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Cleo The Magnificent
Cleo The Magnificent

Chapter XX · Chapter 20

Chapter 20 of Cleo The Magnificent is here in full — 78 sentences across 16 reading sections, with audio for every sentence and word.

Cover illustration for Cleo The Magnificent
Context Illustration Reading 1/15 · 5 lines
English subtitles · tap any word to listen 1 / 5
Morgan, of course, could not guess the nature of the new scene that Cleo was now going to introduce.
The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.
Suddenly he stamps his foot on the ground and the room is filled, as by magic, with eunuchs and soldiers.
The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.
The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Cleo The Magnificent

Chapter XX · Chapter 20

Chapter 20 of Cleo The Magnificent is here in full — 78 sentences across 16 reading sections, with audio for every sentence and word.

Reading 1/15 · 5 reading units · Lines 1–5

Line 1
Morgan, of course, could not guess the nature of the new scene that Cleo was now going to introduce.
Line 2
The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.
Line 3
Suddenly he stamps his foot on the ground and the room is filled, as by magic, with eunuchs and soldiers.
Line 4
The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.
Line 5
The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.
/ðə ˈkɜːrtən fɔːlz æz hiː bɪdz hɪz ˈmɜːrmɪdɪnz pʊt hɜːr ˈɪntuː ə sæk ənd hiːv hɜːr ˈɪntuː ðə naɪl ənd hɪz ˈfeɪvərɪt ɪz ˈkærid ɔːf ˈlaʊdli ˈbɪdɪŋ hɜːr ˈlʌvər teɪk hɑːrt fɔːr ʃiː lʌvz hɪm ənd wɪl lʌv hɪm ˈɔːlweɪz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

bids noun US /bɪdz/

plural of “bid” — an authoritative direction or instruction to do something

From this reading “The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.”

heave verb US /hiːv/

utter a sound, as with obvious effort

From this reading “The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.”

listens verb US /ˈlɪsənz/

third-person singular of “listen” — hear with intention

From this reading “The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.”

manages verb US /ˈmænɪdʒɪz/

third-person singular of “manage” — be successful; achieve a goal

From this reading “The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.”

myrmidons noun US /ˈmɜːrmɪdɪnz/

plural of “myrmidon” — a follower who carries out orders without question

From this reading “The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.”

semblance noun US /ˈsembləns/

an outward or token appearance or form that is deliberately misleading

From this reading “The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.”

spitting noun US /ˈspɪtɪŋ/

the act of spitting (forcefully expelling saliva)

From this reading “The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.”

stamps noun US /stæmps/

plural of “stamp” — the distinctive form in which a thing is made

From this reading “Suddenly he stamps his foot on the ground and the room is filled, as by magic, with eunuchs and soldiers.”

All words in this reading · 129

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

actverbUS /ækt/

perform an action, or work out or perform (an action)

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

actionnounUS /ˈækʃən/

something done (usually as opposed to something said)

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

advancesnounUS /ədˈvænsəz/

plural of “advance” — a movement forward

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

apartmentnounUS /əˈpɑːrtmənt/

a suite of rooms usually on one floor of an apartment house

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Suddenly he stamps his foot on the ground and the room is filled, as by magic, with eunuchs and soldiers.

assumedadjectiveUS /əˈsuːmd/

adopted in order to deceive

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

audiencenounUS /ˈɑːdiəns/

a gathering of spectators or listeners at a (usually public) performance

From this reading The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.

awhileadverbUS /əˈwaɪl/

for a short time

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

Basha

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

Basha's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

biddingnounUS /ˈbɪdɪŋ/

an authoritative direction or instruction to do something

From this reading The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.

bidsnounUS /bɪdz/

plural of “bid” — an authoritative direction or instruction to do something

From this reading The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.

bothdeterminerUS /boʊθ/

the two together, not just one

From this reading The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.

boundadjectiveUS /baʊnd/

confined by bonds

From this reading The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Suddenly he stamps his foot on the ground and the room is filled, as by magic, with eunuchs and soldiers.

carriedverbUS /ˈkærid/

inflected form of “carry” — move while supporting, either in a vehicle or in one's hands or on one's body

From this reading The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.

