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Elizabeth Visits America
Elizabeth Visits America

Chapter III · Chapter 3

Chapter 3 of Elizabeth Visits America is here in full — 398 sentences across 80 reading sections, with audio for every sentence and word.

Cover illustration for Elizabeth Visits America
Context Illustration Reading 1/79 · 5 lines
English subtitles · tap any word to listen 1 / 5
The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.
The "Merry Widow," for instance, could make one weep, it is so vulgar and changed, especially the end.
But if the people prefer it like that the managers are quite right to let them have what they want.
After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.
The lady next him pulled his sleeve, and had to keep telling him, "Hush, Bob, hush!
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Elizabeth Visits America

Chapter III · Chapter 3

Chapter 3 of Elizabeth Visits America is here in full — 398 sentences across 80 reading sections, with audio for every sentence and word.

Reading 1/79 · 5 reading units · Lines 1–5

Line 1
The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.
Line 2
The "Merry Widow," for instance, could make one weep, it is so vulgar and changed, especially the end.
/ðə ˈmeri ˈwɪdoʊ fɔːr ˈɪnstəns kʊd meɪk wʌn wiːp ɪt ɪz soʊ ˈvʌlɡər ənd tʃeɪndʒd əˈspeʃli ðə end/
Line 3
But if the people prefer it like that the managers are quite right to let them have what they want.
/bʌt ɪf ðə ˈpiːpəl prəˈfɜːr ɪt laɪk ðæt ðə ˈmænədʒərz ɑːr kwaɪt raɪt tuː let ðem hæv wʌt ðeɪ wɑːnt/
Line 4
After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.
/ˈæftər ðə ˈθiːətər wiː went ə hjuːdʒ ˈpɑːrti tuː sʌp æt sʌtʃ ə ˈfʌni pleɪs wɪtʃ wɑːz ɔːl ˈmɪrərz ənd ə mæn æt ðə nekst ˈteɪbəl huː wɑːz pərˈhæps ə ˈlɪtəl bɪˈɑːnd freʃ ɡɑːt ˈpɜːrfəktli ˈfjʊriəs ˈθɪŋkɪŋ əˈnʌðər mæn wɑːz ˈsterɪŋ æt hɪm ənd ˈwɔːntɪd tuː ɡet ʌp ənd faɪt hɪm/
Line 5
The lady next him pulled his sleeve, and had to keep telling him, "Hush, Bob, hush!
/ðə ˈleɪdi nekst hɪm pʊld hɪz sliːv ənd hæd tuː kiːp ˈtelɪŋ hɪm hʌʃ bɑːb hʌʃ/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

blatant adjective US /ˈbleɪtənt/

without any attempt at concealment; completely obvious

From this reading “The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.”

gaudy adjective US /ˈɡɔːdi/

tastelessly showy

From this reading “The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.”

managers noun US /ˈmænədʒərz/

plural of “manager” — someone who controls resources and expenditures

From this reading “But if the people prefer it like that the managers are quite right to let them have what they want.”

mirrors noun US /ˈmɪrərz/

plural of “mirror” — polished surface that forms images by reflecting light

From this reading “After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.”

operas noun US /ˈɑːprəz/

plural of “opera” — a drama set to music; consists of singing with orchestral accompaniment and an orchestral overture and interludes

From this reading “The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.”

refinement noun US /rəˈfaɪnmənt/

a highly developed state of perfection; having a flawless or impeccable quality

From this reading “The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.”

subtleties noun US /ˈsʌtəltiz/

plural of “subtlety” — a subtle difference in meaning or opinion or attitude

From this reading “The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.”

sup noun US /sʌp/

a small amount of liquid food

From this reading “After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.”

All words in this reading · 92

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

AfterprepositionUS /ˈæftər/

later than; following

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.

anotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading But if the people prefer it like that the managers are quite right to let them have what they want.

atprepositionUS /æt/

in or near a particular place or position

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

beyondprepositionUS /bɪˈɑːnd/

on the far side of; further than

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

blatantadjectiveUS /ˈbleɪtənt/

without any attempt at concealment; completely obvious

From this reading The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.

BobverbUS /bɑːb/

move up and down repeatedly

From this reading The lady next him pulled his sleeve, and had to keep telling him, "Hush, Bob, hush!

