Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
"Clear the Track!" A Story of To-day
"Clear the Track!" A Story of To-day

Chapter XXV

Chapter 25 of "Clear the Track!" A Story of To-day is here in full — 213 sentences across 43 reading sections, with audio for every sentence and word.

Cover illustration for "Clear the Track!" A Story of To-day
Context Illustration Reading 1/42 · 5 lines
English subtitles · tap any word to listen 1 / 5
TWIXT LIFE AND DEATH.
Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.
When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.
She took refuge with Cecilia, wanting to unbosom herself to her, but had found her in such grief and distress, that it was useless to expect from her attention and sympathy.
"Leave me, Maia!" pleaded the young widow in accents of despair.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

"Clear the Track!" A Story of To-day

Chapter XXV

Chapter 25 of "Clear the Track!" A Story of To-day is here in full — 213 sentences across 43 reading sections, with audio for every sentence and word.

Reading 1/42 · 5 reading units · Lines 1–5

Line 1
TWIXT LIFE AND DEATH.
Line 2
Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.
Line 3
When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.
/wen ˈmaɪə keɪm frʌm ðə pɑːrk hɜːr ˈfɑːðər hæd ɔːlˈredi ɡɔːn fɔːrθ tuː kwel ðə ˈwɜːrkmɪn ənd ʃiː kʊd nɑːt ˈðerfɔːr tɔːk wɪð hɪm/
Line 4
She took refuge with Cecilia, wanting to unbosom herself to her, but had found her in such grief and distress, that it was useless to expect from her attention and sympathy.
Line 5
"Leave me, Maia!" pleaded the young widow in accents of despair.
/liːv miː ˈmaɪə ˈpliːdɪd ðə jʌŋ ˈwɪdoʊ ɪn ˈæksents ʌv dɪˈsper/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

accents noun US /ˈæksents/

plural of “accent” — distinctive manner of oral expression

From this reading “"Leave me, Maia!" pleaded the young widow in accents of despair.”

audible adjective US /ˈɑːdəbəl/

heard or perceptible by the ear

From this reading “Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.”

awaiting verb US /əˈweɪtɪŋ/

-ing form of “await” — look forward to the probable occurrence of

From this reading “Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.”

commotion noun US /kəˈmoʊʃən/

a disorderly outburst or tumult

From this reading “Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.”

Maia noun US /ˈmaɪə/

type genus of the Majidae; nearly cosmopolitan in distribution

From this reading “When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.”

pleaded verb US /ˈpliːdɪd/

past form of “plead” — appeal or request earnestly

From this reading “"Leave me, Maia!" pleaded the young widow in accents of despair.”

quell verb US /kwel/

suppress or crush completely

From this reading “When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.”

workmen noun US /ˈwɜːrkmɪn/

plural of “workman” — an employee who performs manual or industrial labor

From this reading “When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

plainly audible adverb + adjective

In this reading “Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.”

took refuge verb + noun counted as “take refuge”

In this reading “She took refuge with Cecilia, wanting to unbosom herself to her, but had found her in such grief and distress, that it was useless to expect from her attention and sympathy.”

terrible anxiety adjective + noun

In this reading “Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.”

young widow adjective + noun

In this reading “"Leave me, Maia!" pleaded the young widow in accents of despair.”

already gone adverb + adjective

In this reading “When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.”

talk with verb + particle

In this reading “When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.”

came from verb + particle counted as “come from”

In this reading “When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.”

expect from verb + particle

In this reading “She took refuge with Cecilia, wanting to unbosom herself to her, but had found her in such grief and distress, that it was useless to expect from her attention and sympathy.”

All words in this reading · 68

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

accentsnounUS /ˈæksents/

plural of “accent” — distinctive manner of oral expression

From this reading "Leave me, Maia!" pleaded the young widow in accents of despair.

alreadyadverbUS /ɔːlˈredi/

prior to a specified or implied time

From this reading When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading TWIXT LIFE AND DEATH.

anxietynounUS /æŋˈzaɪəti/

(psychiatry) a relatively permanent state of worry and nervousness occurring in a variety of mental disorders, usually accompanied by compulsive behavior or attacks of panic

From this reading Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.

attentionnounUS /əˈtenʃən/

the process whereby a person concentrates on some features of the environment to the (relative) exclusion of others

From this reading She took refuge with Cecilia, wanting to unbosom herself to her, but had found her in such grief and distress, that it was useless to expect from her attention and sympathy.

audibleadjectiveUS /ˈɑːdəbəl/

heard or perceptible by the ear

From this reading Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.

awaitingverbUS /əˈweɪtɪŋ/

-ing form of “await” — look forward to the probable occurrence of

From this reading Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading She took refuge with Cecilia, wanting to unbosom herself to her, but had found her in such grief and distress, that it was useless to expect from her attention and sympathy.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.

