Chapter V · Chapter 5

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

used before a singular noun to mean one of a group, when it is not a particular one

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

a quicker tempo than andante but not as fast as allegro

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

used to join words or parts of a sentence that go together

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

(of tempo) moderately fast

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

a distinct feature or element in a problem

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

in or near a particular place or position

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Lasciate ogni speranza, voi ch' entrate" of Dante.

plural of “come” — the thick white fluid containing spermatozoa that is ejaculated by the male genital tract

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

third-person singular of “contain” — include or contain; have as a component

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

past form of “contrast” — put in opposition to show or emphasize differences

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

an Italian poet famous for writing the Divine Comedy that describes a journey through Hell and purgatory and paradise guided by Virgil and his idealized Beatrice (1265-1321)

From this reading "Lasciate ogni speranza, voi ch' entrate" of Dante.

-ing form of “declare” — state emphatically and authoritatively

From this reading EARLY EXPERIMENTS MacDowell's impulse toward significant expression was not slow in declaring itself.

(comparative and superlative of “early”) more early than; most early

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

at or near the beginning of a period of time or course of events or before the usual or expected time

From this reading EARLY EXPERIMENTS MacDowell's impulse toward significant expression was not slow in declaring itself.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Lasciate ogni speranza, voi ch' entrate" of Dante.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

considered likely or probable to happen or arrive

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

plural of “experiment” — the act of conducting a controlled test or investigation

From this reading EARLY EXPERIMENTS MacDowell's impulse toward significant expression was not slow in declaring itself.

the feelings expressed on a person's face

From this reading EARLY EXPERIMENTS MacDowell's impulse toward significant expression was not slow in declaring itself.

preceding all others in time or space or degree

From this reading The first "modern suite" (op.

intended to be given to, or used by, somebody

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

showing where something starts, or who sent it

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

dissociative disorder in which a person forgets who they are and leaves home to create a new life; during the fugue there is no memory of the former life; after recovering there is no memory for events during the dissociative state

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

anything that provides inspiration for later work

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

throw a glance at; take a brief look at

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

any number of entities (members) considered as a unit

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

the upper part of the human body or the front part of the body in animals; contains the face and brains

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

belonging to a man, boy, or male animal already mentioned

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

an instinctive motive

From this reading EARLY EXPERIMENTS MacDowell's impulse toward significant expression was not slow in declaring itself.

inside something, or within a place, period, or state

From this reading EARLY EXPERIMENTS MacDowell's impulse toward significant expression was not slow in declaring itself.

in a not unlawful manner

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

a short movement coming between the major sections of a symphony

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

past form of “introduce” — cause to come to know personally

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

the form of “be” used with he, she, it, or a singular noun

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

used when the thing doing the action is also its object

From this reading EARLY EXPERIMENTS MacDowell's impulse toward significant expression was not slow in declaring itself.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Lasciate ogni speranza, voi ch' entrate" of Dante.

on a list

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading EARLY EXPERIMENTS MacDowell's impulse toward significant expression was not slow in declaring itself.

and nothing more

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

belonging to the modern era; since the Middle Ages

From this reading The first "modern suite" (op.

a favorite saying of a sect or political group

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

a change of position that does not entail a change of location

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

plural of “movement” — a change of position that does not entail a change of location

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

in spite of what has just been said

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

used to make a word, phrase, or sentence negative

From this reading EARLY EXPERIMENTS MacDowell's impulse toward significant expression was not slow in declaring itself.

belonging to, or connected with, somebody or something

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Lasciate ogni speranza, voi ch' entrate" of Dante.

used to mean any person in general, including the speaker

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first "modern suite" (op.

for each

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

a keyboard instrument that is played by depressing keys that cause hammers to strike tuned strings and produce sounds

From this reading The Præludium of the second piano suite, op.

suddenly

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

a basic generalization that is accepted as true and that can be used as a basis for reasoning or conduct

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

feeling great rapture or delight

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading The Præludium of the second piano suite, op.

third-person singular of “seem” — give a certain impression or have a certain outward aspect

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

important in effect or meaning

From this reading EARLY EXPERIMENTS MacDowell's impulse toward significant expression was not slow in declaring itself.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

not moving quickly; taking a comparatively long time

From this reading EARLY EXPERIMENTS MacDowell's impulse toward significant expression was not slow in declaring itself.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Lasciate ogni speranza, voi ch' entrate" of Dante.

a musical composition of several movements only loosely connected

From this reading The first "modern suite" (op.

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The first "modern suite" (op.

one of three equal parts of a divisible whole

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

used before the base form of a verb to make the infinitive

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

in the direction of

From this reading EARLY EXPERIMENTS MacDowell's impulse toward significant expression was not slow in declaring itself.

consisting of or derived from tradition

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

a formal word for “on”

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

a Roman poet; author of the epic poem “Aeneid” (70-19 BC)

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Lasciate ogni speranza, voi ch' entrate" of Dante.

the past form of “be” used with I, he, she, it, or a singular noun

From this reading EARLY EXPERIMENTS MacDowell's impulse toward significant expression was not slow in declaring itself.

used to introduce a clause giving more about a thing just mentioned

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

in the company of; together with

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the

buildings for carrying on industrial labor

From this reading 10), the earliest of his listed works, which at first glance seems to be merely a group of contrasted movements of innocently traditional aspect, with the expected Præludium, Presto, Intermezzo, Fugue, etc., contains, nevertheless, the germ of the programmatic principle; for at the head of the third movement (Andantino and Allegretto) one comes upon a motto from Virgil--"Per amica silentia lunæ," and the Rhapsodic is introduced with the