Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
Confessions of an Opera Singer
Confessions of an Opera Singer

Chapter XX

Chapter 20 of Confessions of an Opera Singer is here in full — 96 sentences across 20 reading sections, with audio for every sentence and word.

Cover illustration for Confessions of an Opera Singer
Context Illustration Reading 1/19 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE GRANDMOTHERS' BALLET All this time I was working very hard at the opera.
Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.
Everything was given in German, some of the translations good and some poor.
At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.
Every one in the audience, however, understood the text, and surely this is the important thing.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Confessions of an Opera Singer

Chapter XX

Chapter 20 of Confessions of an Opera Singer is here in full — 96 sentences across 20 reading sections, with audio for every sentence and word.

Reading 1/19 · 5 reading units · Lines 1–5

Line 1
THE GRANDMOTHERS' BALLET All this time I was working very hard at the opera.
/ðə ˈɡrændmʌðərz bæˈleɪ ɔːl ðɪs taɪm aɪ wɑːz ˈwɜːrkɪŋ ˈveri hɑːrd æt ðə ˈɑːprə/
Line 2
Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.
Line 3
Everything was given in German, some of the translations good and some poor.
/ˈevriθɪŋ wɑːz ˈɡɪvən ɪn ˈdʒɜːrmən sʌm ʌv ðə trænzˈleɪʃənz ɡʊd ənd sʌm puːr/
Line 4
At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.
Line 5
Every one in the audience, however, understood the text, and surely this is the important thing.
/ˈevəri wʌn ɪn ðə ˈɑːdiəns ˌhaʊˈevər ˌʌndərˈstʊd ðə tekst ənd ˈʃʊrli ðɪs ɪz ðə ˌɪmˈpɔːrtənt θɪŋ/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

accustom verb US /əˈkʌstəm/

make psychologically or physically used (to something)

From this reading “At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.”

ballet noun US /bæˈleɪ/

a theatrical representation of a story that is performed to music by trained dancers

From this reading “THE GRANDMOTHERS' BALLET All this time I was working very hard at the opera.”

grandmothers noun US /ˈɡrændmʌðərz/

plural of “grandmother” — the mother of your father or mother

From this reading “THE GRANDMOTHERS' BALLET All this time I was working very hard at the opera.”

Mozart noun US /ˈmoʊzɑːrt/

prolific Austrian composer and child prodigy; master of the classical style in all its forms of his time (1756-1791)

From this reading “Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.”

operas noun US /ˈɑːprəz/

plural of “opera” — a drama set to music; consists of singing with orchestral accompaniment and an orchestral overture and interludes

From this reading “Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.”

repertoire noun US /ˈrepərtwɑːr/

the entire range of skills or aptitudes or devices used in a particular field or occupation

From this reading “Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.”

Verdi noun US /ˈverdi/

Italian operatic composer (1813-1901)

From this reading “Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.”

Weber noun US /ˈwebər/

a unit of magnetic flux equal to 100,000,000 maxwells

From this reading “Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

important thing adjective + noun

In this reading “Every one in the audience, however, understood the text, and surely this is the important thing.”

at the opera preposition + article + noun counted as “at … opera”

In this reading “THE GRANDMOTHERS' BALLET All this time I was working very hard at the opera.”

nearly all adverb + adjective

In this reading “Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.”

seem quite verb + particle

In this reading “At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.”

seemed terribly verb + particle counted as “seem terribly”

In this reading “At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.”

All words in this reading · 76

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

accustomverbUS /əˈkʌstəm/

make psychologically or physically used (to something)

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

afterprepositionUS /ˈæftər/

later than; following

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

AlladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading THE GRANDMOTHERS' BALLET All this time I was working very hard at the opera.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

atprepositionUS /æt/

in or near a particular place or position

From this reading THE GRANDMOTHERS' BALLET All this time I was working very hard at the opera.

audiencenounUS /ˈɑːdiəns/

a gathering of spectators or listeners at a (usually public) performance

From this reading Every one in the audience, however, understood the text, and surely this is the important thing.

