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Dangerous Connections, V. 1, 2, 3, 4
Dangerous Connections, V. 1, 2, 3, 4

Chapter V

Chapter 5 of Dangerous Connections, V. 1, 2, 3, 4 is here in full — 102 sentences across 21 reading sections, with audio for every sentence and word.

Cover illustration for Dangerous Connections, V. 1, 2, 3, 4
Context Illustration Reading 1/20 · 5 lines
English subtitles · tap any word to listen 1 / 5
_The Chevalier_ Danceny _to_ Cecilia Volanges.
Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.
Yet, after all, what am I about to do, but exhibit your own productions?
I have nothing to say that my looks, my confusion, my conduct, and even my silence, have not already told you!
Why should you be displeased with sentiments to which you have given birth?
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Dangerous Connections, V. 1, 2, 3, 4

Chapter V

Chapter 5 of Dangerous Connections, V. 1, 2, 3, 4 is here in full — 102 sentences across 21 reading sections, with audio for every sentence and word.

Reading 1/20 · 5 reading units · Lines 1–5

Line 1
_The Chevalier_ Danceny _to_ Cecilia Volanges.
Line 2
Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.
/bɪˈfɔːr aɪ ɡɪv weɪ mɪs ˈweðər ʃæl aɪ kɔːl ɪt tuː ðə ˈpleʒər ɔːr nəˈsesəti ʌv ˈraɪtɪŋ tuː juː aɪ bɪˈɡɪn baɪ enˈtriːtɪŋ juː tuː hiːr miː aɪ æm ˈsensəbəl aɪ stænd ɪn niːd ʌv jɔːr ˌɪnˈdʌldʒəns ɪn ˈderɪŋ tuː dɪˈkler maɪ ˈsentəmənts fɔːr juː ɪf ðeɪ ˈwɔːntɪd ˈoʊnli vɪndəˈkeɪʃən ˌɪnˈdʌldʒəns wʊd biː ˈjuːsləs/
Line 3
Yet, after all, what am I about to do, but exhibit your own productions?
/jet ˈæftər ɔːl wʌt æm aɪ əˈbaʊt tuː duː bʌt ɪɡˈzɪbɪt jɔːr oʊn prəˈdʌkʃənz/
Line 4
I have nothing to say that my looks, my confusion, my conduct, and even my silence, have not already told you!
/aɪ hæv ˈnʌθɪŋ tuː seɪ ðæt maɪ lʊks maɪ kənˈfjuːʒən maɪ ˈkɑːndəkt ənd ˈiːvɪn maɪ ˈsaɪ.ləns hæv nɑːt ɔːlˈredi toʊld juː/
Line 5
Why should you be displeased with sentiments to which you have given birth?
/waɪ ʃʊd juː biː dɪˈspliːzd wɪð ˈsentəmənts tuː wɪtʃ juː hæv ˈɡɪvən bɜːrθ/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Chevalier noun US /ˌʃevəˈlɪr/

French actor and cabaret singer (1888-1972)

displeased adjective US /dɪˈspliːzd/

not pleased; experiencing or manifesting displeasure

From this reading “Why should you be displeased with sentiments to which you have given birth?”

entreating verb US /enˈtriːtɪŋ/

-ing form of “entreat” — ask for or request earnestly

From this reading “Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.”

exhibit verb US /ɪɡˈzɪbɪt/

show an attribute, property, knowledge, or skill

From this reading “Yet, after all, what am I about to do, but exhibit your own productions?”

indulgence noun US /ˌɪnˈdʌldʒəns/

an inability to resist the gratification of whims and desires

From this reading “Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.”

productions noun US /prəˈdʌkʃənz/

plural of “production” — the act or process of producing something

From this reading “Yet, after all, what am I about to do, but exhibit your own productions?”

sentiments noun US /ˈsentəmənts/

plural of “sentiment” — tender, romantic, or nostalgic feeling or emotion

From this reading “Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.”

vindication noun US /vɪndəˈkeɪʃən/

the act of vindicating or defending against criticism or censure etc.

From this reading “Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

given birth adjective + noun

In this reading “Why should you be displeased with sentiments to which you have given birth?”

give way verb + noun

move in order to make room for someone for something

In this reading “Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.”

All words in this reading · 76

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading Yet, after all, what am I about to do, but exhibit your own productions?

afterprepositionUS /ˈæftər/

later than; following

From this reading Yet, after all, what am I about to do, but exhibit your own productions?

