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Daring Deeds of Famous Pirates True stories of the stirring adventures
Daring Deeds of Famous Pirates True stories of the stirring adventures

Chapter XXII

Chapter 22 of Daring Deeds of Famous Pirates True stories of the stirring adventures is here in full — 153 sentences across 31 reading sections, with audio for every sentence and word.

Cover illustration for Daring Deeds of Famous Pirates True stories of the stirring adventures
Context Illustration Reading 1/30 · 5 lines
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THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.
Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.
But I would assure the reader at the outset that Smith’s experiences were actual and not fictional, and that his story was carefully examined at the time by the High Court of Admiralty.
The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.
In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Daring Deeds of Famous Pirates True stories of the stirring adventures

Chapter XXII

Chapter 22 of Daring Deeds of Famous Pirates True stories of the stirring adventures is here in full — 153 sentences across 31 reading sections, with audio for every sentence and word.

Reading 1/30 · 5 reading units · Lines 1–5

Line 1
THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.
/ðə ˈstɔːri ʌv ˈerən smɪθ ɪf ðə ɪkˈspreʃən hæd nɑːt bɪn juːzd ɔːlˈredi soʊ ˈmeni ˈθaʊzənd taɪmz wʌn maɪt wel seɪ ʌv ðə ˈfɑːloʊɪŋ ˈstɔːri ðæt truːθ ɪz ˌɪnˈdiːd ˈstreɪndʒər ðæn ˈfɪkʃən/
Line 2
Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.
/hæd juː red ðə jɑːrn wɪtʃ ɪz hiːr tuː biː rɪˈleɪtɪd juː wʊd æt ɪts kənˈkluːʒən hæv rɪˈmɑːrkt ðæt ɪt wɑːz ˈsɜːrtənli moʊst ˈɪntrəstɪŋ ənd ɪkˈsaɪtɪŋ bʌt ɪt wɑːz tuː ɪɡˈzædʒəreɪtəd tuː fʊl ʌv koʊˈɪnsədənsɪz tuː fʊl ʌv ˈneroʊ ɪˈskeɪps ˈevər tuː hæv əˈkɜːrd ɪn riːl laɪf/
Line 3
But I would assure the reader at the outset that Smith’s experiences were actual and not fictional, and that his story was carefully examined at the time by the High Court of Admiralty.
/bʌt aɪ wʊd əˈʃʊr ðə ˈriːdər æt ðə ˈaʊtset ðæt smɪθs ɪkˈspɪriənsɪz wɜːr ˈæktʃəwəl ənd nɑːt ˈfɪkʃənəl ənd ðæt hɪz ˈstɔːri wɑːz ˈkerfəli ɪɡˈzæmənd æt ðə taɪm baɪ ðə haɪ kɔːrt ʌv ˈædmərəlti/
Line 4
The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.
Line 5
In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Admiralty noun US /ˈædmərəlti/

the department in charge of the navy (as in Great Britain)

From this reading “But I would assure the reader at the outset that Smith’s experiences were actual and not fictional, and that his story was carefully examined at the time by the High Court of Admiralty.”

coincidences noun US /koʊˈɪnsədənsɪz/

plural of “coincidence” — an event that might have been arranged although it was really accidental

From this reading “Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.”

data noun US /ˈdeɪtə/

a collection of facts from which conclusions may be drawn

From this reading “In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.”

fictional adjective US /ˈfɪkʃənəl/

related to or involving literary fiction

From this reading “But I would assure the reader at the outset that Smith’s experiences were actual and not fictional, and that his story was carefully examined at the time by the High Court of Admiralty.”

implicitly adverb US /ˌɪmˈplɪsətli/

without doubting or questioning

From this reading “In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.”

prelude noun US /ˈpreɪluːd/

something that serves as a preceding event or introduces what follows

From this reading “The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.”

Smith's noun US /smɪθs/

possessive form of “smith” — Rhodesian statesman who declared independence of Zimbabwe from Great Britain (born in 1919)

symmetry noun US /ˈsɪmətri/

(mathematics) an attribute of a shape or relation; exact reflection of form on opposite sides of a dividing line or plane

From this reading “The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

exciting incidents adjective + noun counted as “exciting incident”

In this reading “The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.”

narrow escapes verb + noun counted as “narrow escape”

something achieved (or escaped) by a narrow margin

In this reading “Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.”

relied upon verb + particle counted as “rely upon”

put trust in with confidence

In this reading “In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.”

set forth verb + particle

state

In this reading “The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.”

thousand times noun + noun

by three orders of magnitude

In this reading “THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.”

happy ending adjective + noun

In this reading “The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.”

most interesting adverb + adjective

In this reading “Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.”

at the outset preposition + article + noun counted as “at … outset”

In this reading “But I would assure the reader at the outset that Smith’s experiences were actual and not fictional, and that his story was carefully examined at the time by the High Court of Admiralty.”

