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Emerson and Other Essays
Emerson and Other Essays

Chapter IV · Chapter 4

Chapter 4 of Emerson and Other Essays is here in full — 455 sentences across 91 reading sections, with audio for every sentence and word.

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The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.
The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.
It must be done quietly, rapidly, and yet the impression must be created, which is created upon Balthasar, that Romeo is not in his right mind.
A friend seeing him would cross the street to ask what was the matter.
The whole character of Romeo, from the beginning, has been imagined with reference to this self-destroying consummation.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Emerson and Other Essays

Chapter IV · Chapter 4

Chapter 4 of Emerson and Other Essays is here in full — 455 sentences across 91 reading sections, with audio for every sentence and word.

Reading 1/91 · 5 reading units · Lines 1–5

Line 1
The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.
/ðə hoʊl kɔːrs ʌv ðiːz læst siːnz ʌv ˈroʊmioʊz laɪf wɪtʃ ɑːr ˈskersli ˈlɔːŋɡər ðæn ðɪs dɪˈskrɪpʃən ʌv ðem ɪz ɪn ðə ˈhaɪəst dɪˈɡriː ˌnætʃərəˈlɪstɪk bʌt ðə siːnz ɑːr ɪn ðə ˈneɪtʃər ʌv θɪŋz soʊ ˈdɪfəkəlt tuː ˈprezənt ɑːn ðə steɪdʒ æz tuː biː ˈferli ˌɪmˈpɑːsəbəl/
Line 2
The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.
Line 3
It must be done quietly, rapidly, and yet the impression must be created, which is created upon Balthasar, that Romeo is not in his right mind.
/ɪt mʌst biː dʌn ˈkwaɪətli ˈræpədli ənd jet ðə ˌɪmˈpreʃən mʌst biː kriˈeɪtəd wɪtʃ ɪz kriˈeɪtəd əˈpɑːn ˈbælθəsər ðæt ˈroʊmioʊ ɪz nɑːt ɪn hɪz raɪt maɪnd/
Line 4
A friend seeing him would cross the street to ask what was the matter.
/ə frend ˈsiːɪŋ hɪm wʊd krɔːs ðə striːt tuː æsk wʌt wɑːz ðə ˈmætər/
Line 5
The whole character of Romeo, from the beginning, has been imagined with reference to this self-destroying consummation.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

accurately adverb US /ˈækjərətli/

with few mistakes

From this reading “The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.”

actively adverb US /ˈæktɪvli/

in an active manner

From this reading “The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.”

Balthasar noun US /ˈbælθəsər/

(New Testament) one of the three sages from the east who came bearing gifts for the infant Jesus

From this reading “It must be done quietly, rapidly, and yet the impression must be created, which is created upon Balthasar, that Romeo is not in his right mind.”

consummation noun US /ˌkɑːnsəˈmeɪʃən/

the completion of marriage by sexual intercourse

From this reading “The whole character of Romeo, from the beginning, has been imagined with reference to this self-destroying consummation.”

naturalistic adjective US /ˌnætʃərəˈlɪstɪk/

representing what is real; not abstract or ideal

From this reading “The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.”

Romeo noun US /ˈroʊmioʊ/

an ardent male lover

From this reading “The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.”

Romeo's noun US /ˈroʊmioʊz/

possessive form of “romeo” — an ardent male lover

From this reading “The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.”

sane adjective US /seɪn/

mentally healthy; free from mental disorder

From this reading “The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.”

All words in this reading · 98

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

accuratelyadverbUS /ˈækjərətli/

with few mistakes

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

activelyadverbUS /ˈæktɪvli/

in an active manner

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

apothecary's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

askverbUS /æsk/

make a request or demand for something to somebody

From this reading A friend seeing him would cross the street to ask what was the matter.

atprepositionUS /æt/

in or near a particular place or position

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

BalthasarnounUS /ˈbælθəsər/

(New Testament) one of the three sages from the east who came bearing gifts for the infant Jesus

From this reading It must be done quietly, rapidly, and yet the impression must be created, which is created upon Balthasar, that Romeo is not in his right mind.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

beatingnounUS /ˈbiːtɪŋ/

the act of overcoming or outdoing

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading The whole character of Romeo, from the beginning, has been imagined with reference to this self-destroying consummation.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

beginningnounUS /bɪˈɡɪnɪŋ/

the event consisting of the start of something

From this reading The whole character of Romeo, from the beginning, has been imagined with reference to this self-destroying consummation.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

byprepositionUS /baɪ/

showing who or what does the action

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading The whole character of Romeo, from the beginning, has been imagined with reference to this self-destroying consummation.

