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Desert Love
Desert Love

Chapter XXVI · Chapter 26

Chapter 26 of Desert Love is here in full — 46 sentences across 10 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/9 · 5 lines
English subtitles · tap any word to listen 1 / 5
The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.
Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.
The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.
Outside it was as clear as day, inside it was darker than any night, and like a flash, the girl compared it with her life at that very moment.
Up to now she had been her own mistress, in that she had deliberately and of her own free will done the things she ought and ought not to have done, and had been content with the result.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Desert Love

Chapter XXVI · Chapter 26

Chapter 26 of Desert Love is here in full — 46 sentences across 10 reading sections, with audio for every sentence and word.

Reading 1/9 · 5 reading units · Lines 1–5

Line 1
The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.
Line 2
Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.
Line 3
The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.
Line 4
Outside it was as clear as day, inside it was darker than any night, and like a flash, the girl compared it with her life at that very moment.
/ˈaʊtˈsaɪd ɪt wɑːz æz klɪr æz deɪ ˌɪnˈsaɪd ɪt wɑːz ˈdɑːrkər ðæn ˈeni naɪt ənd laɪk ə flæʃ ðə ɡɜːrl kəmˈperd ɪt wɪð hɜːr laɪf æt ðæt ˈveri ˈmoʊmənt/
Line 5
Up to now she had been her own mistress, in that she had deliberately and of her own free will done the things she ought and ought not to have done, and had been content with the result.
/ʌp tuː naʊ ʃiː hæd bɪn hɜːr oʊn ˈmɪstrəs ɪn ðæt ʃiː hæd dɪˈlɪbərətli ənd ʌv hɜːr oʊn friː wɪl dʌn ðə θɪŋz ʃiː ɔːt ənd ɔːt nɑːt tuː hæv dʌn ənd hæd bɪn ˈkɑːntent wɪð ðə rɪˈzʌlt/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

abysmal adjective US /əˈbɪzməl/

very great; limitless

From this reading “The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.”

blackness noun US /ˈblæknəs/

the quality or state of the achromatic color of least lightness (bearing the least resemblance to white)

From this reading “The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.”

blocks noun US /blɑːks/

plural of “block” — a solid piece of something (usually having flat rectangular sides)

From this reading “The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.”

harmful adjective US /ˈhɑːrmfəl/

causing or capable of causing harm

From this reading “The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.”

incline noun US /ˌɪnˈklaɪn/

an elevated geological formation

From this reading “Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.”

masonry noun US /ˈmeɪsənri/

structure built of stone or brick by a mason

From this reading “The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.”

shafts noun US /ʃæfts/

plural of “shaft” — a line that forms the length of an arrow pointer

From this reading “The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.”

transfixed adjective US /trænˈsfɪkst/

having your attention fixated as though by a spell

From this reading “The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.”

All words in this reading · 135

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

abysmaladjectiveUS /əˈbɪzməl/

very great; limitless

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading Outside it was as clear as day, inside it was darker than any night, and like a flash, the girl compared it with her life at that very moment.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

atprepositionUS /æt/

in or near a particular place or position

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

beastsnounUS /biːsts/

plural of “beast” — a living organism characterized by voluntary movement

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading Up to now she had been her own mistress, in that she had deliberately and of her own free will done the things she ought and ought not to have done, and had been content with the result.

besideprepositionUS /bɪˈsaɪd/

next to; at the side of

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

blacknessnounUS /ˈblæknəs/

the quality or state of the achromatic color of least lightness (bearing the least resemblance to white)

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

blocksnounUS /blɑːks/

plural of “block” — a solid piece of something (usually having flat rectangular sides)

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

breathnounUS /breθ/

the process of taking in and expelling air during breathing

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

byprepositionUS /baɪ/

showing who or what does the action

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

catchverbUS /kætʃ/

discover or come upon accidentally, suddenly, or unexpectedly; catch somebody doing something or in a certain state

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

chambersnounUS /ˈtʃeɪmbərz/

English architect (1723-1796)

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

clearverbUS /klɪr/

rid of obstructions

From this reading Outside it was as clear as day, inside it was darker than any night, and like a flash, the girl compared it with her life at that very moment.

