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Criticism and Fiction
Criticism and Fiction

Chapter IV · Chapter 4

Chapter 4 of Criticism and Fiction is here in full — 115 sentences across 23 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/23 · 5 lines
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"How few materials," says Emerson, "are yet used by our arts!
The mass of creatures and of qualities are still hid and expectant," and to break new ground is still one of the uncommonest and most heroic of the virtues.
The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.
This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.
To adjust one's self to the enjoyment of these costs an intellectual effort, and an intellectual effort is what no ordinary person likes to make.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Criticism and Fiction

Chapter IV · Chapter 4

Chapter 4 of Criticism and Fiction is here in full — 115 sentences across 23 reading sections, with audio for every sentence and word.

Reading 1/23 · 5 reading units · Lines 1–5

Line 1
"How few materials," says Emerson, "are yet used by our arts!
Line 2
The mass of creatures and of qualities are still hid and expectant," and to break new ground is still one of the uncommonest and most heroic of the virtues.
Line 3
The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.
Line 4
This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.
/ðɪs ɪz waɪ ðə ˈɔːrdəneri ˈɪŋɡlɪʃ ˈnɑːvəl wɪð ɪts ˈhæknid plɑːt siːnz ənd ˈfɪɡjərz ɪz mɔːr ˈkʌmfərtəbəl tuː ðə ˈɔːrdəneri əˈmerəkən ðæn æn əˈmerəkən ˈnɑːvəl wɪtʃ diːlz æt ɪts wɜːrst wɪð kəmˈperətɪvli nuː ˈɪntrəsts ənd ˈmoʊtɪvz/
Line 5
To adjust one's self to the enjoyment of these costs an intellectual effort, and an intellectual effort is what no ordinary person likes to make.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

adjust verb US /əˈdʒʌst/

alter or regulate so as to achieve accuracy or conform to a standard

From this reading “To adjust one's self to the enjoyment of these costs an intellectual effort, and an intellectual effort is what no ordinary person likes to make.”

conventional adjective US /kənˈvenʃənəl/

following accepted customs and proprieties

From this reading “The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.”

deals noun US /diːlz/

plural of “deal” — a particular instance of buying or selling

From this reading “This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.”

Emerson noun US /ˈemərsən/

United States writer and leading exponent of transcendentalism (1803-1882)

From this reading “"How few materials," says Emerson, "are yet used by our arts!”

expectant adjective US /ɪkˈspektənt/

marked by eager anticipation

From this reading “The mass of creatures and of qualities are still hid and expectant," and to break new ground is still one of the uncommonest and most heroic of the virtues.”

hackneyed adjective US /ˈhæknid/

repeated too often; overfamiliar through overuse

From this reading “This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.”

invent verb US /ˌɪnˈvent/

come up with (an idea, plan, explanation, theory, or principle) after a mental effort

From this reading “The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.”

timidity noun US /təˈmɪdəti/

fear of the unknown or unfamiliar or fear of making decisions

From this reading “The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.”

All words in this reading · 103

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adjustverbUS /əˈdʒʌst/

alter or regulate so as to achieve accuracy or conform to a standard

From this reading To adjust one's self to the enjoyment of these costs an intellectual effort, and an intellectual effort is what no ordinary person likes to make.

aloneadjectiveUS /əˈloʊn/

Having no one else present.

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

AmericannounUS /əˈmerəkən/

a native or inhabitant of the United States

From this reading This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The mass of creatures and of qualities are still hid and expectant," and to break new ground is still one of the uncommonest and most heroic of the virtues.

appreciateverbUS /əˈpriːʃieɪt/

recognize with gratitude; be grateful for

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading "How few materials," says Emerson, "are yet used by our arts!

artistsnounUS /ˈɑːrtɪsts/

plural of “artist” — a person whose creative work shows sensitivity and imagination

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

artsnounUS /ɑːrts/

studies intended to provide general knowledge and intellectual skills (rather than occupational or professional skills)

From this reading "How few materials," says Emerson, "are yet used by our arts!

