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Diana of the Crossways — Volume 3
Diana of the Crossways — Volume 3

Chapter I · Chapter 1

Chapter 1 of Diana of the Crossways — Volume 3 is here in full — 205 sentences across 41 reading sections, with audio for every sentence and word.

Cover illustration for Diana of the Crossways — Volume 3
Context Illustration Reading 1/41 · 5 lines
English subtitles · tap any word to listen 1 / 5
The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.
She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.
'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.
I know it to be as little a Stradivarius as I am a Paganini.
It is an eccentric machine, in tune with me for the moment, because I happen to have hit it in the ringing spot.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Diana of the Crossways — Volume 3

Chapter I · Chapter 1

Chapter 1 of Diana of the Crossways — Volume 3 is here in full — 205 sentences across 41 reading sections, with audio for every sentence and word.

Reading 1/41 · 5 reading units · Lines 1–5

Line 1
The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.
Line 2
She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.
Line 3
'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.
/ɪf ðə ˈpʌblɪk wɜːr ə pərˈfekt ˈɪnstrəmənt tuː straɪk ɑːn aɪ ʃʊd biː ˈtemptɪd tuː teɪk ðə ˈwʌndərfəl səkˈses ʌv maɪ ˈprɪn.ses æt hɜːr fɜːrst əˈpɪrəns fɔːr ə pruːf ʌv ˈnætʃərəl ˈæptətuːd ɪn ˌkɑːmpəˈzɪʃən ənd maɪt θɪŋk ˌmaɪˈself ðə ˈdʒiːnjəs/
Line 4
I know it to be as little a Stradivarius as I am a Paganini.
/aɪ noʊ ɪt tuː biː æz ˈlɪtəl ə ˌstrædɪˈveriəs æz aɪ æm ə ˌpæɡəˈniːni/
Line 5
It is an eccentric machine, in tune with me for the moment, because I happen to have hit it in the ringing spot.
/ɪt ɪz æn ɪkˈsentrɪk məˈʃiːn ɪn tuːn wɪð miː fɔːr ðə ˈmoʊmənt bɪˈkɔːz aɪ ˈhæpən tuː hæv hɪt ɪt ɪn ðə ˈrɪŋɪŋ spɑːt/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

acceptance noun US /ækˈseptəns/

the mental attitude that something is believable and should be accepted as true

From this reading “The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.”

aptitude noun US /ˈæptətuːd/

inherent ability

From this reading “'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.”

complacent adjective US /kəmˈpleɪsənt/

contented to a fault with oneself or one's actions

From this reading “The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.”

confidently adverb US /ˈkɑːnfədəntli/

with confidence; in a confident manner

From this reading “She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.”

eccentric adjective US /ɪkˈsentrɪk/

conspicuously or grossly unconventional or unusual

From this reading “It is an eccentric machine, in tune with me for the moment, because I happen to have hit it in the ringing spot.”

magical adjective US /ˈmædʒɪkəl/

possessing or using or characteristic of or appropriate to supernatural powers

From this reading “The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.”

Paganini noun US /ˌpæɡəˈniːni/

Italian violinist and composer of music for the violin (1782-1840)

From this reading “I know it to be as little a Stradivarius as I am a Paganini.”

Stradivarius noun US /ˌstrædɪˈveriəs/

Italian violin maker who developed the modern violin and created violins of unequaled tonal quality (1644?-1737)

From this reading “I know it to be as little a Stradivarius as I am a Paganini.”

All words in this reading · 108

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

acceptancenounUS /ækˈseptəns/

the mental attitude that something is believable and should be accepted as true

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

actedverbUS /ˈæktɪd/

past form of “act” — perform an action, or work out or perform (an action)

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

admiringverbUS /ædˈmaɪrɪŋ/

-ing form of “admire” — feel admiration for

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

amauxiliary verbUS /æm/

the form of “be” used with “I”

From this reading I know it to be as little a Stradivarius as I am a Paganini.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

anotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

appearancenounUS /əˈpɪrəns/

outward or visible aspect of a person or thing

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

aptitudenounUS /ˈæptətuːd/

inherent ability

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

atprepositionUS /æt/

in or near a particular place or position

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

authoressnoun

a woman author

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading It is an eccentric machine, in tune with me for the moment, because I happen to have hit it in the ringing spot.