Cecilia

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading She took refuge with Cecilia, wanting to unbosom herself to her, but had found her in such grief and distress, that it was useless to expect from her attention and sympathy.

comingnounUS /ˈkʌmɪŋ/

the act of drawing spatially closer to something

From this reading Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.

commotionnounUS /kəˈmoʊʃən/

a disorderly outburst or tumult

From this reading Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.

DEATHnounUS /deθ/

the event of dying or departure from life

From this reading TWIXT LIFE AND DEATH.

despairnounUS /dɪˈsper/

a state in which all hope is lost or absent

From this reading "Leave me, Maia!" pleaded the young widow in accents of despair.

distressnounUS /dɪˈstres/

psychological suffering

From this reading She took refuge with Cecilia, wanting to unbosom herself to her, but had found her in such grief and distress, that it was useless to expect from her attention and sympathy.

expectverbUS /ɪkˈspekt/

regard something as probable or likely

From this reading She took refuge with Cecilia, wanting to unbosom herself to her, but had found her in such grief and distress, that it was useless to expect from her attention and sympathy.

fathernounUS /ˈfɑːðər/

a male parent (also used as a term of address to your father)

From this reading When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.

forthadverbUS /fɔːrθ/

from a particular thing or place or position (“forth” is obsolete)

From this reading When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.

foundverbUS /faʊnd/

set up or found

From this reading She took refuge with Cecilia, wanting to unbosom herself to her, but had found her in such grief and distress, that it was useless to expect from her attention and sympathy.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.

goneadjectiveUS /ɡɔːn/

destroyed or killed

From this reading When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.

griefnounUS /ɡriːf/

intense sorrow caused by loss of a loved one (especially by death)

From this reading She took refuge with Cecilia, wanting to unbosom herself to her, but had found her in such grief and distress, that it was useless to expect from her attention and sympathy.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.

herselfpronounUS /hərˈself/

used when the woman or girl doing the action is also its object

From this reading She took refuge with Cecilia, wanting to unbosom herself to her, but had found her in such grief and distress, that it was useless to expect from her attention and sympathy.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.

issueverbUS /ˈɪʃuː/

prepare and issue for public distribution or sale

From this reading Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading She took refuge with Cecilia, wanting to unbosom herself to her, but had found her in such grief and distress, that it was useless to expect from her attention and sympathy.

LeaveverbUS /liːv/

go away from a place

From this reading "Leave me, Maia!" pleaded the young widow in accents of despair.

LIFEnounUS /laɪf/

a characteristic state or mode of living

From this reading TWIXT LIFE AND DEATH.

MaianounUS /ˈmaɪə/

type genus of the Majidae; nearly cosmopolitan in distribution

From this reading When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.

Manor-house

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading "Leave me, Maia!" pleaded the young widow in accents of despair.

MeanwhileadverbUS /ˈmiːnwaɪl/

at the same time but in another place

From this reading Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.

noisenounUS /nɔɪz/

sound of any kind (especially unintelligible or dissonant sound)

From this reading Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.

parknounUS /pɑːrk/

a large area of land preserved in its natural state as public property

From this reading When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.

plainlyadverbUS /ˈpleɪnli/

unmistakably (“plain” is often used informally for “plainly”)

From this reading Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.

pleadedverbUS /ˈpliːdɪd/

past form of “plead” — appeal or request earnestly

From this reading "Leave me, Maia!" pleaded the young widow in accents of despair.

quellverbUS /kwel/

suppress or crush completely

From this reading When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.

refugenounUS /ˈrefjuːdʒ/

a safe place

From this reading She took refuge with Cecilia, wanting to unbosom herself to her, but had found her in such grief and distress, that it was useless to expect from her attention and sympathy.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading She took refuge with Cecilia, wanting to unbosom herself to her, but had found her in such grief and distress, that it was useless to expect from her attention and sympathy.

sympathynounUS /ˈsɪmpəθi/

an inclination to support or be loyal to or to agree with an opinion

From this reading She took refuge with Cecilia, wanting to unbosom herself to her, but had found her in such grief and distress, that it was useless to expect from her attention and sympathy.

talkverbUS /tɔːk/

exchange thoughts; talk with

From this reading When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.

terribleadjectiveUS /ˈterəbəl/

causing fear or dread or terror

From this reading Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.

thereforeadverbUS /ˈðerfɔːr/

for that reason; as a result

From this reading When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.

tookverbUS /tʊk/

inflected form of “take” — carry out

From this reading She took refuge with Cecilia, wanting to unbosom herself to her, but had found her in such grief and distress, that it was useless to expect from her attention and sympathy.

