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Effie Ogilvie
Effie Ogilvie

Chapter XIII

Chapter 13 of Effie Ogilvie is here in full — 181 sentences across 37 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/36 · 5 lines
English subtitles · tap any word to listen 1 / 5
Effie came towards him smiling, without apprehension.
The atmosphere out of doors had not the same consciousness, the same suggestion in it which was inside.
A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.
To be sure it was afternoon and twilight coming on, which is always a witching hour.
He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Effie Ogilvie

Chapter XIII

Chapter 13 of Effie Ogilvie is here in full — 181 sentences across 37 reading sections, with audio for every sentence and word.

Reading 1/36 · 5 reading units · Lines 1–5

Line 1
Effie came towards him smiling, without apprehension.
Line 2
The atmosphere out of doors had not the same consciousness, the same suggestion in it which was inside.
/ðə ˈætməsfɪr aʊt ʌv dɔːrz hæd nɑːt ðə seɪm ˈkɑːnʃəsnəs ðə seɪm səˈdʒestʃən ɪn ɪt wɪtʃ wɑːz ˌɪnˈsaɪd/
Line 3
A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.
/ə jʌŋ mænz lʊks wɪtʃ meɪ biː əˈlɑːrmɪŋ wɪˈðɪn ðə ˌkɑːnsənˈtreɪʃən ʌv fɔːr wɔːlz kənˈveɪ noʊ fɪr ənd nɑːt soʊ mʌtʃ ˌɪmˈpreʃən ɪn ðə freʃ waɪnd ˈbloʊɪŋ frʌm ðə mʊrz ənd ðə ˈoʊpənnəs ʌv ðə ˈkʌntri roʊd/
Line 4
To be sure it was afternoon and twilight coming on, which is always a witching hour.
/tuː biː ʃʊr ɪt wɑːz ˌæftərˈnuːn ənd ˈtwaɪlaɪt ˈkʌmɪŋ ɑːn wɪtʃ ɪz ˈɔːlweɪz ə ˈwɪtʃɪŋ ˈaʊər/
Line 5
He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

alarming adjective US /əˈlɑːrmɪŋ/

frightening because of an awareness of danger

From this reading “A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.”

brightness noun US /ˈbraɪtnəs/

the location of a visual perception along a continuum from black to white

From this reading “He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.”

concentration noun US /ˌkɑːnsənˈtreɪʃən/

the strength of a solution; number of molecules of a substance in a given volume

From this reading “A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.”

convey verb US /kənˈveɪ/

(of information) make known; pass on

From this reading “A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.”

moors noun US /mʊrz/

plural of “moor” — one of the Muslim people of north Africa; of mixed Arab and Berber descent; converted to Islam in the 8th century; conqueror of Spain in the 8th century

From this reading “A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.”

openness noun US /ˈoʊpənnəs/

without obstructions to passage or view

From this reading “A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.”

tweed noun US /twiːd/

thick woolen fabric used for clothing; originated in Scotland

From this reading “He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.”

witching noun US /ˈwɪtʃɪŋ/

the use or practice of witchcraft

From this reading “To be sure it was afternoon and twilight coming on, which is always a witching hour.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

wind blowing noun + noun

In this reading “A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.”

came along verb + particle counted as “come along”

come into being or existence, or appear on the scene

In this reading “He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.”

four walls noun + noun counted as “four wall”

In this reading “A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.”

country road noun + noun

In this reading “A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.”

fresh wind adjective + noun

In this reading “A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.”

at the corner preposition + article + noun counted as “at … corner”

In this reading “He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.”

stood at verb + particle

In this reading “He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.”