consummationnounUS /ˌkɑːnsəˈmeɪʃən/

the completion of marriage by sexual intercourse

From this reading The whole character of Romeo, from the beginning, has been imagined with reference to this self-destroying consummation.

coursenounUS /kɔːrs/

education imparted in a series of lessons or meetings

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

createdverbUS /kriˈeɪtəd/

past form of “create” — make or cause to be or to become

From this reading It must be done quietly, rapidly, and yet the impression must be created, which is created upon Balthasar, that Romeo is not in his right mind.

crossverbUS /krɔːs/

travel across or pass over

From this reading A friend seeing him would cross the street to ask what was the matter.

degreenounUS /dɪˈɡriː/

a position on a scale of intensity or amount or quality

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

descriptionnounUS /dɪˈskrɪpʃən/

a statement that represents something in words

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

difficultadjectiveUS /ˈdɪfəkəlt/

not easy; requiring great physical or mental effort to accomplish or comprehend or endure

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

doneadjectiveUS /dʌn/

having finished or arrived at completion

From this reading It must be done quietly, rapidly, and yet the impression must be created, which is created upon Balthasar, that Romeo is not in his right mind.

everadverbUS /ˈevər/

at any time

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

fairlyadverbUS /ˈferli/

to certain extent or degree

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

friendnounUS /frend/

a person you know well and regard with affection and trust

From this reading A friend seeing him would cross the street to ask what was the matter.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The whole character of Romeo, from the beginning, has been imagined with reference to this self-destroying consummation.

givenadjectiveUS /ˈɡɪvən/

acknowledged as a supposition

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

heartnounUS /hɑːrt/

the locus of feelings and intuitions

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

highestadjectiveUS /ˈhaɪəst/

superlative of “high” — greater than normal in degree or intensity or amount

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

highlyadverbUS /ˈhaɪli/

to a high degree or extent; favorably or with much respect

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading A friend seeing him would cross the street to ask what was the matter.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading It must be done quietly, rapidly, and yet the impression must be created, which is created upon Balthasar, that Romeo is not in his right mind.

imaginedverbUS /ˌɪˈmædʒənd/

past form of “imagine” — form a mental image of something that is not present or that is not the case

From this reading The whole character of Romeo, from the beginning, has been imagined with reference to this self-destroying consummation.

impossibleadjectiveUS /ˌɪmˈpɑːsəbəl/

not capable of occurring or being accomplished or dealt with

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

impressionnounUS /ˌɪmˈpreʃən/

a vague idea in which some confidence is placed

From this reading It must be done quietly, rapidly, and yet the impression must be created, which is created upon Balthasar, that Romeo is not in his right mind.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

lastadjectiveUS /læst/

immediately past

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

longeradverbUS /ˈlɔːŋɡər/

for more time

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

matternounUS /ˈmætər/

a vaguely specified concern

From this reading A friend seeing him would cross the street to ask what was the matter.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

minutenounUS /ˈmɪnət/

a unit of time equal to 60 seconds or 1/60th of an hour

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading It must be done quietly, rapidly, and yet the impression must be created, which is created upon Balthasar, that Romeo is not in his right mind.

naturalisticadjectiveUS /ˌnætʃərəˈlɪstɪk/

representing what is real; not abstract or ideal

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading It must be done quietly, rapidly, and yet the impression must be created, which is created upon Balthasar, that Romeo is not in his right mind.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

presentverbUS /ˈprezənt/

give an exhibition of to an interested audience

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

quietlyadverbUS /ˈkwaɪətli/

with low volume

From this reading It must be done quietly, rapidly, and yet the impression must be created, which is created upon Balthasar, that Romeo is not in his right mind.

rapidlyadverbUS /ˈræpədli/

with speed

From this reading It must be done quietly, rapidly, and yet the impression must be created, which is created upon Balthasar, that Romeo is not in his right mind.

referencenounUS /ˈrefərəns/

a remark that calls attention to something or someone

From this reading The whole character of Romeo, from the beginning, has been imagined with reference to this self-destroying consummation.

rightadverbUS /raɪt/

precisely, exactly

From this reading It must be done quietly, rapidly, and yet the impression must be created, which is created upon Balthasar, that Romeo is not in his right mind.

