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Colonel Quaritch, V.C.
Colonel Quaritch, V.C.

Chapter II · Chapter 2

Chapter 2 of Colonel Quaritch, V.C. is here in full — 159 sentences across 32 reading sections, with audio for every sentence and word.

Cover illustration for Colonel Quaritch, V.C.
Context Illustration Reading 1/31 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE TALE OF SIR JAMES DE LA MOLLE Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.
The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.
Is that you, father?
Really it is too bad to be so late for dinnerespecially after you blew up that wretched Emma last night because she was five minutes after time.
I have been waiting so long that I have almost been asleep.”
0:00 / 0:00
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Colonel Quaritch, V.C.

Chapter II · Chapter 2

Chapter 2 of Colonel Quaritch, V.C. is here in full — 159 sentences across 32 reading sections, with audio for every sentence and word.

Reading 1/31 · 5 reading units · Lines 1–5

Line 1
THE TALE OF SIR JAMES DE LA MOLLEIs that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.
/ðə teɪl ʌv sɜːr dʒeɪmz diː lɑː mɑːl ɪz ðæt juː ˈfɑːðər sed ə vɔɪs ə ˈveri swiːt vɔɪs bʌt wʌn ʌv wɪtʃ ðə toʊnz bɪˈtreɪd ðə ˌɪrɪˈteɪʃən ˈnætʃərəl tuː ə ˈhelθi ˈwʊmən huː hæz bɪn kept ˈweɪtɪŋ fɔːr hɜːr ˈdɪnər/
Line 2
The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.
Line 3
Is that you, father?
/ɪz ðæt juː ˈfɑːðər/
Line 4
Really it is too bad to be so late for dinnerespecially after you blew up that wretched Emma last night because she was five minutes after time.
Line 5
I have been waiting so long that I have almost been asleep.”
/aɪ hæv bɪn ˈweɪtɪŋ soʊ lɔːŋ ðæt aɪ hæv ˈɔːlmoʊst bɪn əˈsliːp/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

blew verb US /bluː/

inflected form of “blow” — exhale hard

From this reading “Really it is too bad to be so late for dinner—especially after you blew up that wretched Emma last night because she was five minutes after time.”

gloom noun US /ɡluːm/

a state of partial or total darkness

From this reading “The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.”

healthy adjective US /ˈhelθi/

having or indicating good health in body or mind; free from infirmity or disease

From this reading “THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.”

irritation noun US /ˌɪrɪˈteɪʃən/

the psychological state of being irritated or annoyed

From this reading “THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.”

molle noun US /mɑːl/

small Peruvian evergreen with broad rounded head and slender pendant branches with attractive clusters of greenish flowers followed by clusters of rose-pink fruits

From this reading “THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.”

oak noun US /oʊk/

the hard durable wood of any oak; used especially for furniture and flooring

From this reading “The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.”

outline noun US /ˈaʊtlaɪn/

the line that appears to bound an object

From this reading “The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.”

recesses noun US /ˈriːsesəz/

plural of “recess” — a state of abeyance or suspended business

From this reading “The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.”

All words in this reading · 91

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

afterprepositionUS /ˈæftər/

later than; following

From this reading Really it is too bad to be so late for dinner—especially after you blew up that wretched Emma last night because she was five minutes after time.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading I have been waiting so long that I have almost been asleep.”

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

asleepadjectiveUS /əˈsliːp/

in a state of sleep

From this reading I have been waiting so long that I have almost been asleep.”

badadjectiveUS /bæd/

having undesirable or negative qualities

From this reading Really it is too bad to be so late for dinner—especially after you blew up that wretched Emma last night because she was five minutes after time.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Really it is too bad to be so late for dinner—especially after you blew up that wretched Emma last night because she was five minutes after time.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading Really it is too bad to be so late for dinner—especially after you blew up that wretched Emma last night because she was five minutes after time.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

betrayedverbUS /bɪˈtreɪd/

past form of “betray” — reveal unintentionally

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

blewverbUS /bluː/

inflected form of “blow” — exhale hard

From this reading Really it is too bad to be so late for dinner—especially after you blew up that wretched Emma last night because she was five minutes after time.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

