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Dramatis Personæ
Dramatis Personæ

Chapter II

Chapter 2 of Dramatis Personæ is here in full — 474 sentences across 95 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/94 · 5 lines
English subtitles · tap any word to listen 1 / 5
Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.
In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.
But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.
This learned mockery has an undefinable quality, macabre, diabolical, a witchcraft of its own, which I can find in no other writer.
To return to the question of rhythm, the rhythm of prose, for one thing, is physiological, the rhythm of poetry is musical.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Dramatis Personæ

Chapter II

Chapter 2 of Dramatis Personæ is here in full — 474 sentences across 95 reading sections, with audio for every sentence and word.

Reading 1/94 · 5 reading units · Lines 1–5

Line 1
Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.
Line 2
In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.
Line 3
But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.
Line 4
This learned mockery has an undefinable quality, macabre, diabolical, a witchcraft of its own, which I can find in no other writer.
Line 5
To return to the question of rhythm, the rhythm of prose, for one thing, is physiological, the rhythm of poetry is musical.
/tuː rɪˈtɜːrn tuː ðə ˈkwestʃən ʌv ˈrɪðəm ðə ˈrɪðəm ʌv proʊz fɔːr wʌn θɪŋ ɪz ˌfɪziəˈlɑːdʒɪkəl ðə ˈrɪðəm ʌv ˈpoʊətri ɪz ˈmjuːzɪkəl/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

comparable adjective US /ˈkɑːmpərəbəl/

able to be compared or worthy of comparison

From this reading “In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.”

Gide noun US /ʒiːd/

French author and dramatist who is regarded as the father of modern French literature (1869-1951)

From this reading “In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.”

ironic adjective US /aɪˈrɑːnɪk/

humorously sarcastic or mocking

From this reading “In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.”

irreverent adjective US /ˌɪˈrevərənt/

showing lack of due respect or veneration

From this reading “In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.”

macabre adjective US /məˈkɑːbrə/

shockingly repellent; inspiring horror

From this reading “This learned mockery has an undefinable quality, macabre, diabolical, a witchcraft of its own, which I can find in no other writer.”

physiological adjective US /ˌfɪziəˈlɑːdʒɪkəl/

of or relating to the biological study of physiology

From this reading “To return to the question of rhythm, the rhythm of prose, for one thing, is physiological, the rhythm of poetry is musical.”

remotely adverb US /riˈmoʊtli/

in a remote manner

From this reading “But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.”

topsy-turvy adjective US /ˈtɑːpsiˈtɜːrvi/

in utter disorder

From this reading “In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

certain things adjective + noun

In this reading “In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.”

other writer adjective + noun

In this reading “This learned mockery has an undefinable quality, macabre, diabolical, a witchcraft of its own, which I can find in no other writer.”

All words in this reading · 108

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

Abdullah

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

Adite

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading This learned mockery has an undefinable quality, macabre, diabolical, a witchcraft of its own, which I can find in no other writer.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.

André

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

anythingpronounUS /ˈeniθɪŋ/

any thing at all

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.

attitudenounUS /ˈætətuːd/

a complex mental state involving beliefs and feelings and values and dispositions to act in certain ways

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

awayadverbUS /əˈweɪ/

from a particular thing or place or position (“forth” is obsolete)

From this reading Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.

bestnounUS /best/

the supreme effort one can make

From this reading Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.

booknounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.

burlesques

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading This learned mockery has an undefinable quality, macabre, diabolical, a witchcraft of its own, which I can find in no other writer.

certainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

civilization's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

classicaladjectiveUS /ˈklæsɪkəl/

of or relating to the first significant period of a civilization, culture, area of study, etc.

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

comparableadjectiveUS /ˈkɑːmpərəbəl/

able to be compared or worthy of comparison

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

conventionsnounUS /kənˈvenʃənz/

plural of “convention” — a large formal assembly

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

criticismsnounUS /ˈkrɪtɪsɪzəmz/

plural of “criticism” — disapproval expressed by pointing out faults or shortcomings

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

diabolicaladjectiveUS /ˌdaɪəˈbɑːlɪkəl/

showing the cunning or ingenuity or wickedness typical of a devil

From this reading This learned mockery has an undefinable quality, macabre, diabolical, a witchcraft of its own, which I can find in no other writer.

doneadjectiveUS /dʌn/

having finished or arrived at completion

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

EnglandnounUS /ˈɪŋɡlənd/

a division of the United Kingdom

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.

findverbUS /faɪnd/

come upon, as if by accident; meet with

From this reading This learned mockery has an undefinable quality, macabre, diabolical, a witchcraft of its own, which I can find in no other writer.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading To return to the question of rhythm, the rhythm of prose, for one thing, is physiological, the rhythm of poetry is musical.

