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Confessions of an Opera Singer
Confessions of an Opera Singer

Chapter X

Chapter 10 of Confessions of an Opera Singer is here in full — 97 sentences across 20 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/19 · 5 lines
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MY DEBUT AND BREAKING INTO HARNESS I had to sing _Azucena_, my first part on any stage, without rehearsal.
The reason for this dawned upon me afterwards.
Though I sang German well by this time, my conversational powers still left something to be desired.
I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.
When I heard one evening, that I should have to sing _Azucena_ on the next, I confess that something rather like panic assailed me for a few minutes.
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LEARNER DICTIONARY
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/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Confessions of an Opera Singer

Chapter X

Chapter 10 of Confessions of an Opera Singer is here in full — 97 sentences across 20 reading sections, with audio for every sentence and word.

Reading 1/19 · 5 reading units · Lines 1–5

Line 1
MY DEBUT AND BREAKING INTO HARNESS I had to sing _Azucena_, my first part on any stage, without rehearsal.
Line 2
The reason for this dawned upon me afterwards.
/ðə ˈriːzən fɔːr ðɪs dɔːnd əˈpɑːn miː ˈæftərwərdz/
Line 3
Though I sang German well by this time, my conversational powers still left something to be desired.
/ðoʊ aɪ sæŋ ˈdʒɜːrmən wel baɪ ðɪs taɪm maɪ ˌkɑːnvərˈseɪʃənəl ˈpaʊərz stɪl left ˈsʌmθɪŋ tuː biː dɪˈzaɪərd/
Line 4
I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.
Line 5
When I heard one evening, that I should have to sing _Azucena_ on the next, I confess that something rather like panic assailed me for a few minutes.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

assailed verb US /əˈseɪld/

past form of “assail” — attack someone physically or emotionally

From this reading “When I heard one evening, that I should have to sing _Azucena_ on the next, I confess that something rather like panic assailed me for a few minutes.”

contingency noun US /kənˈtɪndʒənsi/

a possible event or occurrence or result

From this reading “I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.”

conversational adjective US /ˌkɑːnvərˈseɪʃənəl/

characteristic of informal spoken language or conversation

From this reading “Though I sang German well by this time, my conversational powers still left something to be desired.”

dawned verb US /dɔːnd/

past form of “dawn” — become clear or enter one's consciousness or emotions

From this reading “The reason for this dawned upon me afterwards.”

debut verb US /deɪˈbjuː/

present for the first time to the public

From this reading “MY DEBUT AND BREAKING INTO HARNESS I had to sing _Azucena_, my first part on any stage, without rehearsal.”

director noun US /dərˈektər/

someone who controls resources and expenditures

From this reading “I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.”

incompetent noun US /ˌɪnˈkɑːmpətənt/

someone who is not competent to take effective action

From this reading “I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.”

rehearsal noun US /rɪˈhɜːrsəl/

a practice session in preparation for a public performance (as of a play or speech or concert)

From this reading “MY DEBUT AND BREAKING INTO HARNESS I had to sing _Azucena_, my first part on any stage, without rehearsal.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

few minutes adjective + noun

In this reading “When I heard one evening, that I should have to sing _Azucena_ on the next, I confess that something rather like panic assailed me for a few minutes.”

conversational powers adjective + noun counted as “conversational power”

In this reading “Though I sang German well by this time, my conversational powers still left something to be desired.”

never heard adverb + adjective

In this reading “I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.”

provide for verb + particle

In this reading “I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.”

first part adjective + noun

In this reading “MY DEBUT AND BREAKING INTO HARNESS I had to sing _Azucena_, my first part on any stage, without rehearsal.”

All words in this reading · 78

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

afterwardsadverbUS /ˈæftərwərdz/

happening at a time subsequent to a reference time

From this reading The reason for this dawned upon me afterwards.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading MY DEBUT AND BREAKING INTO HARNESS I had to sing _Azucena_, my first part on any stage, without rehearsal.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading MY DEBUT AND BREAKING INTO HARNESS I had to sing _Azucena_, my first part on any stage, without rehearsal.

assailedverbUS /əˈseɪld/

past form of “assail” — attack someone physically or emotionally

From this reading When I heard one evening, that I should have to sing _Azucena_ on the next, I confess that something rather like panic assailed me for a few minutes.