climbedverbUS /klaɪmd/

past form of “climb” — go upward with gradual or continuous progress

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

commonadjectiveUS /ˈkɑːmən/

belonging to or participated in by a community as a whole; public

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

comparedverbUS /kəmˈperd/

past form of “compare” — examine and note the similarities or differences of

From this reading Outside it was as clear as day, inside it was darker than any night, and like a flash, the girl compared it with her life at that very moment.

contentnounUS /ˈkɑːntent/

(usually plural) everything that is included in a collection and that is held or included in something

From this reading Up to now she had been her own mistress, in that she had deliberately and of her own free will done the things she ought and ought not to have done, and had been content with the result.

courtnounUS /kɔːrt/

an assembly (including one or more judges) to conduct judicial business

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

courtsnounUS /kɔːrts/

plural of “court” — an assembly (including one or more judges) to conduct judicial business

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

crossedadjectiveUS /krɔːst/

placed crosswise

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

darkeradjectiveUS /ˈdɑːrkər/

comparative of “dark” — devoid of or deficient in light or brightness; shadowed or black

From this reading Outside it was as clear as day, inside it was darker than any night, and like a flash, the girl compared it with her life at that very moment.

darknessnounUS /ˈdɑːrknəs/

absence of light or illumination

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading Outside it was as clear as day, inside it was darker than any night, and like a flash, the girl compared it with her life at that very moment.

deadadjectiveUS /ded/

no longer having or seeming to have or expecting to have life

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

deliberatelyadverbUS /dɪˈlɪbərətli/

with intention; in an intentional manner

From this reading Up to now she had been her own mistress, in that she had deliberately and of her own free will done the things she ought and ought not to have done, and had been content with the result.

designsnounUS /dɪˈzaɪnz/

plural of “design” — the act of working out the form of something (as by making a sketch or outline or plan)

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

doneadjectiveUS /dʌn/

having finished or arrived at completion

From this reading Up to now she had been her own mistress, in that she had deliberately and of her own free will done the things she ought and ought not to have done, and had been content with the result.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

dulladjectiveUS /dʌl/

lacking in liveliness or animation

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

EgyptnounUS /ˈiːdʒəpt/

a republic in northeastern Africa known as the United Arab Republic until 1971; site of an ancient civilization that flourished from 2600 to 30 BC

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

enoughnounUS /ɪˈnʌf/

an adequate quantity; a quantity that is large enough to achieve a purpose

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

expressionnounUS /ɪkˈspreʃən/

the feelings expressed on a person's face

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

fallenadjectiveUS /ˈfɑːlən/

having dropped by the force of gravity

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

flashverbUS /flæʃ/

gleam or glow intermittently

From this reading Outside it was as clear as day, inside it was darker than any night, and like a flash, the girl compared it with her life at that very moment.

flowersnounUS /ˈflaʊərz/

plural of “flower” — a plant cultivated for its blooms or blossoms

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

footnounUS /fʊt/

the part of the leg of a human being below the ankle joint

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

freeverbUS /friː/

grant freedom to; free from confinement

From this reading Up to now she had been her own mistress, in that she had deliberately and of her own free will done the things she ought and ought not to have done, and had been content with the result.

frontnounUS /frʌnt/

the side that is forward or prominent

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

fulladjectiveUS /fʊl/

containing as much or as many as is possible or normal

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

giganticadjectiveUS /dʒaɪˈɡæntɪk/

so exceedingly large or extensive as to suggest a giant or mammoth

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

girlnounUS /ɡɜːrl/

a young female

From this reading Outside it was as clear as day, inside it was darker than any night, and like a flash, the girl compared it with her life at that very moment.

glanceverbUS /ɡlæns/

throw a glance at; take a brief look at

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

granitenounUS /ˈɡrænət/

plutonic igneous rock having visibly crystalline texture; generally composed of feldspar and mica and quartz

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

harmfuladjectiveUS /ˈhɑːrmfəl/

causing or capable of causing harm

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Up to now she had been her own mistress, in that she had deliberately and of her own free will done the things she ought and ought not to have done, and had been content with the result.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

hugeadjectiveUS /hjuːdʒ/

unusually great in size or amount or degree or especially extent or scope

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

inclinenounUS /ˌɪnˈklaɪn/

an elevated geological formation

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

insideadjectiveUS /ˌɪnˈsaɪd/

relating to or being on the side closer to the center or within a defined space

From this reading Outside it was as clear as day, inside it was darker than any night, and like a flash, the girl compared it with her life at that very moment.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Outside it was as clear as day, inside it was darker than any night, and like a flash, the girl compared it with her life at that very moment.

