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Discourses on Satire and on Epic Poetry
Discourses on Satire and on Epic Poetry

Chapter XIV · Chapter 14

Chapter 14 of Discourses on Satire and on Epic Poetry is here in full — 100 sentences across 20 reading sections, with audio for every sentence and word.

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Virgil employed eleven years upon his Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.
Yet I will neither plead my age nor sickness in excuse of the faults which I have made.
That I wanted time is all I have to say; for some of my subscribers grew so clamorous that I could no longer defer the publication.
I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”
You may please also to observe that there is not, to the best of my remembrance, one vowel gaping on another for want of a cæsura in this whole poem.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Discourses on Satire and on Epic Poetry

Chapter XIV · Chapter 14

Chapter 14 of Discourses on Satire and on Epic Poetry is here in full — 100 sentences across 20 reading sections, with audio for every sentence and word.

Reading 1/20 · 5 reading units · Lines 1–5

Line 1
Virgil employed eleven years upon hisÆneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.
Line 2
Yet I will neither plead my age nor sickness in excuse of the faults which I have made.
/jet aɪ wɪl ˈniːðər pliːd maɪ eɪdʒ nɔːr ˈsɪknəs ɪn ɪksˈkjuːs ʌv ðə fɔːlts wɪtʃ aɪ hæv meɪd/
Line 3
That I wanted time is all I have to say; for some of my subscribers grew so clamorous that I could no longer defer the publication.
Line 4
I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”
Line 5
You may please also to observe that there is not, to the best of my remembrance, one vowel gaping on another for want of a cæsura in this whole poem.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

allowances noun US /əˈlaʊənsɪz/

plural of “allowance” — an amount allowed or granted (as during a given period)

From this reading “I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.””

carmine noun US /ˈkɑːrmən/

a variable color averaging a vivid red

defer verb US /dɪˈfɜːr/

hold back to a later time

From this reading “That I wanted time is all I have to say; for some of my subscribers grew so clamorous that I could no longer defer the publication.”

ego noun US /ˈiːɡoʊ/

an inflated feeling of pride in your superiority to others

From this reading “I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.””

gaping adjective US /ˈɡeɪpɪŋ/

with the mouth wide open as in wonder or awe

From this reading “You may please also to observe that there is not, to the best of my remembrance, one vowel gaping on another for want of a cæsura in this whole poem.”

subscribers noun US /səbˈskraɪbərz/

plural of “subscriber” — someone who expresses strong approval

From this reading “That I wanted time is all I have to say; for some of my subscribers grew so clamorous that I could no longer defer the publication.”

Virgil noun US /ˈvɜːrdʒəl/

a Roman poet; author of the epic poem “Aeneid” (70-19 BC)

From this reading “Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.”

vowel noun US /ˈvaʊəl/

a speech sound made with the vocal tract open

From this reading “You may please also to observe that there is not, to the best of my remembrance, one vowel gaping on another for want of a cæsura in this whole poem.”

All words in this reading · 133

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

agenounUS /eɪdʒ/

how long something has existed

From this reading Yet I will neither plead my age nor sickness in excuse of the faults which I have made.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading That I wanted time is all I have to say; for some of my subscribers grew so clamorous that I could no longer defer the publication.

allowancesnounUS /əˈlaʊənsɪz/

plural of “allowance” — an amount allowed or granted (as during a given period)

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

allowedverbUS /əˈlaʊd/

past form of “allow” — make it possible through a specific action or lack of action for something to happen

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading You may please also to observe that there is not, to the best of my remembrance, one vowel gaping on another for want of a cæsura in this whole poem.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

anotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading You may please also to observe that there is not, to the best of my remembrance, one vowel gaping on another for want of a cæsura in this whole poem.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

aut

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

bestnounUS /best/

the supreme effort one can make

From this reading You may please also to observe that there is not, to the best of my remembrance, one vowel gaping on another for want of a cæsura in this whole poem.

