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Dope

Chapter IV · Chapter 4

Chapter 4 of Dope is here in full — 164 sentences across 33 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/32 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.
So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.
The little man reeled at the impact and almost fell, but:
Hang it all!” cried Gray irritably.
Why the devil don’t you look where you’re going!”
0:00 / 0:00
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Dope

Chapter IV · Chapter 4

Chapter 4 of Dope is here in full — 164 sentences across 33 reading sections, with audio for every sentence and word.

Reading 1/32 · 5 reading units · Lines 1–5

Line 1
THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.
Line 2
So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.
Line 3
The little man reeled at the impact and almost fell, but:
/ðə ˈlɪtəl mæn riːld æt ðə ˌɪmˈpækt ənd ˈɔːlmoʊst fel bʌt/
Line 4
Hang it all!” cried Gray irritably.
Line 5
Why the devil don’t you look where you’re going!”

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Bond noun US /bɑːnd/

an electrical force linking atoms

From this reading “THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.”

collided verb US /kəˈlaɪdɪd/

past form of “collide” — be incompatible; be or come into conflict

From this reading “So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.”

furtively adverb US /ˈfɜːrtɪvli/

in a furtive manner

From this reading “So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.”

impact noun US /ˌɪmˈpækt/

the striking of one body against another

From this reading “The little man reeled at the impact and almost fell, but:”

leapt verb US /lept/

inflected form of “leap” — move forward by leaps and bounds

From this reading “THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.”

reeled verb US /riːld/

past form of “reel” — walk as if unable to control one's movements

From this reading “The little man reeled at the impact and almost fell, but:”

stoop verb US /stuːp/

bend one's back forward from the waist on down

From this reading “So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.”

taxicab noun US /ˈtæksikæb/

a car driven by a person whose job is to take passengers where they want to go in exchange for money

From this reading “THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.”

All words in this reading · 68

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading “Hang it all!” cried Gray irritably.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading The little man reeled at the impact and almost fell, but:

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

atprepositionUS /æt/

in or near a particular place or position

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

BondnounUS /bɑːnd/

an electrical force linking atoms

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading The little man reeled at the impact and almost fell, but:

carryingverbUS /ˈkæriɪŋ/

-ing form of “carry” — move while supporting, either in a vehicle or in one's hands or on one's body

From this reading So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.

CLOSEDadjectiveUS /kloʊzd/

not open or affording passage or access

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

collidedverbUS /kəˈlaɪdɪd/

past form of “collide” — be incompatible; be or come into conflict

From this reading So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.

criedverbUS /kraɪd/

inflected form of “cry” — utter a sudden loud cry

From this reading “Hang it all!” cried Gray irritably.

devilnounUS /ˈdevəl/

(Judeo-Christian and Islamic religions) chief spirit of evil and adversary of God; tempter of mankind; master of Hell

From this reading “Why the devil don’t you look where you’re going!”

don't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Why the devil don’t you look where you’re going!”

DOORnounUS /dɔːr/

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

doorwaynounUS /ˈdɔːrweɪ/

the entrance (the space in a wall) through which you enter or leave a room or building; the space that a door can close

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

drewnounUS /druː/

United States actor (born in Ireland); father of Georgiana Emma Barrymore (1827-1862)

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

fellverbUS /fel/

cause to fall by or as if by delivering a blow

From this reading The little man reeled at the impact and almost fell, but:

fivenounUS /faɪv/

the cardinal number that is the sum of four and one

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

furtivelyadverbUS /ˈfɜːrtɪvli/

in a furtive manner

From this reading So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.

goingnounUS /ˈɡoʊɪŋ/

the act of departing

From this reading “Why the devil don’t you look where you’re going!”

