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Cruikshank's Water Colours
Cruikshank's Water Colours

Chapter XIX · Treats on a Very Poor Subject. but Is a Short One,

Chapter XIX of Cruikshank's Water Colours, “Treats on a Very Poor Subject. but Is a Short One,,” is here in full — 238 sentences across 48 reading sections, with audio for every sentence and word.

Cover illustration for Cruikshank's Water Colours
Context Illustration Reading 1/47 · 5 lines
English subtitles · tap any word to listen 1 / 5
AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.
Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.
Alas!
How few of Nature’s faces are left alone to gladden us with their beauty!
The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Cruikshank's Water Colours

Chapter XIX · Treats on a Very Poor Subject. but Is a Short One,

Chapter XIX of Cruikshank's Water Colours, “Treats on a Very Poor Subject. but Is a Short One,,” is here in full — 238 sentences across 48 reading sections, with audio for every sentence and word.

Reading 1/47 · 5 reading units · Lines 1–5

Line 1
AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.
Line 2
Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.
Line 3
Alas!
/əˈlæs/
Line 4
How few of Nature’s faces are left alone to gladden us with their beauty!
Line 5
The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

distorted adjective US /dɪˈstɔːrtəd/

so badly formed or out of shape as to be ugly

From this reading “Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.”

gladden verb US /ˈɡlædən/

make glad or happy

From this reading “How few of Nature’s faces are left alone to gladden us with their beauty!”

grotesque adjective US /ɡroʊˈtesk/

distorted and unnatural in shape or size; abnormal and hideous

From this reading “Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.”

mumbling noun US /ˈmʌmbəlɪŋ/

indistinct enunciation

From this reading “Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.”

Nature's noun US /ˈneɪtʃərz/

possessive form of “nature” — the essential qualities or characteristics by which something is recognized

palsy noun US /ˈpɔːlzi/

loss of the ability to move a body part

From this reading “Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.”

shaping noun US /ˈʃeɪpɪŋ/

any process serving to define the shape of something

From this reading “Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.”

unfit adjective US /ənˈfɪt/

below the required standards for a purpose

From this reading “AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

trembled with verb + particle counted as “tremble with”

In this reading “Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.”

for ever preposition + adverb

In this reading “The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.”

pass off verb + particle

be accepted as something or somebody in a false character or identity

In this reading “The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.”

All words in this reading · 89

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

agenounUS /eɪdʒ/

how long something has existed

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

AlasexclamationUS /əˈlæs/

used to show sadness, pity, or regret

From this reading Alas!

aloneadjectiveUS /əˈloʊn/

Having no one else present.

From this reading How few of Nature’s faces are left alone to gladden us with their beauty!

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading How few of Nature’s faces are left alone to gladden us with their beauty!

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

BEauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.

beautynounUS /ˈbjuːti/

the qualities that give pleasure to the senses

From this reading How few of Nature’s faces are left alone to gladden us with their beauty!

bentnounUS /bent/

a relatively permanent inclination to react in a particular way

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

bodynounUS /ˈbɑːdi/

the entire physical structure of an organism (an animal, plant, or human being)

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

caresnounUS /kerz/

plural of “care” — the work of providing treatment for or attending to someone or something

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

changeverbUS /tʃeɪndʒ/

cause to change; make different; cause a transformation

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

clearverbUS /klɪr/

rid of obstructions

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

cloudsnounUS /klaʊdz/

plural of “cloud” — any collection of particles (e.g., smoke or dust) or gases that is visible

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

deathnounUS /deθ/

the event of dying or departure from life

From this reading AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.

distortedadjectiveUS /dɪˈstɔːrtəd/

so badly formed or out of shape as to be ugly

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

disturbedadjectiveUS /dɪˈstɜːrbd/

having the place or position changed

From this reading AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.

everadverbUS /ˈevər/

at any time

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

facesnounUS /ˈfeɪsəz/

plural of “face” — the front of the human head from the forehead to the chin and ear to ear

From this reading How few of Nature’s faces are left alone to gladden us with their beauty!

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading How few of Nature’s faces are left alone to gladden us with their beauty!

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

FOUNDverbUS /faʊnd/

set up or found

From this reading AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.

gladdenverbUS /ˈɡlædən/

make glad or happy

From this reading How few of Nature’s faces are left alone to gladden us with their beauty!

grotesqueadjectiveUS /ɡroʊˈtesk/

distorted and unnatural in shape or size; abnormal and hideous

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

heartsnounUS /hɑːrts/

a form of whist in which players avoid winning tricks containing hearts or the queen of spades

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

Heaven'snounUS /ˈhevənz/

possessive form of “heaven” — any place of complete bliss and delight and peace

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

HerdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

HISTORYnounUS /ˈhɪstəri/

the aggregate of past events

From this reading AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.

holdverbUS /hoʊld/

cause to continue in a certain state, position, or activity; e.g., “keep clean”

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

How

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading How few of Nature’s faces are left alone to gladden us with their beauty!

hungerings

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

IMPORTANCEnounUS /ˌɪmˈpɔːrtəns/

the quality of being important and worthy of note

From this reading AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.

leaveverbUS /liːv/

go away from a place

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

leerverb

look suggestively or obliquely; look or gaze with a sly, immodest, or malign expression

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading How few of Nature’s faces are left alone to gladden us with their beauty!

limbsnounUS /lɪmz/

plural of “limb” — one of the jointed appendages of an animal used for locomotion or grasping: arm; leg; wing; flipper

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

lostadjectiveUS /lɔːst/

no longer in your possession or control; unable to be found or recovered

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

matron's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.

MAYmodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.

messengernounUS /ˈmesəndʒər/

a person who carries a message

From this reading AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

mumblingnounUS /ˈmʌmbəlɪŋ/

indistinct enunciation

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

Nature'snounUS /ˈneɪtʃərz/

possessive form of “nature” — the essential qualities or characteristics by which something is recognized

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

nodeterminerUS /noʊ/

not any; not one

From this reading AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.

offadverbUS /ɔːf/

from a particular thing or place or position (“forth” is obsolete)

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

palsynounUS /ˈpɔːlzi/

loss of the ability to move a body part

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

passverbUS /pæs/

go across or through

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

passionsnounUS /ˈpæʃənz/

plural of “passion” — a strong feeling or emotion

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

pencilnounUS /ˈpensəl/

a thin cylindrical pointed writing implement; a rod of marking substance encased in wood

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

quietadjectiveUS /ˈkwaɪət/

characterized by an absence or near absence of agitation or activity

From this reading AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.

resembledverbUS /rɪˈzembəld/

past form of “resemble” — appear like; be similar or bear a likeness to

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.

shapingnounUS /ˈʃeɪpɪŋ/

any process serving to define the shape of something

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

sleepnounUS /sliːp/

a natural and periodic state of rest during which consciousness of the world is suspended

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

sorrowsnounUS /ˈsɑːroʊz/

plural of “sorrow” — an emotion of great sadness associated with loss or bereavement

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

surfacenounUS /ˈsɜːrfəs/

the outer boundary of an artifact or a material layer constituting or resembling such a boundary

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading How few of Nature’s faces are left alone to gladden us with their beauty!

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

THISdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading How few of Nature’s faces are left alone to gladden us with their beauty!

trembledverbUS /ˈtrembəld/

past form of “tremble” — move or jerk quickly and involuntarily up and down or sideways

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

troubledadjectiveUS /ˈtrʌbəld/

characterized by or indicative of distress or affliction or danger or need

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

unfitadjectiveUS /ənˈfɪt/

below the required standards for a purpose

From this reading AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading How few of Nature’s faces are left alone to gladden us with their beauty!

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.

whenconjunctionUS /wen/

at the time that

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

whopronounUS /huː/

which person or people

From this reading AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY It was no unfit messenger of death, who had disturbed the quiet of the matron’s room.

wildadjectiveUS /waɪld/

marked by extreme lack of restraint or control

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

withprepositionUS /wɪð/

in the company of; together with

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading Her body was bent by age; her limbs trembled with palsy; her face, distorted into a mumbling leer, resembled more the grotesque shaping of some wild pencil, than the work of Nature’s hand.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading The cares, and sorrows, and hungerings, of the world, change them as they change hearts; and it is only when those passions sleep, and have lost their hold for ever, that the troubled clouds pass off, and leave Heaven’s surface clear.

Chapter 19 of Cruikshank's Water Colours by George [Illustrator] Cruikshank holds 238 sentences, grouped into 48 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 19 of Cruikshank's Water Colours contain?

Chapter 19 holds 238 sentences of Cruikshank's Water Colours, unabridged, divided into 48 reading sections.

This page carries chapter 19 of Cruikshank's Water Colours by George [Illustrator] Cruikshank exactly as it stands in the source edition, without abridgement. It runs to 238 sentences, grouped into 48 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 19 of Cruikshank's Water Colours?

Work through the 48 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 48 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 19 be read aloud to me?

Yes — every sentence and every individual word in chapter 19 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Cruikshank's Water Colours

Common questions about reading Cruikshank's Water Colours by George [Illustrator] Cruikshank on this page, its source edition and its audio.

Is this the complete text of Cruikshank's Water Colours?

Yes. All 11394 sentences of Project Gutenberg eBook #49683 are kept, with a record of which sentences cover which part.

Which edition of Cruikshank's Water Colours is used?

Project Gutenberg eBook #49683, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Cruikshank's Water Colours take to read?

About 600 minutes of reading across 2279 sections of 5 sentences each, at an unhurried pace.

How to read Cruikshank's Water Colours section by section

How to work through Cruikshank's Water Colours section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of Cruikshank's Water Colours to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Cruikshank's Water Colours

Words and structures a reader meets early in Cruikshank's Water Colours, each tappable for pronunciation and meaning.

Characterise
A word that appears in the opening chapter of Cruikshank's Water Colours; the reader can tap it to hear it and see its dictionary entry.
Three
A word that appears in the opening chapter of Cruikshank's Water Colours; the reader can tap it to hear it and see its dictionary entry.
Suites
A word that appears in the opening chapter of Cruikshank's Water Colours; the reader can tap it to hear it and see its dictionary entry.
Original
A word that appears in the opening chapter of Cruikshank's Water Colours; the reader can tap it to hear it and see its dictionary entry.