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Dear Brutus
Dear Brutus

Chapter I · Chapter 1

Chapter 1 of Dear Brutus is here in full — 456 sentences across 92 reading sections, with audio for every sentence and word.

Cover illustration for Dear Brutus
Context Illustration Reading 1/91 · 5 lines
English subtitles · tap any word to listen 1 / 5
The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.
Our object is to catch our two chief characters unawares; they are Darkness and Light.
The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine.
The Darkness and Light, which this room and garden represent, are very still, but we should feel that it is only the pause in which old enemies regard each other before they come to the grip.
The moonshine stealing about among the flowers, to give them their last instructions, has left a smile upon them, but it is a smile with a menace in it for the dwellers in darkness.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Dear Brutus

Chapter I · Chapter 1

Chapter 1 of Dear Brutus is here in full — 456 sentences across 92 reading sections, with audio for every sentence and word.

Reading 1/91 · 5 reading units · Lines 1–5

Line 1
The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.
Line 2
Our object is to catch our two chief characters unawares; they are Darkness and Light.
/ˈaʊər ˈɑːbdʒekt ɪz tuː kætʃ ˈaʊər tuː tʃiːf ˈkærəktərz ˌʌnəˈwerz ðeɪ ɑːr ˈdɑːrknəs ənd laɪt/
Line 3
The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine.
Line 4
The Darkness and Light, which this room and garden represent, are very still, but we should feel that it is only the pause in which old enemies regard each other before they come to the grip.
/ðə ˈdɑːrknəs ənd laɪt wɪtʃ ðɪs ruːm ənd ˈɡɑːrdən ˌreprɪˈzent ɑːr ˈveri stɪl bʌt wiː ʃʊd fiːl ðæt ɪt ɪz ˈoʊnli ðə pɔːz ɪn wɪtʃ oʊld ˈenəmiz rɪˈɡɑːrd iːtʃ ˈʌðər bɪˈfɔːr ðeɪ kʌm tuː ðə ɡrɪp/
Line 5
The moonshine stealing about among the flowers, to give them their last instructions, has left a smile upon them, but it is a smile with a menace in it for the dwellers in darkness.
/ðə ˈmuːnʃaɪn ˈstiːlɪŋ əˈbaʊt əˈmʌŋ ðə ˈflaʊərz tuː ɡɪv ðem ðer læst ˌɪnˈstrʌkʃənz hæz left ə smaɪl əˈpɑːn ðem bʌt ɪt ɪz ə smaɪl wɪð ə ˈmenəs ɪn ɪt fɔːr ðə ˈdwelərz ɪn ˈdɑːrknəs/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

bathed verb US /beɪðd/

past form of “bathe” — cleanse the entire body

From this reading “The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine.”

dwellers noun US /ˈdwelərz/

plural of “dweller” — a person who inhabits a particular place

From this reading “The moonshine stealing about among the flowers, to give them their last instructions, has left a smile upon them, but it is a smile with a menace in it for the dwellers in darkness.”

menace verb US /ˈmenəs/

pose a threat to; present a danger to

From this reading “The moonshine stealing about among the flowers, to give them their last instructions, has left a smile upon them, but it is a smile with a menace in it for the dwellers in darkness.”

moonshine noun US /ˈmuːnʃaɪn/

the light of the Moon

From this reading “The moonshine stealing about among the flowers, to give them their last instructions, has left a smile upon them, but it is a smile with a menace in it for the dwellers in darkness.”

mouse noun US /maʊs/

any of numerous small rodents typically resembling diminutive rats having pointed snouts and small ears on elongated bodies with slender usually hairless tails

From this reading “The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.”

obscurity noun US /əbsˈkjʊrəti/

the quality of being unclear or abstruse and hard to understand

From this reading “The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine.”

reveals verb US /rɪˈviːlz/

third-person singular of “reveal” — make visible

From this reading “The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.”

unawares adverb US /ˌʌnəˈwerz/

without forethought or plan; inadvertently

From this reading “Our object is to catch our two chief characters unawares; they are Darkness and Light.”