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

atprepositionUS /æt/

in or near a particular place or position

From this reading This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.

blameverbUS /bleɪm/

put or pin the blame on

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

breakverbUS /breɪk/

terminate

From this reading The mass of creatures and of qualities are still hid and expectant," and to break new ground is still one of the uncommonest and most heroic of the virtues.

byprepositionUS /baɪ/

showing who or what does the action

From this reading "How few materials," says Emerson, "are yet used by our arts!

comfortableadjectiveUS /ˈkʌmfərtəbəl/

providing or experiencing physical well-being or relief (“comfy” is informal)

From this reading This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.

comparativelyadverbUS /kəmˈperətɪvli/

in a relative manner; by comparison to something else

From this reading This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.

conventionaladjectiveUS /kənˈvenʃənəl/

following accepted customs and proprieties

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

costsnounUS /kɑːsts/

pecuniary reimbursement to the winning party for the expenses of litigation

From this reading To adjust one's self to the enjoyment of these costs an intellectual effort, and an intellectual effort is what no ordinary person likes to make.

creaturesnounUS /ˈkriːtʃərz/

plural of “creature” — a living organism characterized by voluntary movement

From this reading The mass of creatures and of qualities are still hid and expectant," and to break new ground is still one of the uncommonest and most heroic of the virtues.

dealsnounUS /diːlz/

plural of “deal” — a particular instance of buying or selling

From this reading This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.

easyadjectiveUS /ˈiːzi/

posing no difficulty; requiring little effort

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

effortnounUS /ˈefərt/

earnest and conscientious activity intended to do or accomplish something

From this reading To adjust one's self to the enjoyment of these costs an intellectual effort, and an intellectual effort is what no ordinary person likes to make.

EmersonnounUS /ˈemərsən/

United States writer and leading exponent of transcendentalism (1803-1882)

From this reading "How few materials," says Emerson, "are yet used by our arts!

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.

enjoymentnounUS /ˌenˈdʒɔɪmənt/

the pleasure felt when having a good time

From this reading To adjust one's self to the enjoyment of these costs an intellectual effort, and an intellectual effort is what no ordinary person likes to make.

expectantadjectiveUS /ɪkˈspektənt/

marked by eager anticipation

From this reading The mass of creatures and of qualities are still hid and expectant," and to break new ground is still one of the uncommonest and most heroic of the virtues.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading "How few materials," says Emerson, "are yet used by our arts!

fieldsnounUS /fiːldz/

United States comedian and film actor (1880-1946)

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

figuresnounUS /ˈfɪɡjərz/

plural of “figure” — a diagram or picture illustrating textual material

From this reading This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

furrows

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

groundnounUS /ɡraʊnd/

the solid part of the earth's surface

From this reading The mass of creatures and of qualities are still hid and expectant," and to break new ground is still one of the uncommonest and most heroic of the virtues.

hackneyedadjectiveUS /ˈhæknid/

repeated too often; overfamiliar through overuse

From this reading This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

heroicadjectiveUS /hɪˈroʊɪk/

very imposing or impressive; surpassing the ordinary (especially in size or scale)

From this reading The mass of creatures and of qualities are still hid and expectant," and to break new ground is still one of the uncommonest and most heroic of the virtues.

hidverbUS /hɪd/

inflected form of “hide” — prevent from being seen or discovered

From this reading The mass of creatures and of qualities are still hid and expectant," and to break new ground is still one of the uncommonest and most heroic of the virtues.

How

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "How few materials," says Emerson, "are yet used by our arts!

