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English Caricaturists and Graphic Humourists
English Caricaturists and Graphic Humourists

Chapter XII · Chapter 12

Chapter 12 of English Caricaturists and Graphic Humourists is here in full — 300 sentences across 60 reading sections, with audio for every sentence and word.

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_ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.
With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.
This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.
That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.
Robert Seymour was born in 1798.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
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A keeper or guardian of historical records and memories.

English Caricaturists and Graphic Humourists

Chapter XII · Chapter 12

Chapter 12 of English Caricaturists and Graphic Humourists is here in full — 300 sentences across 60 reading sections, with audio for every sentence and word.

Reading 1/60 · 5 reading units · Lines 1–5

Line 1
_ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.
Line 2
With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.
Line 3
This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.
Line 4
That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.
Line 5
Robert Seymour was born in 1798.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

affixed adjective US /əˈfɪkst/

firmly attached

From this reading “That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.”

amounted verb US /əˈmaʊntɪd/

past form of “amount” — be tantamount or equivalent to

From this reading “With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.”

caricatures noun US /kərˈɪkətʃərz/

plural of “caricature” — a representation of a person that is exaggerated for comic effect

From this reading “That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.”

contemporaries noun US /kənˈtempəreriz/

all the people living at the same time or of approximately the same age

From this reading “_ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.”

discontinued adjective US /dɪskənˈtɪnjuːd/

stopped permanently or temporarily

From this reading “That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.”

emulate verb US /ˈemjəleɪt/

strive to equal or match, especially by imitating

From this reading “That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.”

irritable adjective US /ˈɪrətəbəl/

easily irritated or annoyed

From this reading “That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.”

seymour noun US /ˈsiːmɔːr/

Queen of England as the third wife of Henry VIII and mother of Edward VI (1509-1537)

From this reading “_ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

in order preposition + noun

in a state of proper readiness or preparation or arrangement

In this reading “_ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.”

name of verb + particle

In this reading “That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.”

by the fact preposition + article + noun counted as “by … fact”

In this reading “That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.”

All words in this reading · 101

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1798

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Robert Seymour was born in 1798.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

ableadjectiveUS /ˈeɪbəl/

(usually followed by “to”) having the necessary means or skill or know-how or authority to do something

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

affixedadjectiveUS /əˈfɪkst/

firmly attached

From this reading That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

amongstprepositionUS /əˈmʌŋst/

surrounded by; in the company of

From this reading _ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.

amountedverbUS /əˈmaʊntɪd/

past form of “amount” — be tantamount or equivalent to

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

associatedverbUS /əˈsoʊsieɪtɪd/

past form of “associate” — make a logical or causal connection

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

bearverbUS /ber/

have

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

bornadjectiveUS /bɔːrn/

brought into existence

From this reading Robert Seymour was born in 1798.

byprepositionUS /baɪ/

showing who or what does the action

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

caricaturesnounUS /kərˈɪkətʃərz/

plural of “caricature” — a representation of a person that is exaggerated for comic effect

From this reading That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.

choseverbUS /tʃoʊz/

inflected form of “choose” — pick out, select, or choose from a number of alternatives

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

clearlyadverbUS /ˈklɪrli/

without doubt or question

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

comesnounUS /kʌmz/

plural of “come” — the thick white fluid containing spermatozoa that is ejaculated by the male genital tract

From this reading _ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.

comicadjectiveUS /ˈkɑːmɪk/

arousing or provoking laughter

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

comparisonnounUS /kəmˈperəsən/

the act of examining resemblances

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

contemporariesnounUS /kənˈtempəreriz/

all the people living at the same time or of approximately the same age

From this reading _ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.

Cruikshank

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.

DecidedlyadverbUS /ˌdɪˈsaɪdədli/

without question and beyond doubt

From this reading _ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.

designnounUS /dɪˈzaɪn/

the act of working out the form of something (as by making a sketch or outline or plan)

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

discontinuedadjectiveUS /dɪskənˈtɪnjuːd/

stopped permanently or temporarily

From this reading That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.

draughtsmannoun

a skilled worker who draws plans of buildings or machines

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

drewnounUS /druː/

United States actor (born in Ireland); father of Georgiana Emma Barrymore (1827-1862)

From this reading That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.

earlieradverbUS /ˈɜːrliər/

earlier in time; previously

From this reading That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.

emulateverbUS /ˈemjəleɪt/

strive to equal or match, especially by imitating

From this reading That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

exceptprepositionUS /ɪkˈsept/

apart from; not including

From this reading _ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.

factnounUS /fækt/

a piece of information about circumstances that exist or events that have occurred

From this reading That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.

favourableadjective

encouraging or approving or pleasing

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

findverbUS /faɪnd/

come upon, as if by accident; meet with

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

foundedverbUS /ˈfaʊndɪd/

past form of “found” — set up or found

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.

geniusnounUS /ˈdʒiːnjəs/

someone who has exceptional intellectual ability and originality

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

GeorgenounUS /dʒɔːrdʒ/

Christian martyr; patron saint of England; hero of the legend of Saint George and the Dragon in which he slew a dragon and saved a princess (?-303)

From this reading _ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading _ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading _ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading _ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.

inspirationnounUS /ˌɪnspərˈeɪʃən/

arousal of the mind to special unusual activity or creativity

From this reading That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.

inventionnounUS /ˌɪnˈvenʃən/

the creation of something in the mind

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

irritableadjectiveUS /ˈɪrətəbəl/

easily irritated or annoyed

From this reading That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.

