Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
Claude's Confession
Claude's Confession

Chapter XII

Chapter 12 of Claude's Confession is here in full — 92 sentences across 19 reading sections, with audio for every sentence and word.

Cover illustration for Claude's Confession
Context Illustration Reading 1/18 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!
When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!
How we used to ridicule them!
The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.
We closed our eyes against reality.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Claude's Confession

Chapter XII

Chapter 12 of Claude's Confession is here in full — 92 sentences across 19 reading sections, with audio for every sentence and word.

Reading 1/18 · 5 reading units · Lines 1–5

Line 1
THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!
Line 2
When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!
Line 3
How we used to ridicule them!
Line 4
The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.
Line 5
We closed our eyes against reality.
/wiː kloʊzd ˈaʊər aɪz əˈɡenst ˌriːˈælətiː/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

ardent adjective US /ˈɑːrdənt/

characterized by intense emotion

From this reading “The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.”

casting noun US /ˈkæstɪŋ/

object formed by a mold

From this reading “The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.”

fife noun US /faɪf/

a small high-pitched flute similar to a piccolo; has a shrill tone and is used chiefly to accompany drums in a marching band

From this reading “When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!”

Provence noun US /ˈproʊvəns/

a former province of southeastern France; now administered with Cote d'Azur

From this reading “When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!”

queens noun US /kwiːnz/

a borough of New York City

From this reading “The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.”

remembrances noun US /rɪˈmembrənsɪz/

plural of “remembrance” — the ability to recall past occurrences

From this reading “THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!”

ridicule noun US /ˈrɪdəkjuːl/

language or behavior intended to mock or humiliate

From this reading “How we used to ridicule them!”

tambourine noun US /ˌtæmbərˈiːn/

a shallow drum with a single drumhead and with metallic disks in the sides

From this reading “When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

poor creatures adjective + noun counted as “poor creature”

In this reading “The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.”

glance around verb + particle

In this reading “When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!”

faithful companions adjective + noun counted as “faithful companion”

In this reading “THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!”

peasant girls noun + noun counted as “peasant girl”

In this reading “The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.”

take a step verb + article + noun counted as “take … step”

In this reading “THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!”

in the evening preposition + article + noun counted as “in … evening”

In this reading “When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!”

All words in this reading · 94

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!

againadverbUS /əˈɡen/

anew

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

againstprepositionUS /əˈɡenst/

touching and pressing; in opposition to

From this reading We closed our eyes against reality.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

ardentadjectiveUS /ˈɑːrdənt/

characterized by intense emotion

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

armnounUS /ɑːrm/

a human limb; technically the part of the superior limb between the shoulder and the elbow but commonly used to refer to the whole superior limb

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

aroundprepositionUS /ərˈaʊnd/

surrounding, or on every side of, something

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

BALLnounUS /bɔːl/

round object that is hit or thrown or kicked in games

From this reading THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!

ball-room

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!

boundadjectiveUS /baʊnd/

confined by bonds

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!

byprepositionUS /baɪ/

showing who or what does the action

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

cannot

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!

castverbUS /kæst/

put or send forth

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

castingnounUS /ˈkæstɪŋ/

object formed by a mold

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

closedadjectiveUS /kloʊzd/

not open or affording passage or access

From this reading We closed our eyes against reality.

companionsnounUS /kəmˈpænjənz/

plural of “companion” — a friend who is frequently in the company of another

From this reading THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!

creaturesnounUS /ˈkriːtʃərz/

plural of “creature” — a living organism characterized by voluntary movement

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

dancenounUS /dæns/

an artistic form of nonverbal communication

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

dreamsnounUS /driːmz/

plural of “dream” — a series of mental images and emotions occurring during sleep

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

eveningnounUS /ˈiːvnɪŋ/

the latter part of the day (the period of decreasing daylight from late afternoon until nightfall)

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

eyesnounUS /aɪz/

opinion or judgment

From this reading We closed our eyes against reality.

facesnounUS /ˈfeɪsəz/

plural of “face” — the front of the human head from the forehead to the chin and ear to ear

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

fadedadjectiveUS /ˈfeɪdəd/

having lost freshness or brilliance of color

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

faithfuladjectiveUS /ˈfeɪθfəl/

steadfast in affection or allegiance

From this reading THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!

fifenounUS /faɪf/

a small high-pitched flute similar to a piccolo; has a shrill tone and is used chiefly to accompany drums in a marching band

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

floornounUS /flɔːr/

the inside lower horizontal surface (as of a room, hallway, tent, or other structure)

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

fulladjectiveUS /fʊl/

containing as much or as many as is possible or normal

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

gallerynounUS /ˈɡæləri/

spectators at a golf or tennis match

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

girlsnounUS /ɡɜːrlz/

plural of “girl” — a young female

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

glanceverbUS /ɡlæns/

throw a glance at; take a brief look at

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

heartsnounUS /hɑːrts/

a form of whist in which players avoid winning tricks containing hearts or the queen of spades

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

heavilyadverbUS /ˈhevəli/

to a considerable degree

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

How

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading How we used to ridicule them!

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!