ChristianadjectiveUS /ˈkrɪstʃən/

relating to or characteristic of Christianity

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

Cleo

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Morgan, of course, could not guess the nature of the new scene that Cleo was now going to introduce.

comesnounUS /kʌmz/

plural of “come” — the thick white fluid containing spermatozoa that is ejaculated by the male genital tract

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading Morgan, of course, could not guess the nature of the new scene that Cleo was now going to introduce.

coursenounUS /kɔːrs/

education imparted in a series of lessons or meetings

From this reading Morgan, of course, could not guess the nature of the new scene that Cleo was now going to introduce.

curtainnounUS /ˈkɜːrtən/

hanging cloth used as a blind (especially for a window)

From this reading The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.

declaringverbUS /dɪˈklerɪŋ/

-ing form of “declare” — state emphatically and authoritatively

From this reading The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.

defiancenounUS /dɪˈfaɪəns/

intentionally contemptuous behavior or attitude

From this reading The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.

discoursenounUS /ˈdɪskɔːrs/

extended verbal expression in speech or writing

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

dramaticadjectiveUS /drəˈmætɪk/

suitable to or characteristic of drama

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

duringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

effectnounUS /ɪˈfekt/

a phenomenon that follows and is caused by some previous phenomenon

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

embraceverbUS /emˈbreɪs/

include in scope; include as part of something broader; have as one's sphere or territory

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

entrynounUS /ˈentri/

an item inserted in a written record

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

eternaladjectiveUS /ɪˈtɜːrnəl/

continuing forever or indefinitely

From this reading The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.

eunuchs

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Suddenly he stamps his foot on the ground and the room is filled, as by magic, with eunuchs and soldiers.

eventuallyadverbUS /ɪˈventʃəwəli/

after an unspecified period of time or an especially long delay

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

fallsnounUS /fɔːlz/

the petals or sepals of a flower that bend downward (especially the outer perianth of an iris)

From this reading The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.

favouritenounUS /ˈfeɪvərɪt/

a competitor thought likely to win

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

filledadjectiveUS /fɪld/

(usually followed by “with” or used as a combining form) generously supplied with

From this reading Suddenly he stamps his foot on the ground and the room is filled, as by magic, with eunuchs and soldiers.

followingadjectiveUS /ˈfɑːloʊɪŋ/

about to be mentioned or specified

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

footnounUS /fʊt/

the part of the leg of a human being below the ankle joint

From this reading Suddenly he stamps his foot on the ground and the room is filled, as by magic, with eunuchs and soldiers.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

getverbUS /ɡet/

come into the possession of something concrete or abstract

From this reading The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.

goingnounUS /ˈɡoʊɪŋ/

the act of departing

From this reading Morgan, of course, could not guess the nature of the new scene that Cleo was now going to introduce.

groundnounUS /ɡraʊnd/

the solid part of the earth's surface

From this reading Suddenly he stamps his foot on the ground and the room is filled, as by magic, with eunuchs and soldiers.

guessverbUS /ɡes/

expect, believe, or suppose

From this reading Morgan, of course, could not guess the nature of the new scene that Cleo was now going to introduce.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Suddenly he stamps his foot on the ground and the room is filled, as by magic, with eunuchs and soldiers.

hearingnounUS /ˈhiːrɪŋ/

(law) a proceeding (usually by a court) where evidence is taken for the purpose of determining an issue of fact and reaching a decision based on that evidence

From this reading The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.

heartnounUS /hɑːrt/

the locus of feelings and intuitions

From this reading The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.

heaveverbUS /hiːv/

utter a sound, as with obvious effort

From this reading The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Suddenly he stamps his foot on the ground and the room is filled, as by magic, with eunuchs and soldiers.

holdverbUS /hoʊld/

cause to continue in a certain state, position, or activity; e.g., “keep clean”