RomeonounUS /ˈroʊmioʊ/

an ardent male lover

From this reading It must be done quietly, rapidly, and yet the impression must be created, which is created upon Balthasar, that Romeo is not in his right mind.

Romeo'snounUS /ˈroʊmioʊz/

possessive form of “romeo” — an ardent male lover

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

saneadjectiveUS /seɪn/

mentally healthy; free from mental disorder

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

scarcelyadverbUS /ˈskersli/

only a very short time before

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

scenesnounUS /siːnz/

plural of “scene” — the place where some action occurs

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

seeingnounUS /ˈsiːɪŋ/

perception by means of the eyes

From this reading A friend seeing him would cross the street to ask what was the matter.

self-destroying

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The whole character of Romeo, from the beginning, has been imagined with reference to this self-destroying consummation.

shopverbUS /ʃɑːp/

do one's shopping

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

stoppedadjectiveUS /stɑːpt/

(of a nose) blocked

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

streetnounUS /striːt/

a thoroughfare (usually including sidewalks) that is lined with buildings

From this reading A friend seeing him would cross the street to ask what was the matter.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading It must be done quietly, rapidly, and yet the impression must be created, which is created upon Balthasar, that Romeo is not in his right mind.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

thingnounUS /θɪŋ/

a special situation

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading It must be done quietly, rapidly, and yet the impression must be created, which is created upon Balthasar, that Romeo is not in his right mind.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading A friend seeing him would cross the street to ask what was the matter.

whatpronounUS /wʌt/

used to ask for information about something

From this reading A friend seeing him would cross the street to ask what was the matter.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading The whole course of these last scenes of Romeo's life, which are scarcely longer than this description of them, is in the highest degree naturalistic; but the scenes are in the nature of things so difficult to present on the stage as to be fairly impossible.

whosedeterminerUS /huːz/

belonging to which person

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

withprepositionUS /wɪð/

in the company of; together with

From this reading The whole character of Romeo, from the beginning, has been imagined with reference to this self-destroying consummation.

wordsnounUS /wɜːrdz/

the words that are spoken

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

workedverbUS /wɜːrkt/

past form of “work” — exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading The very long, the very minute description of the apothecary's shop, given by a man whose heart has stopped beating, but whose mind is at work more actively and more accurately than it has ever worked before, is a thing highly sane as to its words.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading A friend seeing him would cross the street to ask what was the matter.

yetconjunctionUS /jet/

but in spite of that

From this reading It must be done quietly, rapidly, and yet the impression must be created, which is created upon Balthasar, that Romeo is not in his right mind.

Chapter 4 of Emerson and Other Essays by John Jay Chapman holds 455 sentences, grouped into 91 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of Emerson and Other Essays contain?

Chapter 4 holds 455 sentences of Emerson and Other Essays, unabridged, divided into 91 reading sections.

This page carries chapter 4 of Emerson and Other Essays by John Jay Chapman exactly as it stands in the source edition, without abridgement. It runs to 455 sentences, grouped into 91 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of Emerson and Other Essays?

Work through the 91 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 91 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

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Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

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Questions about reading Emerson and Other Essays

Common questions about reading Emerson and Other Essays by John Jay Chapman on this page, its source edition and its audio.

Is this the complete text of Emerson and Other Essays?

Yes. All 2294 sentences of Project Gutenberg eBook #13088 are kept, with a record of which sentences cover which part.

Which edition of Emerson and Other Essays is used?

Project Gutenberg eBook #13088, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Emerson and Other Essays take to read?

About 191 minutes of reading across 459 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in Emerson and Other Essays

Words and structures a reader meets early in Emerson and Other Essays, each tappable for pronunciation and meaning.

Library
A word that appears in the opening chapter of Emerson and Other Essays; the reader can tap it to hear it and see its dictionary entry.
Congress
A word that appears in the opening chapter of Emerson and Other Essays; the reader can tap it to hear it and see its dictionary entry.
Catalog
A word that appears in the opening chapter of Emerson and Other Essays; the reader can tap it to hear it and see its dictionary entry.
Number
A word that appears in the opening chapter of Emerson and Other Essays; the reader can tap it to hear it and see its dictionary entry.