candournoun

the quality of being honest and straightforward in attitude and speech

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

cannot

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

carminenounUS /ˈkɑːrmən/

a variable color averaging a vivid red

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

cavit

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

clamorousadjective

conspicuously and offensively loud; given to vehement outcry

From this reading That I wanted time is all I have to say; for some of my subscribers grew so clamorous that I could no longer defer the publication.

considerverbUS /kənˈsɪdər/

deem to be

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

correctverbUS /kərˈekt/

make right or correct

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading That I wanted time is all I have to say; for some of my subscribers grew so clamorous that I could no longer defer the publication.

cæsura

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading You may please also to observe that there is not, to the best of my remembrance, one vowel gaping on another for want of a cæsura in this whole poem.

deferverbUS /dɪˈfɜːr/

hold back to a later time

From this reading That I wanted time is all I have to say; for some of my subscribers grew so clamorous that I could no longer defer the publication.

egonounUS /ˈiːɡoʊ/

an inflated feeling of pride in your superiority to others

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

elevenadjectiveUS /ɪˈlevən/

being one more than ten

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

employedadjectiveUS /emˈplɔɪd/

having your services engaged for; or having a job especially one that pays wages or a salary

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

errorsnounUS /ˈerərz/

plural of “error” — a wrong action attributable to bad judgment or ignorance or inattention

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

excuseverbUS /ɪksˈkjuːs/

accept an excuse for

From this reading Yet I will neither plead my age nor sickness in excuse of the faults which I have made.

expectsverbUS /ɪkˈspekts/

third-person singular of “expect” — regard something as probable or likely

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

faultsnounUS /fɔːlts/

plural of “fault” — a wrong action attributable to bad judgment or ignorance or inattention

From this reading Yet I will neither plead my age nor sickness in excuse of the faults which I have made.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

fournounUS /fɔːr/

the cardinal number that is the sum of three and one

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

fudit

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

gapingadjectiveUS /ˈɡeɪpɪŋ/

with the mouth wide open as in wonder or awe

From this reading You may please also to observe that there is not, to the best of my remembrance, one vowel gaping on another for want of a cæsura in this whole poem.

goodnessnounUS /ˈɡʊdnəs/

that which is pleasing or valuable or useful

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

grewverbUS /ɡruː/

inflected form of “grow” — pass into a condition gradually, take on a specific property or attribute; become

From this reading That I wanted time is all I have to say; for some of my subscribers grew so clamorous that I could no longer defer the publication.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

hopenounUS /hoʊp/

a specific instance of feeling hopeful

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

HoracenounUS /ˈhɔːrəs/

Roman lyric poet said to have influenced English poetry (65-8 BC)

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

humana

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

imperfectadjectiveUS /ˌɪmˈpɜːrfɪkt/

not perfect; defective or inadequate

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

incuria

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

insteadadverbUS /ˌɪnˈsted/

in place of, or as an alternative to

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

labours

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

longeradverbUS /ˈlɔːŋɡər/

for more time

From this reading That I wanted time is all I have to say; for some of my subscribers grew so clamorous that I could no longer defer the publication.

lordshipnounUS /ˈlɔːrdʃɪp/

a title used to address any British peer except a duke and extended to a bishop or a judge

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

maculis

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading Yet I will neither plead my age nor sickness in excuse of the faults which I have made.

makeverbUS /meɪk/

engage in

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading You may please also to observe that there is not, to the best of my remembrance, one vowel gaping on another for want of a cæsura in this whole poem.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

natura

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

neitherdeterminerUS /ˈniːðər/

not one and not the other of two

From this reading Yet I will neither plead my age nor sickness in excuse of the faults which I have made.

nitent

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

nodeterminerUS /noʊ/

not any; not one

From this reading That I wanted time is all I have to say; for some of my subscribers grew so clamorous that I could no longer defer the publication.

nonadverbUS /nɑːn/

negation of a word or group of words

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading Yet I will neither plead my age nor sickness in excuse of the faults which I have made.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

observeverbUS /əbˈzɜːrv/

discover or determine the existence, presence, or fact of

From this reading You may please also to observe that there is not, to the best of my remembrance, one vowel gaping on another for want of a cæsura in this whole poem.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

