Chapter I

used before a singular noun to mean one of a group, when it is not a particular one

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

consider or hold as true

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

from one side of something to the other

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

later than; following

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

anew

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

plural of “age” — how long something has existed

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

in addition

From this reading Mine also, little painted poem of God.

used to join words or parts of a sentence that go together

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

a demonstration of approval by clapping the hands together

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

plural of “army” — a permanent organization of the military land forces of a nation or state

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

at the same time that; because; in the way that

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The lights have laughed their last; without, the street Darkling, awaiteth her whose feet have trod The silly souls of men to golden dust.

from a particular thing or place or position (“forth” is obsolete)

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

a hostile meeting of opposing military forces in the course of a war

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

food made from dough of flour or meal and usually raised with yeast or baking powder and then baked

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

terminate

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

plural of “break” — some abrupt occurrence that interrupts an ongoing activity

From this reading She pauses, on the lintel of defeat, Her heart breaks in a smile--and she is Lust ...

plural of “breed” — a special variety of domesticated animals within a species

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

showing who or what does the action

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

any utterance produced simultaneously by a group

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

a large and densely populated urban area; may include several independent administrative districts

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

the act of participating in the celebration of the Eucharist

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

utter a sudden loud cry

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

United States writer noted for his typographically eccentric poetry (1894-1962)

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

hanging cloth used as a blind (especially for a window)

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

uncannily or threateningly dark or obscure

From this reading The lights have laughed their last; without, the street Darkling, awaiteth her whose feet have trod The silly souls of men to golden dust.

the time during which someone's life continues

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

no longer having or seeming to have or expecting to have life

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

dearly loved

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

performance of moral or religious acts

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

an unsuccessful ending to a struggle or contest

From this reading She pauses, on the lintel of defeat, Her heart breaks in a smile--and she is Lust ...

an old form of “did”, used with “thou”

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

pass from physical life and lose all bodily attributes and functions necessary to sustain life

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

the feeling of despair in the face of obstacles

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

remove the dust from

From this reading The lights have laughed their last; without, the street Darkling, awaiteth her whose feet have trod The silly souls of men to golden dust.

a fat-soluble vitamin that is essential for normal reproduction; an important antioxidant that neutralizes free radicals in the body

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

opinion or judgment

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

the front of the human head from the forehead to the chin and ear to ear

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

free from favoritism or self-interest or bias or deception; conforming with established standards or rules

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

plural of “foot” — the part of the leg of a human being below the ankle joint

From this reading The lights have laughed their last; without, the street Darkling, awaiteth her whose feet have trod The silly souls of men to golden dust.

occurring at or forming an end or termination

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

intended to be given to, or used by, somebody

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

a young female

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

plural of “glory” — a state of high honor

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

the supernatural being conceived as the perfect and omnipotent and omniscient originator and ruler of the universe; the object of worship in monotheistic religions

From this reading Mine also, little painted poem of God.

having the deep slightly brownish color of gold

From this reading The lights have laughed their last; without, the street Darkling, awaiteth her whose feet have trod The silly souls of men to golden dust.

relatively large in size or number or extent; larger than others of its kind

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

of an achromatic color of any lightness intermediate between the extremes of white and black

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

an old form of “have”, used with “thou”

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

used with a past participle to form the perfect tenses

From this reading The lights have laughed their last; without, the street Darkling, awaiteth her whose feet have trod The silly souls of men to golden dust.

the locus of feelings and intuitions

From this reading She pauses, on the lintel of defeat, Her heart breaks in a smile--and she is Lust ...

belonging to a woman, girl, or female animal already mentioned

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

plural of “hero” — a man distinguished by exceptional courage and nobility and strength

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

very imposing or impressive; surpassing the ordinary (especially in size or scale)

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

belonging to a man, boy, or male animal already mentioned

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

the aggregate of past events

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

-ing form of “hunger” — feel the need to eat

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

the person speaking or writing, as the subject of the verb

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

Living forever; never dying or decaying. (Bất tử, trường tồn vĩnh cửu.)

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

inside something, or within a place, period, or state

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

the form of “be” used with he, she, it, or a singular noun

From this reading She pauses, on the lintel of defeat, Her heart breaks in a smile--and she is Lust ...

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

immediately past

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

past form of “laugh” — produce laughter

From this reading The lights have laughed their last; without, the street Darkling, awaiteth her whose feet have trod The silly souls of men to golden dust.

the act of departing

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

used to make a suggestion or a command including the speaker

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

a characteristic state or mode of living

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

plural of “light” — (physics) electromagnetic radiation that can produce a visual sensation

From this reading The lights have laughed their last; without, the street Darkling, awaiteth her whose feet have trod The silly souls of men to golden dust.

the act of tarrying

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

horizontal beam used as a finishing piece over a door or window

From this reading She pauses, on the lintel of defeat, Her heart breaks in a smile--and she is Lust ...

limited or below average in number or quantity or magnitude or extent

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

a strong positive emotion of regard and affection

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

a strong sexual desire

From this reading She pauses, on the lintel of defeat, Her heart breaks in a smile--and she is Lust ...

a reformed prostitute

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

the act of marching; walking with regular steps (especially in a procession of some kind)

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

plural of “mead” — United States anthropologist noted for her claims about adolescence and sexual behavior in Polynesian cultures (1901-1978)

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

the force of workers available

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

used to say something is possible but not certain

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

the one or ones belonging to the person speaking

From this reading Mine also, little painted poem of God.