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But if the people prefer it like that the managers are quite right to let them have what they want.

changedadjectiveUS /tʃeɪndʒd/

made or become different in nature or form

From this reading The "Merry Widow," for instance, could make one weep, it is so vulgar and changed, especially the end.

coloursnounUS /ˈkʌlərz/

a distinguishing emblem

From this reading The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.

comicadjectiveUS /ˈkɑːmɪk/

arousing or provoking laughter

From this reading The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading The "Merry Widow," for instance, could make one weep, it is so vulgar and changed, especially the end.

differencenounUS /ˈdɪfərəns/

the quality of being unlike or dissimilar

From this reading The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.

endnounUS /end/

either extremity of something that has length

From this reading The "Merry Widow," for instance, could make one weep, it is so vulgar and changed, especially the end.

especiallyadverbUS /əˈspeʃli/

to a distinctly greater extent or degree than is common

From this reading The "Merry Widow," for instance, could make one weep, it is so vulgar and changed, especially the end.

eyenounUS /aɪ/

the organ of sight

From this reading The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.

fightverbUS /faɪt/

be engaged in a fight; carry on a fight

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The "Merry Widow," for instance, could make one weep, it is so vulgar and changed, especially the end.

freshadjectiveUS /freʃ/

recently made, produced, or harvested

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

funnyadjectiveUS /ˈfʌni/

arousing or provoking laughter

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

furiousadjectiveUS /ˈfjʊriəs/

marked by extreme and violent energy

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

gaudyadjectiveUS /ˈɡɔːdi/

tastelessly showy

From this reading The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.

getverbUS /ɡet/

come into the possession of something concrete or abstract

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

gotverbUS /ɡɑːt/

inflected form of “get” — come into the possession of something concrete or abstract

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading The lady next him pulled his sleeve, and had to keep telling him, "Hush, Bob, hush!

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The lady next him pulled his sleeve, and had to keep telling him, "Hush, Bob, hush!

hugeadjectiveUS /hjuːdʒ/

unusually great in size or amount or degree or especially extent or scope

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

HushverbUS /hʌʃ/

become quiet or still; fall silent

From this reading The lady next him pulled his sleeve, and had to keep telling him, "Hush, Bob, hush!

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading But if the people prefer it like that the managers are quite right to let them have what they want.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.

instancenounUS /ˈɪnstəns/

an occurrence of something

From this reading The "Merry Widow," for instance, could make one weep, it is so vulgar and changed, especially the end.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The "Merry Widow," for instance, could make one weep, it is so vulgar and changed, especially the end.

keepverbUS /kiːp/

cause to continue in a certain state, position, or activity; e.g., “keep clean”

From this reading The lady next him pulled his sleeve, and had to keep telling him, "Hush, Bob, hush!

ladynounUS /ˈleɪdi/

a polite name for any woman

From this reading The lady next him pulled his sleeve, and had to keep telling him, "Hush, Bob, hush!

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading But if the people prefer it like that the managers are quite right to let them have what they want.

likeverbUS /laɪk/

prefer or wish to do something

From this reading But if the people prefer it like that the managers are quite right to let them have what they want.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

makeverbUS /meɪk/

engage in

From this reading The "Merry Widow," for instance, could make one weep, it is so vulgar and changed, especially the end.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

managersnounUS /ˈmænədʒərz/

plural of “manager” — someone who controls resources and expenditures

From this reading But if the people prefer it like that the managers are quite right to let them have what they want.

MerryadjectiveUS /ˈmeri/

full of or showing high-spirited merriment

From this reading The "Merry Widow," for instance, could make one weep, it is so vulgar and changed, especially the end.

mirrorsnounUS /ˈmɪrərz/

plural of “mirror” — polished surface that forms images by reflecting light

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

nextadjectiveUS /nekst/

immediately following in time or order

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

nodeterminerUS /noʊ/

not any; not one

From this reading The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading The "Merry Widow," for instance, could make one weep, it is so vulgar and changed, especially the end.

operasnounUS /ˈɑːprəz/

plural of “opera” — a drama set to music; consists of singing with orchestral accompaniment and an orchestral overture and interludes

From this reading The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.

ourspronounUS /ˈaʊərz/

the one or ones belonging to us

From this reading The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.

partynounUS /ˈpɑːrti/

an organization to gain political power

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

peoplenounUS /ˈpiːpəl/

(plural) any group of human beings (men or women or children) collectively

From this reading But if the people prefer it like that the managers are quite right to let them have what they want.

perfectlyadverbUS /ˈpɜːrfəktli/

completely and without qualification; used informally as intensifiers

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

perhapsadverbUS /pərˈhæps/

by chance

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

pleaseverbUS /pliːz/

give pleasure to or be pleasing to

From this reading The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.

preferverbUS /prəˈfɜːr/

like better; value more highly

From this reading But if the people prefer it like that the managers are quite right to let them have what they want.

pulledverbUS /pʊld/

past form of “pull” — cause to move by pulling

From this reading The lady next him pulled his sleeve, and had to keep telling him, "Hush, Bob, hush!

quiteadverbUS /kwaɪt/

to a degree (not used with a negative)

From this reading But if the people prefer it like that the managers are quite right to let them have what they want.

refinementnounUS /rəˈfaɪnmənt/

a highly developed state of perfection; having a flawless or impeccable quality

From this reading The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.

rightadverbUS /raɪt/

precisely, exactly

From this reading But if the people prefer it like that the managers are quite right to let them have what they want.

sleevenounUS /sliːv/

the part of a garment that is attached at the armhole and that provides a cloth covering for the arm

From this reading The lady next him pulled his sleeve, and had to keep telling him, "Hush, Bob, hush!