Offendar

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

often-experienced

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading You may please also to observe that there is not, to the best of my remembrance, one vowel gaping on another for want of a cæsura in this whole poem.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading You may please also to observe that there is not, to the best of my remembrance, one vowel gaping on another for want of a cæsura in this whole poem.

parùm

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

paucis

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

pleadverbUS /pliːd/

appeal or request earnestly

From this reading Yet I will neither plead my age nor sickness in excuse of the faults which I have made.

pleaseverbUS /pliːz/

give pleasure to or be pleasing to

From this reading You may please also to observe that there is not, to the best of my remembrance, one vowel gaping on another for want of a cæsura in this whole poem.

plura

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

poemnounUS /ˈpoʊəm/

a composition written in metrical feet forming rhythmical lines

From this reading You may please also to observe that there is not, to the best of my remembrance, one vowel gaping on another for want of a cæsura in this whole poem.

poetnounUS /ˈpoʊət/

a writer of poems (the term is usually reserved for writers of good poetry)

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

publicationnounUS /ˌpʌblɪˈkeɪʃən/

a copy of a printed work offered for distribution

From this reading That I wanted time is all I have to say; for some of my subscribers grew so clamorous that I could no longer defer the publication.

quas

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

readersnounUS /ˈriːdərz/

plural of “reader” — a person who enjoys reading

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

remembrancenounUS /riˈmembrəns/

the ability to recall past occurrences

From this reading You may please also to observe that there is not, to the best of my remembrance, one vowel gaping on another for want of a cæsura in this whole poem.

reverenceverbUS /ˈrevərəns/

regard with feelings of respect and reverence; consider hallowed or exalted or be in awe of

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

sayverbUS /seɪ/

express in words

From this reading That I wanted time is all I have to say; for some of my subscribers grew so clamorous that I could no longer defer the publication.

seriouslyadverbUS /ˈsɪriəsli/

in a serious manner

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

SinounUS /siː/

a tetravalent nonmetallic element; next to oxygen it is the most abundant element in the earth's crust; occurs in clay and feldspar and granite and quartz and sand; used as a semiconductor in transistors

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

sicknessnounUS /ˈsɪknəs/

impairment of normal physiological function affecting part or all of an organism

From this reading Yet I will neither plead my age nor sickness in excuse of the faults which I have made.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading That I wanted time is all I have to say; for some of my subscribers grew so clamorous that I could no longer defer the publication.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading That I wanted time is all I have to say; for some of my subscribers grew so clamorous that I could no longer defer the publication.

somewhatadverbUS /ˈsʌmˈwʌt/

to a small degree or extent

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

spentadjectiveUS /spent/

depleted of energy, force, or strength

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

subscribersnounUS /səbˈskraɪbərz/

plural of “subscriber” — someone who expresses strong approval

From this reading That I wanted time is all I have to say; for some of my subscribers grew so clamorous that I could no longer defer the publication.

surviveverbUS /sərˈvaɪv/

continue to live and avoid dying

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

thereadverbUS /ðer/

in or at that place or location

From this reading You may please also to observe that there is not, to the best of my remembrance, one vowel gaping on another for want of a cæsura in this whole poem.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading You may please also to observe that there is not, to the best of my remembrance, one vowel gaping on another for want of a cæsura in this whole poem.

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading That I wanted time is all I have to say; for some of my subscribers grew so clamorous that I could no longer defer the publication.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

tolerableadjectiveUS /ˈtɑːlərəbəl/

capable of being borne or endured

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

translationnounUS /trænzˈleɪʃən/

a written communication in a second language having the same meaning as the written communication in a first language

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

versionnounUS /ˈvɜːrʒən/

an interpretation of a matter from a particular viewpoint

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

VirgilnounUS /ˈvɜːrdʒəl/

a Roman poet; author of the epic poem “Aeneid” (70-19 BC)

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

vowelnounUS /ˈvaʊəl/

a speech sound made with the vocal tract open

From this reading You may please also to observe that there is not, to the best of my remembrance, one vowel gaping on another for want of a cæsura in this whole poem.