behindprepositionUS /bɪˈhaɪnd/

at or toward the back of something

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

bothdeterminerUS /boʊθ/

the two together, not just one

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

calmverbUS /kɑːm/

make calm or still

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

changeverbUS /tʃeɪndʒ/

cause to change; make different; cause a transformation

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

clearlyadverbUS /ˈklɪrli/

without doubt or question

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

complacentadjectiveUS /kəmˈpleɪsənt/

contented to a fault with oneself or one's actions

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

compositionnounUS /ˌkɑːmpəˈzɪʃən/

the spatial property resulting from the arrangement of parts in relation to each other and to the whole

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

confidentlyadverbUS /ˈkɑːnfədəntli/

with confidence; in a confident manner

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

deceivedverbUS /dɪˈsiːvd/

past form of “deceive” — be false to; be dishonest with

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

DiananounUS /daɪˈænə/

English aristocrat who was the first wife of Prince Charles; her death in an automobile accident in Paris produced intense national mourning (1961-1997)

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

Dunstane

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

eccentricadjectiveUS /ɪkˈsentrɪk/

conspicuously or grossly unconventional or unusual

From this reading It is an eccentric machine, in tune with me for the moment, because I happen to have hit it in the ringing spot.

effectnounUS /ɪˈfekt/

a phenomenon that follows and is caused by some previous phenomenon

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

Emma

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

establishmentnounUS /ɪˈstæblɪʃmənt/

the act of forming or establishing something

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

fearedverbUS /fɪrd/

past form of “fear” — be afraid or feel anxious or apprehensive about a possible or probable situation or event

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

fortunesnounUS /ˈfɔːrtʃənz/

plural of “fortune” — an unknown and unpredictable phenomenon that causes an event to result one way rather than another

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

friendnounUS /frend/

a person you know well and regard with affection and trust

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

geniusnounUS /ˈdʒiːnjəs/

someone who has exceptional intellectual ability and originality

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

happenverbUS /ˈhæpən/

come to pass

From this reading It is an eccentric machine, in tune with me for the moment, because I happen to have hit it in the ringing spot.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading It is an eccentric machine, in tune with me for the moment, because I happen to have hit it in the ringing spot.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

hitverbUS /hɪt/

cause to move by striking

From this reading It is an eccentric machine, in tune with me for the moment, because I happen to have hit it in the ringing spot.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

immediateadjectiveUS /ˌɪˈmiːdiːət/

of the present time and place

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

instrumentnounUS /ˈɪnstrəmənt/

a device that requires skill for proper use

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading It is an eccentric machine, in tune with me for the moment, because I happen to have hit it in the ringing spot.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading I know it to be as little a Stradivarius as I am a Paganini.

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading I know it to be as little a Stradivarius as I am a Paganini.

lestconjunctionUS /lest/

in order that something should not happen

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

letternounUS /ˈletər/

a written message addressed to a person or organization

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

literaryadjectiveUS /ˈlɪtəreri/

of or relating to or characteristic of literature

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading I know it to be as little a Stradivarius as I am a Paganini.

loftyadjectiveUS /ˈlɔːfti/

of high moral or intellectual value; elevated in nature or style

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

machinenounUS /məˈʃiːn/

any mechanical or electrical device that transmits or modifies energy to perform or assist in the performance of human tasks

From this reading It is an eccentric machine, in tune with me for the moment, because I happen to have hit it in the ringing spot.

magicaladjectiveUS /ˈmædʒɪkəl/

possessing or using or characteristic of or appropriate to supernatural powers

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

maskverbUS /mæsk/

hide under a false appearance

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading It is an eccentric machine, in tune with me for the moment, because I happen to have hit it in the ringing spot.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

momentnounUS /ˈmoʊmənt/

a particular point in time

From this reading It is an eccentric machine, in tune with me for the moment, because I happen to have hit it in the ringing spot.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

myselfpronounUS /ˌmaɪˈself/

used when the speaker is also the object of the action

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

naturaladjectiveUS /ˈnætʃərəl/

in accordance with nature; relating to or concerning nature

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

PaganininounUS /ˌpæɡəˈniːni/

Italian violinist and composer of music for the violin (1782-1840)

From this reading I know it to be as little a Stradivarius as I am a Paganini.

pennounUS /pen/

a writing implement with a point from which ink flows

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

perfectadjectiveUS /pərˈfekt/

being complete of its kind and without defect or blemish

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

powersnounUS /ˈpaʊərz/

plural of “power” — possession of controlling influence

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

PRINCESSnounUS /ˈprɪn.ses/

The daughter of a monarch; a female member of a royal family.