Azucena

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MY DEBUT AND BREAKING INTO HARNESS I had to sing _Azucena_, my first part on any stage, without rehearsal.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Though I sang German well by this time, my conversational powers still left something to be desired.

bornadjectiveUS /bɔːrn/

brought into existence

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

BREAKINGnounUS /ˈbreɪkɪŋ/

the act of breaking something

From this reading MY DEBUT AND BREAKING INTO HARNESS I had to sing _Azucena_, my first part on any stage, without rehearsal.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Though I sang German well by this time, my conversational powers still left something to be desired.

capableadjectiveUS /ˈkeɪpəbəl/

(usually followed by “of”) having capacity or ability

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

confessverbUS /kənˈfes/

confess to a punishable or reprehensible deed, usually under pressure

From this reading When I heard one evening, that I should have to sing _Azucena_ on the next, I confess that something rather like panic assailed me for a few minutes.

contingencynounUS /kənˈtɪndʒənsi/

a possible event or occurrence or result

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

contraltonoun

a woman singer having a contralto voice

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

conversationaladjectiveUS /ˌkɑːnvərˈseɪʃənəl/

characteristic of informal spoken language or conversation

From this reading Though I sang German well by this time, my conversational powers still left something to be desired.

dawnedverbUS /dɔːnd/

past form of “dawn” — become clear or enter one's consciousness or emotions

From this reading The reason for this dawned upon me afterwards.

DEBUTverbUS /deɪˈbjuː/

present for the first time to the public

From this reading MY DEBUT AND BREAKING INTO HARNESS I had to sing _Azucena_, my first part on any stage, without rehearsal.

desiredadjectiveUS /dɪˈzaɪərd/

wanted intensely

From this reading Though I sang German well by this time, my conversational powers still left something to be desired.

directornounUS /dərˈektər/

someone who controls resources and expenditures

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

engagedadjectiveUS /enˈɡeɪdʒd/

having ones attention or mind or energy engaged

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

eveningnounUS /ˈiːvnɪŋ/

the latter part of the day (the period of decreasing daylight from late afternoon until nightfall)

From this reading When I heard one evening, that I should have to sing _Azucena_ on the next, I confess that something rather like panic assailed me for a few minutes.

expectedadjectiveUS /ɪkˈspektəd/

considered likely or probable to happen or arrive

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

explainedverbUS /ɪkˈspleɪnd/

past form of “explain” — make plain and comprehensible

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading When I heard one evening, that I should have to sing _Azucena_ on the next, I confess that something rather like panic assailed me for a few minutes.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading MY DEBUT AND BREAKING INTO HARNESS I had to sing _Azucena_, my first part on any stage, without rehearsal.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The reason for this dawned upon me afterwards.

GermannounUS /ˈdʒɜːrmən/

a person of German nationality

From this reading Though I sang German well by this time, my conversational powers still left something to be desired.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading MY DEBUT AND BREAKING INTO HARNESS I had to sing _Azucena_, my first part on any stage, without rehearsal.

HARNESSverbUS /ˈhɑːrnəs/

put a harness

From this reading MY DEBUT AND BREAKING INTO HARNESS I had to sing _Azucena_, my first part on any stage, without rehearsal.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

heardadjectiveUS /hɜːrd/

detected or perceived by the sense of hearing

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading MY DEBUT AND BREAKING INTO HARNESS I had to sing _Azucena_, my first part on any stage, without rehearsal.

incompetentnounUS /ˌɪnˈkɑːmpətənt/

someone who is not competent to take effective action

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

INTOprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading MY DEBUT AND BREAKING INTO HARNESS I had to sing _Azucena_, my first part on any stage, without rehearsal.

knewverbUS /nuː/

inflected form of “know” — be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading Though I sang German well by this time, my conversational powers still left something to be desired.

likeverbUS /laɪk/

prefer or wish to do something

From this reading When I heard one evening, that I should have to sing _Azucena_ on the next, I confess that something rather like panic assailed me for a few minutes.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading The reason for this dawned upon me afterwards.

minutesnounUS /ˈmɪnəts/

a written account of what transpired at a meeting

From this reading When I heard one evening, that I should have to sing _Azucena_ on the next, I confess that something rather like panic assailed me for a few minutes.

MYdeterminerUS /maɪ/

belonging to the person speaking

From this reading MY DEBUT AND BREAKING INTO HARNESS I had to sing _Azucena_, my first part on any stage, without rehearsal.

nativeadjectiveUS /ˈneɪtɪv/

characteristic of or existing by virtue of geographic origin

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

nextadjectiveUS /nekst/

immediately following in time or order

From this reading When I heard one evening, that I should have to sing _Azucena_ on the next, I confess that something rather like panic assailed me for a few minutes.

nodeterminerUS /noʊ/

not any; not one

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading MY DEBUT AND BREAKING INTO HARNESS I had to sing _Azucena_, my first part on any stage, without rehearsal.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

panicnounUS /ˈpænɪk/

an overwhelming feeling of fear and anxiety

From this reading When I heard one evening, that I should have to sing _Azucena_ on the next, I confess that something rather like panic assailed me for a few minutes.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading MY DEBUT AND BREAKING INTO HARNESS I had to sing _Azucena_, my first part on any stage, without rehearsal.

powersnounUS /ˈpaʊərz/

plural of “power” — possession of controlling influence

From this reading Though I sang German well by this time, my conversational powers still left something to be desired.

