Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
Eighteenth Century Essays on Shakespeare
Eighteenth Century Essays on Shakespeare

Chapter V

Chapter 5 of Eighteenth Century Essays on Shakespeare is here in full — 408 sentences across 82 reading sections, with audio for every sentence and word.

Cover illustration for Eighteenth Century Essays on Shakespeare
Context Illustration Reading 1/81 · 5 lines
English subtitles · tap any word to listen 1 / 5
For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.
To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.
I am now to give some Account of the present Undertaking.
For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.
The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Eighteenth Century Essays on Shakespeare

Chapter V

Chapter 5 of Eighteenth Century Essays on Shakespeare is here in full — 408 sentences across 82 reading sections, with audio for every sentence and word.

Reading 1/81 · 5 reading units · Lines 1–5

Line 1
For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.
/fɔːr ðə rest ɔːl ðə kərˈekʃənz wɪtʃ ðiːz tuː ˈedɪtərz hæv meɪd ɑːn ˈeni ˈriːzənəbəl faʊnˈdeɪʃən ɑːr hiːr ədˈmɪtɪd ˈɪntuː ðə tekst ənd ˈkerfəli əˈsaɪnd tuː ðer rɪˈspektɪv ˈɔːθərz ə piːs ʌv ˈdʒʌstəs wɪtʃ ðə ˈɑːksfərd ˈedətər ˈnevər dɪd ənd wɪtʃ ðə ˈʌðər wɑːz nɑːt ˈɔːlweɪz ˈskruːpjələs ɪn əbˈzɜːrvɪŋ təˈwɔːrdz miː/
Line 2
To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.
Line 3
I am now to give some Account of the present Undertaking.
/aɪ æm naʊ tuː ɡɪv sʌm əˈkaʊnt ʌv ðə ˈprezənt ˈʌndərteɪkɪŋ/
Line 4
For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.
Line 5
The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.
/ðə hoʊl ə ˈkrɪtɪk kæn duː fɔːr æn ˈɔːθər huː dɪˈzɜːrvz hɪz ˈsɜːrvəs ɪz tuː kərˈekt ðə ˈfɔːlti tekst tuː rɪˈmɑːrk ðə pɪˌkjuːliˈerətiz ʌv ˈlæŋɡwədʒ tuː ˈɪləstreɪt ðə əbsˈkjʊr əˈluːʒənz ənd tuː ɪkˈspleɪn ðə ˈbjuːtiz ənd ˈdiːfekts ʌv ˈsentəmənt ɔːr ˌkɑːmpəˈzɪʃən/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Allusions noun US /əˈluːʒənz/

plural of “allusion” — passing reference or indirect mention

From this reading “The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.”

Corrections noun US /kərˈekʃənz/

the department of local government that is responsible for managing the treatment of convicted offenders

From this reading “For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.”

disrepute noun US /ˌdɪsrɪˈpjuːt/

the state of being held in low esteem

From this reading “To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.”

faulty adjective US /ˈfɔːlti/

having a defect

From this reading “The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.”

illustrate verb US /ˈɪləstreɪt/

clarify by giving an example of

From this reading “The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.”

Macbeth noun US /məkˈbeθ/

king of Scotland (died in 1057)

scrupulous adjective US /ˈskruːpjələs/

having scruples; arising from a sense of right and wrong; principled

From this reading “For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.”

separately adverb US /ˈsepərətli/

apart from others

From this reading “To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

under the titles preposition + article + noun counted as “under … title”

In this reading “For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.”

admitted into verb + particle counted as “admit into”

In this reading “For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.”

some Account adjective + noun

In this reading “I am now to give some Account of the present Undertaking.”

All words in this reading · 128

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

absolutelyadverbUS /ˌæbsəˈluːtli/

completely and without qualification; used informally as intensifiers

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

AccountnounUS /əˈkaʊnt/

a record or narrative description of past events

From this reading I am now to give some Account of the present Undertaking.

admittedverbUS /ədˈmɪtɪd/

inflected form of “admit” — declare to be true or admit the existence or reality or truth of

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

AllusionsnounUS /əˈluːʒənz/

plural of “allusion” — passing reference or indirect mention

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

amauxiliary verbUS /æm/

the form of “be” used with “I”

From this reading I am now to give some Account of the present Undertaking.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

appearsverbUS /əˈpɪrz/

third-person singular of “appear” — give a certain impression or have a certain outward aspect

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

ApprehensionnounUS /ˌæprɪˈhenʃən/

fearful expectation or anticipation

From this reading To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

Artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

assignedadjectiveUS /əˈsaɪnd/

appointed to a post or duty

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

AuthornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

AuthorsnounUS /ˈɔːθərz/

plural of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

BeautiesnounUS /ˈbjuːtiz/

plural of “beauty” — the qualities that give pleasure to the senses

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

belowprepositionUS /bɪˈloʊ/

at or to a lower level than something

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

bringverbUS /brɪŋ/

take something or somebody with oneself somewhere

From this reading To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.

byprepositionUS /baɪ/

showing who or what does the action

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

cnounUS /siː/

a degree on the centigrade scale of temperature

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

carefullyadverbUS /ˈkerfəli/

taking care or paying attention

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

CompositionnounUS /ˌkɑːmpəˈzɪʃən/

the spatial property resulting from the arrangement of parts in relation to each other and to the whole

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

concludeverbUS /kənˈkluːd/

decide by reasoning; draw or come to a conclusion

From this reading To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.