All words in this reading · 85

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading The moonshine stealing about among the flowers, to give them their last instructions, has left a smile upon them, but it is a smile with a menace in it for the dwellers in darkness.

amongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading The moonshine stealing about among the flowers, to give them their last instructions, has left a smile upon them, but it is a smile with a menace in it for the dwellers in darkness.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Our object is to catch our two chief characters unawares; they are Darkness and Light.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Our object is to catch our two chief characters unawares; they are Darkness and Light.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine.

atprepositionUS /æt/

in or near a particular place or position

From this reading The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine.

backadverbUS /bæk/

in or to or toward a former location

From this reading The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine.

bathedverbUS /beɪðd/

past form of “bathe” — cleanse the entire body

From this reading The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading The Darkness and Light, which this room and garden represent, are very still, but we should feel that it is only the pause in which old enemies regard each other before they come to the grip.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine.

catchverbUS /kætʃ/

discover or come upon accidentally, suddenly, or unexpectedly; catch somebody doing something or in a certain state

From this reading Our object is to catch our two chief characters unawares; they are Darkness and Light.

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading Our object is to catch our two chief characters unawares; they are Darkness and Light.

chiefnounUS /tʃiːf/

a person who is in charge

From this reading Our object is to catch our two chief characters unawares; they are Darkness and Light.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading The Darkness and Light, which this room and garden represent, are very still, but we should feel that it is only the pause in which old enemies regard each other before they come to the grip.

curtainnounUS /ˈkɜːrtən/

hanging cloth used as a blind (especially for a window)

From this reading The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.

darkenedadjectiveUS /ˈdɑːrkənd/

(of fabrics and paper) grown dark in color over time

From this reading The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.

DarknessnounUS /ˈdɑːrknəs/

absence of light or illumination

From this reading Our object is to catch our two chief characters unawares; they are Darkness and Light.

dwellersnounUS /ˈdwelərz/

plural of “dweller” — a person who inhabits a particular place

From this reading The moonshine stealing about among the flowers, to give them their last instructions, has left a smile upon them, but it is a smile with a menace in it for the dwellers in darkness.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading The Darkness and Light, which this room and garden represent, are very still, but we should feel that it is only the pause in which old enemies regard each other before they come to the grip.

enemiesnounUS /ˈenəmiz/

plural of “enemy” — an opposing military force

From this reading The Darkness and Light, which this room and garden represent, are very still, but we should feel that it is only the pause in which old enemies regard each other before they come to the grip.

feelverbUS /fiːl/

undergo an emotional sensation or be in a particular state of mind

From this reading The Darkness and Light, which this room and garden represent, are very still, but we should feel that it is only the pause in which old enemies regard each other before they come to the grip.

flowersnounUS /ˈflaʊərz/

plural of “flower” — a plant cultivated for its blooms or blossoms

From this reading The moonshine stealing about among the flowers, to give them their last instructions, has left a smile upon them, but it is a smile with a menace in it for the dwellers in darkness.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The moonshine stealing about among the flowers, to give them their last instructions, has left a smile upon them, but it is a smile with a menace in it for the dwellers in darkness.

FrenchnounUS /frentʃ/

the Romance language spoken in France and in countries colonized by France

From this reading The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine.

gardennounUS /ˈɡɑːrdən/

a plot of ground where plants are cultivated

From this reading The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine.

giveverbUS /ɡɪv/

cause to have, in the abstract sense or physical sense

From this reading The moonshine stealing about among the flowers, to give them their last instructions, has left a smile upon them, but it is a smile with a menace in it for the dwellers in darkness.

gripnounUS /ɡrɪp/

the act of grasping

From this reading The Darkness and Light, which this room and garden represent, are very still, but we should feel that it is only the pause in which old enemies regard each other before they come to the grip.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading The moonshine stealing about among the flowers, to give them their last instructions, has left a smile upon them, but it is a smile with a menace in it for the dwellers in darkness.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine.

