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English Critical Essays: Nineteenth Century
English Critical Essays: Nineteenth Century

Chapter II · Chapter 2

Chapter 2 of English Critical Essays: Nineteenth Century is here in full — 375 sentences across 75 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/75 · 5 lines
English subtitles · tap any word to listen 1 / 5
One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.
‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.
Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.
Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.
There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

English Critical Essays: Nineteenth Century

Chapter II · Chapter 2

Chapter 2 of English Critical Essays: Nineteenth Century is here in full — 375 sentences across 75 reading sections, with audio for every sentence and word.

Reading 1/75 · 5 reading units · Lines 1–5

Line 1
One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.
/wʌn pɔɪnt ðen əˈloʊn rɪˈmeɪnz bʌt ðæt ðə moʊst ˌɪmˈpɔːrtənt ɪts ɪɡˌzæməˈneɪʃən ˈhævɪŋ bɪn ˌɪnˈdiːd maɪ tʃiːf ˌɪnˈduːsmənt fɔːr ðə priˈsiːdɪŋ ˌɪn.kwɪˈzɪʃ.ən/
Line 2
‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.
Line 3
Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.
/naʊ proʊz ˌɪtˈself æt liːst ɪn ɔːl ˌɑːrɡjəˈmentətɪv ənd kənˈsɛk.jə.tɪv wɜːrks ˈdɪfərz ənd ɔːt tuː ˈdɪfər frʌm ðə ˈlæŋɡwədʒ ʌv ˌkɑːnvərˈseɪʃən ˈiːvɪn æz ˈriːdɪŋ ɔːt tuː ˈdɪfər frʌm ˈtɔːkɪŋ/
Line 4
Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.
Line 5
There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

argumentative adjective US /ˌɑːrɡjəˈmentətɪv/

given to or characterized by argument

From this reading “Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.”

consecutive adjective US /kənˈsɛk.jə.tɪv/

Following continuously in unbroken sequence.

From this reading “Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.”

differs verb US /ˈdɪfərz/

third-person singular of “differ” — be different

From this reading “Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.”

inducement noun US /ˌɪnˈduːsmənt/

a positive motivational influence

From this reading “One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.”

inquisition noun US /ˌɪn.kwɪˈzɪʃ.ən/

A period of prolonged and intensive questioning or investigation.

From this reading “One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.”

metrical adjective US /ˈmetrɪkəl/

based on the meter as a standard of measurement

From this reading “‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.”

paradoxes noun US /ˈperədɑːksɪz/

plural of “paradox” — (logic) a statement that contradicts itself

From this reading “There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.”

styles noun US /staɪlz/

plural of “style” — how something is done or how it happens

From this reading “Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

essential difference adjective + noun

In this reading “‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.”

most important adverb + adjective

In this reading “One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.”

differ from verb + particle

In this reading “Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.”

ordinary conversation noun + noun

In this reading “Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.”

shrunk into verb + particle counted as “shrink into”

In this reading “There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.”

mere words adjective + noun

In this reading “Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.”

in the dark preposition + article + noun counted as “in … dark”

In this reading “There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.”

in the history preposition + article + noun counted as “in … history”

In this reading “There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.”

All words in this reading · 118

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

admittedverbUS /ədˈmɪtɪd/

inflected form of “admit” — declare to be true or admit the existence or reality or truth of

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.

aloneadjectiveUS /əˈloʊn/

Having no one else present.

From this reading One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading ‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading ‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.

apparentadjectiveUS /əˈperənt/

clearly revealed to the mind or the senses or judgment

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

argumentativeadjectiveUS /ˌɑːrɡjəˈmentətɪv/

given to or characterized by argument

From this reading Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.

assertionnounUS /əˈsɜːrʃən/

a declaration that is made emphatically (as if no supporting evidence were necessary)

From this reading ‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.

atprepositionUS /æt/

in or near a particular place or position

From this reading Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading ‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading ‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading ‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.

catnounUS /kæt/

feline mammal usually having thick soft fur and no ability to roar: domestic cats; wildcats

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

chiefnounUS /tʃiːf/

a person who is in charge

From this reading One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.

commonadjectiveUS /ˈkɑːmən/

belonging to or participated in by a community as a whole; public

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

compositionnounUS /ˌkɑːmpəˈzɪʃən/

the spatial property resulting from the arrangement of parts in relation to each other and to the whole

From this reading ‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.

consecutiveadjectiveUS /kənˈsɛk.jə.tɪv/

Following continuously in unbroken sequence.

From this reading Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.

conversationnounUS /ˌkɑːnvərˈseɪʃən/

the use of speech for informal exchange of views or ideas or information etc.