TWIXT

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading TWIXT LIFE AND DEATH.

unbosomverb

relieve oneself of troubling information

From this reading She took refuge with Cecilia, wanting to unbosom herself to her, but had found her in such grief and distress, that it was useless to expect from her attention and sympathy.

uselessadjectiveUS /ˈjuːsləs/

having no beneficial use or incapable of functioning usefully

From this reading She took refuge with Cecilia, wanting to unbosom herself to her, but had found her in such grief and distress, that it was useless to expect from her attention and sympathy.

wantingadjectiveUS /ˈwɑːntɪŋ/

nonexistent

From this reading She took refuge with Cecilia, wanting to unbosom herself to her, but had found her in such grief and distress, that it was useless to expect from her attention and sympathy.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading She took refuge with Cecilia, wanting to unbosom herself to her, but had found her in such grief and distress, that it was useless to expect from her attention and sympathy.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.

WhenconjunctionUS /wen/

at the time that

From this reading When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.

widownounUS /ˈwɪdoʊ/

a woman whose husband is dead especially one who has not remarried

From this reading "Leave me, Maia!" pleaded the young widow in accents of despair.

withprepositionUS /wɪð/

in the company of; together with

From this reading When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.

workmennounUS /ˈwɜːrkmɪn/

plural of “workman” — an employee who performs manual or industrial labor

From this reading When Maia came from the park, her father had already gone forth to quell the workmen, and she could not, therefore, talk with him.

worksnounUS /wɜːrks/

buildings for carrying on industrial labor

From this reading Meanwhile, in the Manor-house they were awaiting in terrible anxiety the issue of the noise and commotion, that were plainly audible as coming from the works.

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading "Leave me, Maia!" pleaded the young widow in accents of despair.

Chapter 25 of "Clear the Track!" A Story of To-day by E. Werner holds 213 sentences, grouped into 43 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 25 of "Clear the Track!" A Story of To-day contain?

Chapter 25 holds 213 sentences of "Clear the Track!" A Story of To-day, unabridged, divided into 43 reading sections.

This page carries chapter 25 of "Clear the Track!" A Story of To-day by E. Werner exactly as it stands in the source edition, without abridgement. It runs to 213 sentences, grouped into 43 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 25 of "Clear the Track!" A Story of To-day?

Work through the 43 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 43 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 25 be read aloud to me?

Yes — every sentence and every individual word in chapter 25 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading "Clear the Track!" A Story of To-day

Common questions about reading "Clear the Track!" A Story of To-day by E. Werner on this page, its source edition and its audio.

Is this the complete text of "Clear the Track!" A Story of To-day?

Yes. All 6110 sentences of Project Gutenberg eBook #35201 are kept, with a record of which sentences cover which part.

Which edition of "Clear the Track!" A Story of To-day is used?

Project Gutenberg eBook #35201, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does "Clear the Track!" A Story of To-day take to read?

About 509 minutes of reading across 1222 sections of 5 sentences each, at an unhurried pace.

How to read "Clear the Track!" A Story of To-day section by section

How to work through "Clear the Track!" A Story of To-day section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 26 chapters of "Clear the Track!" A Story of To-day to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in "Clear the Track!" A Story of To-day

Words and structures a reader meets early in "Clear the Track!" A Story of To-day, each tappable for pronunciation and meaning.

Feast
A word that appears in the opening chapter of "Clear the Track!" A Story of To-day; the reader can tap it to hear it and see its dictionary entry.
Flowers
A word that appears in the opening chapter of "Clear the Track!" A Story of To-day; the reader can tap it to hear it and see its dictionary entry.
Spring
A word that appears in the opening chapter of "Clear the Track!" A Story of To-day; the reader can tap it to hear it and see its dictionary entry.
South
A word that appears in the opening chapter of "Clear the Track!" A Story of To-day; the reader can tap it to hear it and see its dictionary entry.