BALLETnounUS /bæˈleɪ/

a theatrical representation of a story that is performed to music by trained dancers

From this reading THE GRANDMOTHERS' BALLET All this time I was working very hard at the opera.

beautifuladjectiveUS /ˈbjuːtəfəl/

delighting the senses or exciting intellectual or emotional admiration

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

Carmen

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

Dalila

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

difficultadjectiveUS /ˈdɪfəkəlt/

not easy; requiring great physical or mental effort to accomplish or comprehend or endure

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

EverydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading Every one in the audience, however, understood the text, and surely this is the important thing.

EverythingpronounUS /ˈevriθɪŋ/

all things; all of a situation

From this reading Everything was given in German, some of the translations good and some poor.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

FrenchnounUS /frentʃ/

the Romance language spoken in France and in countries colonized by France

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.

GermannounUS /ˈdʒɜːrmən/

a person of German nationality

From this reading Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.

givenadjectiveUS /ˈɡɪvən/

acknowledged as a supposition

From this reading Everything was given in German, some of the translations good and some poor.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading Everything was given in German, some of the translations good and some poor.

GRANDMOTHERSnounUS /ˈɡrændmʌðərz/

plural of “grandmother” — the mother of your father or mother

From this reading THE GRANDMOTHERS' BALLET All this time I was working very hard at the opera.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

hardadjectiveUS /hɑːrd/

not easy; requiring great physical or mental effort to accomplish or comprehend or endure

From this reading THE GRANDMOTHERS' BALLET All this time I was working very hard at the opera.

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading Every one in the audience, however, understood the text, and surely this is the important thing.

Humperdincknoun

German composer of six operas and other incidental music (1854-1921)

From this reading Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading THE GRANDMOTHERS' BALLET All this time I was working very hard at the opera.

importantadjectiveUS /ˌɪmˈpɔːrtənt/

of great significance or value

From this reading Every one in the audience, however, understood the text, and surely this is the important thing.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Everything was given in German, some of the translations good and some poor.

includingverbUS /ˌɪnˈkluːdɪŋ/

-ing form of “include” — have as a part, be made up out of

From this reading Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Every one in the audience, however, understood the text, and surely this is the important thing.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

ItaliannounUS /ˌɪˈtæljən/

a native or inhabitant of Italy

From this reading Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.

largeadjectiveUS /lɑːrdʒ/

above average in size or number or quantity or magnitude or extent

From this reading Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.

latterlyadverb

in the recent past

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

MozartnounUS /ˈmoʊzɑːrt/

prolific Austrian composer and child prodigy; master of the classical style in all its forms of his time (1756-1791)

From this reading Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.

myselfpronounUS /ˌmaɪˈself/

used when the speaker is also the object of the action

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

naturaladjectiveUS /ˈnætʃərəl/

in accordance with nature; relating to or concerning nature

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

nearlyadverbUS /ˈnɪrli/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Every one in the audience, however, understood the text, and surely this is the important thing.

operanounUS /ˈɑːprə/

a drama set to music; consists of singing with orchestral accompaniment and an orchestral overture and interludes

From this reading THE GRANDMOTHERS' BALLET All this time I was working very hard at the opera.

operasnounUS /ˈɑːprəz/

plural of “opera” — a drama set to music; consists of singing with orchestral accompaniment and an orchestral overture and interludes

From this reading Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

OurdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.

pooradjectiveUS /puːr/

deserving or inciting pity

From this reading Everything was given in German, some of the translations good and some poor.

quiteadverbUS /kwaɪt/

to a degree (not used with a negative)

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

repertoirenounUS /ˈrepərtwɑːr/

the entire range of skills or aptitudes or devices used in a particular field or occupation

From this reading Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.

seemverbUS /siːm/

give a certain impression or have a certain outward aspect

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

seemedverbUS /siːmd/

past form of “seem” — give a certain impression or have a certain outward aspect

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

singableadjective

suitable for singing

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Everything was given in German, some of the translations good and some poor.

sonorousadjectiveUS /ˈsɑːnərəs/

full and loud and deep

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

soundsnounUS /saʊndz/

plural of “sound” — the particular auditory effect produced by a given cause

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

surelyadverbUS /ˈʃʊrli/

definitely or positively (“sure” is sometimes used informally for “surely”)