the opening through which food is taken in and vocalizations emerge

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

change location; move, travel, or proceed, also metaphorically

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

in motion

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

used to make a word, phrase, or sentence negative

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

belonging to, or connected with, somebody or something

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

touching and supported by a surface

From this reading She pauses, on the lintel of defeat, Her heart breaks in a smile--and she is Lust ...

used to mean any person in general, including the speaker

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

one side of one leaf (of a book or magazine or newspaper or letter etc.) or the written or pictorial matter it contains

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

coated with paint

From this reading Mine also, little painted poem of God.

something determined in relation to something that includes it

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

the time that has elapsed

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

plural of “pause” — a time interval during which there is a temporary cessation of something

From this reading She pauses, on the lintel of defeat, Her heart breaks in a smile--and she is Lust ...

a writing implement with a point from which ink flows

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

participate in games or sport

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

a composition written in metrical feet forming rhythmical lines

From this reading Mine also, little painted poem of God.

reflect deeply on a subject

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

an expression of approval and commendation

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

characterized by feeling or showing fond affection for

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

red color or pigment; the chromatic color resembling the hue of blood

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

perceive by sight or have the power to perceive by sight

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

filled with shade

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

used with I and we for the future, or to offer and suggest

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

a woman, girl, or female animal already mentioned, as the subject

From this reading She pauses, on the lintel of defeat, Her heart breaks in a smile--and she is Lust ...

be bright by reflecting or casting light

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

Complete absence of sound; a state of quietness and stillness.

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

marked by absence of sound

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

ludicrous, foolish

From this reading The lights have laughed their last; without, the street Darkling, awaiteth her whose feet have trod The silly souls of men to golden dust.

change one's facial expression by spreading the lips, often to signal pleasure

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

a facial expression characterized by turning up the corners of the mouth; usually shows pleasure or amusement

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

plural of “soul” — the immaterial part of a person; the actuating cause of an individual life

From this reading The lights have laughed their last; without, the street Darkling, awaiteth her whose feet have trod The silly souls of men to golden dust.

plural of “sound” — the particular auditory effect produced by a given cause

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

any distinct time period in a sequence of events

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

plural of “standard” — a basis for comparison; a reference point against which other things can be evaluated

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

plural of “steed” — (literary) a spirited horse for state of war

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

an alloy of iron with small amounts of carbon; widely used in construction; mechanical properties can be varied over a wide range

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

a thoroughfare (usually including sidewalks) that is lined with buildings

From this reading The lights have laughed their last; without, the street Darkling, awaiteth her whose feet have trod The silly souls of men to golden dust.

plural of “strike” — a group's refusal to work in protest against low pay or bad work conditions

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

understood in a certain way; made sense of

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

past form of “tarnish” — make dirty or spotty, as by exposure to air; also used metaphorically

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

used to introduce what somebody said, thought, or felt

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

an old word for “you”, as the object, speaking to one person

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

belonging to the people or things already mentioned

From this reading The lights have laughed their last; without, the street Darkling, awaiteth her whose feet have trod The silly souls of men to golden dust.

subsequently or soon afterward (often used as sentence connectors)

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

the people, animals, or things already mentioned, as the subject

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

the plural of “that”: the people or things further away, or already known

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

an old word for “you”, as the subject, speaking to one person

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

an old word for “your”, speaking to one person

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

impart a cheap brightness to

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

used before the base form of a verb to make the infinitive

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

put down or press the foot, place the foot

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

inflected form of “tread” — put down or press the foot, place the foot

From this reading The lights have laughed their last; without, the street Darkling, awaiteth her whose feet have trod The silly souls of men to golden dust.

pitcher plant of southeastern United States having erect yellow trumpet-shaped pitchers with wide mouths and erect lids

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

the qualities of a hero or heroine; exceptional or heroic courage when facing danger (especially in battle)

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

unusually great in size or amount or degree or especially extent or scope

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

the waging of armed conflict against an enemy

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

the speaker together with one or more other people

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

take in marriage

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

at the time that

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

used to introduce a clause giving more about a thing just mentioned

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

during the time that

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

which person or people

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

the form of “who” used as the object of a verb or preposition

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

belonging to which person

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

in the company of; together with

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.

not having, not using, or not accompanied by

From this reading The lights have laughed their last; without, the street Darkling, awaiteth her whose feet have trod The silly souls of men to golden dust.

everything that exists anywhere

From this reading A CHORUS GIRL When thou hast taken thy last applause, and when The final curtain strikes the world away, Leaving to shadowy silence and dismay That stage which shall not know thy smile again, Lingering a little while I see thee then Ponder the tinsel part they let thee play; I see the red mouth tarnished, the face grey, And smileless silent eyes of Magdalen.

inflected form of “write” — produce a literary work

From this reading E. ESTLIN CUMMINGS [THOU IN WHOSE SWORD-GREAT STORY SHINE THE DEEDS] Thou in whose sword-great story shine the deeds Of history her heroes, sounds the tread Of those vast armies of the marching dead, With standards and the neighing of great steeds Moving to war across the smiling meads; Thou by whose page we break the precious bread Of dear communion with the past, and wed To valor, battle with heroic breeds; Thou, Froissart, for that thou didst love the pen While others wrote in steel, accept all praise Of after ages, and of hungering days For whom the old glories move, the old trumpets cry; Who gav'st as one of those immortal men His life that his fair city might not die.