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Dancers in the Dark
Dancers in the Dark

Chapter IX

Chapter 9 of Dancers in the Dark is here in full — 415 sentences across 83 reading sections, with audio for every sentence and word.

Cover illustration for Dancers in the Dark
Context Illustration Reading 1/83 · 5 lines
English subtitles · tap any word to listen 1 / 5
Mesmerized by the finality of her tone, he started to the door, but stopped halfway.
“Am I to believe—that you are always going to take this stand—be this way?”
“Please do believe it.
I am not drunk with music—I shall always take this stand with you—because, you see, I don’t really love you, and I suppose that—makes all the difference!”
He gained the door, and stood looking back.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Dancers in the Dark

Chapter IX

Chapter 9 of Dancers in the Dark is here in full — 415 sentences across 83 reading sections, with audio for every sentence and word.

Reading 1/83 · 5 reading units · Lines 1–5

Line 1
Mesmerized by the finality of her tone, he started to the door, but stopped halfway.
/ˈmezməraɪzd baɪ ðə faɪˈnæləti ʌv hɜːr toʊn hiː ˈstɑːrtɪd tuː ðə dɔːr bʌt stɑːpt ˈhæfˈweɪ/
Line 2
“Am I to believe—that you are always going to take this stand—be this way?”
Line 3
“Please do believe it.
/pliːz duː bɪˈliːv ɪt/
Line 4
I am not drunk with music—I shall always take this stand with you—because, you see, I don’t really love you, and I suppose that—makes all the difference!”
Line 5
He gained the door, and stood looking back.
/hiː ɡeɪnd ðə dɔːr ənd stʊd ˈlʊkɪŋ bæk/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

difference noun US /ˈdɪfərəns/

the quality of being unlike or dissimilar

From this reading “I am not drunk with music—I shall always take this stand with you—because, you see, I don’t really love you, and I suppose that—makes all the difference!””

drunk adjective US /drʌŋk/

stupefied or excited by a chemical substance (especially alcohol)

From this reading “I am not drunk with music—I shall always take this stand with you—because, you see, I don’t really love you, and I suppose that—makes all the difference!””

finality noun US /faɪˈnæləti/

the quality of being final or definitely settled

From this reading “Mesmerized by the finality of her tone, he started to the door, but stopped halfway.”

gained verb US /ɡeɪnd/

past form of “gain” — obtain

From this reading “He gained the door, and stood looking back.”

halfway adjective US /ˈhæfˈweɪ/

equally distant from the extremes

From this reading “Mesmerized by the finality of her tone, he started to the door, but stopped halfway.”

makes noun US /meɪks/

plural of “make” — a recognizable kind

From this reading “I am not drunk with music—I shall always take this stand with you—because, you see, I don’t really love you, and I suppose that—makes all the difference!””

Mesmerized adjective US /ˈmezməraɪzd/

having your attention fixated as though by a spell

From this reading “Mesmerized by the finality of her tone, he started to the door, but stopped halfway.”

music noun US /ˈmjuːzɪk/

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading “I am not drunk with music—I shall always take this stand with you—because, you see, I don’t really love you, and I suppose that—makes all the difference!””

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

stood looking verb + noun

In this reading “He gained the door, and stood looking back.”

All words in this reading · 49

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading I am not drunk with music—I shall always take this stand with you—because, you see, I don’t really love you, and I suppose that—makes all the difference!”

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading “Am I to believe—that you are always going to take this stand—be this way?”

Amauxiliary verbUS /æm/

the form of “be” used with “I”

From this reading “Am I to believe—that you are always going to take this stand—be this way?”

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading I am not drunk with music—I shall always take this stand with you—because, you see, I don’t really love you, and I suppose that—makes all the difference!”

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading “Am I to believe—that you are always going to take this stand—be this way?”

backadverbUS /bæk/

in or to or toward a former location

From this reading He gained the door, and stood looking back.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading “Am I to believe—that you are always going to take this stand—be this way?”

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading I am not drunk with music—I shall always take this stand with you—because, you see, I don’t really love you, and I suppose that—makes all the difference!”

believeverbUS /bɪˈliːv/

accept as true; take to be true

From this reading “Am I to believe—that you are always going to take this stand—be this way?”

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Mesmerized by the finality of her tone, he started to the door, but stopped halfway.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Mesmerized by the finality of her tone, he started to the door, but stopped halfway.

differencenounUS /ˈdɪfərəns/

the quality of being unlike or dissimilar

From this reading I am not drunk with music—I shall always take this stand with you—because, you see, I don’t really love you, and I suppose that—makes all the difference!”

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading “Please do believe it.

don't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I am not drunk with music—I shall always take this stand with you—because, you see, I don’t really love you, and I suppose that—makes all the difference!”

doornounUS /dɔːr/

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading Mesmerized by the finality of her tone, he started to the door, but stopped halfway.

drunkadjectiveUS /drʌŋk/

stupefied or excited by a chemical substance (especially alcohol)

From this reading I am not drunk with music—I shall always take this stand with you—because, you see, I don’t really love you, and I suppose that—makes all the difference!”

finalitynounUS /faɪˈnæləti/

the quality of being final or definitely settled

From this reading Mesmerized by the finality of her tone, he started to the door, but stopped halfway.

gainedverbUS /ɡeɪnd/

past form of “gain” — obtain

From this reading He gained the door, and stood looking back.

goingnounUS /ˈɡoʊɪŋ/

the act of departing

From this reading “Am I to believe—that you are always going to take this stand—be this way?”

halfwayadjectiveUS /ˈhæfˈweɪ/

equally distant from the extremes

From this reading Mesmerized by the finality of her tone, he started to the door, but stopped halfway.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Mesmerized by the finality of her tone, he started to the door, but stopped halfway.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Mesmerized by the finality of her tone, he started to the door, but stopped halfway.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading “Am I to believe—that you are always going to take this stand—be this way?”