All words in this reading · 145

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AARONnounUS /ˈerən/

United States professional baseball player who hit more home runs than Babe Ruth (born in 1934)

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

accordverbUS /əˈkɔːrd/

go together

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

actualadjectiveUS /ˈæktʃəwəl/

presently existing in fact and not merely potential or possible

From this reading But I would assure the reader at the outset that Smith’s experiences were actual and not fictional, and that his story was carefully examined at the time by the High Court of Admiralty.

AdmiraltynounUS /ˈædmərəlti/

the department in charge of the navy (as in Great Britain)

From this reading But I would assure the reader at the outset that Smith’s experiences were actual and not fictional, and that his story was carefully examined at the time by the High Court of Admiralty.

alreadyadverbUS /ɔːlˈredi/

prior to a specified or implied time

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

aroundprepositionUS /ərˈaʊnd/

surrounding, or on every side of, something

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

associatesnounUS /əˈsoʊsiəts/

plural of “associate” — a person who joins with others in some activity or endeavor

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

assureverbUS /əˈʃʊr/

make certain of

From this reading But I would assure the reader at the outset that Smith’s experiences were actual and not fictional, and that his story was carefully examined at the time by the High Court of Admiralty.

assuredadjectiveUS /əˈʃʊrd/

marked by assurance; exhibiting confidence

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

atprepositionUS /æt/

in or near a particular place or position

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

atmospherenounUS /ˈætməsfɪr/

a particular environment or surrounding influence

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

boyhoodnounUS /ˈbɔɪhʊd/

the childhood of a boy

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

byprepositionUS /baɪ/

showing who or what does the action

From this reading But I would assure the reader at the outset that Smith’s experiences were actual and not fictional, and that his story was carefully examined at the time by the High Court of Admiralty.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

carefullyadverbUS /ˈkerfəli/

taking care or paying attention

From this reading But I would assure the reader at the outset that Smith’s experiences were actual and not fictional, and that his story was carefully examined at the time by the High Court of Admiralty.

centred

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

certainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

certainlyadverbUS /ˈsɜːrtənli/

definitely or positively (“sure” is sometimes used informally for “surely”)

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

climaxnounUS /ˈklaɪmæks/

the highest point of anything conceived of as growing or developing or unfolding

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

coincidencesnounUS /koʊˈɪnsədənsɪz/

plural of “coincidence” — an event that might have been arranged although it was really accidental

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

coloursnounUS /ˈkʌlərz/

a distinguishing emblem

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

compelledverbUS /kəmˈpeld/

inflected form of “compel” — force somebody to do something

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

conclusionnounUS /kənˈkluːʒən/

a position or opinion or judgment reached after consideration

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

contemporaryadjectiveUS /kənˈtempəreri/

characteristic of the present

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

CourtnounUS /kɔːrt/

an assembly (including one or more judges) to conduct judicial business

From this reading But I would assure the reader at the outset that Smith’s experiences were actual and not fictional, and that his story was carefully examined at the time by the High Court of Admiralty.

datanounUS /ˈdeɪtə/

a collection of facts from which conclusions may be drawn

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

disposalnounUS /dɪˈspoʊzəl/

the power to use something or someone

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

endingnounUS /ˈendɪŋ/

the end of a word (a suffix or inflectional ending or final morpheme)

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

escapesnounUS /ɪˈskeɪps/

plural of “escape” — the act of escaping physically

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

everadverbUS /ˈevər/

at any time

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

exaggeratedadjectiveUS /ɪɡˈzædʒəreɪtəd/

represented as greater than is true or reasonable

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

examinedverbUS /ɪɡˈzæmənd/

past form of “examine” — consider in detail and subject to an analysis in order to discover essential features or meaning

From this reading But I would assure the reader at the outset that Smith’s experiences were actual and not fictional, and that his story was carefully examined at the time by the High Court of Admiralty.

excitingadjectiveUS /ɪkˈsaɪtɪŋ/

creating or arousing excitement

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

experiencesnounUS /ɪkˈspɪriənsɪz/

plural of “experience” — the accumulation of knowledge or skill that results from direct participation in events or activities