From this reading Every one in the audience, however, understood the text, and surely this is the important thing.

terriblyadverbUS /ˈterəbli/

used as intensifiers

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

textnounUS /tekst/

the words of something written

From this reading Every one in the audience, however, understood the text, and surely this is the important thing.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE GRANDMOTHERS' BALLET All this time I was working very hard at the opera.

thingnounUS /θɪŋ/

a special situation

From this reading Every one in the audience, however, understood the text, and surely this is the important thing.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading THE GRANDMOTHERS' BALLET All this time I was working very hard at the opera.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading At first it had seemed terribly difficult to accustom myself to the German sounds in _Dalila_ or _Carmen,_ after the sonorous French, but latterly German came to seem quite as natural, though never so beautiful nor singable.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading THE GRANDMOTHERS' BALLET All this time I was working very hard at the opera.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.

translationsnounUS /trænzˈleɪʃənz/

plural of “translation” — a written communication in a second language having the same meaning as the written communication in a first language

From this reading Everything was given in German, some of the translations good and some poor.

understoodadjectiveUS /ˌʌndərˈstʊd/

fully apprehended as to purport or meaning or explanation

From this reading Every one in the audience, however, understood the text, and surely this is the important thing.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.

VerdinounUS /ˈverdi/

Italian operatic composer (1813-1901)

From this reading Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading THE GRANDMOTHERS' BALLET All this time I was working very hard at the opera.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading THE GRANDMOTHERS' BALLET All this time I was working very hard at the opera.

WebernounUS /ˈwebər/

a unit of magnetic flux equal to 100,000,000 maxwells

From this reading Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.

Wolf-Ferrari

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Our repertoire was very large, including nearly all the Italian operas, from Verdi to Wolf-Ferrari, and the German operas from the time of Weber and Mozart up to Humperdinck.

workingadjectiveUS /ˈwɜːrkɪŋ/

actively engaged in paid work

From this reading THE GRANDMOTHERS' BALLET All this time I was working very hard at the opera.

Chapter 20 of Confessions of an Opera Singer by Kathleen Howard holds 96 sentences, grouped into 20 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 20 of Confessions of an Opera Singer contain?

Chapter 20 holds 96 sentences of Confessions of an Opera Singer, unabridged, divided into 20 reading sections.

This page carries chapter 20 of Confessions of an Opera Singer by Kathleen Howard exactly as it stands in the source edition, without abridgement. It runs to 96 sentences, grouped into 20 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 20 of Confessions of an Opera Singer?

Work through the 20 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 20 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 20 be read aloud to me?

Yes — every sentence and every individual word in chapter 20 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Confessions of an Opera Singer

Common questions about reading Confessions of an Opera Singer by Kathleen Howard on this page, its source edition and its audio.

Is this the complete text of Confessions of an Opera Singer?

Yes. All 2568 sentences of Project Gutenberg eBook #32980 are kept, with a record of which sentences cover which part.

Which edition of Confessions of an Opera Singer is used?

Project Gutenberg eBook #32980, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Confessions of an Opera Singer take to read?

About 214 minutes of reading across 514 sections of 5 sentences each, at an unhurried pace.

How to read Confessions of an Opera Singer section by section

How to work through Confessions of an Opera Singer section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 23 chapters of Confessions of an Opera Singer to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Confessions of an Opera Singer

Words and structures a reader meets early in Confessions of an Opera Singer, each tappable for pronunciation and meaning.

Fantastic
A word that appears in the opening chapter of Confessions of an Opera Singer; the reader can tap it to hear it and see its dictionary entry.
Tales
A word that appears in the opening chapter of Confessions of an Opera Singer; the reader can tap it to hear it and see its dictionary entry.
Students'
A word that appears in the opening chapter of Confessions of an Opera Singer; the reader can tap it to hear it and see its dictionary entry.
Abroad
A word that appears in the opening chapter of Confessions of an Opera Singer; the reader can tap it to hear it and see its dictionary entry.