Jill

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

Khafra

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

leadingadjectiveUS /ˈliːdɪŋ/

indicating the most important performer or role

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading Outside it was as clear as day, inside it was darker than any night, and like a flash, the girl compared it with her life at that very moment.

likeverbUS /laɪk/

prefer or wish to do something

From this reading Outside it was as clear as day, inside it was darker than any night, and like a flash, the girl compared it with her life at that very moment.

lipsnounUS /lɪps/

plural of “lip” — either of two fleshy folds of tissue that surround the mouth and play a role in speaking

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

lovedadjectiveUS /lʌvd/

held dear

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

masonrynounUS /ˈmeɪsənri/

structure built of stone or brick by a mason

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

mistressnounUS /ˈmɪstrəs/

an adulterous woman; a woman who has an ongoing extramarital sexual relationship with a man

From this reading Up to now she had been her own mistress, in that she had deliberately and of her own free will done the things she ought and ought not to have done, and had been content with the result.

momentnounUS /ˈmoʊmənt/

a particular point in time

From this reading Outside it was as clear as day, inside it was darker than any night, and like a flash, the girl compared it with her life at that very moment.

moonnounUS /muːn/

the natural satellite of the Earth

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

nightnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading Outside it was as clear as day, inside it was darker than any night, and like a flash, the girl compared it with her life at that very moment.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Up to now she had been her own mistress, in that she had deliberately and of her own free will done the things she ought and ought not to have done, and had been content with the result.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Up to now she had been her own mistress, in that she had deliberately and of her own free will done the things she ought and ought not to have done, and had been content with the result.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

openingnounUS /ˈoʊpənɪŋ/

an open or empty space in or between things

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

oughtmodal verbUS /ɔːt/

used with “to” to say what is right or advisable

From this reading Up to now she had been her own mistress, in that she had deliberately and of her own free will done the things she ought and ought not to have done, and had been content with the result.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

outeradjectiveUS /ˈaʊtər/

being on the outside or further from a center

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

OutsideadjectiveUS /ˈaʊtˈsaɪd/

relating to or being on or near the outer side or limit

From this reading Outside it was as clear as day, inside it was darker than any night, and like a flash, the girl compared it with her life at that very moment.

ownverbUS /oʊn/

have ownership or possession of

From this reading Up to now she had been her own mistress, in that she had deliberately and of her own free will done the things she ought and ought not to have done, and had been content with the result.

pausingverbUS /ˈpɔːzɪŋ/

-ing form of “pause” — interrupt temporarily an activity before continuing

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

pavementnounUS /ˈpeɪvmənt/

the paved surface of a thoroughfare

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

pickingnounUS /ˈpɪkɪŋ/

the quantity of a crop that is harvested

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

priestesses

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

priestsnounUS /priːsts/

plural of “priest” — a clergyman in Christian churches who has the authority to perform or administer various religious rites; one of the Holy Orders

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

provedadjectiveUS /pruːvd/

established beyond doubt

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

putverbUS /pʊt/

put into a certain place or abstract location

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

quickadjectiveUS /kwɪk/

accomplished rapidly and without delay

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

resultnounUS /rɪˈzʌlt/

a phenomenon that follows and is caused by some previous phenomenon

From this reading Up to now she had been her own mistress, in that she had deliberately and of her own free will done the things she ought and ought not to have done, and had been content with the result.

rose-colour

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

ruinedadjectiveUS /ˈruːənd/

destroyed physically or morally

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

shadowsnounUS /ˈʃædoʊz/

plural of “shadow” — shade within clear boundaries

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

shaftsnounUS /ʃæfts/

plural of “shaft” — a line that forms the length of an arrow pointer

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

silvernounUS /ˈsɪlvər/

a soft white precious univalent metallic element having the highest electrical and thermal conductivity of any metal; occurs in argentite and in free form; used in coins and jewelry and tableware and photography

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

SlowlyadverbUS /ˈsloʊli/

without speed (“slow” is sometimes used informally for “slowly”)

From this reading Slowly she crossed the court and as slowly climbed the incline leading to the chambers of long dead priests and priestesses, pausing at the opening with a little catch of the breath, and a quick glance at the man she loved beside her.

stoodverbUS /stʊd/

Maintained an upright posture.