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

intellectualadjectiveUS /ˌɪntəˈlektʃuːəl/

of or associated with or requiring the use of the mind

From this reading To adjust one's self to the enjoyment of these costs an intellectual effort, and an intellectual effort is what no ordinary person likes to make.

interestsnounUS /ˈɪntrəsts/

plural of “interest” — a sense of concern with and curiosity about someone or something

From this reading This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.

inventverbUS /ˌɪnˈvent/

come up with (an idea, plan, explanation, theory, or principle) after a mental effort

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The mass of creatures and of qualities are still hid and expectant," and to break new ground is still one of the uncommonest and most heroic of the virtues.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.

keepsnounUS /kiːps/

plural of “keep” — the financial means whereby one lives

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

likesnounUS /laɪks/

plural of “like” — a similar kind

From this reading To adjust one's self to the enjoyment of these costs an intellectual effort, and an intellectual effort is what no ordinary person likes to make.

liveverbUS /laɪv/

be an inhabitant of or reside in

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

makeverbUS /meɪk/

engage in

From this reading To adjust one's self to the enjoyment of these costs an intellectual effort, and an intellectual effort is what no ordinary person likes to make.

massnounUS /mæs/

the property of a body that causes it to have weight in a gravitational field

From this reading The mass of creatures and of qualities are still hid and expectant," and to break new ground is still one of the uncommonest and most heroic of the virtues.

materialsnounUS /məˈtɪriəlz/

plural of “material” — the tangible substance that goes into the makeup of a physical object

From this reading "How few materials," says Emerson, "are yet used by our arts!

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.

mostadverbUS /moʊst/

used to form the superlative

From this reading The mass of creatures and of qualities are still hid and expectant," and to break new ground is still one of the uncommonest and most heroic of the virtues.

motivesnounUS /ˈmoʊtɪvz/

plural of “motive” — the psychological feature that arouses an organism to action toward a desired goal; the reason for the action; that which gives purpose and direction to behavior

From this reading This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading The mass of creatures and of qualities are still hid and expectant," and to break new ground is still one of the uncommonest and most heroic of the virtues.

nodeterminerUS /noʊ/

not any; not one

From this reading To adjust one's self to the enjoyment of these costs an intellectual effort, and an intellectual effort is what no ordinary person likes to make.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

novelnounUS /ˈnɑːvəl/

an extended fictional work in prose; usually in the form of a story

From this reading This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The mass of creatures and of qualities are still hid and expectant," and to break new ground is still one of the uncommonest and most heroic of the virtues.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading The mass of creatures and of qualities are still hid and expectant," and to break new ground is still one of the uncommonest and most heroic of the virtues.

one's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To adjust one's self to the enjoyment of these costs an intellectual effort, and an intellectual effort is what no ordinary person likes to make.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

ordinarynounUS /ˈɔːrdəneri/

a judge of a probate court

From this reading This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading "How few materials," says Emerson, "are yet used by our arts!

personnounUS /ˈpɜːrsən/

a human being

From this reading To adjust one's self to the enjoyment of these costs an intellectual effort, and an intellectual effort is what no ordinary person likes to make.

pleaseverbUS /pliːz/

give pleasure to or be pleasing to

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

pleasingadjectiveUS /ˈpliːzɪŋ/

giving pleasure and satisfaction

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

plotnounUS /plɑːt/

a secret scheme to do something (especially something underhand or illegal)

From this reading This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.

preferverbUS /prəˈfɜːr/

like better; value more highly

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

qualitiesnounUS /ˈkwɑːlətiz/

plural of “quality” — an essential and distinguishing attribute of something or someone

From this reading The mass of creatures and of qualities are still hid and expectant," and to break new ground is still one of the uncommonest and most heroic of the virtues.

rareadjectiveUS /rer/

not widely known; especially valued for its uncommonness

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

remainverbUS /rɪˈmeɪn/

stay the same; remain in a certain state

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

saysnounUS /sez/

plural of “say” — the chance to speak

From this reading "How few materials," says Emerson, "are yet used by our arts!

scenesnounUS /siːnz/

plural of “scene” — the place where some action occurs

From this reading This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.

selfnounUS /self/

your consciousness of your own identity

From this reading To adjust one's self to the enjoyment of these costs an intellectual effort, and an intellectual effort is what no ordinary person likes to make.

