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English Caricature and Satire on Napoleon I. Volume 1 (of 2)
English Caricature and Satire on Napoleon I. Volume 1 (of 2)

Chapter XXXIV

Chapter 34 of English Caricature and Satire on Napoleon I. Volume 1 (of 2) is here in full — 112 sentences across 23 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/22 · 5 lines
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INVASION SQUIBS, _continued_--THE BOTTLE CONJUROR--PIDCOCK’S MENAGERIE.
In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.
The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’
The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.
With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

English Caricature and Satire on Napoleon I. Volume 1 (of 2)

Chapter XXXIV

Chapter 34 of English Caricature and Satire on Napoleon I. Volume 1 (of 2) is here in full — 112 sentences across 23 reading sections, with audio for every sentence and word.

Reading 1/22 · 5 reading units · Lines 1–5

Line 1
INVASION SQUIBS, _continued_--THE BOTTLE CONJUROR--PIDCOCK’S MENAGERIE.
Line 2
In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.
Line 3
The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’
Line 4
The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.
/ðə beɪt tʊk ənd ðə ˈθiːətər wɑːz ˈkraʊdəd ˈpeɪʃəns wɑːz ɪɡˈzɔːstɪd ənd sʌm wʌn ɪn ðə pɪt ˈkɔːlɪŋ aʊt ðæt fɔːr ˈdʌbəl ˈpraɪsəz ðə ˈkɑːndʒərʌr wɪl ɡoʊ ˈɪntuː ə paɪnt ˈbɑːtəl æn ˈʌprɔːr bɪˈɡæn wɪtʃ ˈendəd ɪn ðə ˈrekədʒ ʌv ðə haʊs wɪtʃ wɑːz meɪd ˈɪntuː ə ˈbɑːnfaɪər ˈaʊtˈsaɪd ənd ðə ˈkæriɪŋ ɔːf ʌv ðə ˈtreʒəri/
Line 5
With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

conjurer noun US /ˈkɑːndʒərʌr/

someone who performs magic tricks to amuse an audience

From this reading “The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.”

conjuror noun US /ˈkɑːndʒərər/

someone who performs magic tricks to amuse an audience

From this reading “INVASION SQUIBS, _continued_--THE BOTTLE CONJUROR--PIDCOCK’S MENAGERIE.”

Corsican adjective US /ˈkɔːrsəkən/

of or relating to or characteristic of Corsica or its people

From this reading “With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.”

ejected verb US /ɪˈdʒektɪd/

past form of “eject” — put out or expel from a place

From this reading “With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.”

equivocation noun US /ɪkwɪvəˈkeɪʃən/

a statement that is not literally false but that cleverly avoids an unpleasant truth

From this reading “The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’”

hoax noun US /hoʊks/

something intended to deceive; deliberate trickery intended to gain an advantage

From this reading “In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.”

labelled adjective US /ˈleɪbəld/

bearing or marked with a label or tag

From this reading “With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.”

menagerie noun US /məˈnædʒəri/

a collection of live animals for study or display

From this reading “INVASION SQUIBS, _continued_--THE BOTTLE CONJUROR--PIDCOCK’S MENAGERIE.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

quart bottle noun + noun

In this reading “The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’”

pint bottle noun + noun

In this reading “The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.”

private room adjective + noun

In this reading “The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’”

carrying off verb + particle counted as “carry off”

be successful; achieve a goal

In this reading “The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.”

go back verb + particle

belong to an earlier time

In this reading “In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.”

some minutes adjective + noun

In this reading “The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’”

on the stage preposition + article + noun counted as “on … stage”

In this reading “The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’”

In order preposition + noun

in a state of proper readiness or preparation or arrangement

In this reading “In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.”

All words in this reading · 165

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

16

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.

17

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

1749

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.

