Chapter V · Oliver Mingles with New Associates. Going to a Funeral

used before a singular noun to mean one of a group, when it is not a particular one

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

on the subject of; concerning

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

touching and pressing; in opposition to

From this reading Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets.

(of actions or states) slightly short of or not quite accomplished; all but

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

the form of “a” used before a word that begins with a vowel sound

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

used to join words or parts of a sentence that go together

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

the event of one object coming closer to another

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

an orderly arrangement

From this reading Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets.

in or near a particular place or position

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

an overwhelming feeling of wonder or admiration

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

at or toward the back of something

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

the -ing form of “be”

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

a long seat for more than one person

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

being of the achromatic color of maximum darkness; having little or no hue owing to absorption of almost all incident light

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

(used in the plural) the stage of a theater

From this reading Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets.

(used in the plural) trousers ending above the knee

From this reading Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

a commercial or industrial enterprise and the people who constitute it

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

showing who or what does the action

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

at or within a short distance in space or time or having elements near each other

From this reading The shop was close and hot.

artifact made by weaving or felting or knitting or crocheting natural or synthetic fibers

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

box in which a corpse is buried or cremated

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

having a low or inadequate temperature or feeling a sensation of coldness or having been made cold by e.g. ice or refrigeration

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

table consisting of a horizontal surface over which business is transacted

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

separate with or as if with an instrument

From this reading Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets.

act on verbally or in some form of artistic expression

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

lacking in light; not bright or harsh

From this reading Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets.

a line leading to a place or point

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

causing dejection

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

the property created by the space between two objects or points

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

being or moving lower in position or less in some value

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

showing the wearing effects of overwork or care or suffering

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

fearful expectation or anticipation

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

operate or control a vehicle

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

the social force that binds you to the courses of action demanded by that force

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

any of various trees of the genus Ulmus: important timber or shade trees

From this reading Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

all the members of a group, with none left out

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

considered likely or probable to happen or arrive

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

opinion or judgment

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

the experiencing of affective and emotional states

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

preceding all others in time or space or degree

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

the inside lower horizontal surface (as of a room, hallway, tent, or other structure)

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

intended to be given to, or used by, somebody

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

plural of “form” — the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

the cardinal number that is the sum of three and one

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

provoking horror

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

showing where something starts, or who sent it

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

past form of “gaze” — look at with fixed eyes

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

plural of “ghost” — a mental representation of some haunting experience

From this reading Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets.

depressingly dark

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

having desirable or positive qualities especially those suitable for a thing specified

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

(with “in”) guardianship over; in divorce cases it is the right to house and care for and discipline a child

From this reading Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets.

a man, boy, or male animal already mentioned, as the subject

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

the upper part of the human body or the front part of the body in animals; contains the face and brains

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

a vehicle for carrying a coffin to a church or a cemetery; formerly drawn by horses but now usually a motor vehicle

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets.

the male already mentioned, as the object of a verb or preposition

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

used when the man or boy doing the action is also its object

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

belonging to a man, boy, or male animal already mentioned

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

used of physical heat; having a high or higher than desirable temperature or giving off heat or feeling or causing a sensation of heat or burning

From this reading The shop was close and hot.

inside something, or within a place, period, or state

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

belonging to the thing or animal already mentioned

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

an artificial source of visible illumination

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

above average in size or number or quantity or magnitude or extent

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

put into a certain place or abstract location

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

of comparatively little physical weight or density

From this reading Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets.

prefer or wish to do something

From this reading Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets.

full of life and energy

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets.

past form of “look” — perceive with attention; direct one's gaze towards

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

the act of directing the eyes toward something and perceiving it visually

From this reading Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets.

something that is lost

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

roused to anger

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

possessive form of “master” — an artist of consummate skill

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

an area that is approximately central within some larger region

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

plural of “mute” — a deaf person who is unable to speak

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

plural of “nail” — horny plate covering and protecting part of the dorsal surface of the digits

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

not any; not one

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

a vague idea in which some confidence is placed

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

a tangible and visible entity; an entity that can cast a shadow

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

belonging to, or connected with, somebody or something

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

advanced in years; (“aged” is pronounced as two syllables)

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

United States jazz musician who influenced the style of Louis Armstrong (1885-1938)

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

touching and supported by a surface

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

past form of “ornament” — make more attractive by adding ornament, colour, etc.

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

above and across; more than

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

(plural) any group of human beings (men or women or children) collectively

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

plural of “pocket” — a small pouch inside a garment for carrying small articles

From this reading Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets.

confined to particular persons or groups or providing privacy

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

past form of “range” — change or be different within limits

From this reading Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets.

the back of a military formation or procession

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

in accordance with fixed order or procedure or principle

From this reading Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets.

a presentation to the mind in the form of an idea or image

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

an arrangement of objects or people side by side in a line

From this reading Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets.

Identical; not different.

From this reading Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets.

occurring or distributed over widely spaced and irregular intervals in time or space

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

perceive by sight or have the power to perceive by sight

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

put into a certain place or abstract location

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

any spatial attributes (especially as defined by outline)

From this reading Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets.

do one's shopping

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

plural of “shred” — a tiny or scarcely detectable amount

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

without speed (“slow” is sometimes used informally for “slowly”)

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

for that reason; with the result that

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

plural of “steed” — (literary) a spirited horse for state of war

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

not moving or operating freely

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

Maintained an upright posture.

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

an overwhelming feeling of fear and anxiety

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

used to introduce the second part of a comparison

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

used to introduce what somebody said, thought, or felt

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

belonging to the people or things already mentioned

From this reading Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets.

an instance or single occasion for some event

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

in a shy or timid or bashful manner

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

used before the base form of a verb to make the infinitive

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

move or jerk quickly and involuntarily up and down or sideways

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

know and comprehend the nature or meaning of

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

not encouraging or approving or pleasing

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

not brought to the desired final state

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

precisely as stated

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure

From this reading Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets.

past form of “wander” — move about aimlessly or without any destination, often in search of food or employment

From this reading An unfinished coffin on black tressels, which stood in the middle of the shop, looked so gloomy and death-like that a cold tremble came over him, every time his eyes wandered in the direction of the dismal object: from which he almost expected to see some frightful form slowly rear its head, to drive him mad with terror.

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Coffin-plates, elm-chips, bright-headed nails, and shreds of black cloth, lay scattered on the floor; and the wall behind the counter was ornamented with a lively representation of two mutes in very stiff neckcloths, on duty at a large private door, with a hearse drawn by four black steeds, approaching in the distance.

the past form of “be” used with you, we, they, or a plural noun

From this reading Against the wall were ranged, in regular array, a long row of elm boards cut in the same shape: looking in the dim light, like high-shouldered ghosts with their hands in their breeches pockets.

used to introduce a clause giving more about a thing just mentioned

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

used to talk about the future, or about willingness

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

in the company of; together with

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.

possessive form of “workman” — an employee who performs manual or industrial labor

From this reading FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS Oliver, being left to himself in the undertaker’s shop, set the lamp down on a workman’s bench, and gazed timidly about him with a feeling of awe and dread, which many people a good deal older than he will be at no loss to understand.