instructionsnounUS /ˌɪnˈstrʌkʃənz/

a manual usually accompanying a technical device and explaining how to install or operate it

From this reading The moonshine stealing about among the flowers, to give them their last instructions, has left a smile upon them, but it is a smile with a menace in it for the dwellers in darkness.

invisibleadjectiveUS /ˌɪnˈvɪzəbəl/

impossible or nearly impossible to see; imperceptible by the eye

From this reading The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.

lastadjectiveUS /læst/

immediately past

From this reading The moonshine stealing about among the flowers, to give them their last instructions, has left a smile upon them, but it is a smile with a menace in it for the dwellers in darkness.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading The moonshine stealing about among the flowers, to give them their last instructions, has left a smile upon them, but it is a smile with a menace in it for the dwellers in darkness.

LightadjectiveUS /laɪt/

of comparatively little physical weight or density

From this reading Our object is to catch our two chief characters unawares; they are Darkness and Light.

Lob's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine.

menaceverbUS /ˈmenəs/

pose a threat to; present a danger to

From this reading The moonshine stealing about among the flowers, to give them their last instructions, has left a smile upon them, but it is a smile with a menace in it for the dwellers in darkness.

moon-shine

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine.

moonshinenounUS /ˈmuːnʃaɪn/

the light of the Moon

From this reading The moonshine stealing about among the flowers, to give them their last instructions, has left a smile upon them, but it is a smile with a menace in it for the dwellers in darkness.

mousenounUS /maʊs/

any of numerous small rodents typically resembling diminutive rats having pointed snouts and small ears on elongated bodies with slender usually hairless tails

From this reading The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.

objectnounUS /ˈɑːbdʒekt/

a tangible and visible entity; an entity that can cast a shadow

From this reading Our object is to catch our two chief characters unawares; they are Darkness and Light.

obscureverbUS /əbsˈkjʊr/

make less visible or unclear

From this reading The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine.

obscuritynounUS /əbsˈkjʊrəti/

the quality of being unclear or abstruse and hard to understand

From this reading The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading The Darkness and Light, which this room and garden represent, are very still, but we should feel that it is only the pause in which old enemies regard each other before they come to the grip.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading The Darkness and Light, which this room and garden represent, are very still, but we should feel that it is only the pause in which old enemies regard each other before they come to the grip.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading The Darkness and Light, which this room and garden represent, are very still, but we should feel that it is only the pause in which old enemies regard each other before they come to the grip.

OurdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading Our object is to catch our two chief characters unawares; they are Darkness and Light.

pausenounUS /pɔːz/

a time interval during which there is a temporary cessation of something

From this reading The Darkness and Light, which this room and garden represent, are very still, but we should feel that it is only the pause in which old enemies regard each other before they come to the grip.

regardnounUS /rɪˈɡɑːrd/

(usually preceded by “in”) a detail or point

From this reading The Darkness and Light, which this room and garden represent, are very still, but we should feel that it is only the pause in which old enemies regard each other before they come to the grip.

representverbUS /ˌreprɪˈzent/

take the place of or be parallel or equivalent to

From this reading The Darkness and Light, which this room and garden represent, are very still, but we should feel that it is only the pause in which old enemies regard each other before they come to the grip.

revealsverbUS /rɪˈviːlz/

third-person singular of “reveal” — make visible

From this reading The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.

scenenounUS /siːn/

the place where some action occurs

From this reading The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.

seenverbUS /siːn/

inflected form of “see” — perceive by sight or have the power to perceive by sight

From this reading The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading The Darkness and Light, which this room and garden represent, are very still, but we should feel that it is only the pause in which old enemies regard each other before they come to the grip.

smileverbUS /smaɪl/

change one's facial expression by spreading the lips, often to signal pleasure

From this reading The moonshine stealing about among the flowers, to give them their last instructions, has left a smile upon them, but it is a smile with a menace in it for the dwellers in darkness.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.

