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Contemporary American Novelists (1900-1920)
Contemporary American Novelists (1900-1920)

Chapter I · Chapter 1

Chapter 1 of Contemporary American Novelists (1900-1920) is here in full — 258 sentences across 52 reading sections, with audio for every sentence and word.

Cover illustration for Contemporary American Novelists (1900-1920)
Context Illustration Reading 1/51 · 5 lines
English subtitles · tap any word to listen 1 / 5
_The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.
Readers of both volumes may note that in this later volume criticism has tended to supplant history.
Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.
In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.
All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Contemporary American Novelists (1900-1920)

Chapter I · Chapter 1

Chapter 1 of Contemporary American Novelists (1900-1920) is here in full — 258 sentences across 52 reading sections, with audio for every sentence and word.

Reading 1/51 · 5 reading units · Lines 1–5

Line 1
_The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.
/ðə əˈmerəkən ˈnɑːvəl ˈpʌblɪʃt læst jɪr ˌʌndərˈtʊk tuː treɪs ðə ˈprɑːɡres ʌv ə ˈlɪtəreri taɪp ɪn ðə juːˈnaɪtɪd steɪts frʌm ɪts bɪˈɡɪnɪŋz tuː ðə end ʌv ðə ˈnaɪnˈtiːnθ ˈsentʃəri kənˈtempəreri əˈmerəkən ˈnɑːvələsts ˈʌndərteɪks tuː ˈstʌdi ðə taɪp æz ɪt hæz ɪɡˈzɪstəd ˈdʊrɪŋ ðə fɜːrst tuː deˈkeɪdz ʌv ðə ˈtwentiəθ ˈsentʃəri/
Line 2
Readers of both volumes may note that in this later volume criticism has tended to supplant history.
/ˈriːdərz ʌv boʊθ ˈvɑːljuːmz meɪ noʊt ðæt ɪn ðɪs ˈleɪtər ˈvɑːljuːm ˈkrɪtɪsɪzəm hæz ˈtendɪd tuː səˈplænt ˈhɪstəri/
Line 3
Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.
/ˈoʊnli ɪn ˈraɪtɪŋ ʌv ded ˈɔːθərz kæn ðə ˈkrɪtɪk fiːl ðæt ˈeni kənˈsɪdərəbəl ˈpɔːrʃən ʌv hɪz tæsk ɪz dʌn wen hiː hæz ərˈeɪndʒd ðem ɪn wʌt hiː θɪŋks ðer ˈprɑːpər ˈkætəɡɔːriz ənd ðer truː pərˈspektɪv/
Line 4
In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.
/ɪn ðə keɪs ʌv ˈlɪvɪŋ ˈɔːθərz hiː hæz ˈreɡjələrli tuː rɪˈmɛm.bər ðæt hiː wɜːrks wɪð ˈʃɪftɪŋ məˈtɪriəlz wɪð ˈfɪɡjərz huːz dɪˈmenʃənz ənd ˌɪmˈpɔːrtəns meɪ biː tʃeɪndʒd baɪ ɡroʊθ wɪð ˈpɜːrsənz huː meɪ ˈdezərt oʊld pæðz fɔːr nuː rɪˈviːl ˌʌnsəˈspektɪd ˈætrəbjuːts ˌɪnˈkriːs ɔːr feɪd wɪð ðə mɪr ˌrevəˈluːʃənz ʌv taɪm/
Line 5
All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.
/ɔːl hiː kæn ɪkˈspekt tuː duː ɪn ˈdiːlɪŋ wɪð ˈeni ˈkɜːrənt taɪp æz ˈfluːəd æz ðə ˈnɑːvəl ɪz ˈsiːzɪŋ əˈpɑːn ɪt æt sʌm spəˈsɪfɪk ˈmoʊmənt tuː ɪɡˈzæmɪn ðə ˌɪnˈtentʃənz ənd səkˈsesəz ʌv ˌaʊtˈstændɪŋ ɔːr ˈtɪpəkəl ˌɪndəˈvɪdʒəwəlz ənd tuː meɪk ðə moʊst ˈækjərət riˈpɔːrt ˈpɑːsəbəl kənˈsɜːrnɪŋ ðem/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

beginnings noun US /bɪˈɡɪnɪŋz/

plural of “beginning” — the event consisting of the start of something

From this reading “_The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.”

categories noun US /ˈkætəɡɔːriz/

plural of “category” — a collection of things sharing a common attribute

From this reading “Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.”

decades noun US /deˈkeɪdz/

plural of “decade” — a period of 10 years

From this reading “_The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.”

