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Diary And Notes Of Horace Templeton, Esq. Volume I (of II)
Diary And Notes Of Horace Templeton, Esq. Volume I (of II)

Chapter III

Chapter 3 of Diary And Notes Of Horace Templeton, Esq. Volume I (of II) is here in full — 183 sentences across 37 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/36 · 5 lines
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Another note from Favancourt, asking me to dine and meet Alfred de Vigny, whose “Cinque Mars” I praised so highly.
Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.
De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.
As episode, his little’tale, the “Canne de Jonc,” is one of the most affecting I ever read.
From the outset you feel that the catastrophe must be sad, yet there is nothing harassing or wearying in the suspense.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Diary And Notes Of Horace Templeton, Esq. Volume I (of II)

Chapter III

Chapter 3 of Diary And Notes Of Horace Templeton, Esq. Volume I (of II) is here in full — 183 sentences across 37 reading sections, with audio for every sentence and word.

Reading 1/36 · 5 reading units · Lines 1–5

Line 1
Another note from Favancourt, asking me to dine and meet Alfred de Vigny, whose “Cinque Mars” I praised so highly.
Line 2
Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.
/biː ɪt soʊ aɪ æm ˈkjʊriəs tuː siː ə ˈfrentʃmæn huː hæz prəˈfɜːrd ðə haɪ əˈstiːm ʌv ðə best ˈkrɪtɪks ʌv hɪz ˈkʌntri tuː ðə ˈnɔɪzi ˌpɑːpjəˈlerəti sʌtʃ men æz suː ənd ˈduːməz raɪt fɔːr/
Line 3
De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.
Line 4
As episode, his little’tale, the “Canne de Jonc,” is one of the most affecting I ever read.
Line 5
From the outset you feel that the catastrophe must be sad, yet there is nothing harassing or wearying in the suspense.
/frʌm ðə ˈaʊtset juː fiːl ðæt ðə kəˈtæstrəfi mʌst biː sæd jet ðer ɪz ˈnʌθɪŋ hərˈæsɪŋ ɔːr ˈwiːriɪŋ ɪn ðə səˈspens/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Cinque noun US /sɪŋk/

the cardinal number that is the sum of four and one

From this reading “Another note from Favancourt, asking me to dine and meet Alfred de Vigny, whose “Cinque Mars” I praised so highly.”

Dumas noun US /ˈduːməz/

French writer remembered for his swashbuckling historical tales (1802-1870)

From this reading “Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.”

harassing verb US /hərˈæsɪŋ/

-ing form of “harass” — annoy continually or chronically

From this reading “From the outset you feel that the catastrophe must be sad, yet there is nothing harassing or wearying in the suspense.”

heartfelt adjective US /ˈhɑːrtfelt/

sincerely earnest

From this reading “De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.”

Irving noun US /ˈɜːrvɪŋ/

United States writer remembered for his stories (1783-1859)

From this reading “De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.”

outset noun US /ˈaʊtset/

the time at which something is supposed to begin

From this reading “From the outset you feel that the catastrophe must be sad, yet there is nothing harassing or wearying in the suspense.”

possesses verb US /pəˈzesəz/

third-person singular of “possess” — have as an attribute, knowledge, or skill

From this reading “De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.”

wearying adjective US /ˈwiːriɪŋ/

producing exhaustion

From this reading “From the outset you feel that the catastrophe must be sad, yet there is nothing harassing or wearying in the suspense.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

high esteem adjective + noun

In this reading “Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.”

most affecting adverb + adjective

In this reading “As episode, his little’tale, the “Canne de Jonc,” is one of the most affecting I ever read.”

From the outset preposition + article + noun counted as “from … outset”

In this reading “From the outset you feel that the catastrophe must be sad, yet there is nothing harassing or wearying in the suspense.”

peaceful life adjective + noun

In this reading “De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.”

All words in this reading · 89

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

affectingadjectiveUS /əˈfektɪŋ/

arousing affect

From this reading As episode, his little’tale, the “Canne de Jonc,” is one of the most affecting I ever read.