FrancenounUS /fræns/

a republic in western Europe; the largest country wholly in Europe

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

Garnett

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.

GidenounUS /ʒiːd/

French author and dramatist who is regarded as the father of modern French literature (1869-1951)

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

GodsnounUS /ɡɑːdz/

plural of “god” — the supernatural being conceived as the perfect and omnipotent and omniscient originator and ruler of the universe; the object of worship in monotheistic religions

From this reading Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.

heapedverbUS /hiːpt/

past form of “heap” — bestow in large quantities

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

highadjectiveUS /haɪ/

greater than normal in degree or intensity or amount

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

inventionsnounUS /ˌɪnˈvenʃənz/

plural of “invention” — the creation of something in the mind

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

ironicadjectiveUS /aɪˈrɑːnɪk/

humorously sarcastic or mocking

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

irreverentadjectiveUS /ˌɪˈrevərənt/

showing lack of due respect or veneration

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading To return to the question of rhythm, the rhythm of prose, for one thing, is physiological, the rhythm of poetry is musical.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading This learned mockery has an undefinable quality, macabre, diabolical, a witchcraft of its own, which I can find in no other writer.

learnedadjectiveUS /lɜːrnd/

having or showing profound knowledge

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

learningnounUS /ˈlɜːrnɪŋ/

the cognitive process of acquiring skill or knowledge

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

macabreadjectiveUS /məˈkɑːbrə/

shockingly repellent; inspiring horror

From this reading This learned mockery has an undefinable quality, macabre, diabolical, a witchcraft of its own, which I can find in no other writer.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

mannersnounUS /ˈmænərz/

social deportment

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

MarcelnounUS /mɑːrˈsel/

a hairdo characterized by deep regular waves that are made by a heated curling iron

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

masternounUS /ˈmæstər/

an artist of consummate skill

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.

mockerynounUS /ˈmɑːkəri/

showing your contempt by derision

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

modernadjectiveUS /ˈmɑːdərn/

belonging to the modern era; since the Middle Ages

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

moralitynounUS /mərˈæləti/

concern with the distinction between good and evil or right and wrong; right or good conduct

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

musicaladjectiveUS /ˈmjuːzɪkəl/

characterized by or capable of producing music

From this reading To return to the question of rhythm, the rhythm of prose, for one thing, is physiological, the rhythm of poetry is musical.

neitherdeterminerUS /ˈniːðər/

not one and not the other of two

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

nodeterminerUS /noʊ/

not any; not one

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading To return to the question of rhythm, the rhythm of prose, for one thing, is physiological, the rhythm of poetry is musical.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading This learned mockery has an undefinable quality, macabre, diabolical, a witchcraft of its own, which I can find in no other writer.

ownverbUS /oʊn/

have ownership or possession of

From this reading This learned mockery has an undefinable quality, macabre, diabolical, a witchcraft of its own, which I can find in no other writer.

physiologicaladjectiveUS /ˌfɪziəˈlɑːdʒɪkəl/

of or relating to the biological study of physiology

From this reading To return to the question of rhythm, the rhythm of prose, for one thing, is physiological, the rhythm of poetry is musical.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading To return to the question of rhythm, the rhythm of prose, for one thing, is physiological, the rhythm of poetry is musical.

presentedverbUS /priˈzentɪd/

past form of “present” — give an exhibition of to an interested audience

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

prosenounUS /proʊz/

ordinary writing as distinguished from verse

From this reading To return to the question of rhythm, the rhythm of prose, for one thing, is physiological, the rhythm of poetry is musical.

qualitynounUS /ˈkwɑːləti/

an essential and distinguishing attribute of something or someone

From this reading This learned mockery has an undefinable quality, macabre, diabolical, a witchcraft of its own, which I can find in no other writer.

questionverbUS /ˈkwestʃən/

challenge the accuracy, probity, or propriety of

From this reading To return to the question of rhythm, the rhythm of prose, for one thing, is physiological, the rhythm of poetry is musical.

religionnounUS /rɪˈlɪdʒən/

a strong belief in a supernatural power or powers that control human destiny

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

remainedverbUS /rɪˈmeɪnd/

past form of “remain” — stay the same; remain in a certain state

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

remotelyadverbUS /riˈmoʊtli/

in a remote manner

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

reticences

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

returnverbUS /rɪˈtɜːrn/

go or come back to place, condition, or activity where one has been before

From this reading To return to the question of rhythm, the rhythm of prose, for one thing, is physiological, the rhythm of poetry is musical.