All words in this reading · 78

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

afternoonnounUS /ˌæftərˈnuːn/

the part of the day between noon and evening

From this reading To be sure it was afternoon and twilight coming on, which is always a witching hour.

alarmingadjectiveUS /əˈlɑːrmɪŋ/

frightening because of an awareness of danger

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

alongprepositionUS /əˈlɔːŋ/

following the length of something from one end toward the other

From this reading He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading To be sure it was afternoon and twilight coming on, which is always a witching hour.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

apprehensionnounUS /ˌæprɪˈhenʃən/

fearful expectation or anticipation

From this reading Effie came towards him smiling, without apprehension.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.

atprepositionUS /æt/

in or near a particular place or position

From this reading He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.

atmospherenounUS /ˈætməsfɪr/

a particular environment or surrounding influence

From this reading The atmosphere out of doors had not the same consciousness, the same suggestion in it which was inside.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

blowingnounUS /ˈbloʊɪŋ/

processing that involves blowing a gas

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

brightnessnounUS /ˈbraɪtnəs/

the location of a visual perception along a continuum from black to white

From this reading He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.

byeway

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading Effie came towards him smiling, without apprehension.

close-fittingadjective

fitting closely but comfortably

From this reading He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.

comingnounUS /ˈkʌmɪŋ/

the act of drawing spatially closer to something

From this reading To be sure it was afternoon and twilight coming on, which is always a witching hour.

concentrationnounUS /ˌkɑːnsənˈtreɪʃən/

the strength of a solution; number of molecules of a substance in a given volume

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

consciousnessnounUS /ˈkɑːnʃəsnəs/

an alert cognitive state in which you are aware of yourself and your situation

From this reading The atmosphere out of doors had not the same consciousness, the same suggestion in it which was inside.

conveyverbUS /kənˈveɪ/

(of information) make known; pass on

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

cornernounUS /ˈkɔːrnər/

a place off to the side of an area

From this reading He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.

countenancenounUS /ˈkaʊntənəns/

the appearance conveyed by a person's face

From this reading He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.

countrynounUS /ˈkʌntri/

a politically organized body of people under a single government

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

dimadjectiveUS /dɪm/

lacking in light; not bright or harsh

From this reading He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.

doorsnounUS /dɔːrz/

plural of “door” — a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading The atmosphere out of doors had not the same consciousness, the same suggestion in it which was inside.

dressverbUS /dres/

put on clothes

From this reading He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.

Effie

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Effie came towards him smiling, without apprehension.

fearverbUS /fɪr/

be afraid or feel anxious or apprehensive about a possible or probable situation or event

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.

fournounUS /fɔːr/

the cardinal number that is the sum of three and one

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

freshadjectiveUS /freʃ/

recently made, produced, or harvested

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading The atmosphere out of doors had not the same consciousness, the same suggestion in it which was inside.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Effie came towards him smiling, without apprehension.

hournounUS /ˈaʊər/

a period of time equal to 1/24th of a day

From this reading To be sure it was afternoon and twilight coming on, which is always a witching hour.

impressionnounUS /ˌɪmˈpreʃən/

a vague idea in which some confidence is placed

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The atmosphere out of doors had not the same consciousness, the same suggestion in it which was inside.

insideadjectiveUS /ˌɪnˈsaɪd/

relating to or being on the side closer to the center or within a defined space

From this reading The atmosphere out of doors had not the same consciousness, the same suggestion in it which was inside.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading To be sure it was afternoon and twilight coming on, which is always a witching hour.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The atmosphere out of doors had not the same consciousness, the same suggestion in it which was inside.

light-footedadjective

(of movement) having a light and springy step

From this reading He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.

looksnounUS /lʊks/

plural of “look” — the feelings expressed on a person's face

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.

man'snounUS /mænz/

possessive form of “man” — an adult person who is male (as opposed to a woman)

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

moorsnounUS /mʊrz/

plural of “moor” — one of the Muslim people of north Africa; of mixed Arab and Berber descent; converted to Islam in the 8th century; conqueror of Spain in the 8th century

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

nodeterminerUS /noʊ/

not any; not one

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The atmosphere out of doors had not the same consciousness, the same suggestion in it which was inside.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The atmosphere out of doors had not the same consciousness, the same suggestion in it which was inside.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading To be sure it was afternoon and twilight coming on, which is always a witching hour.

opennessnounUS /ˈoʊpənnəs/

without obstructions to passage or view

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading The atmosphere out of doors had not the same consciousness, the same suggestion in it which was inside.

roadnounUS /roʊd/

an open way (generally public) for travel or transportation

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading The atmosphere out of doors had not the same consciousness, the same suggestion in it which was inside.

settingnounUS /ˈsetɪŋ/

the context and environment in which something is set

From this reading He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.

smilingnounUS /ˈsmaɪlɪŋ/

a facial expression characterized by turning up the corners of the mouth; usually shows pleasure or amusement

From this reading Effie came towards him smiling, without apprehension.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

stoodverbUS /stʊd/

Maintained an upright posture.