1803

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.

advertisedadjectiveUS /ˈædvərtaɪzd/

called to public attention

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

airnounUS /er/

a mixture of gases (especially oxygen) required for breathing; the stuff that the wind consists of

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

aliveadjectiveUS /əˈlaɪv/

possessing life

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

armedadjectiveUS /ɑːrmd/

(used of persons or the military) characterized by having or bearing arms

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

atprepositionUS /æt/

in or near a particular place or position

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

AugustnounUS /ˈɑːɡəst/

the month following July and preceding September

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

backadverbUS /bæk/

in or to or toward a former location

From this reading In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.

baitverbUS /beɪt/

harass with persistent criticism or carping

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

beganverbUS /bɪˈɡæn/

inflected form of “begin” — take the first step or steps in carrying out an action

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

betteradjectiveUS /ˈbetər/

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

blowingnounUS /ˈbloʊɪŋ/

processing that involves blowing a gas

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

bonfirenounUS /ˈbɑːnfaɪər/

a large outdoor fire that is lighted as a signal or in celebration

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

BOTTLEnounUS /ˈbɑːtəl/

a glass or plastic vessel used for storing drinks or other liquids; typically cylindrical without handles and with a narrow neck that can be plugged or capped

From this reading INVASION SQUIBS, _continued_--THE BOTTLE CONJUROR--PIDCOCK’S MENAGERIE.

Bottle-Conjurer

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

Britannia

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

BritishnounUS /ˈbrɪtɪʃ/

the people of Great Britain

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

byprepositionUS /baɪ/

showing who or what does the action

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

cnounUS /siː/

a degree on the centigrade scale of temperature

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

callingnounUS /ˈkɔːlɪŋ/

the particular occupation for which you are trained

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

canenounUS /keɪn/

a stick that people can lean on to help them walk

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

caricatureverbUS /ˈkerəkətʃər/

represent in or produce a caricature of

From this reading In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.

carryingverbUS /ˈkæriɪŋ/

-ing form of “carry” — move while supporting, either in a vehicle or in one's hands or on one's body

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

commonadjectiveUS /ˈkɑːmən/

belonging to or participated in by a community as a whole; public

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

composedadjectiveUS /kəmˈpoʊzd/

serenely self-possessed and free from agitation especially in times of stress

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

conditionnounUS /kənˈdɪʃən/

a state at a particular time

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

conjurernounUS /ˈkɑːndʒərʌr/

someone who performs magic tricks to amuse an audience

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

CONJURORnounUS /ˈkɑːndʒərər/

someone who performs magic tricks to amuse an audience

From this reading INVASION SQUIBS, _continued_--THE BOTTLE CONJUROR--PIDCOCK’S MENAGERIE.

continuedadjectiveUS /kənˈtɪnjuːd/

without stop or interruption

From this reading INVASION SQUIBS, _continued_--THE BOTTLE CONJUROR--PIDCOCK’S MENAGERIE.

converseverbUS /ˈkɑːnvərs/

carry on a conversation

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

CorsicanadjectiveUS /ˈkɔːrsəkən/

of or relating to or characteristic of Corsica or its people

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

CouragenounUS /ˈkɜːrədʒ/

a quality of spirit that enables you to face danger or pain without showing fear

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

crowdedadjectiveUS /ˈkraʊdəd/

overfilled or compacted or concentrated

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

Cruikshank

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

deadadjectiveUS /ded/

no longer having or seeming to have or expecting to have life

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

declareverbUS /dɪˈkler/

state emphatically and authoritatively

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

disorganisedadjective

lacking order or methodical arrangement or function

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

doubleverbUS /ˈdʌbəl/

increase twofold

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

ejectedverbUS /ɪˈdʒektɪd/

past form of “eject” — put out or expel from a place

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

endedadjectiveUS /ˈendəd/

having come or been brought to a conclusion

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

equivocationnounUS /ɪkwɪvəˈkeɪʃən/

a statement that is not literally false but that cleverly avoids an unpleasant truth

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

eveningnounUS /ˈiːvnɪŋ/

the latter part of the day (the period of decreasing daylight from late afternoon until nightfall)

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

exhaustedadjectiveUS /ɪɡˈzɔːstɪd/

drained of energy or effectiveness; extremely tired; completely exhausted

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

extremelyadverbUS /ekˈstriːmli/

to a high degree or extent; favorably or with much respect

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

famousadjectiveUS /ˈfeɪməs/

widely known and esteemed

From this reading In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

Gentleman'snounUS /ˈdʒentəlmʌnz/

possessive form of “gentleman” — a man of refinement

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

getverbUS /ɡet/

come into the possession of something concrete or abstract

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

goverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.

handleverbUS /ˈhændəl/

be in charge of, act on, or dispose of

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

Hay-market

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

helmed

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

hoaxnounUS /hoʊks/

something intended to deceive; deliberate trickery intended to gain an advantage

From this reading In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.

instrumentnounUS /ˈɪnstrəmənt/

a device that requires skill for proper use

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

introductionnounUS /ˌɪntrəˈdʌkʃən/

the act of beginning something new

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

INVASIONnounUS /ˌɪnˈveɪʒən/

the act of invading; the act of an army that invades for conquest or plunder

From this reading INVASION SQUIBS, _continued_--THE BOTTLE CONJUROR--PIDCOCK’S MENAGERIE.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.

