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Dave Porter and His Double
Dave Porter and His Double

Chapter XIII

Chapter 13 of Dave Porter and His Double is here in full — 122 sentences across 25 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/24 · 5 lines
English subtitles · tap any word to listen 1 / 5
TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.
"Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.
"What's the difference when we're alone?" grumbled the man called Crapsey, as he shifted himself and rubbed his eyes.
"It may make a whole lot of difference," answered Porton.
"I've just made a big discovery."
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Dave Porter and His Double

Chapter XIII

Chapter 13 of Dave Porter and His Double is here in full — 122 sentences across 25 reading sections, with audio for every sentence and word.

Reading 1/24 · 5 reading units · Lines 1–5

Line 1
TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.
Line 2
"Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.
Line 3
"What's the difference when we're alone?" grumbled the man called Crapsey, as he shifted himself and rubbed his eyes.
Line 4
"It may make a whole lot of difference," answered Porton.
Line 5
"I've just made a big discovery."

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

actor noun US /ˈæktər/

a theatrical performer

From this reading “"Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.”

grumbled verb US /ˈɡrʌmbəld/

past form of “grumble” — show one's unhappiness or critical attitude

From this reading “"What's the difference when we're alone?" grumbled the man called Crapsey, as he shifted himself and rubbed his eyes.”

plot noun US /plɑːt/

a secret scheme to do something (especially something underhand or illegal)

From this reading “TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.”

questioned verb US /ˈkwestʃənd/

past form of “question” — challenge the accuracy, probity, or propriety of

From this reading “TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.”

resting verb US /ˈrestɪŋ/

-ing form of “rest” — not move; be in a resting position

From this reading “TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.”

rubbed verb US /rʌbd/

inflected form of “rub” — move over something with pressure

From this reading “"What's the difference when we're alone?" grumbled the man called Crapsey, as he shifted himself and rubbed his eyes.”

shifted verb US /ˈʃɪftɪd/

past form of “shift” — make a shift in or exchange of

From this reading “"What's the difference when we're alone?" grumbled the man called Crapsey, as he shifted himself and rubbed his eyes.”

Ward noun US /wɔːrd/

a person who is under the protection or in the custody of another

From this reading “TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

whole lot adjective + noun

In this reading “"It may make a whole lot of difference," answered Porton.”

resting on verb + particle counted as “rest on”

rest on for support

In this reading “TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.”

on the bed preposition + article + noun counted as “on … bed”

In this reading “TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.”

All words in this reading · 68

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.

actornounUS /ˈæktər/

a theatrical performer

From this reading "Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.

aloneadjectiveUS /əˈloʊn/

Having no one else present.

From this reading "What's the difference when we're alone?" grumbled the man called Crapsey, as he shifted himself and rubbed his eyes.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading "Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.

answeredverbUS /ˈænsərd/

past form of “answer” — react verbally

From this reading "It may make a whole lot of difference," answered Porton.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading "Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.

bednounUS /bed/

a piece of furniture that provides a place to sleep

From this reading TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.

bigadjectiveUS /bɪɡ/

above average in size or number or quantity or magnitude or extent

From this reading "I've just made a big discovery."

byprepositionUS /baɪ/

showing who or what does the action

From this reading "Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.

callverbUS /kɔːl/

assign a specified (usually proper) proper name to

From this reading "Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading "What's the difference when we're alone?" grumbled the man called Crapsey, as he shifted himself and rubbed his eyes.

closedadjectiveUS /kloʊzd/

not open or affording passage or access

From this reading "Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.

Crapsey

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.

CRAPSEY'S

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.

Didn't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.

differencenounUS /ˈdɪfərəns/

the quality of being unlike or dissimilar

From this reading "What's the difference when we're alone?" grumbled the man called Crapsey, as he shifted himself and rubbed his eyes.

discoverynounUS /dɪˈskʌvəri/

the act of discovering something

From this reading "I've just made a big discovery."

doornounUS /dɔːr/

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading "Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.

eyesnounUS /aɪz/

opinion or judgment

From this reading "What's the difference when we're alone?" grumbled the man called Crapsey, as he shifted himself and rubbed his eyes.

formeradjectiveUS /ˈfɔːrmər/

referring to the first of two things or persons mentioned (or the earlier one or ones of several)

From this reading "Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.

grumbledverbUS /ˈɡrʌmbəld/

past form of “grumble” — show one's unhappiness or critical attitude

From this reading "What's the difference when we're alone?" grumbled the man called Crapsey, as he shifted himself and rubbed his eyes.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading "Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading "What's the difference when we're alone?" grumbled the man called Crapsey, as he shifted himself and rubbed his eyes.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading "What's the difference when we're alone?" grumbled the man called Crapsey, as he shifted himself and rubbed his eyes.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading "Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.

I've

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "I've just made a big discovery."