ConjecturenounUS /kənˈdʒektʃər/

a hypothesis that has been formed by speculating or conjecturing (usually with little hard evidence)

From this reading To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.

contributedverbUS /kənˈtrɪbjuːtɪd/

past form of “contribute” — bestow a quality on

From this reading To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.

correctverbUS /kərˈekt/

make right or correct

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

CorrectionsnounUS /kərˈekʃənz/

the department of local government that is responsible for managing the treatment of convicted offenders

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

CriticnounUS /ˈkrɪtɪk/

a person who is professionally engaged in the analysis and interpretation of works of art

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

criticaladjectiveUS /ˈkrɪtɪkəl/

marked by a tendency to find and call attention to errors and flaws

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

CriticismnounUS /ˈkrɪtɪsɪzəm/

disapproval expressed by pointing out faults or shortcomings

From this reading To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.

DefectsnounUS /ˈdiːfekts/

plural of “defect” — an imperfection in a bodily system

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

deservesverbUS /dɪˈzɜːrvz/

third-person singular of “deserve” — be worthy or deserving

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

disreputenounUS /ˌdɪsrɪˈpjuːt/

the state of being held in low esteem

From this reading To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

Dulness

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.

EditionnounUS /əˈdɪʃən/

the form in which a text (especially a printed book) is published

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

EditornounUS /ˈedətər/

a person responsible for the editorial aspects of publication; the person who determines the final content of a text (especially of a newspaper or magazine)

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

EditorsnounUS /ˈedɪtərz/

plural of “editor” — a person responsible for the editorial aspects of publication; the person who determines the final content of a text (especially of a newspaper or magazine)

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

EssaysnounUS /eˈseɪz/

plural of “essay” — an analytic or interpretive literary composition

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

exceptprepositionUS /ɪkˈsept/

apart from; not including

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

explainverbUS /ɪkˈspleɪn/

make plain and comprehensible

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

ExtravagancenounUS /ekˈstrævəɡəns/

the quality of exceeding the appropriate limits of decorum or probability or truth

From this reading To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.

faultyadjectiveUS /ˈfɔːlti/

having a defect

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

ForprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

FoundationnounUS /faʊnˈdeɪʃən/

the basis on which something is grounded

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

GeniusnounUS /ˈdʒiːnjəs/

someone who has exceptional intellectual ability and originality

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

giveverbUS /ɡɪv/

cause to have, in the abstract sense or physical sense

From this reading I am now to give some Account of the present Undertaking.

givenadjectiveUS /ˈɡɪvən/

acknowledged as a supposition

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading I am now to give some Account of the present Undertaking.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

illustrateverbUS /ˈɪləstreɪt/

clarify by giving an example of

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

JusticenounUS /ˈdʒʌstəs/

the quality of being just or fair

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

LanguagenounUS /ˈlæŋɡwədʒ/

a systematic means of communicating by the use of sounds or conventional symbols

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

MacbethnounUS /məkˈbeθ/

king of Scotland (died in 1057)

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

MannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

NotesnounUS /noʊts/

plural of “note” — a brief written record

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

NoticenounUS /ˈnoʊtəs/

an announcement containing information about an event

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading I am now to give some Account of the present Undertaking.

obscureverbUS /əbsˈkjʊr/

make less visible or unclear

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

ObservationsnounUS /ˌɑːbzərˈveɪʃənz/

plural of “observation” — the act of making and recording a measurement

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

observingadjectiveUS /əbˈzɜːrvɪŋ/

quick to notice; showing quick and keen perception

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

OtheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

OxfordnounUS /ˈɑːksfərd/

a city in southern England to the northwest of London; site of Oxford University

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

PartsnounUS /pɑːrts/

the local environment

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

PeculiaritiesnounUS /pɪˌkjuːliˈerətiz/

plural of “peculiarity” — an odd or unusual characteristic

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

piecenounUS /piːs/

a separate part of a whole

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

possessedadjectiveUS /pəˈzest/

influenced or controlled by a powerful force such as a strong emotion

From this reading To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.

presentverbUS /ˈprezənt/

give an exhibition of to an interested audience

From this reading I am now to give some Account of the present Undertaking.

