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Death at the Excelsior, and other stories
Death at the Excelsior, and other stories

Chapter V · Chapter 5

Chapter 5 of Death at the Excelsior, and other stories is here in full — 434 sentences across 87 reading sections, with audio for every sentence and word.

Cover illustration for Death at the Excelsior, and other stories
Context Illustration Reading 1/86 · 5 lines
English subtitles · tap any word to listen 1 / 5
"You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.
"I don't want any bally cheek from you!" said Cyril, gurgling a bit.
"What's that?" barked old Blumenfield.
"Do you understand that this boy is my son?"
"Yes, I do," said Cyril.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Death at the Excelsior, and other stories

Chapter V · Chapter 5

Chapter 5 of Death at the Excelsior, and other stories is here in full — 434 sentences across 87 reading sections, with audio for every sentence and word.

Reading 1/86 · 5 reading units · Lines 1–5

Line 1
"You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.
Line 2
"I don't want any bally cheek from you!" said Cyril, gurgling a bit.
Line 3
"What's that?" barked old Blumenfield.
Line 4
"Do you understand that this boy is my son?"
/duː juː ˌʌndərˈstænd ðæt ðɪs bɔɪ ɪz maɪ sʌn/
Line 5
"Yes, I do," said Cyril.
/jes aɪ duː sed ˈsɪrəl/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

bally adjective US /ˈbæli/

informal intensifiers

From this reading “"I don't want any bally cheek from you!" said Cyril, gurgling a bit.”

barked verb US /bɑːrkt/

past form of “bark” — speak in an unfriendly tone

From this reading “"What's that?" barked old Blumenfield.”

cheek noun US /tʃiːk/

either side of the face below the eyes

From this reading “"I don't want any bally cheek from you!" said Cyril, gurgling a bit.”

Cyril noun US /ˈsɪrəl/

Greek missionary; the invention of the Cyrillic alphabet is attributed to him (826-869)

From this reading “"You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.”

gurgling verb US /ˈɡɜːrɡəlɪŋ/

-ing form of “gurgle” — flow in an irregular current with a bubbling noise

From this reading “"I don't want any bally cheek from you!" said Cyril, gurgling a bit.”

pop verb US /pɑːp/

bulge outward

From this reading “"You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.”

stout adjective US /staʊt/

dependable

From this reading “"You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.”

waggling verb US /ˈwæɡəlɪŋ/

-ing form of “waggle” — move from side to side

From this reading “"You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.”

All words in this reading · 40

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading "I don't want any bally cheek from you!" said Cyril, gurgling a bit.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading "I don't want any bally cheek from you!" said Cyril, gurgling a bit.

atprepositionUS /æt/

in or near a particular place or position

From this reading "You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.

ballyadjectiveUS /ˈbæli/

informal intensifiers

From this reading "I don't want any bally cheek from you!" said Cyril, gurgling a bit.

barkedverbUS /bɑːrkt/

past form of “bark” — speak in an unfriendly tone

From this reading "What's that?" barked old Blumenfield.

bitnounUS /bɪt/

a small piece or quantity of something

From this reading "I don't want any bally cheek from you!" said Cyril, gurgling a bit.

Blumenfield

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "What's that?" barked old Blumenfield.

boynounUS /bɔɪ/

a youthful male person

From this reading "Do you understand that this boy is my son?"

cheeknounUS /tʃiːk/

either side of the face below the eyes

From this reading "I don't want any bally cheek from you!" said Cyril, gurgling a bit.

childnounUS /tʃaɪld/

a young person of either sex

From this reading "You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.

CyrilnounUS /ˈsɪrəl/

Greek missionary; the invention of the Cyrillic alphabet is attributed to him (826-869)

From this reading "You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.

Doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading "Do you understand that this boy is my son?"

don't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "I don't want any bally cheek from you!" said Cyril, gurgling a bit.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading "You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading "I don't want any bally cheek from you!" said Cyril, gurgling a bit.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading "You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.

gotverbUS /ɡɑːt/

inflected form of “get” — come into the possession of something concrete or abstract

From this reading "You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.

gurglingverbUS /ˈɡɜːrɡəlɪŋ/

-ing form of “gurgle” — flow in an irregular current with a bubbling noise

From this reading "I don't want any bally cheek from you!" said Cyril, gurgling a bit.

headnounUS /hed/

the upper part of the human body or the front part of the body in animals; contains the face and brains

From this reading "You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading "You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading "I don't want any bally cheek from you!" said Cyril, gurgling a bit.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading "Do you understand that this boy is my son?"

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading "You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading "What's that?" barked old Blumenfield.

popverbUS /pɑːp/

bulge outward

From this reading "You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.

reprovinglyadverb

in a reproving or reproachful manner

From this reading "You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading "You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.

sonnounUS /sʌn/

a male human offspring

From this reading "Do you understand that this boy is my son?"

stoutadjectiveUS /staʊt/

dependable

From this reading "You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading "What's that?" barked old Blumenfield.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading "You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading "Do you understand that this boy is my son?"

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading "You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.

understandverbUS /ˌʌndərˈstænd/

know and comprehend the nature or meaning of

From this reading "Do you understand that this boy is my son?"

wagglingverbUS /ˈwæɡəlɪŋ/

-ing form of “waggle” — move from side to side

From this reading "You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.

wantverbUS /wɑːnt/

feel or have a desire for; want strongly

From this reading "I don't want any bally cheek from you!" said Cyril, gurgling a bit.

What's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "What's that?" barked old Blumenfield.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading "You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.

YesnounUS /jes/

an affirmative

From this reading "Yes, I do," said Cyril.

YoupronounUS /juː/

the person or people being spoken to

From this reading "You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril.

Chapter 5 of Death at the Excelsior, and other stories by P. G. (Pelham Grenville) Wodehouse holds 434 sentences, grouped into 87 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of Death at the Excelsior, and other stories contain?

Chapter 5 holds 434 sentences of Death at the Excelsior, and other stories, unabridged, divided into 87 reading sections.

This page carries chapter 5 of Death at the Excelsior, and other stories by P. G. (Pelham Grenville) Wodehouse exactly as it stands in the source edition, without abridgement. It runs to 434 sentences, grouped into 87 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 5 of Death at the Excelsior, and other stories?

Work through the 87 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 87 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 5 be read aloud to me?

Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Death at the Excelsior, and other stories

Common questions about reading Death at the Excelsior, and other stories by P. G. (Pelham Grenville) Wodehouse on this page, its source edition and its audio.

Is this the complete text of Death at the Excelsior, and other stories?

Yes. All 3046 sentences of Project Gutenberg eBook #8176 are kept, with a record of which sentences cover which part.

Which edition of Death at the Excelsior, and other stories is used?

Project Gutenberg eBook #8176, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Death at the Excelsior, and other stories take to read?

About 253 minutes of reading across 610 sections of 5 sentences each, at an unhurried pace.

How to read Death at the Excelsior, and other stories section by section

How to work through Death at the Excelsior, and other stories section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 7 chapters of Death at the Excelsior, and other stories to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Death at the Excelsior, and other stories

Words and structures a reader meets early in Death at the Excelsior, and other stories, each tappable for pronunciation and meaning.

Typical
A word that appears in the opening chapter of Death at the Excelsior, and other stories; the reader can tap it to hear it and see its dictionary entry.
Bedroom
A word that appears in the opening chapter of Death at the Excelsior, and other stories; the reader can tap it to hear it and see its dictionary entry.
Boarding-house
A word that appears in the opening chapter of Death at the Excelsior, and other stories; the reader can tap it to hear it and see its dictionary entry.
Furnished
A word that appears in the opening chapter of Death at the Excelsior, and other stories; the reader can tap it to hear it and see its dictionary entry.