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Contemporary American Novelists (1900-1920)
Contemporary American Novelists (1900-1920)

Chapter III · Chapter 3

Chapter 3 of Contemporary American Novelists (1900-1920) is here in full — 392 sentences across 79 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/78 · 5 lines
English subtitles · tap any word to listen 1 / 5
ART 1.
BOOTH TARKINGTON Booth Tarkington is the glass of adolescence and the mold of Indiana.
The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.
But Mr. Tarkington, at the time of writing distant from Princeton by about the same number of years and also not yet famous, could not put up with failure in a hero.
So Harkless appears as a mine of latent splendors.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Contemporary American Novelists (1900-1920)

Chapter III · Chapter 3

Chapter 3 of Contemporary American Novelists (1900-1920) is here in full — 392 sentences across 79 reading sections, with audio for every sentence and word.

Reading 1/78 · 5 reading units · Lines 1–5

Line 1
ART 1.
Line 2
BOOTH TARKINGTON Booth Tarkington is the glass of adolescence and the mold of Indiana.
Line 3
The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.
Line 4
But Mr. Tarkington, at the time of writing distant from Princeton by about the same number of years and also not yet famous, could not put up with failure in a hero.
Line 5
So Harkless appears as a mine of latent splendors.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

adolescence noun US /ˌædəˈlesəns/

the time period between the beginning of puberty and adulthood

From this reading “BOOTH TARKINGTON Booth Tarkington is the glass of adolescence and the mold of Indiana.”

drifts noun US /drɪfts/

plural of “drift” — a force that moves something along

From this reading “The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.”

Indiana noun US /ˌɪndiˈænə/

a state in midwestern United States

From this reading “BOOTH TARKINGTON Booth Tarkington is the glass of adolescence and the mold of Indiana.”

latent adjective US /ˈleɪtənt/

potentially existing but not presently evident or realized

From this reading “So Harkless appears as a mine of latent splendors.”

mold noun US /moʊld/

the distinctive form in which a thing is made

From this reading “BOOTH TARKINGTON Booth Tarkington is the glass of adolescence and the mold of Indiana.”

prairie noun US /ˈpreri/

a treeless grassy plain

From this reading “The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.”

Princeton noun US /ˈprɪnstən/

a university town in central New Jersey

From this reading “But Mr. Tarkington, at the time of writing distant from Princeton by about the same number of years and also not yet famous, could not put up with failure in a hero.”

stride noun US /straɪd/

a step in walking or running

From this reading “The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.”

All words in this reading · 66

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ART 1.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading But Mr. Tarkington, at the time of writing distant from Princeton by about the same number of years and also not yet famous, could not put up with failure in a hero.

adolescencenounUS /ˌædəˈlesəns/

the time period between the beginning of puberty and adulthood

From this reading BOOTH TARKINGTON Booth Tarkington is the glass of adolescence and the mold of Indiana.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading But Mr. Tarkington, at the time of writing distant from Princeton by about the same number of years and also not yet famous, could not put up with failure in a hero.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading BOOTH TARKINGTON Booth Tarkington is the glass of adolescence and the mold of Indiana.

appearsverbUS /əˈpɪrz/

third-person singular of “appear” — give a certain impression or have a certain outward aspect

From this reading So Harkless appears as a mine of latent splendors.

ARTauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading ART 1.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading So Harkless appears as a mine of latent splendors.

atprepositionUS /æt/

in or near a particular place or position

From this reading But Mr. Tarkington, at the time of writing distant from Princeton by about the same number of years and also not yet famous, could not put up with failure in a hero.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

BOOTHnounUS /buːθ/

a table (in a restaurant or bar) surrounded by two high-backed benches

From this reading BOOTH TARKINGTON Booth Tarkington is the glass of adolescence and the mold of Indiana.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But Mr. Tarkington, at the time of writing distant from Princeton by about the same number of years and also not yet famous, could not put up with failure in a hero.

byprepositionUS /baɪ/

showing who or what does the action

From this reading But Mr. Tarkington, at the time of writing distant from Princeton by about the same number of years and also not yet famous, could not put up with failure in a hero.

collegenounUS /ˈkɑːlɪdʒ/

the body of faculty and students of a college

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading But Mr. Tarkington, at the time of writing distant from Princeton by about the same number of years and also not yet famous, could not put up with failure in a hero.

distantadjectiveUS /ˈdɪstənt/

separated in space or coming from or going to a distance

From this reading But Mr. Tarkington, at the time of writing distant from Princeton by about the same number of years and also not yet famous, could not put up with failure in a hero.

driftsnounUS /drɪfts/

plural of “drift” — a force that moves something along

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

earliestadjectiveUS /ˈɜːrliəst/

(comparative and superlative of “early”) more early than; most early

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

failurenounUS /ˈfeɪljər/

an act that fails

From this reading But Mr. Tarkington, at the time of writing distant from Princeton by about the same number of years and also not yet famous, could not put up with failure in a hero.

famousadjectiveUS /ˈfeɪməs/

widely known and esteemed

From this reading But Mr. Tarkington, at the time of writing distant from Princeton by about the same number of years and also not yet famous, could not put up with failure in a hero.

fireverbUS /ˈfaɪər/

start firing a weapon

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

GentlemannounUS /ˈdʒentəlmən/

a man of refinement

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

glassnounUS /ɡlæs/

a brittle transparent solid with irregular atomic structure

From this reading BOOTH TARKINGTON Booth Tarkington is the glass of adolescence and the mold of Indiana.