stilladjectiveUS /stɪl/

not in physical motion

From this reading The mass of creatures and of qualities are still hid and expectant," and to break new ground is still one of the uncommonest and most heroic of the virtues.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The mass of creatures and of qualities are still hid and expectant," and to break new ground is still one of the uncommonest and most heroic of the virtues.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

thereadverbUS /ðer/

in or at that place or location

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading To adjust one's self to the enjoyment of these costs an intellectual effort, and an intellectual effort is what no ordinary person likes to make.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

timiditynounUS /təˈmɪdəti/

fear of the unknown or unfamiliar or fear of making decisions

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The mass of creatures and of qualities are still hid and expectant," and to break new ground is still one of the uncommonest and most heroic of the virtues.

uncommonest

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The mass of creatures and of qualities are still hid and expectant," and to break new ground is still one of the uncommonest and most heroic of the virtues.

understandverbUS /ˌʌndərˈstænd/

know and comprehend the nature or meaning of

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

usedadjectiveUS /juːzd/

employed in accomplishing something

From this reading "How few materials," says Emerson, "are yet used by our arts!

virtuenounUS /ˈvɝː.tʃuː/

Moral excellence and goodness of character; the highest human attainment in Stoic philosophy.

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

virtuesnounUS /ˈvɜːrtʃuːz/

plural of “virtue” — the quality of doing what is right and avoiding what is wrong

From this reading The mass of creatures and of qualities are still hid and expectant," and to break new ground is still one of the uncommonest and most heroic of the virtues.

wantsnounUS /wɑːnts/

plural of “want” — a state of extreme poverty

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

whatpronounUS /wʌt/

used to ask for information about something

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.

whompronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

whynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.

withprepositionUS /wɪð/

in the company of; together with

From this reading This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.

worn-outadjective

used until no longer useful

From this reading The artists are not alone to blame for the timidity that keeps them in the old furrows of the worn-out fields; most of those whom they live to please, or live by pleasing, prefer to have them remain there; it wants rare virtue to appreciate what is new, as well as to invent it; and the "easy things to understand" are the conventional things.

worstnounUS /wɜːrst/

the least favorable outcome

From this reading This is why the ordinary English novel, with its hackneyed plot, scenes, and figures, is more comfortable to the ordinary American than an American novel, which deals, at its worst, with comparatively new interests and motives.

yetconjunctionUS /jet/

but in spite of that

From this reading "How few materials," says Emerson, "are yet used by our arts!

Chapter 4 of Criticism and Fiction by William Dean Howells holds 115 sentences, grouped into 23 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of Criticism and Fiction contain?

Chapter 4 holds 115 sentences of Criticism and Fiction, unabridged, divided into 23 reading sections.

This page carries chapter 4 of Criticism and Fiction by William Dean Howells exactly as it stands in the source edition, without abridgement. It runs to 115 sentences, grouped into 23 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of Criticism and Fiction?

Work through the 23 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

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Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Criticism and Fiction

Common questions about reading Criticism and Fiction by William Dean Howells on this page, its source edition and its audio.

Is this the complete text of Criticism and Fiction?

Yes. All 837 sentences of Project Gutenberg eBook #3377 are kept, with a record of which sentences cover which part.

Which edition of Criticism and Fiction is used?

Project Gutenberg eBook #3377, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Criticism and Fiction take to read?

About 69 minutes of reading across 168 sections of 5 sentences each, at an unhurried pace.

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How to work through Criticism and Fiction section by section, using the audio and the tap-to-define vocabulary.

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Vocabulary met early in Criticism and Fiction

Words and structures a reader meets early in Criticism and Fiction, each tappable for pronunciation and meaning.

Question
A word that appears in the opening chapter of Criticism and Fiction; the reader can tap it to hear it and see its dictionary entry.
Final
A word that appears in the opening chapter of Criticism and Fiction; the reader can tap it to hear it and see its dictionary entry.
Criterion
A word that appears in the opening chapter of Criticism and Fiction; the reader can tap it to hear it and see its dictionary entry.
Appreciation
A word that appears in the opening chapter of Criticism and Fiction; the reader can tap it to hear it and see its dictionary entry.