AlfrednounUS /ˈælfrəd/

king of Wessex; defeated the Vikings and encouraged writing in English (849-899)

From this reading Another note from Favancourt, asking me to dine and meet Alfred de Vigny, whose “Cinque Mars” I praised so highly.

amauxiliary verbUS /æm/

the form of “be” used with “I”

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

AmericannounUS /əˈmerəkən/

a native or inhabitant of the United States

From this reading De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Another note from Favancourt, asking me to dine and meet Alfred de Vigny, whose “Cinque Mars” I praised so highly.

AnotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading Another note from Favancourt, asking me to dine and meet Alfred de Vigny, whose “Cinque Mars” I praised so highly.

appreciationnounUS /əˌpriːʃiˈeɪʃən/

understanding of the nature or meaning or quality or magnitude of something

From this reading De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

askingnounUS /ˈæskɪŋ/

the verbal act of requesting

From this reading Another note from Favancourt, asking me to dine and meet Alfred de Vigny, whose “Cinque Mars” I praised so highly.

Beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

bestnounUS /best/

the supreme effort one can make

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.

Canne

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As episode, his little’tale, the “Canne de Jonc,” is one of the most affecting I ever read.

catastrophenounUS /kəˈtæstrəfi/

an event resulting in great loss and misfortune

From this reading From the outset you feel that the catastrophe must be sad, yet there is nothing harassing or wearying in the suspense.

CinquenounUS /sɪŋk/

the cardinal number that is the sum of four and one

From this reading Another note from Favancourt, asking me to dine and meet Alfred de Vigny, whose “Cinque Mars” I praised so highly.

countrynounUS /ˈkʌntri/

a politically organized body of people under a single government

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

criticsnounUS /ˈkrɪtɪks/

plural of “critic” — a person who is professionally engaged in the analysis and interpretation of works of art

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

curiousadjectiveUS /ˈkjʊriəs/

beyond or deviating from the usual or expected

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

denounUS /diː/

a Mid-Atlantic state; one of the original 13 colonies

From this reading Another note from Favancourt, asking me to dine and meet Alfred de Vigny, whose “Cinque Mars” I praised so highly.

dineverbUS /daɪn/

have supper; eat dinner

From this reading Another note from Favancourt, asking me to dine and meet Alfred de Vigny, whose “Cinque Mars” I praised so highly.

DumasnounUS /ˈduːməz/

French writer remembered for his swashbuckling historical tales (1802-1870)

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

episodenounUS /ˈepəsoʊd/

a happening that is distinctive in a series of related events

From this reading As episode, his little’tale, the “Canne de Jonc,” is one of the most affecting I ever read.

esteemnounUS /əˈstiːm/

the condition of being honored (esteemed or respected or well regarded)

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

everadverbUS /ˈevər/

at any time

From this reading As episode, his little’tale, the “Canne de Jonc,” is one of the most affecting I ever read.

Favancourt

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Another note from Favancourt, asking me to dine and meet Alfred de Vigny, whose “Cinque Mars” I praised so highly.

feelverbUS /fiːl/

undergo an emotional sensation or be in a particular state of mind

From this reading From the outset you feel that the catastrophe must be sad, yet there is nothing harassing or wearying in the suspense.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

FrenchnounUS /frentʃ/

the Romance language spoken in France and in countries colonized by France

From this reading De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.

FrenchmannounUS /ˈfrentʃmæn/

a person of French nationality

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Another note from Favancourt, asking me to dine and meet Alfred de Vigny, whose “Cinque Mars” I praised so highly.

geniusnounUS /ˈdʒiːnjəs/

someone who has exceptional intellectual ability and originality

From this reading De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.

harassingverbUS /hərˈæsɪŋ/

-ing form of “harass” — annoy continually or chronically

From this reading From the outset you feel that the catastrophe must be sad, yet there is nothing harassing or wearying in the suspense.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

heartfeltadjectiveUS /ˈhɑːrtfelt/

sincerely earnest

From this reading De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.

highadjectiveUS /haɪ/

greater than normal in degree or intensity or amount

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

higheradjectiveUS /ˈhaɪər/

advanced in complexity or elaboration

From this reading De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.

highlyadverbUS /ˈhaɪli/

to a high degree or extent; favorably or with much respect

From this reading Another note from Favancourt, asking me to dine and meet Alfred de Vigny, whose “Cinque Mars” I praised so highly.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Another note from Favancourt, asking me to dine and meet Alfred de Vigny, whose “Cinque Mars” I praised so highly.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading From the outset you feel that the catastrophe must be sad, yet there is nothing harassing or wearying in the suspense.