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Yet, after all, what am I about to do, but exhibit your own productions?

alreadyadverbUS /ɔːlˈredi/

prior to a specified or implied time

From this reading I have nothing to say that my looks, my confusion, my conduct, and even my silence, have not already told you!

amauxiliary verbUS /æm/

the form of “be” used with “I”

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading I have nothing to say that my looks, my confusion, my conduct, and even my silence, have not already told you!

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

BeforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

beginverbUS /bɪˈɡɪn/

take the first step or steps in carrying out an action

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

birthnounUS /bɜːrθ/

the time when something begins (especially life)

From this reading Why should you be displeased with sentiments to which you have given birth?

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Yet, after all, what am I about to do, but exhibit your own productions?

byprepositionUS /baɪ/

showing who or what does the action

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

callverbUS /kɔːl/

assign a specified (usually proper) proper name to

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

Cecilia

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _The Chevalier_ Danceny _to_ Cecilia Volanges.

ChevaliernounUS /ˌʃevəˈlɪr/

French actor and cabaret singer (1888-1972)

From this reading _The Chevalier_ Danceny _to_ Cecilia Volanges.

conductverbUS /ˈkɑːndəkt/

direct the course of; manage or control

From this reading I have nothing to say that my looks, my confusion, my conduct, and even my silence, have not already told you!

confusionnounUS /kənˈfjuːʒən/

disorder resulting from a failure to behave predictably

From this reading I have nothing to say that my looks, my confusion, my conduct, and even my silence, have not already told you!

Danceny

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _The Chevalier_ Danceny _to_ Cecilia Volanges.

daringnounUS /ˈderɪŋ/

a challenge to do something dangerous or foolhardy

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

declareverbUS /dɪˈkler/

state emphatically and authoritatively

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

displeasedadjectiveUS /dɪˈspliːzd/

not pleased; experiencing or manifesting displeasure

From this reading Why should you be displeased with sentiments to which you have given birth?

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading Yet, after all, what am I about to do, but exhibit your own productions?

entreatingverbUS /enˈtriːtɪŋ/

-ing form of “entreat” — ask for or request earnestly

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading I have nothing to say that my looks, my confusion, my conduct, and even my silence, have not already told you!

exhibitverbUS /ɪɡˈzɪbɪt/

show an attribute, property, knowledge, or skill

From this reading Yet, after all, what am I about to do, but exhibit your own productions?

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

giveverbUS /ɡɪv/

cause to have, in the abstract sense or physical sense

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

givenadjectiveUS /ˈɡɪvən/

acknowledged as a supposition

From this reading Why should you be displeased with sentiments to which you have given birth?

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading I have nothing to say that my looks, my confusion, my conduct, and even my silence, have not already told you!

hearverbUS /hiːr/

perceive (sound) via the auditory sense

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

indulgencenounUS /ˌɪnˈdʌldʒəns/

an inability to resist the gratification of whims and desires

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

looksnounUS /lʊks/

plural of “look” — the feelings expressed on a person's face

From this reading I have nothing to say that my looks, my confusion, my conduct, and even my silence, have not already told you!

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

MissverbUS /mɪs/

fail to perceive or to catch with the senses or the mind

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

necessitynounUS /nəˈsesəti/

the condition of being essential or indispensable

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

neednounUS /niːd/

a condition requiring relief

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading I have nothing to say that my looks, my confusion, my conduct, and even my silence, have not already told you!

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading I have nothing to say that my looks, my confusion, my conduct, and even my silence, have not already told you!

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

ownverbUS /oʊn/

have ownership or possession of

From this reading Yet, after all, what am I about to do, but exhibit your own productions?

pleasurenounUS /ˈpleʒər/

a fundamental feeling that is hard to define but that people desire to experience

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

productionsnounUS /prəˈdʌkʃənz/

plural of “production” — the act or process of producing something

From this reading Yet, after all, what am I about to do, but exhibit your own productions?

sayverbUS /seɪ/

express in words

From this reading I have nothing to say that my looks, my confusion, my conduct, and even my silence, have not already told you!

sensibleadjectiveUS /ˈsensəbəl/

showing reason or sound judgment

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

sentimentsnounUS /ˈsentəmənts/

plural of “sentiment” — tender, romantic, or nostalgic feeling or emotion

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading Why should you be displeased with sentiments to which you have given birth?

silencenounUS /ˈsaɪ.ləns/

Complete absence of sound; a state of quietness and stillness.