Novelists noun US /ˈnɑːvələsts/

plural of “novelist” — one who writes novels

outstanding adjective US /ˌaʊtˈstændɪŋ/

distinguished from others in excellence

From this reading “All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.”

supplant verb US /səˈplænt/

take the place or move into the position of

From this reading “Readers of both volumes may note that in this later volume criticism has tended to supplant history.”

undertakes verb US /ˈʌndərteɪks/

third-person singular of “undertake” — enter upon an activity or enterprise

From this reading “_The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.”

unsuspected adjective US /ˌʌnsəˈspektɪd/

not suspected or believed likely

From this reading “In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.”

All words in this reading · 131

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

accurateadjectiveUS /ˈækjərət/

conforming exactly or almost exactly to fact or to a standard or performing with total accuracy

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

AlladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

AmericannounUS /əˈmerəkən/

a native or inhabitant of the United States

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

arrangedadjectiveUS /ərˈeɪndʒd/

disposed or placed in a particular kind of order

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

atprepositionUS /æt/

in or near a particular place or position

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

attributesnounUS /ˈætrəbjuːts/

plural of “attribute” — a construct whereby objects or individuals can be distinguished

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

authorsnounUS /ˈɔːθərz/

plural of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

beginningsnounUS /bɪˈɡɪnɪŋz/

plural of “beginning” — the event consisting of the start of something

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

bothdeterminerUS /boʊθ/

the two together, not just one

From this reading Readers of both volumes may note that in this later volume criticism has tended to supplant history.

byprepositionUS /baɪ/

showing who or what does the action

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

casenounUS /keɪs/

an occurrence of something

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

categoriesnounUS /ˈkætəɡɔːriz/

plural of “category” — a collection of things sharing a common attribute

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

centurynounUS /ˈsentʃəri/

a period of 100 years

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

changedadjectiveUS /tʃeɪndʒd/

made or become different in nature or form

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

concerningverbUS /kənˈsɜːrnɪŋ/

-ing form of “concern” — be relevant to

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

considerableadjectiveUS /kənˈsɪdərəbəl/

large or relatively large in number or amount or extent or degree

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

ContemporaryadjectiveUS /kənˈtempəreri/

characteristic of the present

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

criticnounUS /ˈkrɪtɪk/

a person who is professionally engaged in the analysis and interpretation of works of art

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

criticismnounUS /ˈkrɪtɪsɪzəm/

disapproval expressed by pointing out faults or shortcomings

From this reading Readers of both volumes may note that in this later volume criticism has tended to supplant history.

currentnounUS /ˈkɜːrənt/

a flow of electricity through a conductor

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

deadadjectiveUS /ded/

no longer having or seeming to have or expecting to have life

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

dealingnounUS /ˈdiːlɪŋ/

method or manner of conduct in relation to others

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

decadesnounUS /deˈkeɪdz/

plural of “decade” — a period of 10 years

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

desertverbUS /ˈdezərt/

leave someone who needs or counts on you; leave in the lurch

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

dimensionsnounUS /dɪˈmenʃənz/

plural of “dimension” — the magnitude of something in a particular direction (especially length or width or height)

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

doneadjectiveUS /dʌn/

having finished or arrived at completion

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

duringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

endnounUS /end/

either extremity of something that has length

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

examineverbUS /ɪɡˈzæmɪn/

consider in detail and subject to an analysis in order to discover essential features or meaning

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

existedverbUS /ɪɡˈzɪstəd/

past form of “exist” — have an existence, be extant

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

expectverbUS /ɪkˈspekt/

regard something as probable or likely

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

fadeverbUS /feɪd/

become less clearly visible or distinguishable; disappear gradually or seemingly

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

feelverbUS /fiːl/

undergo an emotional sensation or be in a particular state of mind

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

figuresnounUS /ˈfɪɡjərz/

plural of “figure” — a diagram or picture illustrating textual material

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

fluidnounUS /ˈfluːəd/

a substance that is fluid at room temperature and pressure

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

growthnounUS /ɡroʊθ/

(biology) the process of an individual organism growing organically; a purely biological unfolding of events involved in an organism changing gradually from a simple to a more complex level