From this reading He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.

suggestionnounUS /səˈdʒestʃən/

an idea that is suggested

From this reading The atmosphere out of doors had not the same consciousness, the same suggestion in it which was inside.

sureadjectiveUS /ʃʊr/

having or feeling no doubt or uncertainty; confident and assured

From this reading To be sure it was afternoon and twilight coming on, which is always a witching hour.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The atmosphere out of doors had not the same consciousness, the same suggestion in it which was inside.

ToparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading To be sure it was afternoon and twilight coming on, which is always a witching hour.

towardsprepositionUS /təˈwɔːrdz/

in the direction of

From this reading Effie came towards him smiling, without apprehension.

tweednounUS /twiːd/

thick woolen fabric used for clothing; originated in Scotland

From this reading He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.

twilightnounUS /ˈtwaɪlaɪt/

the time of day immediately following sunset

From this reading To be sure it was afternoon and twilight coming on, which is always a witching hour.

waitingnounUS /ˈweɪtɪŋ/

the act of waiting (remaining inactive in one place while expecting something)

From this reading He stood at the corner of the byeway waiting for her as she came along, light-footed, in her close-fitting tweed dress, which made a dim setting to the brightness of her countenance.

wallsnounUS /wɔːlz/

plural of “wall” — an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading The atmosphere out of doors had not the same consciousness, the same suggestion in it which was inside.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The atmosphere out of doors had not the same consciousness, the same suggestion in it which was inside.

windnounUS /waɪnd/

air moving (sometimes with considerable force) from an area of high pressure to an area of low pressure

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

witchingnounUS /ˈwɪtʃɪŋ/

the use or practice of witchcraft

From this reading To be sure it was afternoon and twilight coming on, which is always a witching hour.

withinprepositionUS /wɪˈðɪn/

inside; before a period of time has passed

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading Effie came towards him smiling, without apprehension.

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading A young man’s looks, which may be alarming within the concentration of four walls, convey no fear and not so much impression in the fresh wind blowing from the moors and the openness of the country road.

Chapter 13 of Effie Ogilvie by Mrs. (Margaret) Oliphant holds 181 sentences, grouped into 37 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 13 of Effie Ogilvie contain?

Chapter 13 holds 181 sentences of Effie Ogilvie, unabridged, divided into 37 reading sections.

This page carries chapter 13 of Effie Ogilvie by Mrs. (Margaret) Oliphant exactly as it stands in the source edition, without abridgement. It runs to 181 sentences, grouped into 37 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 13 of Effie Ogilvie?

Work through the 37 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 37 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 13 be read aloud to me?

Yes — every sentence and every individual word in chapter 13 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Effie Ogilvie

Common questions about reading Effie Ogilvie by Mrs. (Margaret) Oliphant on this page, its source edition and its audio.

Is this the complete text of Effie Ogilvie?

Yes. All 4060 sentences of Project Gutenberg eBook #61916 are kept, with a record of which sentences cover which part.

Which edition of Effie Ogilvie is used?

Project Gutenberg eBook #61916, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Effie Ogilvie take to read?

About 338 minutes of reading across 812 sections of 5 sentences each, at an unhurried pace.

How to read Effie Ogilvie section by section

How to work through Effie Ogilvie section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 25 chapters of Effie Ogilvie to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Effie Ogilvie

Words and structures a reader meets early in Effie Ogilvie, each tappable for pronunciation and meaning.

Family
A word that appears in the opening chapter of Effie Ogilvie; the reader can tap it to hear it and see its dictionary entry.
Consisted
A word that appears in the opening chapter of Effie Ogilvie; the reader can tap it to hear it and see its dictionary entry.
Effie
A word that appears in the opening chapter of Effie Ogilvie; the reader can tap it to hear it and see its dictionary entry.
Father
A word that appears in the opening chapter of Effie Ogilvie; the reader can tap it to hear it and see its dictionary entry.