projectedadjectiveUS /prəˈdʒektəd/

extending out above or beyond a surface or boundary

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

publishedadjectiveUS /ˈpʌblɪʃt/

prepared and printed for distribution and sale

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

QualitiesnounUS /ˈkwɑːlətiz/

plural of “quality” — an essential and distinguishing attribute of something or someone

From this reading To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.

reasonableadjectiveUS /ˈriːzənəbəl/

showing reason or sound judgment

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

remarknounUS /rɪˈmɑːrk/

a statement that expresses a personal opinion or belief or adds information

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

RemarksnounUS /rɪˈmɑːrks/

plural of “remark” — a statement that expresses a personal opinion or belief or adds information

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

respectiveadjectiveUS /rɪˈspektɪv/

considered individually

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

restverbUS /rest/

not move; be in a resting position

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

scrupulousadjectiveUS /ˈskruːpjələs/

having scruples; arising from a sense of right and wrong; principled

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

SentimentnounUS /ˈsentəmənt/

tender, romantic, or nostalgic feeling or emotion

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

separatelyadverbUS /ˈsepərətli/

apart from others

From this reading To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.

seriousadjectiveUS /ˈsɪriəs/

concerned with work or important matters rather than play or trivialities

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

ServicenounUS /ˈsɜːrvəs/

work done by one person or group that benefits another

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

Shakespear

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading I am now to give some Account of the present Undertaking.

SpecimennounUS /ˈspesəmən/

an example regarded as typical of its class

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

TextnounUS /tekst/

the words of something written

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

TheypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.

ThingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.

titlesnounUS /ˈtaɪtəlz/

plural of “title” — a heading that names a statute or legislative bill; may give a brief summary of the matters it deals with

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

towardsprepositionUS /təˈwɔːrdz/

in the direction of

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

UndertakingnounUS /ˈʌndərteɪkɪŋ/

any piece of work that is undertaken or attempted

From this reading I am now to give some Account of the present Undertaking.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading For the rest, all the Corrections which these two Editors have made on any _reasonable_ Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the _Oxford Editor_ never did; and which the _Other_ was not always scrupulous in observing towards me.

whopronounUS /huː/

which person or people

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition.

withprepositionUS /wɪð/

in the company of; together with

From this reading To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.

wordnounUS /wɜːrd/

a unit of language that native speakers can identify

From this reading To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, _Dulness of Apprehension_, and _Extravagance of Conjecture_.

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

youpronounUS /juː/

the person or people being spoken to

From this reading For as to all those Things which have been published under the titles of _Essays_, _Remarks_, _Observations_, &c. on _Shakespear_, (if you except some critical Notes on _Macbeth_, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.

Chapter 5 of Eighteenth Century Essays on Shakespeare by David Nichol Smith holds 408 sentences, grouped into 82 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of Eighteenth Century Essays on Shakespeare contain?

Chapter 5 holds 408 sentences of Eighteenth Century Essays on Shakespeare, unabridged, divided into 82 reading sections.

This page carries chapter 5 of Eighteenth Century Essays on Shakespeare by David Nichol Smith exactly as it stands in the source edition, without abridgement. It runs to 408 sentences, grouped into 82 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 5 of Eighteenth Century Essays on Shakespeare?

Work through the 82 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 82 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 5 be read aloud to me?

Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Eighteenth Century Essays on Shakespeare

Common questions about reading Eighteenth Century Essays on Shakespeare by David Nichol Smith on this page, its source edition and its audio.

Is this the complete text of Eighteenth Century Essays on Shakespeare?

Yes. All 5863 sentences of Project Gutenberg eBook #30227 are kept, with a record of which sentences cover which part.

Which edition of Eighteenth Century Essays on Shakespeare is used?

Project Gutenberg eBook #30227, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Eighteenth Century Essays on Shakespeare take to read?

About 488 minutes of reading across 1173 sections of 5 sentences each, at an unhurried pace.

How to read Eighteenth Century Essays on Shakespeare section by section

How to work through Eighteenth Century Essays on Shakespeare section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 15 chapters of Eighteenth Century Essays on Shakespeare to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Eighteenth Century Essays on Shakespeare

Words and structures a reader meets early in Eighteenth Century Essays on Shakespeare, each tappable for pronunciation and meaning.

Nichol
A word that appears in the opening chapter of Eighteenth Century Essays on Shakespeare; the reader can tap it to hear it and see its dictionary entry.
Smith
A word that appears in the opening chapter of Eighteenth Century Essays on Shakespeare; the reader can tap it to hear it and see its dictionary entry.
Purpose
A word that appears in the opening chapter of Eighteenth Century Essays on Shakespeare; the reader can tap it to hear it and see its dictionary entry.
Account
A word that appears in the opening chapter of Eighteenth Century Essays on Shakespeare; the reader can tap it to hear it and see its dictionary entry.