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading “Please do believe it.

lookingnounUS /ˈlʊkɪŋ/

the act of directing the eyes toward something and perceiving it visually

From this reading He gained the door, and stood looking back.

lovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading I am not drunk with music—I shall always take this stand with you—because, you see, I don’t really love you, and I suppose that—makes all the difference!”

makesnounUS /meɪks/

plural of “make” — a recognizable kind

From this reading I am not drunk with music—I shall always take this stand with you—because, you see, I don’t really love you, and I suppose that—makes all the difference!”

MesmerizedadjectiveUS /ˈmezməraɪzd/

having your attention fixated as though by a spell

From this reading Mesmerized by the finality of her tone, he started to the door, but stopped halfway.

musicnounUS /ˈmjuːzɪk/

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading I am not drunk with music—I shall always take this stand with you—because, you see, I don’t really love you, and I suppose that—makes all the difference!”

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading I am not drunk with music—I shall always take this stand with you—because, you see, I don’t really love you, and I suppose that—makes all the difference!”

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Mesmerized by the finality of her tone, he started to the door, but stopped halfway.

PleaseverbUS /pliːz/

give pleasure to or be pleasing to

From this reading “Please do believe it.

reallyadverbUS /ˈrɪli/

in accordance with truth or fact or reality

From this reading I am not drunk with music—I shall always take this stand with you—because, you see, I don’t really love you, and I suppose that—makes all the difference!”

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading I am not drunk with music—I shall always take this stand with you—because, you see, I don’t really love you, and I suppose that—makes all the difference!”

shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading I am not drunk with music—I shall always take this stand with you—because, you see, I don’t really love you, and I suppose that—makes all the difference!”

standverbUS /stænd/

be standing; be upright

From this reading “Am I to believe—that you are always going to take this stand—be this way?”

startedverbUS /ˈstɑːrtɪd/

past form of “start” — take the first step or steps in carrying out an action

From this reading Mesmerized by the finality of her tone, he started to the door, but stopped halfway.

stoodverbUS /stʊd/

Maintained an upright posture.

From this reading He gained the door, and stood looking back.

stoppedadjectiveUS /stɑːpt/

(of a nose) blocked

From this reading Mesmerized by the finality of her tone, he started to the door, but stopped halfway.

supposeverbUS /səˈpoʊz/

express a supposition

From this reading I am not drunk with music—I shall always take this stand with you—because, you see, I don’t really love you, and I suppose that—makes all the difference!”

takeverbUS /teɪk/

carry out

From this reading “Am I to believe—that you are always going to take this stand—be this way?”

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading “Am I to believe—that you are always going to take this stand—be this way?”

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Mesmerized by the finality of her tone, he started to the door, but stopped halfway.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading “Am I to believe—that you are always going to take this stand—be this way?”

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Mesmerized by the finality of her tone, he started to the door, but stopped halfway.

tonenounUS /toʊn/

the quality of a person's voice

From this reading Mesmerized by the finality of her tone, he started to the door, but stopped halfway.

waynounUS /weɪ/

how something is done or how it happens

From this reading “Am I to believe—that you are always going to take this stand—be this way?”

withprepositionUS /wɪð/

in the company of; together with

From this reading I am not drunk with music—I shall always take this stand with you—because, you see, I don’t really love you, and I suppose that—makes all the difference!”

youpronounUS /juː/

the person or people being spoken to

From this reading “Am I to believe—that you are always going to take this stand—be this way?”

Chapter 9 of Dancers in the Dark by Dorothy Speare holds 415 sentences, grouped into 83 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 9 of Dancers in the Dark contain?

Chapter 9 holds 415 sentences of Dancers in the Dark, unabridged, divided into 83 reading sections.

This page carries chapter 9 of Dancers in the Dark by Dorothy Speare exactly as it stands in the source edition, without abridgement. It runs to 415 sentences, grouped into 83 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 9 of Dancers in the Dark?

Work through the 83 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 83 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 9 be read aloud to me?

Yes — every sentence and every individual word in chapter 9 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Dancers in the Dark

Common questions about reading Dancers in the Dark by Dorothy Speare on this page, its source edition and its audio.

Is this the complete text of Dancers in the Dark?

Yes. All 5800 sentences of Project Gutenberg eBook #60176 are kept, with a record of which sentences cover which part.

Which edition of Dancers in the Dark is used?

Project Gutenberg eBook #60176, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Dancers in the Dark take to read?

About 483 minutes of reading across 1160 sections of 5 sentences each, at an unhurried pace.

How to read Dancers in the Dark section by section

How to work through Dancers in the Dark section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 14 chapters of Dancers in the Dark to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Dancers in the Dark

Words and structures a reader meets early in Dancers in the Dark, each tappable for pronunciation and meaning.

Nelson
A word that appears in the opening chapter of Dancers in the Dark; the reader can tap it to hear it and see its dictionary entry.
Sharing
A word that appears in the opening chapter of Dancers in the Dark; the reader can tap it to hear it and see its dictionary entry.
Other
A word that appears in the opening chapter of Dancers in the Dark; the reader can tap it to hear it and see its dictionary entry.
Girls
A word that appears in the opening chapter of Dancers in the Dark; the reader can tap it to hear it and see its dictionary entry.