IrvingnounUS /ˈɜːrvɪŋ/

United States writer remembered for his stories (1783-1859)

From this reading De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

Jonc

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As episode, his little’tale, the “Canne de Jonc,” is one of the most affecting I ever read.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.

little'tale

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As episode, his little’tale, the “Canne de Jonc,” is one of the most affecting I ever read.

MarsnounUS /mɑːrz/

a small reddish planet that is the 4th from the sun and is periodically visible to the naked eye; minerals rich in iron cover its surface and are responsible for its characteristic color

From this reading Another note from Favancourt, asking me to dine and meet Alfred de Vigny, whose “Cinque Mars” I praised so highly.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading Another note from Favancourt, asking me to dine and meet Alfred de Vigny, whose “Cinque Mars” I praised so highly.

meetverbUS /miːt/

come together

From this reading Another note from Favancourt, asking me to dine and meet Alfred de Vigny, whose “Cinque Mars” I praised so highly.

mennounUS /men/

the force of workers available

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.

mostadverbUS /moʊst/

used to form the superlative

From this reading As episode, his little’tale, the “Canne de Jonc,” is one of the most affecting I ever read.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading From the outset you feel that the catastrophe must be sad, yet there is nothing harassing or wearying in the suspense.

noisyadjectiveUS /ˈnɔɪzi/

full of or characterized by loud and nonmusical sounds

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.

notenounUS /noʊt/

a brief written record

From this reading Another note from Favancourt, asking me to dine and meet Alfred de Vigny, whose “Cinque Mars” I praised so highly.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading From the outset you feel that the catastrophe must be sad, yet there is nothing harassing or wearying in the suspense.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading As episode, his little’tale, the “Canne de Jonc,” is one of the most affecting I ever read.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading From the outset you feel that the catastrophe must be sad, yet there is nothing harassing or wearying in the suspense.

outsetnounUS /ˈaʊtset/

the time at which something is supposed to begin

From this reading From the outset you feel that the catastrophe must be sad, yet there is nothing harassing or wearying in the suspense.

peacefuladjectiveUS /ˈpiːsfəl/

not disturbed by strife or turmoil or war

From this reading De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.

popularitynounUS /ˌpɑːpjəˈlerəti/

the quality of being widely admired or accepted or sought after

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

possessesverbUS /pəˈzesəz/

third-person singular of “possess” — have as an attribute, knowledge, or skill

From this reading De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.

praisedverbUS /preɪzd/

past form of “praise” — express approval of

From this reading Another note from Favancourt, asking me to dine and meet Alfred de Vigny, whose “Cinque Mars” I praised so highly.

preferredadjectiveUS /prəˈfɜːrd/

more desirable than another

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

readverbUS /red/

interpret something that is written or printed

From this reading As episode, his little’tale, the “Canne de Jonc,” is one of the most affecting I ever read.

sadadjectiveUS /sæd/

experiencing or showing sorrow or unhappiness

From this reading From the outset you feel that the catastrophe must be sad, yet there is nothing harassing or wearying in the suspense.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Another note from Favancourt, asking me to dine and meet Alfred de Vigny, whose “Cinque Mars” I praised so highly.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

SueverbUS /suː/

institute legal proceedings against; file a suit against

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

suspensenounUS /səˈspens/

apprehension about what is going to happen

From this reading From the outset you feel that the catastrophe must be sad, yet there is nothing harassing or wearying in the suspense.

tasteverbUS /teɪst/

To perceive flavor through the mouth.

From this reading De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

thereadverbUS /ðer/

in or at that place or location

From this reading From the outset you feel that the catastrophe must be sad, yet there is nothing harassing or wearying in the suspense.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Another note from Favancourt, asking me to dine and meet Alfred de Vigny, whose “Cinque Mars” I praised so highly.

tranquiladjectiveUS /ˈtræŋkwəl/

(of a body of water) free from disturbance by heavy waves

From this reading De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.