chairnounUS /tʃer/

a seat for one person, with a support for the back

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

crossedadjectiveUS /krɔːst/

placed crosswise

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

DEnounUS /diː/

a Mid-Atlantic state; one of the original 13 colonies

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

deeplyadverbUS /ˈdiːpli/

to a great depth psychologically or emotionally

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

dinnernounUS /ˈdɪnər/

the main meal of the day served in the evening or at midday

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

directionnounUS /dərˈekʃən/

a line leading to a place or point

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

duskyadjective

lighted by or as if by twilight

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

Emma

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Really it is too bad to be so late for dinner—especially after you blew up that wretched Emma last night because she was five minutes after time.

especiallyadverbUS /əˈspeʃli/

to a distinctly greater extent or degree than is common

From this reading Really it is too bad to be so late for dinner—especially after you blew up that wretched Emma last night because she was five minutes after time.

eveningnounUS /ˈiːvnɪŋ/

the latter part of the day (the period of decreasing daylight from late afternoon until nightfall)

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

fathernounUS /ˈfɑːðər/

a male parent (also used as a term of address to your father)

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

fivenounUS /faɪv/

the cardinal number that is the sum of four and one

From this reading Really it is too bad to be so late for dinner—especially after you blew up that wretched Emma last night because she was five minutes after time.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

gatheredadjectiveUS /ˈɡæðərd/

brought together in one place

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

gloomnounUS /ɡluːm/

a state of partial or total darkness

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

handsnounUS /hændz/

(with “in”) guardianship over; in divorce cases it is the right to house and care for and discipline a child

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

Harold

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading I have been waiting so long that I have almost been asleep.”

healthyadjectiveUS /ˈhelθi/

having or indicating good health in body or mind; free from infirmity or disease

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading I have been waiting so long that I have almost been asleep.”

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

irritationnounUS /ˌɪrɪˈteɪʃən/

the psychological state of being irritated or annoyed

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

Isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Really it is too bad to be so late for dinner—especially after you blew up that wretched Emma last night because she was five minutes after time.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

JAMESnounUS /dʒeɪmz/

a Stuart king of Scotland who married a daughter of Henry VII; when England and France went to war in 1513 he invaded England and died in defeat at Flodden (1473-1513)

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

keptadjectiveUS /kept/

(especially of promises or contracts) not violated or disregarded

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

LAnounUS /lɑː/

a white soft metallic element that tarnishes readily; occurs in rare earth minerals and is usually classified as a rare earth

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

lastadjectiveUS /læst/

immediately past

From this reading Really it is too bad to be so late for dinner—especially after you blew up that wretched Emma last night because she was five minutes after time.

lateadjectiveUS /leɪt/

being or occurring at an advanced period of time or after a usual or expected time

From this reading Really it is too bad to be so late for dinner—especially after you blew up that wretched Emma last night because she was five minutes after time.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading I have been waiting so long that I have almost been asleep.”

lookingnounUS /ˈlʊkɪŋ/

the act of directing the eyes toward something and perceiving it visually

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

minutesnounUS /ˈmɪnəts/

a written account of what transpired at a meeting

From this reading Really it is too bad to be so late for dinner—especially after you blew up that wretched Emma last night because she was five minutes after time.

MOLLEnounUS /mɑːl/

small Peruvian evergreen with broad rounded head and slender pendant branches with attractive clusters of greenish flowers followed by clusters of rose-pink fruits

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

naturaladjectiveUS /ˈnætʃərəl/

in accordance with nature; relating to or concerning nature

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

nightnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading Really it is too bad to be so late for dinner—especially after you blew up that wretched Emma last night because she was five minutes after time.

oaknounUS /oʊk/

the hard durable wood of any oak; used especially for furniture and flooring

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

outlinenounUS /ˈaʊtlaɪn/

the line that appears to bound an object

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

Quaritch

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

ReallyadverbUS /ˈrɪli/

in accordance with truth or fact or reality

From this reading Really it is too bad to be so late for dinner—especially after you blew up that wretched Emma last night because she was five minutes after time.

recessesnounUS /ˈriːsesəz/

plural of “recess” — a state of abeyance or suspended business

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading Really it is too bad to be so late for dinner—especially after you blew up that wretched Emma last night because she was five minutes after time.