presentverbUS /ˈprezənt/

give an exhibition of to an interested audience

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

proveverbUS /pruːv/

be shown or be found to be

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

provideverbUS /prəˈvaɪd/

give something useful or necessary to

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

quiteadverbUS /kwaɪt/

to a degree (not used with a negative)

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

ratheradverbUS /ˈræðər/

on the contrary

From this reading When I heard one evening, that I should have to sing _Azucena_ on the next, I confess that something rather like panic assailed me for a few minutes.

reasonnounUS /ˈriːzən/

a rational motive for a belief or action

From this reading The reason for this dawned upon me afterwards.

rehearsalnounUS /rɪˈhɜːrsəl/

a practice session in preparation for a public performance (as of a play or speech or concert)

From this reading MY DEBUT AND BREAKING INTO HARNESS I had to sing _Azucena_, my first part on any stage, without rehearsal.

sangnounUS /sæŋ/

North American woodland herb similar to and used as substitute for the Chinese ginseng

From this reading Though I sang German well by this time, my conversational powers still left something to be desired.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading When I heard one evening, that I should have to sing _Azucena_ on the next, I confess that something rather like panic assailed me for a few minutes.

singverbUS /sɪŋ/

deliver by singing

From this reading MY DEBUT AND BREAKING INTO HARNESS I had to sing _Azucena_, my first part on any stage, without rehearsal.

somethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading Though I sang German well by this time, my conversational powers still left something to be desired.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading MY DEBUT AND BREAKING INTO HARNESS I had to sing _Azucena_, my first part on any stage, without rehearsal.

stilladjectiveUS /stɪl/

not in physical motion

From this reading Though I sang German well by this time, my conversational powers still left something to be desired.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The reason for this dawned upon me afterwards.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading The reason for this dawned upon me afterwards.

ThoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading Though I sang German well by this time, my conversational powers still left something to be desired.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading Though I sang German well by this time, my conversational powers still left something to be desired.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading MY DEBUT AND BREAKING INTO HARNESS I had to sing _Azucena_, my first part on any stage, without rehearsal.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading The reason for this dawned upon me afterwards.

voicenounUS /vɔɪs/

the distinctive quality or pitch or condition of a person's speech

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading Though I sang German well by this time, my conversational powers still left something to be desired.

whatpronounUS /wʌt/

used to ask for information about something

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

WhenconjunctionUS /wen/

at the time that

From this reading When I heard one evening, that I should have to sing _Azucena_ on the next, I confess that something rather like panic assailed me for a few minutes.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading MY DEBUT AND BREAKING INTO HARNESS I had to sing _Azucena_, my first part on any stage, without rehearsal.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading I have explained that the present director had never heard my voice; no one knew of what I was capable, and they quite expected that I would prove incompetent, and had engaged a native born contralto to provide for this contingency.

Chapter 10 of Confessions of an Opera Singer by Kathleen Howard holds 97 sentences, grouped into 20 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 10 of Confessions of an Opera Singer contain?

Chapter 10 holds 97 sentences of Confessions of an Opera Singer, unabridged, divided into 20 reading sections.

This page carries chapter 10 of Confessions of an Opera Singer by Kathleen Howard exactly as it stands in the source edition, without abridgement. It runs to 97 sentences, grouped into 20 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 10 of Confessions of an Opera Singer?

Work through the 20 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 20 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 10 be read aloud to me?

Yes — every sentence and every individual word in chapter 10 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Confessions of an Opera Singer

Common questions about reading Confessions of an Opera Singer by Kathleen Howard on this page, its source edition and its audio.

Is this the complete text of Confessions of an Opera Singer?

Yes. All 2568 sentences of Project Gutenberg eBook #32980 are kept, with a record of which sentences cover which part.

Which edition of Confessions of an Opera Singer is used?

Project Gutenberg eBook #32980, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Confessions of an Opera Singer take to read?

About 214 minutes of reading across 514 sections of 5 sentences each, at an unhurried pace.

How to read Confessions of an Opera Singer section by section

How to work through Confessions of an Opera Singer section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 23 chapters of Confessions of an Opera Singer to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Confessions of an Opera Singer

Words and structures a reader meets early in Confessions of an Opera Singer, each tappable for pronunciation and meaning.

Fantastic
A word that appears in the opening chapter of Confessions of an Opera Singer; the reader can tap it to hear it and see its dictionary entry.
Tales
A word that appears in the opening chapter of Confessions of an Opera Singer; the reader can tap it to hear it and see its dictionary entry.
Students'
A word that appears in the opening chapter of Confessions of an Opera Singer; the reader can tap it to hear it and see its dictionary entry.
Abroad
A word that appears in the opening chapter of Confessions of an Opera Singer; the reader can tap it to hear it and see its dictionary entry.