be an example of grim realism.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading “Because,” said the poet, turning over on his side with a little sigh, “because she was a goose.”

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading “Because,” said the poet, turning over on his side with a little sigh, “because she was a goose.”

peasantnounUS /ˈpezənt/

a country person

From this reading “And why did she tell the peasant?” asked the merchant, preparing to return to his interrupted rest.

poetnounUS /ˈpoʊət/

a writer of poems (the term is usually reserved for writers of good poetry)

From this reading “Because she was a poet,” whispered the dying man.

preparingverbUS /priˈperɪŋ/

-ing form of “prepare” — make ready or suitable or equip in advance for a particular purpose or for some use, event, etc

From this reading “And why did she tell the peasant?” asked the merchant, preparing to return to his interrupted rest.

realismnounUS /ˈriːəlɪzəm/

the attribute of accepting the facts of life and favoring practicality and literal truth

From this reading XXIV IN VINO VERITAS “The next story,” said the author, “will be an example of grim realism.

restverbUS /rest/

not move; be in a resting position

From this reading “And why did she tell the peasant?” asked the merchant, preparing to return to his interrupted rest.

returnverbUS /rɪˈtɜːrn/

go or come back to place, condition, or activity where one has been before

From this reading “And why did she tell the peasant?” asked the merchant, preparing to return to his interrupted rest.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading “Why did she think so?” said the merchant, daintily wiping the curved blade.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading “Why did she think so?” said the merchant, daintily wiping the curved blade.

sidenounUS /saɪd/

a place within a region identified relative to a center or reference location

From this reading “Because,” said the poet, turning over on his side with a little sigh, “because she was a goose.”

sighverbUS /saɪ/

heave or utter a sigh; breathe deeply and heavily

From this reading “Because,” said the poet, turning over on his side with a little sigh, “because she was a goose.”

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading “Why did she think so?” said the merchant, daintily wiping the curved blade.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading XXIV IN VINO VERITAS “The next story,” said the author, “will be an example of grim realism.

tellverbUS /tel/

express in words

From this reading “And why did she tell the peasant?” asked the merchant, preparing to return to his interrupted rest.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading “Why did she think so?” said the merchant, daintily wiping the curved blade.

thinkverbUS /θɪŋk/

judge or regard; look upon; judge

From this reading “Why did she think so?” said the merchant, daintily wiping the curved blade.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading “And why did she tell the peasant?” asked the merchant, preparing to return to his interrupted rest.

turningnounUS /ˈtɜːrnɪŋ/

the act of changing or reversing the direction of the course

From this reading “Because,” said the poet, turning over on his side with a little sigh, “because she was a goose.”

VERITAS

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading XXIV IN VINO VERITAS “The next story,” said the author, “will be an example of grim realism.

VINOnoun

fermented juice (of grapes especially)

From this reading XXIV IN VINO VERITAS “The next story,” said the author, “will be an example of grim realism.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading “Because she was a poet,” whispered the dying man.

whisperedadjectiveUS /ˈwɪspərd/

spoken in soft hushed tones without vibrations of the vocal cords

From this reading “Because she was a poet,” whispered the dying man.

WhynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading “Why did she think so?” said the merchant, daintily wiping the curved blade.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading XXIV IN VINO VERITAS “The next story,” said the author, “will be an example of grim realism.

wipingverbUS /ˈwaɪpɪŋ/

-ing form of “wipe” — rub with a circular motion

From this reading “Why did she think so?” said the merchant, daintily wiping the curved blade.

withprepositionUS /wɪð/

in the company of; together with

From this reading “Because,” said the poet, turning over on his side with a little sigh, “because she was a goose.”

XXIVnoun

the cardinal number that is the sum of twenty-three and one

From this reading XXIV IN VINO VERITAS “The next story,” said the author, “will be an example of grim realism.

Chapter 2 of Circular Saws by Humbert Wolfe holds 581 sentences, grouped into 117 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Circular Saws contain?

Chapter 2 holds 581 sentences of Circular Saws, unabridged, divided into 117 reading sections.

This page carries chapter 2 of Circular Saws by Humbert Wolfe exactly as it stands in the source edition, without abridgement. It runs to 581 sentences, grouped into 117 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of Circular Saws?

Work through the 117 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 117 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Circular Saws

Common questions about reading Circular Saws by Humbert Wolfe on this page, its source edition and its audio.

Is this the complete text of Circular Saws?

Yes. All 1161 sentences of Project Gutenberg eBook #61661 are kept, with a record of which sentences cover which part.

Which edition of Circular Saws is used?

Project Gutenberg eBook #61661, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Circular Saws take to read?

About 96 minutes of reading across 233 sections of 5 sentences each, at an unhurried pace.

How to read Circular Saws section by section

How to work through Circular Saws section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 2 chapters of Circular Saws to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Circular Saws

Words and structures a reader meets early in Circular Saws, each tappable for pronunciation and meaning.

Other
A word that appears in the opening chapter of Circular Saws; the reader can tap it to hear it and see its dictionary entry.
Books
A word that appears in the opening chapter of Circular Saws; the reader can tap it to hear it and see its dictionary entry.
Author
A word that appears in the opening chapter of Circular Saws; the reader can tap it to hear it and see its dictionary entry.
Three
A word that appears in the opening chapter of Circular Saws; the reader can tap it to hear it and see its dictionary entry.