rhythmnounUS /ˈrɪðəm/

the basic rhythmic unit in a piece of music

From this reading To return to the question of rhythm, the rhythm of prose, for one thing, is physiological, the rhythm of poetry is musical.

ridiculousnessnoun

a message whose content is at variance with reason

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

Schwob

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

sureadjectiveUS /ʃʊr/

having or feeling no doubt or uncertainty; confident and assured

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading But no modern man in England has done anything remotely comparable with them, and neither Schwob nor André Gide has heaped mockery so high as in _Abdullah the Adite_, and remained as sure a master of all the reticences of art and manners.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

thingnounUS /θɪŋ/

a special situation

From this reading To return to the question of rhythm, the rhythm of prose, for one thing, is physiological, the rhythm of poetry is musical.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading This learned mockery has an undefinable quality, macabre, diabolical, a witchcraft of its own, which I can find in no other writer.

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.

ToparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading To return to the question of rhythm, the rhythm of prose, for one thing, is physiological, the rhythm of poetry is musical.

toldverbUS /toʊld/

inflected form of “tell” — express in words

From this reading Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.

topsy-turvyadjectiveUS /ˈtɑːpsiˈtɜːrvi/

in utter disorder

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

turnedadjectiveUS /tɜːrnd/

moved around an axis or center

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

TwilightnounUS /ˈtwaɪlaɪt/

the time of day immediately following sunset

From this reading Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.

unaccustomedadjectiveUS /ˌʌnəˈkʌstəmd/

unusual or unfamiliar

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

undefinableadjective

not capable of being precisely or readily described; not easily put into words

From this reading This learned mockery has an undefinable quality, macabre, diabolical, a witchcraft of its own, which I can find in no other writer.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.

waynounUS /weɪ/

how something is done or how it happens

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

witchcraftnounUS /ˈwɪtʃkræft/

the art of sorcery

From this reading This learned mockery has an undefinable quality, macabre, diabolical, a witchcraft of its own, which I can find in no other writer.

withprepositionUS /wɪð/

in the company of; together with

From this reading In France Marcel Schwob and André Gide have done certain things comparable in their way with these learned inventions, these ironic "criticisms of life," these irreverent classical burlesques in which religion, morality, learning, and all civilization's conventions, are turned topsy-turvy, and presented in the ridiculousness of their unaccustomed attitude.

writernounUS /ˈraɪtər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading This learned mockery has an undefinable quality, macabre, diabolical, a witchcraft of its own, which I can find in no other writer.

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading Garnett himself told me, as I always thought, that _The Twilight of the Gods_ was far and away the best book he had written.

Chapter 2 of Dramatis Personæ by Arthur Symons holds 474 sentences, grouped into 95 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Dramatis Personæ contain?

Chapter 2 holds 474 sentences of Dramatis Personæ, unabridged, divided into 95 reading sections.

This page carries chapter 2 of Dramatis Personæ by Arthur Symons exactly as it stands in the source edition, without abridgement. It runs to 474 sentences, grouped into 95 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of Dramatis Personæ?

Work through the 95 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 95 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Dramatis Personæ

Common questions about reading Dramatis Personæ by Arthur Symons on this page, its source edition and its audio.

Is this the complete text of Dramatis Personæ?

Yes. All 2307 sentences of Project Gutenberg eBook #62270 are kept, with a record of which sentences cover which part.

Which edition of Dramatis Personæ is used?

Project Gutenberg eBook #62270, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Dramatis Personæ take to read?

About 192 minutes of reading across 462 sections of 5 sentences each, at an unhurried pace.

How to read Dramatis Personæ section by section

How to work through Dramatis Personæ section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 5 chapters of Dramatis Personæ to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Dramatis Personæ

Words and structures a reader meets early in Dramatis Personæ, each tappable for pronunciation and meaning.

Although
A word that appears in the opening chapter of Dramatis Personæ; the reader can tap it to hear it and see its dictionary entry.
Presumptuous
A word that appears in the opening chapter of Dramatis Personæ; the reader can tap it to hear it and see its dictionary entry.
Introduce
A word that appears in the opening chapter of Dramatis Personæ; the reader can tap it to hear it and see its dictionary entry.
Arthur
A word that appears in the opening chapter of Dramatis Personæ; the reader can tap it to hear it and see its dictionary entry.