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading "Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.

justadverbUS /dʒʌst/

and nothing more

From this reading "I've just made a big discovery."

lockedverbUS /lɑːkt/

past form of “lock” — fasten with a lock

From this reading "Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.

lotnounUS /lɑːt/

(often followed by “of”) a large number or amount or extent

From this reading "It may make a whole lot of difference," answered Porton.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading "I've just made a big discovery."

makeverbUS /meɪk/

engage in

From this reading "It may make a whole lot of difference," answered Porton.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading "It may make a whole lot of difference," answered Porton.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading "Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.

moving-picture

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.

nameverbUS /neɪm/

assign a specified (usually proper) proper name to

From this reading "Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading "Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.

occupiedadjectiveUS /ˈɑːkjəpaɪd/

held or filled or in use

From this reading TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading "It may make a whole lot of difference," answered Porton.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.

PLOTnounUS /plɑːt/

a secret scheme to do something (especially something underhand or illegal)

From this reading TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.

PortnounUS /pɔːrt/

a place (seaport or airport) where people and merchandise can enter or leave a country

From this reading TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.

Porton

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.

questionedverbUS /ˈkwestʃənd/

past form of “question” — challenge the accuracy, probity, or propriety of

From this reading TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.

restingverbUS /ˈrestɪŋ/

-ing form of “rest” — not move; be in a resting position

From this reading TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.

returnedverbUS /rɪˈtɜːrnd/

past form of “return” — go or come back to place, condition, or activity where one has been before

From this reading "Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.

rubbedverbUS /rʌbd/

inflected form of “rub” — move over something with pressure

From this reading "What's the difference when we're alone?" grumbled the man called Crapsey, as he shifted himself and rubbed his eyes.

shiftedverbUS /ˈʃɪftɪd/

past form of “shift” — make a shift in or exchange of

From this reading "What's the difference when we're alone?" grumbled the man called Crapsey, as he shifted himself and rubbed his eyes.

softlyadverbUS /ˈsɔːftli/

with low volume

From this reading "Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.

talkingnounUS /ˈtɔːkɪŋ/

an exchange of ideas via conversation

From this reading TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.

tellverbUS /tel/

express in words

From this reading "Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading "Didn't I tell you not to call me by that name, Crapsey?" returned the former moving-picture actor, as he closed the door softly and locked it.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.

TIM

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.

WardnounUS /wɔːrd/

a person who is under the protection or in the custody of another

From this reading TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.

we're

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "What's the difference when we're alone?" grumbled the man called Crapsey, as he shifted himself and rubbed his eyes.

What's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "What's the difference when we're alone?" grumbled the man called Crapsey, as he shifted himself and rubbed his eyes.

whenconjunctionUS /wen/

at the time that

From this reading "What's the difference when we're alone?" grumbled the man called Crapsey, as he shifted himself and rubbed his eyes.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.

WhopronounUS /huː/

which person or people

From this reading TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading "It may make a whole lot of difference," answered Porton.

youpronounUS /juː/

the person or people being spoken to

From this reading TIM CRAPSEY'S PLOT "Who are you talking to, Port?" questioned a man who was resting on the bed in the room which Ward Porton occupied.

Chapter 13 of Dave Porter and His Double by Edward Stratemeyer holds 122 sentences, grouped into 25 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 13 of Dave Porter and His Double contain?

Chapter 13 holds 122 sentences of Dave Porter and His Double, unabridged, divided into 25 reading sections.

This page carries chapter 13 of Dave Porter and His Double by Edward Stratemeyer exactly as it stands in the source edition, without abridgement. It runs to 122 sentences, grouped into 25 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 13 of Dave Porter and His Double?

Work through the 25 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 25 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 13 be read aloud to me?

Yes — every sentence and every individual word in chapter 13 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Dave Porter and His Double

Common questions about reading Dave Porter and His Double by Edward Stratemeyer on this page, its source edition and its audio.

Is this the complete text of Dave Porter and His Double?

Yes. All 3904 sentences of Project Gutenberg eBook #30394 are kept, with a record of which sentences cover which part.

Which edition of Dave Porter and His Double is used?

Project Gutenberg eBook #30394, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Dave Porter and His Double take to read?

About 325 minutes of reading across 781 sections of 5 sentences each, at an unhurried pace.

How to read Dave Porter and His Double section by section

How to work through Dave Porter and His Double section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 31 chapters of Dave Porter and His Double to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Dave Porter and His Double

Words and structures a reader meets early in Dave Porter and His Double, each tappable for pronunciation and meaning.

Author
A word that appears in the opening chapter of Dave Porter and His Double; the reader can tap it to hear it and see its dictionary entry.
Porter
A word that appears in the opening chapter of Dave Porter and His Double; the reader can tap it to hear it and see its dictionary entry.
Glory
A word that appears in the opening chapter of Dave Porter and His Double; the reader can tap it to hear it and see its dictionary entry.
Series
A word that appears in the opening chapter of Dave Porter and His Double; the reader can tap it to hear it and see its dictionary entry.