From this reading But I would assure the reader at the outset that Smith’s experiences were actual and not fictional, and that his story was carefully examined at the time by the High Court of Admiralty.

expressionnounUS /ɪkˈspreʃən/

the feelings expressed on a person's face

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

factsnounUS /fækts/

plural of “fact” — a piece of information about circumstances that exist or events that have occurred

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

fictionnounUS /ˈfɪkʃən/

a literary work based on the imagination and not necessarily on fact

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

fictionaladjectiveUS /ˈfɪkʃənəl/

related to or involving literary fiction

From this reading But I would assure the reader at the outset that Smith’s experiences were actual and not fictional, and that his story was carefully examined at the time by the High Court of Admiralty.

followingadjectiveUS /ˈfɑːloʊɪŋ/

about to be mentioned or specified

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

forthadverbUS /fɔːrθ/

from a particular thing or place or position (“forth” is obsolete)

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

fulladjectiveUS /fʊl/

containing as much or as many as is possible or normal

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

fullyadverbUS /ˈfʊli/

to the greatest degree or extent; completely or entirely; (“full” in this sense is used as a combining form)

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

happenverbUS /ˈhæpən/

come to pass

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

happyadjectiveUS /ˈhæpi/

enjoying or showing or marked by joy or pleasure

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

HighadjectiveUS /haɪ/

greater than normal in degree or intensity or amount

From this reading But I would assure the reader at the outset that Smith’s experiences were actual and not fictional, and that his story was carefully examined at the time by the High Court of Admiralty.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading But I would assure the reader at the outset that Smith’s experiences were actual and not fictional, and that his story was carefully examined at the time by the High Court of Admiralty.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading But I would assure the reader at the outset that Smith’s experiences were actual and not fictional, and that his story was carefully examined at the time by the High Court of Admiralty.

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

implicitlyadverbUS /ˌɪmˈplɪsətli/

without doubting or questioning

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

incidentsnounUS /ˈɪnsədənts/

plural of “incident” — a single distinct event

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

indeedadverbUS /ˌɪnˈdiːd/

in truth (often tends to intensify)

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

interestnounUS /ˈɪntrəst/

a sense of concern with and curiosity about someone or something

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

interestingadjectiveUS /ˈɪntrəstɪŋ/

arousing or holding the attention

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

likeverbUS /laɪk/

prefer or wish to do something

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

limitsnounUS /ˈlɪməts/

plural of “limit” — the greatest possible degree of something

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

LouisnounUS /ˈluːɪs/

United States prizefighter who was world heavyweight champion for 12 years (1914-1981)

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

lovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

mereadjectiveUS /mɪr/

being nothing more than specified

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

modelsnounUS /ˈmɑːdəlz/

plural of “model” — a hypothetical description of a complex entity or process

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

mostadverbUS /moʊst/

used to form the superlative

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

narrativenounUS /ˈnærətɪv/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

narrowverbUS /ˈneroʊ/

make or become more narrow or restricted

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

novelsnounUS /ˈnɑːvəlz/

plural of “novel” — an extended fictional work in prose; usually in the form of a story

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

occurredverbUS /əˈkɜːrd/

inflected form of “occur” — come to pass

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

omitverbUS /oʊˈmɪt/

prevent from being included or considered or accepted

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

one's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

outsetnounUS /ˈaʊtset/

the time at which something is supposed to begin

From this reading But I would assure the reader at the outset that Smith’s experiences were actual and not fictional, and that his story was carefully examined at the time by the High Court of Admiralty.

pagesnounUS /ˈpeɪdʒəz/

plural of “page” — one side of one leaf (of a book or magazine or newspaper or letter etc.) or the written or pictorial matter it contains

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

picturesqueadjectiveUS /ˈpɪktʃərəsk/

suggesting or suitable for a picture; pretty as a picture

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

piratenounUS /ˈpaɪrət/

someone who uses another person's words or ideas as if they were his own

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

preludenounUS /ˈpreɪluːd/

something that serves as a preceding event or introduces what follows

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

readverbUS /red/

interpret something that is written or printed

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

readernounUS /ˈriːdər/

a person who enjoys reading

From this reading But I would assure the reader at the outset that Smith’s experiences were actual and not fictional, and that his story was carefully examined at the time by the High Court of Admiralty.