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

impressionsnounUS /ˌɪmˈpreʃənz/

plural of “impression” — a vague idea in which some confidence is placed

From this reading The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

introduceverbUS /ˌɪntrəˈduːs/

cause to come to know personally

From this reading Morgan, of course, could not guess the nature of the new scene that Cleo was now going to introduce.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Suddenly he stamps his foot on the ground and the room is filled, as by magic, with eunuchs and soldiers.

kaleidoscopicadjective

continually shifting or rapidly changing

From this reading The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

listensverbUS /ˈlɪsənz/

third-person singular of “listen” — hear with intention

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

loudlyadverbUS /ˈlaʊdli/

with relatively high volume

From this reading The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.

lovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.

lovernounUS /ˈlʌvər/

a person who loves someone or is loved by someone

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

lovesnounUS /lʌvz/

plural of “love” — a strong positive emotion of regard and affection

From this reading The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.

lovingadjectiveUS /ˈlʌvɪŋ/

feeling or showing love and affection

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

magicnounUS /ˈmædʒɪk/

any art that invokes supernatural powers

From this reading Suddenly he stamps his foot on the ground and the room is filled, as by magic, with eunuchs and soldiers.

managesverbUS /ˈmænɪdʒɪz/

third-person singular of “manage” — be successful; achieve a goal

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.

MorgannounUS /ˈmɔːrɡən/

United States anthropologist who studied the Seneca (1818-1881)

From this reading Morgan, of course, could not guess the nature of the new scene that Cleo was now going to introduce.

mutualadjectiveUS /ˈmjuːtʃuːəl/

common to or shared by two or more parties

From this reading The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.

myrmidonsnounUS /ˈmɜːrmɪdɪnz/

plural of “myrmidon” — a follower who carries out orders without question

From this reading The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading Morgan, of course, could not guess the nature of the new scene that Cleo was now going to introduce.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading Morgan, of course, could not guess the nature of the new scene that Cleo was now going to introduce.

NilenounUS /naɪl/

the world's longest river (4150 miles); flows northward through eastern Africa into the Mediterranean; the Nile River valley in Egypt was the site of the world's first great civilization

From this reading The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.

nodeterminerUS /noʊ/

not any; not one

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Morgan, of course, could not guess the nature of the new scene that Cleo was now going to introduce.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Morgan, of course, could not guess the nature of the new scene that Cleo was now going to introduce.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Morgan, of course, could not guess the nature of the new scene that Cleo was now going to introduce.

offadverbUS /ɔːf/

from a particular thing or place or position (“forth” is obsolete)

From this reading The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

onceadverbUS /wʌns/

on one occasion

From this reading The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.

OrientaladjectiveUS /ˌɔːriˈentəl/

denoting or characteristic of countries of the Far East

From this reading The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.

palacenounUS /ˈpæləs/

a large and stately mansion

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

paleadjectiveUS /peɪl/

very light colored; highly diluted with white

From this reading The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.

personagenoun

another word for person; a person not meriting identification

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

privateadjectiveUS /ˈpraɪvət/

confined to particular persons or groups or providing privacy

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

putverbUS /pʊt/

put into a certain place or abstract location

From this reading The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.

quietlyadverbUS /ˈkwaɪətli/

with low volume

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

representverbUS /ˌreprɪˈzent/

take the place of or be parallel or equivalent to

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading Suddenly he stamps his foot on the ground and the room is filled, as by magic, with eunuchs and soldiers.

sacknounUS /sæk/

a bag made of paper or plastic for holding customer's purchases

From this reading The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

scenenounUS /siːn/

the place where some action occurs

From this reading Morgan, of course, could not guess the nature of the new scene that Cleo was now going to introduce.

secondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

seizedverbUS /siːzd/

past form of “seize” — take hold of; grab

From this reading The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.

semblancenounUS /ˈsembləns/

an outward or token appearance or form that is deliberately misleading

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.

skinnounUS /skɪn/

a natural protective body covering and site of the sense of touch

From this reading The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.

soldiersnounUS /ˈsoʊldʒərz/

plural of “soldier” — an enlisted man or woman who serves in an army

From this reading Suddenly he stamps his foot on the ground and the room is filled, as by magic, with eunuchs and soldiers.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

spittingnounUS /ˈspɪtɪŋ/

the act of spitting (forcefully expelling saliva)

From this reading The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

stampsnounUS /stæmps/

plural of “stamp” — the distinctive form in which a thing is made

From this reading Suddenly he stamps his foot on the ground and the room is filled, as by magic, with eunuchs and soldiers.

