Chapter 5 of Coleridge's Ancient Mariner and Select Poems is here in full — 30 sentences across 6 reading sections, with audio for every sentence and word.
A keeper or guardian of historical records and memories.
Chapter V
Chapter 5 of Coleridge's Ancient Mariner and Select Poems is here in full — 30 sentences across 6 reading sections, with audio for every sentence and word.
[Sidenote: The Wedding-Guest feareth that a Spirit is talking to him;] "I Fear thee, ancient Mariner! I fear thy skinny hand! 225 And thou art long, and lank, and brown, As is the ribbed sea-sand. I fear thee and thy glittering eye, And thy skinny hand, so brown."-- "Fear me not, fear not, thou wedding-guest!
Chapter 5 of Coleridge's Ancient Mariner and Select Poems is here in full — 30 sentences across 6 reading sections, with audio for every sentence and word.
Reading 1/6 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
Belonging to the very distant past and no longer in existence or deeply revered.
From this reading “"I Fear thee, ancient Mariner!”
an orange of low brightness and saturation
From this reading “225 And thou art long, and lank, and brown, As is the ribbed sea-sand.”
having brief brilliant points or flashes of light
From this reading “I fear thee and thy glittering eye, And thy skinny hand, so brown."-- "Fear me not, fear not, thou wedding-guest!”
long and thin and often limp
From this reading “225 And thou art long, and lank, and brown, As is the ribbed sea-sand.”
a man who serves as a sailor
From this reading “"I Fear thee, ancient Mariner!”
furnished or strengthened with ribs
From this reading “225 And thou art long, and lank, and brown, As is the ribbed sea-sand.”
being very thin
From this reading “I fear thy skinny hand!”
an exchange of ideas via conversation
From this reading “[Sidenote: The Wedding-Guest feareth that a Spirit is talking to him;]”
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading 225 And thou art long, and lank, and brown, As is the ribbed sea-sand.
used before a singular noun to mean one of a group, when it is not a particular one
From this reading [Sidenote: The Wedding-Guest feareth that a Spirit is talking to him;]
Belonging to the very distant past and no longer in existence or deeply revered.
From this reading "I Fear thee, ancient Mariner!
used to join words or parts of a sentence that go together
From this reading 225 And thou art long, and lank, and brown, As is the ribbed sea-sand.
an old form of “are”, used with “thou”
From this reading 225 And thou art long, and lank, and brown, As is the ribbed sea-sand.
at the same time that; because; in the way that
From this reading 225 And thou art long, and lank, and brown, As is the ribbed sea-sand.
an orange of low brightness and saturation
From this reading 225 And thou art long, and lank, and brown, As is the ribbed sea-sand.
the organ of sight
From this reading I fear thee and thy glittering eye, And thy skinny hand, so brown."-- "Fear me not, fear not, thou wedding-guest!
be afraid or feel anxious or apprehensive about a possible or probable situation or event
From this reading "I Fear thee, ancient Mariner!
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading [Sidenote: The Wedding-Guest feareth that a Spirit is talking to him;]
having brief brilliant points or flashes of light
From this reading I fear thee and thy glittering eye, And thy skinny hand, so brown."-- "Fear me not, fear not, thou wedding-guest!
the (prehensile) extremity of the superior limb
From this reading I fear thy skinny hand!
the male already mentioned, as the object of a verb or preposition
From this reading [Sidenote: The Wedding-Guest feareth that a Spirit is talking to him;]
the person speaking or writing, as the subject of the verb
From this reading "I Fear thee, ancient Mariner!
the form of “be” used with he, she, it, or a singular noun
From this reading [Sidenote: The Wedding-Guest feareth that a Spirit is talking to him;]
long and thin and often limp
From this reading 225 And thou art long, and lank, and brown, As is the ribbed sea-sand.
primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified
From this reading 225 And thou art long, and lank, and brown, As is the ribbed sea-sand.
a man who serves as a sailor
From this reading "I Fear thee, ancient Mariner!
the person speaking, as the object of a verb or preposition
From this reading I fear thee and thy glittering eye, And thy skinny hand, so brown."-- "Fear me not, fear not, thou wedding-guest!
used to make a word, phrase, or sentence negative
From this reading I fear thee and thy glittering eye, And thy skinny hand, so brown."-- "Fear me not, fear not, thou wedding-guest!
furnished or strengthened with ribs
From this reading 225 And thou art long, and lank, and brown, As is the ribbed sea-sand.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading 225 And thou art long, and lank, and brown, As is the ribbed sea-sand.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading [Sidenote: The Wedding-Guest feareth that a Spirit is talking to him;]
being very thin
From this reading I fear thy skinny hand!
for that reason; with the result that
From this reading I fear thee and thy glittering eye, And thy skinny hand, so brown."-- "Fear me not, fear not, thou wedding-guest!
the vital principle or animating force within living things
From this reading [Sidenote: The Wedding-Guest feareth that a Spirit is talking to him;]
an exchange of ideas via conversation
From this reading [Sidenote: The Wedding-Guest feareth that a Spirit is talking to him;]
used to introduce what somebody said, thought, or felt
From this reading [Sidenote: The Wedding-Guest feareth that a Spirit is talking to him;]
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading [Sidenote: The Wedding-Guest feareth that a Spirit is talking to him;]
an old word for “you”, as the object, speaking to one person
From this reading "I Fear thee, ancient Mariner!
an old word for “you”, as the subject, speaking to one person
From this reading 225 And thou art long, and lank, and brown, As is the ribbed sea-sand.
an old word for “your”, speaking to one person
From this reading I fear thy skinny hand!
used before the base form of a verb to make the infinitive
From this reading [Sidenote: The Wedding-Guest feareth that a Spirit is talking to him;]
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading [Sidenote: The Wedding-Guest feareth that a Spirit is talking to him;]
Chapter 5 of Coleridge's Ancient Mariner and Select Poems by Samuel Taylor Coleridge holds 30 sentences, grouped into 6 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 5 holds 30 sentences of Coleridge's Ancient Mariner and Select Poems, unabridged, divided into 6 reading sections.
This page carries chapter 5 of Coleridge's Ancient Mariner and Select Poems by Samuel Taylor Coleridge exactly as it stands in the source edition, without abridgement. It runs to 30 sentences, grouped into 6 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 6 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 6 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
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Words and structures a reader meets early in Coleridge's Ancient Mariner and Select Poems, each tappable for pronunciation and meaning.