LanenounUS /leɪn/

a narrow way or road

From this reading _ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.

latteradjectiveUS /ˈlætər/

referring to the second of two things or persons mentioned (or the last one or ones of several)

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

mannernounUS /ˈmænər/

how something is done or how it happens

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

masternounUS /ˈmæstər/

an artist of consummate skill

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

meritnounUS /ˈmerət/

any admirable quality or attribute

From this reading _ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.

mostadverbUS /moʊst/

used to form the superlative

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

nameverbUS /neɪm/

assign a specified (usually proper) proper name to

From this reading That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.

nextadjectiveUS /nekst/

immediately following in time or order

From this reading _ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading _ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading _ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.

ordernounUS /ˈɔːrdər/

(often plural) a command given by a superior (e.g., a military or law enforcement officer) that must be obeyed

From this reading _ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.

originaladjectiveUS /ərˈɪdʒənəl/

preceding all others in time or being as first made or performed

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

ownverbUS /oʊn/

have ownership or possession of

From this reading _ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.

peculiaradjectiveUS /pəˈkjuːljər/

beyond or deviating from the usual or expected

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

powernounUS /ˈpaʊər/

possession of controlling influence

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

practicenounUS /ˈpræktəs/

a customary way of operation or behavior

From this reading That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.

realizationnounUS /ˈriːləˈzeɪʃən/

coming to understand something clearly and distinctly

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

receivingverbUS /rəˈsiːvɪŋ/

-ing form of “receive” — get something; come into possession of

From this reading That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.

remonstrancenoun

the act of expressing earnest opposition or protest

From this reading That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.

respectnounUS /rɪˈspekt/

(usually preceded by “in”) a detail or point

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

ROBERTnounUS /ˈrɑːbərt/

United States parliamentary authority and author (in 1876) of Robert's Rules of Order (1837-1923)

From this reading _ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.

selectedadjectiveUS /səˈlektɪd/

chosen in preference to another

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

SEYMOURnounUS /ˈsiːmɔːr/

Queen of England as the third wife of Henry VIII and mother of Edward VI (1509-1537)

From this reading _ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.

Shortshanks

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.

shownverbUS /ʃoʊn/

inflected form of “show” — give an exhibition of to an interested audience

From this reading That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.

soughtadjectiveUS /sɔːt/

that is looked for

From this reading That he drew his inspiration from and sought even to emulate Cruikshank, is shown by the fact that to some of his earlier caricatures he affixed the name of "Shortshanks," a practice which he discontinued on receiving a remonstrance from the irritable George.

stylenounUS /staɪl/

how something is done or how it happens

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

subjectsnounUS /ˈsʌbdʒɪkts/

plural of “subject” — the subject matter of a conversation or discussion

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

superioradjectiveUS /suːˈpɪriər/

of high or superior quality or performance

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

Theodore

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading _ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.

treatedadjectiveUS /ˈtriːtɪd/

subjected to a physical (or chemical) treatment or action or agent

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

unfrequently

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading _ROBERT SEYMOUR._ Decidedly next in order of merit to George Cruikshank, amongst his own contemporaries, if we except only Theodore Lane, comes Robert Seymour.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

whenconjunctionUS /wen/

at the time that

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

whompronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

WithprepositionUS /wɪð/

in the company of; together with

From this reading With a style and manner peculiar to himself, and a power of invention and realization which amounted almost to genius, Seymour was superior in every respect to Robert Cruikshank, with whom we find him not unfrequently associated in comic design.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading This style and manner were clearly founded on those of George Cruikshank; and when he selected (as he not unfrequently did) subjects which had been treated by the latter, the work of this most able draughtsman will bear even favourable comparison with that of the great original whom he chose as his master.

Chapter 12 of English Caricaturists and Graphic Humourists by Graham Everitt holds 300 sentences, grouped into 60 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 12 of English Caricaturists and Graphic Humourists contain?

Chapter 12 holds 300 sentences of English Caricaturists and Graphic Humourists, unabridged, divided into 60 reading sections.

This page carries chapter 12 of English Caricaturists and Graphic Humourists by Graham Everitt exactly as it stands in the source edition, without abridgement. It runs to 300 sentences, grouped into 60 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 12 of English Caricaturists and Graphic Humourists?

Work through the 60 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 60 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

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Yes — every sentence and every individual word in chapter 12 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading English Caricaturists and Graphic Humourists

Common questions about reading English Caricaturists and Graphic Humourists by Graham Everitt on this page, its source edition and its audio.

Is this the complete text of English Caricaturists and Graphic Humourists?

Yes. All 4292 sentences of Project Gutenberg eBook #31195 are kept, with a record of which sentences cover which part.

Which edition of English Caricaturists and Graphic Humourists is used?

Project Gutenberg eBook #31195, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does English Caricaturists and Graphic Humourists take to read?

About 357 minutes of reading across 859 sections of 5 sentences each, at an unhurried pace.

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How to work through English Caricaturists and Graphic Humourists section by section, using the audio and the tap-to-define vocabulary.

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Vocabulary met early in English Caricaturists and Graphic Humourists

Words and structures a reader meets early in English Caricaturists and Graphic Humourists, each tappable for pronunciation and meaning.

Side-notes
A word that appears in the opening chapter of English Caricaturists and Graphic Humourists; the reader can tap it to hear it and see its dictionary entry.
Moved
A word that appears in the opening chapter of English Caricaturists and Graphic Humourists; the reader can tap it to hear it and see its dictionary entry.
Respective
A word that appears in the opening chapter of English Caricaturists and Graphic Humourists; the reader can tap it to hear it and see its dictionary entry.
Paragraph's
A word that appears in the opening chapter of English Caricaturists and Graphic Humourists; the reader can tap it to hear it and see its dictionary entry.