JanuarynounUS /ˈdʒænjuːeri/

the first month of the year; begins 10 days after the winter solstice

From this reading In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.

labelledadjectiveUS /ˈleɪbəld/

bearing or marked with a label or tag

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

LibertynounUS /ˈlɪb.ər.ti/

The state of being free within society from oppressive restrictions on one's way of life.

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

LoyaltynounUS /ˈlɔɪəlti/

the quality of being loyal

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

MagazinenounUS /ˈmæɡəziːn/

a periodic publication containing pictures and stories and articles of interest to those who purchase it or subscribe to it

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

mask'd

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

MENAGERIEnounUS /məˈnædʒəri/

a collection of live animals for study or display

From this reading INVASION SQUIBS, _continued_--THE BOTTLE CONJUROR--PIDCOCK’S MENAGERIE.

minutesnounUS /ˈmɪnəts/

a written account of what transpired at a meeting

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

monthnounUS /mʌnθ/

one of the twelve divisions of the calendar year

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

mouthnounUS /maʊθ/

the opening through which food is taken in and vocalizations emerge

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

musicnounUS /ˈmjuːzɪk/

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

NapoleonnounUS /nəˈpoʊliən/

French general who became emperor of the French (1769-1821)

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

necessaryadjectiveUS /ˈnesəseri/

absolutely essential

From this reading In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.

nextadjectiveUS /nekst/

immediately following in time or order

From this reading In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

offadverbUS /ɔːf/

from a particular thing or place or position (“forth” is obsolete)

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

ordernounUS /ˈɔːrdər/

(often plural) a command given by a superior (e.g., a military or law enforcement officer) that must be obeyed

From this reading In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

outsideadjectiveUS /ˈaʊtˈsaɪd/

relating to or being on or near the outer side or limit

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

partynounUS /ˈpɑːrti/

an organization to gain political power

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

patiencenounUS /ˈpeɪʃəns/

good-natured tolerance of delay or incompetence

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

perfectionnounUS /pərˈfekʃən/

the state of being without a flaw or defect

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

personnounUS /ˈpɜːrsən/

a human being

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

PIDCOCK'S

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading INVASION SQUIBS, _continued_--THE BOTTLE CONJUROR--PIDCOCK’S MENAGERIE.

pintnounUS /paɪnt/

a British imperial capacity measure (liquid or dry) equal to 4 gills or 568.26 cubic centimeters

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

pitnounUS /pɪt/

A large hole in the ground, or an abyss of darkness and peril.

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

playverbUS /pleɪ/

participate in games or sport

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

playedadjectiveUS /pleɪd/

(of games) engaged in

From this reading In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.

pricesnounUS /ˈpraɪsəz/

plural of “price” — the property of having material worth (often indicated by the amount of money something would bring if sold)

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

privateadjectiveUS /ˈpraɪvət/

confined to particular persons or groups or providing privacy

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

produceverbUS /prəˈduːs/

bring forth or yield

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

publicnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.

quartnounUS /kwɔːrt/

a United States liquid unit equal to 32 fluid ounces; four quarts equal one gallon

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

ReligionnounUS /rɪˈlɪdʒən/

a strong belief in a supernatural power or powers that control human destiny

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

representationnounUS /ˌreprəzenˈteɪʃən/

a presentation to the mind in the form of an idea or image

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

representsverbUS /ˌreprɪˈzents/

third-person singular of “represent” — take the place of or be parallel or equivalent to

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

requestedadjectiveUS /rɪˈkwestɪd/

asked for

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

requestingverbUS /rɪˈkwestɪŋ/

-ing form of “request” — express the need or desire for

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

saysnounUS /sez/

plural of “say” — the chance to speak

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

seatedadjectiveUS /ˈsiːtɪd/

(of persons) having the torso erect and legs bent with the body supported on the buttocks