Laurence

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

lightadjectiveUS /laɪt/

of comparatively little physical weight or density

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

lumbered

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!

musicnounUS /ˈmjuːzɪk/

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!

noisenounUS /nɔɪz/

sound of any kind (especially unintelligible or dissonant sound)

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

OhnounUS /oʊ/

a midwestern state in north central United States in the Great Lakes region

From this reading THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

peasantnounUS /ˈpezənt/

a country person

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

pooradjectiveUS /puːr/

deserving or inciting pity

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

ProvencenounUS /ˈproʊvəns/

a former province of southeastern France; now administered with Cote d'Azur

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

PUBLICnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!

queensnounUS /kwiːnz/

a borough of New York City

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

rapidadjectiveUS /ˈræpəd/

done or occurring in a brief period of time

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

realitynounUS /ˌriːˈælətiː/

all of your experiences that determine how things appear to you

From this reading We closed our eyes against reality.

remembrancesnounUS /rɪˈmembrənsɪz/

plural of “remembrance” — the ability to recall past occurrences

From this reading THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!

ridiculenounUS /ˈrɪdəkjuːl/

language or behavior intended to mock or humiliate

From this reading How we used to ridicule them!

riseverbUS /raɪz/

move upward

From this reading THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!

sadadjectiveUS /sæd/

experiencing or showing sorrow or unhappiness

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

sawverbUS /sɔː/

cut with a saw

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

seemedverbUS /siːmd/

past form of “seem” — give a certain impression or have a certain outward aspect

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

sillyadjectiveUS /ˈsɪli/

ludicrous, foolish

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

smilesnounUS /smaɪlz/

plural of “smile” — a facial expression characterized by turning up the corners of the mouth; usually shows pleasure or amusement

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

smoothadjectiveUS /smuːð/

having a surface free from roughness or bumps or ridges or irregularities

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

soilnounUS /sɔɪl/

the state of being covered with unclean things

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

stepnounUS /step/

any maneuver made as part of progress toward a goal

From this reading THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!

stone-paved

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

suddenadjectiveUS /ˈsʌdən/

happening without warning or in a short space of time

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

takeverbUS /teɪk/

carry out

From this reading THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!

tambourinenounUS /ˌtæmbərˈiːn/

a shallow drum with a single drumhead and with metallic disks in the sides

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading How we used to ridicule them!

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

usedadjectiveUS /juːzd/

employed in accomplishing something

From this reading How we used to ridicule them!

visionnounUS /ˈvɪʒən/

a vivid mental image

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

wepronounUS /wiː/

the speaker together with one or more other people

From this reading How we used to ridicule them!

WhenconjunctionUS /wen/

at the time that

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

whopronounUS /huː/

which person or people

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

whompronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading The peasant girls, not those of our dreams, those who had the faces and the hearts of queens, but poor creatures whom the ardent soil had faded before their time, seemed to us to bound heavily, casting us silly smiles as they lumbered by.

withprepositionUS /wɪð/

in the company of; together with

From this reading When, with Laurence on my arm, I cast from a gallery a rapid glance around the ball-room full of noise and light, I saw again, in a sudden and sad vision, the smooth, stone-paved floor upon which the girls of Provence dance, in the evening, to the music of the fife and tambourine!

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!

youpronounUS /juː/

the person or people being spoken to

From this reading THE PUBLIC BALL Oh! my remembrances, faithful companions, I cannot take a step in this world but you rise before me!

Chapter 12 of Claude's Confession by Émile Zola holds 92 sentences, grouped into 19 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 12 of Claude's Confession contain?

Chapter 12 holds 92 sentences of Claude's Confession, unabridged, divided into 19 reading sections.

This page carries chapter 12 of Claude's Confession by Émile Zola exactly as it stands in the source edition, without abridgement. It runs to 92 sentences, grouped into 19 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 12 of Claude's Confession?

Work through the 19 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 19 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 12 be read aloud to me?

Yes — every sentence and every individual word in chapter 12 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Claude's Confession

Common questions about reading Claude's Confession by Émile Zola on this page, its source edition and its audio.

Is this the complete text of Claude's Confession?

Yes. All 3129 sentences of Project Gutenberg eBook #63819 are kept, with a record of which sentences cover which part.

Which edition of Claude's Confession is used?

Project Gutenberg eBook #63819, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Claude's Confession take to read?

About 260 minutes of reading across 626 sections of 5 sentences each, at an unhurried pace.

How to read Claude's Confession section by section

How to work through Claude's Confession section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 29 chapters of Claude's Confession to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Claude's Confession

Words and structures a reader meets early in Claude's Confession, each tappable for pronunciation and meaning.

Claude's
A word that appears in the opening chapter of Claude's Confession; the reader can tap it to hear it and see its dictionary entry.
Confession
A word that appears in the opening chapter of Claude's Confession; the reader can tap it to hear it and see its dictionary entry.
Author
A word that appears in the opening chapter of Claude's Confession; the reader can tap it to hear it and see its dictionary entry.
L'assommoir
A word that appears in the opening chapter of Claude's Confession; the reader can tap it to hear it and see its dictionary entry.