wantverbUS /wɑːnt/

feel or have a desire for; want strongly

From this reading You may please also to observe that there is not, to the best of my remembrance, one vowel gaping on another for want of a cæsura in this whole poem.

wantedadjectiveUS /ˈwɔːntɪd/

desired or wished for or sought

From this reading That I wanted time is all I have to say; for some of my subscribers grew so clamorous that I could no longer defer the publication.

whenconjunctionUS /wen/

at the time that

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading You may please also to observe that there is not, to the best of my remembrance, one vowel gaping on another for want of a cæsura in this whole poem.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading Yet I will neither plead my age nor sickness in excuse of the faults which I have made.

wishverbUS /wɪʃ/

hope for; have a wish

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

withprepositionUS /wɪð/

in the company of; together with

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

worksnounUS /wɜːrks/

buildings for carrying on industrial labor

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

yearsnounUS /jɪrz/

a late time of life

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

yetconjunctionUS /jet/

but in spite of that

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

youpronounUS /juː/

the person or people being spoken to

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

yourdeterminerUS /jɔːr/

belonging to the person or people being spoken to

From this reading I hope, from the candour of your lordship, and your often-experienced goodness to me, that if the faults are not too many you will make allowances, with Horace:— “_Si plura nitent in carmine_, _non ego paucis_ _Offendar maculis_, _quas aut incuria fudit_, _Aut humana parùm cavit natura_.”

Æneis

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Virgil employed eleven years upon his “Æneis,” yet he left it, as he thought himself, imperfect; which, when I seriously consider, I wish that, instead of three years which I have spent in the translation of his works, I had four years more allowed me to correct my errors, that I might make my version somewhat more tolerable than it is; for a poet cannot have too great a reverence for his readers if he expects his labours should survive him.

Chapter 14 of Discourses on Satire and on Epic Poetry by John Dryden holds 100 sentences, grouped into 20 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 14 of Discourses on Satire and on Epic Poetry contain?

Chapter 14 holds 100 sentences of Discourses on Satire and on Epic Poetry, unabridged, divided into 20 reading sections.

This page carries chapter 14 of Discourses on Satire and on Epic Poetry by John Dryden exactly as it stands in the source edition, without abridgement. It runs to 100 sentences, grouped into 20 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 14 of Discourses on Satire and on Epic Poetry?

Work through the 20 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 20 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 14 be read aloud to me?

Yes — every sentence and every individual word in chapter 14 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Discourses on Satire and on Epic Poetry

Common questions about reading Discourses on Satire and on Epic Poetry by John Dryden on this page, its source edition and its audio.

Is this the complete text of Discourses on Satire and on Epic Poetry?

Yes. All 1769 sentences of Project Gutenberg eBook #2615 are kept, with a record of which sentences cover which part.

Which edition of Discourses on Satire and on Epic Poetry is used?

Project Gutenberg eBook #2615, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Discourses on Satire and on Epic Poetry take to read?

About 147 minutes of reading across 354 sections of 5 sentences each, at an unhurried pace.

How to read Discourses on Satire and on Epic Poetry section by section

How to work through Discourses on Satire and on Epic Poetry section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 16 chapters of Discourses on Satire and on Epic Poetry to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Discourses on Satire and on Epic Poetry

Words and structures a reader meets early in Discourses on Satire and on Epic Poetry, each tappable for pronunciation and meaning.

Cassell
A word that appears in the opening chapter of Discourses on Satire and on Epic Poetry; the reader can tap it to hear it and see its dictionary entry.
National
A word that appears in the opening chapter of Discourses on Satire and on Epic Poetry; the reader can tap it to hear it and see its dictionary entry.
Library
A word that appears in the opening chapter of Discourses on Satire and on Epic Poetry; the reader can tap it to hear it and see its dictionary entry.
Discourses
A word that appears in the opening chapter of Discourses on Satire and on Epic Poetry; the reader can tap it to hear it and see its dictionary entry.