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

severaladjectiveUS /ˈsevrəl/

(used with count nouns) of an indefinite number more than 2 or 3 but not many

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

shieldnounUS /ʃiːld/

a protective covering or structure

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

singverbUS /sɪŋ/

deliver by singing

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

songsnounUS /sɔːŋz/

plural of “song” — a short musical composition with words

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

spearnounUS /spɪr/

a long pointed rod used as a tool or weapon

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

spectatornounUS /ˈspekteɪtər/

a close observer; someone who looks at something (such as an exhibition of some kind)

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

SpiritsnounUS /ˈspɪrɪts/

an alcoholic beverage that is distilled rather than fermented

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

SQUIBS

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading INVASION SQUIBS, _continued_--THE BOTTLE CONJUROR--PIDCOCK’S MENAGERIE.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

sufferverbUS /ˈsʌfər/

undergo or be subjected to

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

surprisingadjectiveUS /sərˈpraɪzɪŋ/

causing surprise or wonder or amazement

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

tavernnounUS /ˈtævərn/

a building with a bar that is licensed to sell alcoholic drinks

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading INVASION SQUIBS, _continued_--THE BOTTLE CONJUROR--PIDCOCK’S MENAGERIE.

TheatrenounUS /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

thereadverbUS /ðer/

in or at that place or location

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.

tookverbUS /tʊk/

inflected form of “take” — carry out

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

treasurynounUS /ˈtreʒəri/

the funds of a government or institution or individual

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

TrueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

understandverbUS /ˌʌndərˈstænd/

know and comprehend the nature or meaning of

From this reading In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

uproarnounUS /ˈʌprɔːr/

a state of commotion and noise and confusion

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

usedadjectiveUS /juːzd/

employed in accomplishing something

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

violentlyadverbUS /ˈvaɪələntli/

in a violent manner

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

walkingadjectiveUS /ˈwɔːkɪŋ/

close enough to be walked to

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading With this introduction we can the better understand ‘Britannia blowing up the Corsican Bottle-Conjurer,’ by I. Cruikshank (August 17, 1803), which represents Napoleon being violently ejected into the air, in an extremely disorganised condition, from the mouth of a bottle which is labelled ‘British Spirits composed of True Liberty, Courage, Loyalty and Religion,’ and in which is seated Britannia, helmed, and armed with spear and shield.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

whenconjunctionUS /wen/

at the time that

From this reading In order to understand the next caricature, it is necessary to go back to January 16, 1749, when a famous hoax was played on the public.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

whileconjunctionUS /waɪl/

during the time that

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

whopronounUS /huː/

which person or people

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

withprepositionUS /wɪð/

in the company of; together with

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading The ‘Gentleman’s Magazine’ for that month says, ‘A person advertised that he would, this evening, at the _Theatre_ in the _Hay-market_, play on a common walking cane the music of every instrument now used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation; and while there, sing several songs, and suffer any spectator to handle the bottle; that, if any spectator should come mask’d, he would, if requested, declare who they were; that, in a private room, he would produce the representation of any person dead, with which the party requesting it could converse some minutes as if alive, &c.’

wreckagenounUS /ˈrekədʒ/

the remaining parts of something that has been wrecked

From this reading The bait took, and the theatre was crowded: patience was exhausted, and some one in the pit calling out that ‘For double prices, the conjurer will go into a pint bottle,’ an uproar began, which ended in the wreckage of the house, which was made into a bonfire outside, and the carrying off of the treasury.

Chapter 34 of English Caricature and Satire on Napoleon I. Volume 1 (of 2) by John Ashton holds 112 sentences, grouped into 23 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 34 of English Caricature and Satire on Napoleon I. Volume 1 (of 2) contain?

Chapter 34 holds 112 sentences of English Caricature and Satire on Napoleon I. Volume 1 (of 2), unabridged, divided into 23 reading sections.

This page carries chapter 34 of English Caricature and Satire on Napoleon I. Volume 1 (of 2) by John Ashton exactly as it stands in the source edition, without abridgement. It runs to 112 sentences, grouped into 23 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 34 of English Caricature and Satire on Napoleon I. Volume 1 (of 2)?

Work through the 23 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 23 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

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Vocabulary met early in English Caricature and Satire on Napoleon I. Volume 1 (of 2)

Words and structures a reader meets early in English Caricature and Satire on Napoleon I. Volume 1 (of 2), each tappable for pronunciation and meaning.

Superscripted
A word that appears in the opening chapter of English Caricature and Satire on Napoleon I. Volume 1 (of 2); the reader can tap it to hear it and see its dictionary entry.
Characters
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Preceded
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Caret
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