Harkless

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

heronounUS /ˈhɪroʊ/

a man distinguished by exceptional courage and nobility and strength

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

IndiananounUS /ˌɪndiˈænə/

a state in midwestern United States

From this reading BOOTH TARKINGTON Booth Tarkington is the glass of adolescence and the mold of Indiana.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading BOOTH TARKINGTON Booth Tarkington is the glass of adolescence and the mold of Indiana.

latentadjectiveUS /ˈleɪtənt/

potentially existing but not presently evident or realized

From this reading So Harkless appears as a mine of latent splendors.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

melancholynounUS /ˈmelənkɑːli/

a feeling of thoughtful sadness

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

minepronounUS /maɪn/

the one or ones belonging to the person speaking

From this reading So Harkless appears as a mine of latent splendors.

moldnounUS /moʊld/

the distinctive form in which a thing is made

From this reading BOOTH TARKINGTON Booth Tarkington is the glass of adolescence and the mold of Indiana.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading But Mr. Tarkington, at the time of writing distant from Princeton by about the same number of years and also not yet famous, could not put up with failure in a hero.

narrativenounUS /ˈnærətɪv/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

novelnounUS /ˈnɑːvəl/

an extended fictional work in prose; usually in the form of a story

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

numbernounUS /ˈnʌmbər/

the property possessed by a sum or total or indefinite quantity of units or individuals

From this reading But Mr. Tarkington, at the time of writing distant from Princeton by about the same number of years and also not yet famous, could not put up with failure in a hero.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading BOOTH TARKINGTON Booth Tarkington is the glass of adolescence and the mold of Indiana.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

prairienounUS /ˈpreri/

a treeless grassy plain

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

PrincetonnounUS /ˈprɪnstən/

a university town in central New Jersey

From this reading But Mr. Tarkington, at the time of writing distant from Princeton by about the same number of years and also not yet famous, could not put up with failure in a hero.

putverbUS /pʊt/

put into a certain place or abstract location

From this reading But Mr. Tarkington, at the time of writing distant from Princeton by about the same number of years and also not yet famous, could not put up with failure in a hero.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading But Mr. Tarkington, at the time of writing distant from Princeton by about the same number of years and also not yet famous, could not put up with failure in a hero.

setverbUS /set/

put into a certain place or abstract location

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

sevennounUS /ˈsevən/

the cardinal number that is the sum of six and one

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

SoconjunctionUS /soʊ/

for that reason; with the result that

From this reading So Harkless appears as a mine of latent splendors.

splendors

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading So Harkless appears as a mine of latent splendors.

stridenounUS /straɪd/

a step in walking or running

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

TARKINGTON

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BOOTH TARKINGTON Booth Tarkington is the glass of adolescence and the mold of Indiana.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading BOOTH TARKINGTON Booth Tarkington is the glass of adolescence and the mold of Indiana.

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading But Mr. Tarkington, at the time of writing distant from Princeton by about the same number of years and also not yet famous, could not put up with failure in a hero.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading But Mr. Tarkington, at the time of writing distant from Princeton by about the same number of years and also not yet famous, could not put up with failure in a hero.

withprepositionUS /wɪð/

in the company of; together with

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading But Mr. Tarkington, at the time of writing distant from Princeton by about the same number of years and also not yet famous, could not put up with failure in a hero.

yearsnounUS /jɪrz/

a late time of life

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

yetconjunctionUS /jet/

but in spite of that

From this reading The hero of his earliest novel, Harkless in _The Gentleman from Indiana_, drifts through that narrative with a melancholy stride because he has been seven long years out of college and has not yet set the prairie on fire.

Chapter 3 of Contemporary American Novelists (1900-1920) by Carl Van Doren holds 392 sentences, grouped into 79 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of Contemporary American Novelists (1900-1920) contain?

Chapter 3 holds 392 sentences of Contemporary American Novelists (1900-1920), unabridged, divided into 79 reading sections.

This page carries chapter 3 of Contemporary American Novelists (1900-1920) by Carl Van Doren exactly as it stands in the source edition, without abridgement. It runs to 392 sentences, grouped into 79 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of Contemporary American Novelists (1900-1920)?

Work through the 79 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 79 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Vocabulary met early in Contemporary American Novelists (1900-1920)

Words and structures a reader meets early in Contemporary American Novelists (1900-1920), each tappable for pronunciation and meaning.

Chapter 1
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Chapter 2
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Chapter 3
One of the 0 chapters of Contemporary American Novelists (1900-1920), divided into 5-sentence reading sections.