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

historynounUS /ˈhɪstəri/

the aggregate of past events

From this reading Readers of both volumes may note that in this later volume criticism has tended to supplant history.

importancenounUS /ˌɪmˈpɔːrtəns/

the quality of being important and worthy of note

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

increasenounUS /ˌɪnˈkriːs/

a quantity that is added

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

individualsnounUS /ˌɪndəˈvɪdʒəwəlz/

plural of “individual” — a human being

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

intentionsnounUS /ˌɪnˈtentʃənz/

plural of “intention” — an anticipated outcome that is intended or that guides your planned actions

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

lastadjectiveUS /læst/

immediately past

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

lateradverbUS /ˈleɪtər/

happening at a time subsequent to a reference time

From this reading Readers of both volumes may note that in this later volume criticism has tended to supplant history.

literaryadjectiveUS /ˈlɪtəreri/

of or relating to or characteristic of literature

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

livingnounUS /ˈlɪvɪŋ/

the experience of being alive; the course of human events and activities

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

makeverbUS /meɪk/

engage in

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

materialsnounUS /məˈtɪriəlz/

plural of “material” — the tangible substance that goes into the makeup of a physical object

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading Readers of both volumes may note that in this later volume criticism has tended to supplant history.

mereadjectiveUS /mɪr/

being nothing more than specified

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

momentnounUS /ˈmoʊmənt/

a particular point in time

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

mostadverbUS /moʊst/

used to form the superlative

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

nineteenthadjectiveUS /ˈnaɪnˈtiːnθ/

coming next after the eighteenth in position

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

notenounUS /noʊt/

a brief written record

From this reading Readers of both volumes may note that in this later volume criticism has tended to supplant history.

NovelnounUS /ˈnɑːvəl/

an extended fictional work in prose; usually in the form of a story

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

NovelistsnounUS /ˈnɑːvələsts/

plural of “novelist” — one who writes novels

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

OnlyadverbUS /ˈoʊnli/

and nothing more

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

outstandingadjectiveUS /ˌaʊtˈstændɪŋ/

distinguished from others in excellence

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

pathsnounUS /pæðz/

plural of “path” — a course of conduct

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

personsnounUS /ˈpɜːrsənz/

plural of “person” — a human being

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

perspectivenounUS /pərˈspektɪv/

a way of regarding situations or topics etc.

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

portionnounUS /ˈpɔːrʃən/

something determined in relation to something that includes it

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

possibleadjectiveUS /ˈpɑːsəbəl/

capable of happening or existing

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

progressnounUS /ˈprɑːɡres/

gradual improvement or growth or development

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

properadjectiveUS /ˈprɑːpər/

marked by suitability or rightness or appropriateness

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

publishedadjectiveUS /ˈpʌblɪʃt/

prepared and printed for distribution and sale

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

ReadersnounUS /ˈriːdərz/

plural of “reader” — a person who enjoys reading

From this reading Readers of both volumes may note that in this later volume criticism has tended to supplant history.

regularlyadverbUS /ˈreɡjələrli/

in a regular manner

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

rememberverbUS /rɪˈmɛm.bər/

To recall to mind.

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

reportverbUS /riˈpɔːrt/

to give an account or representation of in words

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

revealverbUS /rɪˈviːl/

make visible

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

revolutionsnounUS /ˌrevəˈluːʃənz/

plural of “revolution” — a drastic and far-reaching change in ways of thinking and behaving

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

seizingnounUS /ˈsiːzɪŋ/

small stuff that is used for lashing two or more ropes together

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

shiftingadjectiveUS /ˈʃɪftɪŋ/

continuously varying

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

specificadjectiveUS /spəˈsɪfɪk/

(sometimes followed by “to”) applying to or characterized by or distinguishing something particular or special or unique

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

StatesnounUS /steɪts/

plural of “state” — the territory occupied by one of the constituent administrative districts of a nation

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

studynounUS /ˈstʌdi/

a detailed critical inspection

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

successesnounUS /səkˈsesəz/

plural of “success” — an event that accomplishes its intended purpose

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

supplantverbUS /səˈplænt/

take the place or move into the position of

From this reading Readers of both volumes may note that in this later volume criticism has tended to supplant history.