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading The "Merry Widow," for instance, could make one weep, it is so vulgar and changed, especially the end.

staringadjectiveUS /ˈsterɪŋ/

(used of eyes) open and fixed as if in fear or wonder

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

subtletiesnounUS /ˈsʌtəltiz/

plural of “subtlety” — a subtle difference in meaning or opinion or attitude

From this reading The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

supnounUS /sʌp/

a small amount of liquid food

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

tablenounUS /ˈteɪbəl/

a set of data arranged in rows and columns

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

tellingadjectiveUS /ˈtelɪŋ/

disclosing unintentionally something concealed

From this reading The lady next him pulled his sleeve, and had to keep telling him, "Hush, Bob, hush!

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading But if the people prefer it like that the managers are quite right to let them have what they want.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.

theatrenounUS /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading But if the people prefer it like that the managers are quite right to let them have what they want.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.

thinkingnounUS /ˈθɪŋkɪŋ/

the process of using your mind to consider something carefully

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The difference in the comic operas to ours is, they have no refinement or colours or subtleties to please the eye--all is gaudy and blatant.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

vulgaradjectiveUS /ˈvʌlɡər/

lacking refinement or cultivation or taste

From this reading The "Merry Widow," for instance, could make one weep, it is so vulgar and changed, especially the end.

wantverbUS /wɑːnt/

feel or have a desire for; want strongly

From this reading But if the people prefer it like that the managers are quite right to let them have what they want.

wantedadjectiveUS /ˈwɔːntɪd/

desired or wished for or sought

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

weepverbUS /wiːp/

shed tears because of sadness, rage, or pain

From this reading The "Merry Widow," for instance, could make one weep, it is so vulgar and changed, especially the end.

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

whatpronounUS /wʌt/

used to ask for information about something

From this reading But if the people prefer it like that the managers are quite right to let them have what they want.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

whopronounUS /huː/

which person or people

From this reading After the theatre we went, a huge party, to sup at such a funny place which was all mirrors; and a man at the next table, who was perhaps a little beyond "fresh," got perfectly furious thinking another man was staring at him, and wanted to get up and fight him.

WidownounUS /ˈwɪdoʊ/

a woman whose husband is dead especially one who has not remarried

From this reading The "Merry Widow," for instance, could make one weep, it is so vulgar and changed, especially the end.

Chapter 3 of Elizabeth Visits America by Elinor Glyn holds 398 sentences, grouped into 80 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of Elizabeth Visits America contain?

Chapter 3 holds 398 sentences of Elizabeth Visits America, unabridged, divided into 80 reading sections.

This page carries chapter 3 of Elizabeth Visits America by Elinor Glyn exactly as it stands in the source edition, without abridgement. It runs to 398 sentences, grouped into 80 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of Elizabeth Visits America?

Work through the 80 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 80 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Elizabeth Visits America

Common questions about reading Elizabeth Visits America by Elinor Glyn on this page, its source edition and its audio.

Is this the complete text of Elizabeth Visits America?

Yes. All 1985 sentences of Project Gutenberg eBook #11900 are kept, with a record of which sentences cover which part.

Which edition of Elizabeth Visits America is used?

Project Gutenberg eBook #11900, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Elizabeth Visits America take to read?

About 165 minutes of reading across 397 sections of 5 sentences each, at an unhurried pace.

How to read Elizabeth Visits America section by section

How to work through Elizabeth Visits America section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 5 chapters of Elizabeth Visits America to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Elizabeth Visits America

Words and structures a reader meets early in Elizabeth Visits America, each tappable for pronunciation and meaning.

Three
A word that appears in the opening chapter of Elizabeth Visits America; the reader can tap it to hear it and see its dictionary entry.
Weeks
A word that appears in the opening chapter of Elizabeth Visits America; the reader can tap it to hear it and see its dictionary entry.
Visits
A word that appears in the opening chapter of Elizabeth Visits America; the reader can tap it to hear it and see its dictionary entry.
Elizabeth
A word that appears in the opening chapter of Elizabeth Visits America; the reader can tap it to hear it and see its dictionary entry.