From this reading I have nothing to say that my looks, my confusion, my conduct, and even my silence, have not already told you!

standverbUS /stænd/

be standing; be upright

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading I have nothing to say that my looks, my confusion, my conduct, and even my silence, have not already told you!

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading _The Chevalier_ Danceny _to_ Cecilia Volanges.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading _The Chevalier_ Danceny _to_ Cecilia Volanges.

toldverbUS /toʊld/

inflected form of “tell” — express in words

From this reading I have nothing to say that my looks, my confusion, my conduct, and even my silence, have not already told you!

uselessadjectiveUS /ˈjuːsləs/

having no beneficial use or incapable of functioning usefully

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

vindicationnounUS /vɪndəˈkeɪʃən/

the act of vindicating or defending against criticism or censure etc.

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

Volanges

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _The Chevalier_ Danceny _to_ Cecilia Volanges.

wantedadjectiveUS /ˈwɔːntɪd/

desired or wished for or sought

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

waynounUS /weɪ/

how something is done or how it happens

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

whatpronounUS /wʌt/

used to ask for information about something

From this reading Yet, after all, what am I about to do, but exhibit your own productions?

whetherconjunctionUS /ˈweðər/

used to introduce two or more possibilities

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Why should you be displeased with sentiments to which you have given birth?

WhynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading Why should you be displeased with sentiments to which you have given birth?

withprepositionUS /wɪð/

in the company of; together with

From this reading Why should you be displeased with sentiments to which you have given birth?

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

YetconjunctionUS /jet/

but in spite of that

From this reading Yet, after all, what am I about to do, but exhibit your own productions?

youpronounUS /juː/

the person or people being spoken to

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

yourdeterminerUS /jɔːr/

belonging to the person or people being spoken to

From this reading Before I give way, Miss, whether shall I call it, to the pleasure or necessity of writing to you, I begin by entreating you to hear me: I am sensible I stand in need of your indulgence, in daring to declare my sentiments for you; if they wanted only vindication, indulgence would be useless.

Chapter 5 of Dangerous Connections, V. 1, 2, 3, 4 by Choderlos de Laclos holds 102 sentences, grouped into 21 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of Dangerous Connections, V. 1, 2, 3, 4 contain?

Chapter 5 holds 102 sentences of Dangerous Connections, V. 1, 2, 3, 4, unabridged, divided into 21 reading sections.

This page carries chapter 5 of Dangerous Connections, V. 1, 2, 3, 4 by Choderlos de Laclos exactly as it stands in the source edition, without abridgement. It runs to 102 sentences, grouped into 21 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 5 of Dangerous Connections, V. 1, 2, 3, 4?

Work through the 21 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 21 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 5 be read aloud to me?

Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Dangerous Connections, V. 1, 2, 3, 4

Common questions about reading Dangerous Connections, V. 1, 2, 3, 4 by Choderlos de Laclos on this page, its source edition and its audio.

Is this the complete text of Dangerous Connections, V. 1, 2, 3, 4?

Yes. All 5666 sentences of Project Gutenberg eBook #45512 are kept, with a record of which sentences cover which part.

Which edition of Dangerous Connections, V. 1, 2, 3, 4 is used?

Project Gutenberg eBook #45512, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Dangerous Connections, V. 1, 2, 3, 4 take to read?

About 472 minutes of reading across 1134 sections of 5 sentences each, at an unhurried pace.

How to read Dangerous Connections, V. 1, 2, 3, 4 section by section

How to work through Dangerous Connections, V. 1, 2, 3, 4 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of Dangerous Connections, V. 1, 2, 3, 4 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Dangerous Connections, V. 1, 2, 3, 4

Words and structures a reader meets early in Dangerous Connections, V. 1, 2, 3, 4, each tappable for pronunciation and meaning.

Series
A word that appears in the opening chapter of Dangerous Connections, V. 1, 2, 3, 4; the reader can tap it to hear it and see its dictionary entry.
Letters
A word that appears in the opening chapter of Dangerous Connections, V. 1, 2, 3, 4; the reader can tap it to hear it and see its dictionary entry.
Selected
A word that appears in the opening chapter of Dangerous Connections, V. 1, 2, 3, 4; the reader can tap it to hear it and see its dictionary entry.
Correspondence
A word that appears in the opening chapter of Dangerous Connections, V. 1, 2, 3, 4; the reader can tap it to hear it and see its dictionary entry.