SIRnounUS /sɜːr/

term of address for a man

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

sittingnounUS /ˈsɪtɪŋ/

(photography) the act of assuming a certain position (as for a photograph or portrait)

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Really it is too bad to be so late for dinner—especially after you blew up that wretched Emma last night because she was five minutes after time.

sweetadjectiveUS /swiːt/

having or denoting the characteristic taste of sugar

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

TALEnounUS /teɪl/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

talladjectiveUS /tɔːl/

great in vertical dimension; high in stature

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading Really it is too bad to be so late for dinner—especially after you blew up that wretched Emma last night because she was five minutes after time.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

tonesnounUS /toʊnz/

plural of “tone” — the quality of a person's voice

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading Really it is too bad to be so late for dinner—especially after you blew up that wretched Emma last night because she was five minutes after time.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading Really it is too bad to be so late for dinner—especially after you blew up that wretched Emma last night because she was five minutes after time.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

voicenounUS /vɔɪs/

the distinctive quality or pitch or condition of a person's speech

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

waitingnounUS /ˈweɪtɪŋ/

the act of waiting (remaining inactive in one place while expecting something)

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Really it is too bad to be so late for dinner—especially after you blew up that wretched Emma last night because she was five minutes after time.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

whopronounUS /huː/

which person or people

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

withprepositionUS /wɪð/

in the company of; together with

From this reading The voice came from the recesses of the dusky room in which the evening gloom had gathered deeply, and looking in its direction, Harold Quaritch could see the outline of a tall form sitting in an old oak chair with its hands crossed.

womannounUS /ˈwʊmən/

an adult female person (as opposed to a man)

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

wretchedadjectiveUS /ˈretʃɪd/

of very poor quality or condition

From this reading Really it is too bad to be so late for dinner—especially after you blew up that wretched Emma last night because she was five minutes after time.

youpronounUS /juː/

the person or people being spoken to

From this reading THE TALE OF SIR JAMES DE LA MOLLE “Is that you, father?” said a voice, a very sweet voice, but one of which the tones betrayed the irritation natural to a healthy woman who has been kept waiting for her dinner.

Chapter 2 of Colonel Quaritch, V.C. by H. Rider (Henry Rider) Haggard holds 159 sentences, grouped into 32 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Colonel Quaritch, V.C. contain?

Chapter 2 holds 159 sentences of Colonel Quaritch, V.C., unabridged, divided into 32 reading sections.

This page carries chapter 2 of Colonel Quaritch, V.C. by H. Rider (Henry Rider) Haggard exactly as it stands in the source edition, without abridgement. It runs to 159 sentences, grouped into 32 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of Colonel Quaritch, V.C.?

Work through the 32 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 32 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Colonel Quaritch, V.C.

Common questions about reading Colonel Quaritch, V.C. by H. Rider (Henry Rider) Haggard on this page, its source edition and its audio.

Is this the complete text of Colonel Quaritch, V.C.?

Yes. All 5756 sentences of Project Gutenberg eBook #11882 are kept, with a record of which sentences cover which part.

Which edition of Colonel Quaritch, V.C. is used?

Project Gutenberg eBook #11882, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Colonel Quaritch, V.C. take to read?

About 479 minutes of reading across 1152 sections of 5 sentences each, at an unhurried pace.

How to read Colonel Quaritch, V.C. section by section

How to work through Colonel Quaritch, V.C. section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of Colonel Quaritch, V.C. to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Colonel Quaritch, V.C.

Words and structures a reader meets early in Colonel Quaritch, V.C., each tappable for pronunciation and meaning.

Colonel
A word that appears in the opening chapter of Colonel Quaritch, V.C.; the reader can tap it to hear it and see its dictionary entry.
Quaritch
A word that appears in the opening chapter of Colonel Quaritch, V.C.; the reader can tap it to hear it and see its dictionary entry.
Contemplating
A word that appears in the opening chapter of Colonel Quaritch, V.C.; the reader can tap it to hear it and see its dictionary entry.
These
A word that appears in the opening chapter of Colonel Quaritch, V.C.; the reader can tap it to hear it and see its dictionary entry.