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

proofnounUS /pruːf/

any factual evidence that helps to establish the truth of something

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

publicnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

ringingnounUS /ˈrɪŋɪŋ/

the sound of a bell ringing

From this reading It is an eccentric machine, in tune with me for the moment, because I happen to have hit it in the ringing spot.

sawverbUS /sɔː/

cut with a saw

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

secondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

sedatenessnoun

a trait of dignified seriousness

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

shownverbUS /ʃoʊn/

inflected form of “show” — give an exhibition of to an interested audience

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

spokenounUS /spoʊk/

support consisting of a radial member of a wheel joining the hub to the rim

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

spotnounUS /spɑːt/

a point located with respect to surface features of some region

From this reading It is an eccentric machine, in tune with me for the moment, because I happen to have hit it in the ringing spot.

StradivariusnounUS /ˌstrædɪˈveriəs/

Italian violin maker who developed the modern violin and created violins of unequaled tonal quality (1644?-1737)

From this reading I know it to be as little a Stradivarius as I am a Paganini.

strikeverbUS /straɪk/

deliver a sharp blow, as with the hand, fist, or weapon

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

successnounUS /səkˈses/

an event that accomplishes its intended purpose

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

supportnounUS /səˈpɔːrt/

the activity of providing for or maintaining by supplying with money or necessities

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

takeverbUS /teɪk/

carry out

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

temptedverbUS /ˈtemptɪd/

past form of “tempt” — dispose or incline or entice to

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

thingnounUS /θɪŋ/

a special situation

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

thinkverbUS /θɪŋk/

judge or regard; look upon; judge

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

transparentadjectiveUS /trænˈsperənt/

transmitting light; able to be seen through with clarity

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

trustingadjectiveUS /ˈtrʌstɪŋ/

inclined to believe or confide readily; full of trust

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

tunenounUS /tuːn/

a succession of notes forming a distinctive sequence

From this reading It is an eccentric machine, in tune with me for the moment, because I happen to have hit it in the ringing spot.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

venturenounUS /ˈventʃər/

any venturesome undertaking especially one with an uncertain outcome

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

whopronounUS /huː/

which person or people

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

withprepositionUS /wɪð/

in the company of; together with

From this reading She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

wonderfuladjectiveUS /ˈwʌndərfəl/

extraordinarily good or great; used especially as intensifiers

From this reading 'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius.

wroteverbUS /roʊt/

inflected form of “write” — produce a literary work

From this reading The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes.

Chapter 1 of Diana of the Crossways — Volume 3 by George Meredith holds 205 sentences, grouped into 41 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Diana of the Crossways — Volume 3 contain?

Chapter 1 holds 205 sentences of Diana of the Crossways — Volume 3, unabridged, divided into 41 reading sections.

This page carries chapter 1 of Diana of the Crossways — Volume 3 by George Meredith exactly as it stands in the public-domain source edition, without abridgement. It runs to 205 sentences, grouped into 41 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Diana of the Crossways — Volume 3?

Work through the 41 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 41 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Diana of the Crossways — Volume 3

Common questions about reading Diana of the Crossways — Volume 3 by George Meredith on this page, its source edition and its audio.

Is this the complete text of Diana of the Crossways — Volume 3?

Yes. All 2253 sentences of Project Gutenberg eBook #4467 are kept, with a record of which sentences cover which part.

Which edition of Diana of the Crossways — Volume 3 is used?

Project Gutenberg eBook #4467, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Diana of the Crossways — Volume 3 take to read?

About 187 minutes of reading across 451 sections of 5 sentences each, at an unhurried pace.

How to read Diana of the Crossways — Volume 3 section by section

How to work through Diana of the Crossways — Volume 3 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Diana of the Crossways — Volume 3

Words and structures a reader meets early in Diana of the Crossways — Volume 3, each tappable for pronunciation and meaning.

Effect
A word that appears in the opening chapter of Diana of the Crossways — Volume 3; the reader can tap it to hear it and see its dictionary entry.
Great
A word that appears in the opening chapter of Diana of the Crossways — Volume 3; the reader can tap it to hear it and see its dictionary entry.
Success
A word that appears in the opening chapter of Diana of the Crossways — Volume 3; the reader can tap it to hear it and see its dictionary entry.
Diana
A word that appears in the opening chapter of Diana of the Crossways — Volume 3; the reader can tap it to hear it and see its dictionary entry.