Vigny

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Another note from Favancourt, asking me to dine and meet Alfred de Vigny, whose “Cinque Mars” I praised so highly.

WashingtonnounUS /ˈwɑːʃɪŋtən/

the capital of the United States in the District of Columbia and a tourist mecca; George Washington commissioned Charles L'Enfant to lay out the city in 1791

From this reading De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.

wearyingadjectiveUS /ˈwiːriɪŋ/

producing exhaustion

From this reading From the outset you feel that the catastrophe must be sad, yet there is nothing harassing or wearying in the suspense.

whopronounUS /huː/

which person or people

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

whosedeterminerUS /huːz/

belonging to which person

From this reading Another note from Favancourt, asking me to dine and meet Alfred de Vigny, whose “Cinque Mars” I praised so highly.

withprepositionUS /wɪð/

in the company of; together with

From this reading De Vigny is a French Washington Irving, with more genius, higher taste, but not that heartfelt appreciation of tranquil, peaceful life, that the American possesses.

writeverbUS /raɪt/

produce a literary work

From this reading Be it so; I am curious to see a Frenchman who has preferred the high esteem of the best critics of his country, to the noisy popularity such men as Sue and Dumas write for.

yetconjunctionUS /jet/

but in spite of that

From this reading From the outset you feel that the catastrophe must be sad, yet there is nothing harassing or wearying in the suspense.

youpronounUS /juː/

the person or people being spoken to

From this reading From the outset you feel that the catastrophe must be sad, yet there is nothing harassing or wearying in the suspense.

Chapter 3 of Diary And Notes Of Horace Templeton, Esq. Volume I (of II) by Charles Lever holds 183 sentences, grouped into 37 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of Diary And Notes Of Horace Templeton, Esq. Volume I (of II) contain?

Chapter 3 holds 183 sentences of Diary And Notes Of Horace Templeton, Esq. Volume I (of II), unabridged, divided into 37 reading sections.

This page carries chapter 3 of Diary And Notes Of Horace Templeton, Esq. Volume I (of II) by Charles Lever exactly as it stands in the source edition, without abridgement. It runs to 183 sentences, grouped into 37 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of Diary And Notes Of Horace Templeton, Esq. Volume I (of II)?

Work through the 37 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 37 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Diary And Notes Of Horace Templeton, Esq. Volume I (of II)

Common questions about reading Diary And Notes Of Horace Templeton, Esq. Volume I (of II) by Charles Lever on this page, its source edition and its audio.

Is this the complete text of Diary And Notes Of Horace Templeton, Esq. Volume I (of II)?

Yes. All 2343 sentences of Project Gutenberg eBook #33216 are kept, with a record of which sentences cover which part.

Which edition of Diary And Notes Of Horace Templeton, Esq. Volume I (of II) is used?

Project Gutenberg eBook #33216, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Diary And Notes Of Horace Templeton, Esq. Volume I (of II) take to read?

About 195 minutes of reading across 469 sections of 5 sentences each, at an unhurried pace.

How to read Diary And Notes Of Horace Templeton, Esq. Volume I (of II) section by section

How to work through Diary And Notes Of Horace Templeton, Esq. Volume I (of II) section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 12 chapters of Diary And Notes Of Horace Templeton, Esq. Volume I (of II) to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Diary And Notes Of Horace Templeton, Esq. Volume I (of II)

Words and structures a reader meets early in Diary And Notes Of Horace Templeton, Esq. Volume I (of II), each tappable for pronunciation and meaning.

Princes
A word that appears in the opening chapter of Diary And Notes Of Horace Templeton, Esq. Volume I (of II); the reader can tap it to hear it and see its dictionary entry.
Paris
A word that appears in the opening chapter of Diary And Notes Of Horace Templeton, Esq. Volume I (of II); the reader can tap it to hear it and see its dictionary entry.
Strange
A word that appears in the opening chapter of Diary And Notes Of Horace Templeton, Esq. Volume I (of II); the reader can tap it to hear it and see its dictionary entry.
Thing
A word that appears in the opening chapter of Diary And Notes Of Horace Templeton, Esq. Volume I (of II); the reader can tap it to hear it and see its dictionary entry.