readsnounUS /riːdz/

plural of “read” — something that is read

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

relatedadjectiveUS /rɪˈleɪtɪd/

being connected either logically or causally or by shared characteristics

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

reliedverbUS /rɪˈlaɪd/

inflected form of “rely” — have faith or confidence in

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

remarkedverbUS /rɪˈmɑːrkt/

past form of “remark” — make mention of

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

respectsnounUS /rɪˈspekts/

(often used with “pay”) a formal expression of esteem

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

RobertnounUS /ˈrɑːbərt/

United States parliamentary authority and author (in 1876) of Robert's Rules of Order (1837-1923)

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

romanticadjectiveUS /roʊˈmæntɪk/

belonging to or characteristic of Romanticism or the Romantic Movement in the arts

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

sayverbUS /seɪ/

express in words

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

setverbUS /set/

put into a certain place or abstract location

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

SMITHnounUS /smɪθ/

Rhodesian statesman who declared independence of Zimbabwe from Great Britain (born in 1919)

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

Smith'snounUS /smɪθs/

possessive form of “smith” — Rhodesian statesman who declared independence of Zimbabwe from Great Britain (born in 1919)

From this reading But I would assure the reader at the outset that Smith’s experiences were actual and not fictional, and that his story was carefully examined at the time by the High Court of Admiralty.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

spacenounUS /speɪs/

the unlimited expanse in which everything is located

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

Stevenson's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

STORYnounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

story-books

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

strangernounUS /ˈstreɪndʒər/

anyone who does not belong in the environment in which they are found

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

symmetrynounUS /ˈsɪmətri/

(mathematics) an attribute of a shape or relation; exact reflection of form on opposite sides of a dividing line or plane

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

takenadjectiveUS /ˈteɪkən/

understood in a certain way; made sense of

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

thousandnounUS /ˈθaʊzənd/

the cardinal number that is the product of 10 and 100

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading But I would assure the reader at the outset that Smith’s experiences were actual and not fictional, and that his story was carefully examined at the time by the High Court of Admiralty.

timesnounUS /taɪmz/

a more or less definite period of time now or previously present

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

truthnounUS /truːθ/

a fact that has been verified

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

usedadjectiveUS /juːzd/

employed in accomplishing something

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading THE STORY OF AARON SMITH If the expression had not been used already so many thousand times, one might well say of the following story that truth is indeed stranger than fiction.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading But I would assure the reader at the outset that Smith’s experiences were actual and not fictional, and that his story was carefully examined at the time by the High Court of Admiralty.

whatpronounUS /wʌt/

used to ask for information about something

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

withprepositionUS /wɪð/

in the company of; together with

From this reading The prelude, the climax and the conclusion of this drama with its exciting incidents, its love interest and its happy ending; the romantic atmosphere, the picturesque characters, the colours and the symmetry of the narrative are so much in accord with certain models such as one used to read in mere story-books of one’s boyhood, that it is well the reader should be fully assured that what is here set forth did in very truth happen.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

yarnnounUS /jɑːrn/

the act of giving an account describing incidents or a course of events

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

yetconjunctionUS /jet/

but in spite of that

From this reading In some respects the narrative reads like pages from one of Robert Louis Stevenson’s novels, and yet though I have, by the limits of the space at my disposal, been compelled to omit many of the incidents which centred around Smith and his pirate associates, yet the facts which are set forth have been taken from contemporary data and can be relied upon implicitly.

youpronounUS /juː/

the person or people being spoken to

From this reading Had you read the yarn which is here to be related you would, at its conclusion, have remarked that it was certainly most interesting and exciting, but it was too exaggerated, too full of coincidences, too full of narrow escapes ever to have occurred in real life.

Chapter 22 of Daring Deeds of Famous Pirates True stories of the stirring adventures by E. Keble (Edward Keble) Chatterton holds 153 sentences, grouped into 31 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 22 of Daring Deeds of Famous Pirates True stories of the stirring contain?

Chapter 22 holds 153 sentences of Daring Deeds of Famous Pirates True stories of the stirring adventures, unabridged, divided into 31 reading sections.

This page carries chapter 22 of Daring Deeds of Famous Pirates True stories of the stirring adventures by E. Keble (Edward Keble) Chatterton exactly as it stands in the source edition, without abridgement. It runs to 153 sentences, grouped into 31 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 22 of Daring Deeds of Famous Pirates True stories of the stirring adventures?

Work through the 31 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

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Vocabulary met early in Daring Deeds of Famous Pirates True stories of the stirring adventures

Words and structures a reader meets early in Daring Deeds of Famous Pirates True stories of the stirring adventures, each tappable for pronunciation and meaning.

Chapter 1
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Chapter 2
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Chapter 3
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