GraynounUS /ɡreɪ/

a neutral achromatic color midway between white and black

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

HangverbUS /hæŋ/

be suspended or hanging

From this reading “Hang it all!” cried Gray irritably.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.

hurriedadjectiveUS /ˈhɜːrid/

moving rapidly or performed quickly or in great haste

From this reading So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.

impactnounUS /ˌɪmˈpækt/

the striking of one body against another

From this reading The little man reeled at the impact and almost fell, but:

impetuouslyadverb

in an impulsive or impetuous way; without taking cautions

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

irritablyadverb

in a petulant manner

From this reading “Hang it all!” cried Gray irritably.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

Kazmah's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

lateradverbUS /ˈleɪtər/

happening at a time subsequent to a reference time

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

leadingadjectiveUS /ˈliːdɪŋ/

indicating the most important performer or role

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

leaptverbUS /lept/

inflected form of “leap” — move forward by leaps and bounds

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.

lookverbUS /lʊk/

perceive with attention; direct one's gaze towards

From this reading “Why the devil don’t you look where you’re going!”

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.

minutesnounUS /ˈmɪnəts/

a written account of what transpired at a meeting

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

progressnounUS /ˈprɑːɡres/

gradual improvement or growth or development

From this reading So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.

pronouncedadjectiveUS /prəˈnaʊnst/

strongly marked; easily noticeable

From this reading So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.

Quentin

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

ranverbUS /ræn/

inflected form of “run” — move fast by using one's feet, with one foot off the ground at any given time

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

RatheradverbUS /ˈræðər/

on the contrary

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

reeledverbUS /riːld/

past form of “reel” — walk as if unable to control one's movements

From this reading The little man reeled at the impact and almost fell, but:

slinking

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.

SoconjunctionUS /soʊ/

for that reason; with the result that

From this reading So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.

stairsnounUS /sterz/

a flight of stairs or a flight of steps

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

stoopverbUS /stuːp/

bend one's back forward from the waist on down

From this reading So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.

StreetnounUS /striːt/

a thoroughfare (usually including sidewalks) that is lined with buildings

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

taxicabnounUS /ˈtæksikæb/

a car driven by a person whose job is to take passengers where they want to go in exchange for money

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading THE CLOSED DOOR Rather less than five minutes later a taxicab drew up in old Bond Street, and from it Quentin Gray leapt out impetuously and ran in at the doorway leading to Kazmah’s stairs.

violentlyadverbUS /ˈvaɪələntli/

in a violent manner

From this reading So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.

whereconjunctionUS /wer/

in or at the place that

From this reading “Why the devil don’t you look where you’re going!”

whopronounUS /huː/

which person or people

From this reading So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.

WhynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading “Why the devil don’t you look where you’re going!”

withprepositionUS /wɪð/

in the company of; together with

From this reading So hurried was his progress that he collided violently with a little man who, carrying himself with a pronounced stoop, was slinking furtively out.

youpronounUS /juː/

the person or people being spoken to

From this reading “Why the devil don’t you look where you’re going!”

you're

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Why the devil don’t you look where you’re going!”

Chapter 4 of Dope by Sax Rohmer holds 164 sentences, grouped into 33 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of Dope contain?

Chapter 4 holds 164 sentences of Dope, unabridged, divided into 33 reading sections.

This page carries chapter 4 of Dope by Sax Rohmer exactly as it stands in the public-domain source edition, without abridgement. It runs to 164 sentences, grouped into 33 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of Dope?

Work through the 33 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 33 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Dope

Common questions about reading Dope by Sax Rohmer on this page, its source edition and its audio.

Is this the complete text of Dope?

Yes. All 6311 sentences of Project Gutenberg eBook #1182 are kept, with a record of which sentences cover which part.

Which edition of Dope is used?

Project Gutenberg eBook #1182, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Dope take to read?

About 525 minutes of reading across 1263 sections of 5 sentences each, at an unhurried pace.

How to read Dope section by section

How to work through Dope section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 37 chapters of Dope to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Dope

Words and structures a reader meets early in Dope, each tappable for pronunciation and meaning.

Monte
A word that appears in the opening chapter of Dope; the reader can tap it to hear it and see its dictionary entry.
Irvin
A word that appears in the opening chapter of Dope; the reader can tap it to hear it and see its dictionary entry.
Alderman
A word that appears in the opening chapter of Dope; the reader can tap it to hear it and see its dictionary entry.
Prospective
A word that appears in the opening chapter of Dope; the reader can tap it to hear it and see its dictionary entry.