SuddenlyadverbUS /ˈsʌdənli/

happening unexpectedly

From this reading Suddenly he stamps his foot on the ground and the room is filled, as by magic, with eunuchs and soldiers.

takeverbUS /teɪk/

carry out

From this reading The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.

takingnounUS /ˈteɪkɪŋ/

the act of someone who picks up or takes something

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Morgan, of course, could not guess the nature of the new scene that Cleo was now going to introduce.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Morgan, of course, could not guess the nature of the new scene that Cleo was now going to introduce.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

tip-toe

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Morgan, of course, could not guess the nature of the new scene that Cleo was now going to introduce.

turnsnounUS /tɜːrnz/

plural of “turn” — a circular segment of a curve

From this reading The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Morgan, of course, could not guess the nature of the new scene that Cleo was now going to introduce.

whenconjunctionUS /wen/

at the time that

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The audience once more get kaleidoscopic impressions, and Cleo and the Christian are seized and bound, both spitting defiance and declaring their mutual eternal love, on hearing which the Basha turns pale under his Oriental skin.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading The curtain falls as he bids his myrmidons put her into a sack and heave her into the Nile, and his favourite is carried off, loudly bidding her lover take heart, for she loves him and will love him always.

withprepositionUS /wɪð/

in the company of; together with

From this reading The stage during the second act was to represent "a private apartment in the palace," and here the action assumed some dramatic semblance, taking the following course: The Christian lover manages to effect an entry into this same private apartment and to hold a long, loving discourse with the Basha's favourite, and when eventually the two are about to embrace, in comes no less a personage than the Basha himself, and advances quietly on tip-toe and listens for awhile.

Chapter 20 of Cleo The Magnificent by Louis Zangwill holds 78 sentences, grouped into 16 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 20 of Cleo The Magnificent contain?

Chapter 20 holds 78 sentences of Cleo The Magnificent, unabridged, divided into 16 reading sections.

This page carries chapter 20 of Cleo The Magnificent by Louis Zangwill exactly as it stands in the source edition, without abridgement. It runs to 78 sentences, grouped into 16 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 20 of Cleo The Magnificent?

Work through the 16 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 16 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 20 be read aloud to me?

Yes — every sentence and every individual word in chapter 20 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Cleo The Magnificent

Common questions about reading Cleo The Magnificent by Louis Zangwill on this page, its source edition and its audio.

Is this the complete text of Cleo The Magnificent?

Yes. All 4309 sentences of Project Gutenberg eBook #29207 are kept, with a record of which sentences cover which part.

Which edition of Cleo The Magnificent is used?

Project Gutenberg eBook #29207, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Cleo The Magnificent take to read?

About 359 minutes of reading across 862 sections of 5 sentences each, at an unhurried pace.

How to read Cleo The Magnificent section by section

How to work through Cleo The Magnificent section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 39 chapters of Cleo The Magnificent to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Cleo The Magnificent

Words and structures a reader meets early in Cleo The Magnificent, each tappable for pronunciation and meaning.

Images
A word that appears in the opening chapter of Cleo The Magnificent; the reader can tap it to hear it and see its dictionary entry.
Original
A word that appears in the opening chapter of Cleo The Magnificent; the reader can tap it to hear it and see its dictionary entry.
Pages
A word that appears in the opening chapter of Cleo The Magnificent; the reader can tap it to hear it and see its dictionary entry.
Available
A word that appears in the opening chapter of Cleo The Magnificent; the reader can tap it to hear it and see its dictionary entry.