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

struckadjectiveUS /strʌk/

(used in combination) affected by something overwhelming

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

talkingnounUS /ˈtɔːkɪŋ/

an exchange of ideas via conversation

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

TemplenounUS /ˈtempəl/

place of worship consisting of an edifice for the worship of a deity

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

terra-cotta

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Outside it was as clear as day, inside it was darker than any night, and like a flash, the girl compared it with her life at that very moment.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading Up to now she had been her own mistress, in that she had deliberately and of her own free will done the things she ought and ought not to have done, and had been content with the result.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

thrownadjectiveUS /θroʊn/

caused to fall to the ground

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

transfixedadjectiveUS /trænˈsfɪkst/

having your attention fixated as though by a spell

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

turningnounUS /ˈtɜːrnɪŋ/

the act of changing or reversing the direction of the course

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

UpadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading Up to now she had been her own mistress, in that she had deliberately and of her own free will done the things she ought and ought not to have done, and had been content with the result.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

usedadjectiveUS /juːzd/

employed in accomplishing something

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading Outside it was as clear as day, inside it was darker than any night, and like a flash, the girl compared it with her life at that very moment.

wallsnounUS /wɔːlz/

plural of “wall” — an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Outside it was as clear as day, inside it was darker than any night, and like a flash, the girl compared it with her life at that very moment.

weirdadjectiveUS /wɪrd/

suggesting the operation of supernatural influences

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

whatpronounUS /wʌt/

used to ask for information about something

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

whenconjunctionUS /wen/

at the time that

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

whopronounUS /huː/

which person or people

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading Up to now she had been her own mistress, in that she had deliberately and of her own free will done the things she ought and ought not to have done, and had been content with the result.

withprepositionUS /wɪð/

in the company of; together with

From this reading The silver shafts of the full moon struck down into the ruined outer courts of the Temple of Khafra, turning the rose-colour of the granite to a dull terra-cotta, and picking out the pavement with weird designs of gigantic beasts and flowers, the which, when Jill put her foot upon them, proved to be nothing more harmful than the shadows thrown by the walls and huge blocks of fallen masonry.

wordsnounUS /wɜːrdz/

the words that are spoken

From this reading The darkness of Egypt is a common enough expression on the lips of those who know nothing of what they are talking about, and Jill, who had often used the words, stood transfixed at the abysmal blackness in front of her.

Chapter 26 of Desert Love by Joan Conquest holds 46 sentences, grouped into 10 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 26 of Desert Love contain?

Chapter 26 holds 46 sentences of Desert Love, unabridged, divided into 10 reading sections.

This page carries chapter 26 of Desert Love by Joan Conquest exactly as it stands in the source edition, without abridgement. It runs to 46 sentences, grouped into 10 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 26 of Desert Love?

Work through the 10 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 10 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 26 be read aloud to me?

Yes — every sentence and every individual word in chapter 26 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Desert Love

Common questions about reading Desert Love by Joan Conquest on this page, its source edition and its audio.

Is this the complete text of Desert Love?

Yes. All 2054 sentences of Project Gutenberg eBook #15242 are kept, with a record of which sentences cover which part.

Which edition of Desert Love is used?

Project Gutenberg eBook #15242, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Desert Love take to read?

About 171 minutes of reading across 411 sections of 5 sentences each, at an unhurried pace.

How to read Desert Love section by section

How to work through Desert Love section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 37 chapters of Desert Love to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Desert Love

Words and structures a reader meets early in Desert Love, each tappable for pronunciation and meaning.

Stood
A word that appears in the opening chapter of Desert Love; the reader can tap it to hear it and see its dictionary entry.
Herself
A word that appears in the opening chapter of Desert Love; the reader can tap it to hear it and see its dictionary entry.
Personally
A word that appears in the opening chapter of Desert Love; the reader can tap it to hear it and see its dictionary entry.
Consider
A word that appears in the opening chapter of Desert Love; the reader can tap it to hear it and see its dictionary entry.