tasknounUS /tæsk/

any piece of work that is undertaken or attempted

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

tendedverbUS /ˈtendɪd/

past form of “tend” — have a tendency or disposition to do or be something; be inclined

From this reading Readers of both volumes may note that in this later volume criticism has tended to supplant history.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Readers of both volumes may note that in this later volume criticism has tended to supplant history.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

thinksnounUS /θɪŋks/

plural of “think” — an instance of deliberate thinking

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Readers of both volumes may note that in this later volume criticism has tended to supplant history.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

tracenounUS /treɪs/

a just detectable amount

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

trueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

twentiethnounUS /ˈtwentiəθ/

position 20 in a countable series of things

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

typenounUS /taɪp/

a subdivision of a particular kind of thing

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

typicaladjectiveUS /ˈtɪpəkəl/

exhibiting the qualities or characteristics that identify a group or kind or category

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

undertakesverbUS /ˈʌndərteɪks/

third-person singular of “undertake” — enter upon an activity or enterprise

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

undertookverbUS /ˌʌndərˈtʊk/

inflected form of “undertake” — enter upon an activity or enterprise

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

UnitedadjectiveUS /juːˈnaɪtɪd/

characterized by unity; being or joined into a single entity

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

unsuspectedadjectiveUS /ˌʌnsəˈspektɪd/

not suspected or believed likely

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading All he can expect to do in dealing with any current type as fluid as the novel, is, seizing upon it at some specific moment, to examine the intentions and successes of outstanding or typical individuals and to make the most accurate report possible concerning them.

volumenounUS /ˈvɑːljuːm/

the amount of 3-dimensional space occupied by an object

From this reading Readers of both volumes may note that in this later volume criticism has tended to supplant history.

volumesnounUS /ˈvɑːljuːmz/

plural of “volume” — the amount of 3-dimensional space occupied by an object

From this reading Readers of both volumes may note that in this later volume criticism has tended to supplant history.

whatpronounUS /wʌt/

used to ask for information about something

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

whenconjunctionUS /wen/

at the time that

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

whopronounUS /huː/

which person or people

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

whosedeterminerUS /huːz/

belonging to which person

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

withprepositionUS /wɪð/

in the company of; together with

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

worksnounUS /wɜːrks/

buildings for carrying on industrial labor

From this reading In the case of living authors he has regularly to remember that he works with shifting materials, with figures whose dimensions and importance may be changed by growth, with persons who may desert old paths for new, reveal unsuspected attributes, increase or fade with the mere revolutions of time.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading Only in writing of dead authors can the critic feel that any considerable portion of his task is done when he has arranged them in what he thinks their proper categories and their true perspective.

yearnounUS /jɪr/

a period of time containing 365 (or 366) days

From this reading _The American Novel_, published last year, undertook to trace the progress of a literary type in the United States from its beginnings to the end of the nineteenth century; _Contemporary American Novelists_ undertakes to study the type as it has existed during the first two decades of the twentieth century.

Chapter 1 of Contemporary American Novelists (1900-1920) by Carl Van Doren holds 258 sentences, grouped into 52 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Contemporary American Novelists (1900-1920) contain?

Chapter 1 holds 258 sentences of Contemporary American Novelists (1900-1920), unabridged, divided into 52 reading sections.

This page carries chapter 1 of Contemporary American Novelists (1900-1920) by Carl Van Doren exactly as it stands in the source edition, without abridgement. It runs to 258 sentences, grouped into 52 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Contemporary American Novelists (1900-1920)?

Work through the 52 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 52 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Contemporary American Novelists (1900-1920)

Common questions about reading Contemporary American Novelists (1900-1920) by Carl Van Doren on this page, its source edition and its audio.

Is this the complete text of Contemporary American Novelists (1900-1920)?

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Which edition of Contemporary American Novelists (1900-1920) is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

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About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

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How to work through Contemporary American Novelists (1900-1920) section by section, using the audio and the tap-to-define vocabulary.

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Vocabulary met early in Contemporary American Novelists (1900-1920)

Words and structures a reader meets early in Contemporary American Novelists (1900-1920), each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of Contemporary American Novelists (1900-1920), divided into 5-sentence reading sections.
Chapter 2
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Chapter 3
One of the 0 chapters of Contemporary American Novelists (1900-1920), divided into 5-sentence reading sections.