stealingnounUS /ˈstiːlɪŋ/

the act of taking something from someone unlawfully

From this reading The moonshine stealing about among the flowers, to give them their last instructions, has left a smile upon them, but it is a smile with a menace in it for the dwellers in darkness.

stealthilyadverb

in a stealthy manner

From this reading The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.

stilladjectiveUS /stɪl/

not in physical motion

From this reading The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading The moonshine stealing about among the flowers, to give them their last instructions, has left a smile upon them, but it is a smile with a menace in it for the dwellers in darkness.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading The moonshine stealing about among the flowers, to give them their last instructions, has left a smile upon them, but it is a smile with a menace in it for the dwellers in darkness.

thereadverbUS /ðer/

in or at that place or location

From this reading The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Our object is to catch our two chief characters unawares; they are Darkness and Light.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading The Darkness and Light, which this room and garden represent, are very still, but we should feel that it is only the pause in which old enemies regard each other before they come to the grip.

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Our object is to catch our two chief characters unawares; they are Darkness and Light.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading Our object is to catch our two chief characters unawares; they are Darkness and Light.

unawaresadverbUS /ˌʌnəˈwerz/

without forethought or plan; inadvertently

From this reading Our object is to catch our two chief characters unawares; they are Darkness and Light.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading The moonshine stealing about among the flowers, to give them their last instructions, has left a smile upon them, but it is a smile with a menace in it for the dwellers in darkness.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading The Darkness and Light, which this room and garden represent, are very still, but we should feel that it is only the pause in which old enemies regard each other before they come to the grip.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading The Darkness and Light, which this room and garden represent, are very still, but we should feel that it is only the pause in which old enemies regard each other before they come to the grip.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The scene is a darkened room, which the curtain reveals so stealthily that if there was a mouse on the stage it is there still.

windowsnounUS /ˈwɪndoʊz/

(trademark) an operating system with a graphical user interface

From this reading The room is so obscure as to be invisible, but at the back of the obscurity are French windows, through which is seen Lob's garden bathed in moon-shine.

withprepositionUS /wɪð/

in the company of; together with

From this reading The moonshine stealing about among the flowers, to give them their last instructions, has left a smile upon them, but it is a smile with a menace in it for the dwellers in darkness.

Chapter 1 of Dear Brutus by J. M. (James Matthew) Barrie holds 456 sentences, grouped into 92 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Dear Brutus contain?

Chapter 1 holds 456 sentences of Dear Brutus, unabridged, divided into 92 reading sections.

This page carries chapter 1 of Dear Brutus by J. M. (James Matthew) Barrie exactly as it stands in the public-domain source edition, without abridgement. It runs to 456 sentences, grouped into 92 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Dear Brutus?

Work through the 92 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 92 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Dear Brutus

Common questions about reading Dear Brutus by J. M. (James Matthew) Barrie on this page, its source edition and its audio.

Is this the complete text of Dear Brutus?

Yes. All 1826 sentences of Project Gutenberg eBook #4021 are kept, with a record of which sentences cover which part.

Which edition of Dear Brutus is used?

Project Gutenberg eBook #4021, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Dear Brutus take to read?

About 152 minutes of reading across 366 sections of 5 sentences each, at an unhurried pace.

How to read Dear Brutus section by section

How to work through Dear Brutus section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 4 chapters of Dear Brutus to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Dear Brutus

Words and structures a reader meets early in Dear Brutus, each tappable for pronunciation and meaning.

Scene
A word that appears in the opening chapter of Dear Brutus; the reader can tap it to hear it and see its dictionary entry.
Darkened
A word that appears in the opening chapter of Dear Brutus; the reader can tap it to hear it and see its dictionary entry.
Curtain
A word that appears in the opening chapter of Dear Brutus; the reader can tap it to hear it and see its dictionary entry.
Reveals
A word that appears in the opening chapter of Dear Brutus; the reader can tap it to hear it and see its dictionary entry.