From this reading Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.

darknounUS /dɑːrk/

absence of light or illumination

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

deniedverbUS /dɪˈnaɪd/

inflected form of “deny” — declare untrue; contradict

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

differverbUS /ˈdɪfər/

be different

From this reading Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.

differencenounUS /ˈdɪfərəns/

the quality of being unlike or dissimilar

From this reading ‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.

differsverbUS /ˈdɪfərz/

third-person singular of “differ” — be different

From this reading Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.

distinguishverbUS /dɪˈstɪŋɡwɪʃ/

mark as different

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

essentialadjectiveUS /eˈsenʃəl/

absolutely necessary; vitally necessary

From this reading ‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.

examinationnounUS /ɪɡˌzæməˈneɪʃən/

the act of examining something closely (as for mistakes)

From this reading One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.

examplesnounUS /ɪɡˈzæmpəlz/

plural of “example” — an item of information that is typical of a class or group

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

existverbUS /ɪɡˈzɪst/

have an existence, be extant

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

expectedadjectiveUS /ɪkˈspektəd/

considered likely or probable to happen or arrive

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

eyesnounUS /aɪz/

opinion or judgment

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

fireverbUS /ˈfaɪər/

start firing a weapon

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

flamesnounUS /fleɪmz/

plural of “flame” — the process of combustion of inflammable materials producing heat and light and (often) smoke

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.

greateradjectiveUS /ˈɡreɪtər/

greater in size or importance or degree

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

harmlessadjectiveUS /ˈhɑːrmləs/

not causing or capable of causing harm

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

havingauxiliary verbUS /ˈhævɪŋ/

the -ing form of “have”

From this reading One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.

historynounUS /ˈhɪstəri/

the aggregate of past events

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

importantadjectiveUS /ˌɪmˈpɔːrtənt/

of great significance or value

From this reading One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.

indeedadverbUS /ˌɪnˈdiːd/

in truth (often tends to intensify)

From this reading One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.

inducementnounUS /ˌɪnˈduːsmənt/

a positive motivational influence

From this reading One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.

inquisitionnounUS /ˌɪn.kwɪˈzɪʃ.ən/

A period of prolonged and intensive questioning or investigation.

From this reading One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading ‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.

languagenounUS /ˈlæŋɡwədʒ/

a systematic means of communicating by the use of sounds or conventional symbols

From this reading ‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.

leastadjectiveUS /liːst/

the superlative of “little” that can be used with mass nouns and is usually preceded by “the”; a quantifier meaning smallest in amount or extent or degree

From this reading Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.

literaturenounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

materialsnounUS /məˈtɪriəlz/

plural of “material” — the tangible substance that goes into the makeup of a physical object

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

mereadjectiveUS /mɪr/

being nothing more than specified

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

metricaladjectiveUS /ˈmetrɪkəl/

based on the meter as a standard of measurement

From this reading ‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

mistakenadjectiveUS /mɪˈsteɪkən/

wrong in e.g. opinion or judgment

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

mostadverbUS /moʊst/

used to form the superlative

From this reading One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading ‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.

naturallyadverbUS /ˈnætʃərəli/

as might be expected

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

neitherdeterminerUS /ˈniːðər/

not one and not the other of two

From this reading ‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading ‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

NowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading ‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

OnepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.

ordinarynounUS /ˈɔːrdəneri/

a judge of a probate court

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

ordonnance

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

oughtmodal verbUS /ɔːt/

used with “to” to say what is right or advisable

From this reading Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.

paradoxesnounUS /ˈperədɑːksɪz/

plural of “paradox” — (logic) a statement that contradicts itself

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

poeticadjectiveUS /poʊˈetɪk/

of or relating to poetry

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

pointnounUS /pɔɪnt/

a geometric element that has position but no extension

From this reading One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.

precedingadjectiveUS /priˈsiːdɪŋ/

existing or coming before

From this reading One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.

presumedverbUS /prəˈzuːmd/

past form of “presume” — take to be the case or to be true; accept without verification or proof

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

prosenounUS /proʊz/

ordinary writing as distinguished from verse

From this reading ‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.

publicnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

readingnounUS /ˈriːdɪŋ/

the cognitive process of understanding a written linguistic message

From this reading Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.

remainsnounUS /rɪˈmeɪnz/

any object that is left unused or still extant

From this reading One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.

seenverbUS /siːn/

inflected form of “see” — perceive by sight or have the power to perceive by sight

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

sensenounUS /sens/

a general conscious awareness

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

shrunkverbUS /ʃrʌŋk/

inflected form of “shrink” — wither, as with a loss of moisture

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

startlingadjectiveUS /ˈstɑːrtlɪŋ/

so remarkably different or sudden as to cause momentary shock or alarm

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

stilladjectiveUS /stɪl/

not in physical motion

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

stylenounUS /staɪl/

how something is done or how it happens

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

stylesnounUS /staɪlz/

plural of “style” — how something is done or how it happens

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

SuchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading ‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.

summonedverbUS /ˈsʌmənd/

past form of “summon” — call in an official matter, such as to attend court

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

talkingnounUS /ˈtɔːkɪŋ/

an exchange of ideas via conversation

From this reading Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.

tameverbUS /teɪm/

correct by punishment or discipline

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

termnounUS /tɜːrm/

a word or expression used for some particular thing

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading One point then alone remains, but that the most important; its examination having been, indeed, my chief inducement for the preceding inquisition.

ThereadverbUS /ðer/

in or at that place or location

From this reading ‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.

thereforeadverbUS /ˈðerfɔːr/

for that reason; as a result

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.

truisms

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

truthsnounUS /truːθs/

plural of “truth” — a fact that has been verified

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

universallyadverbUS /ˌjuːnəˈvɜːrsəli/

everywhere

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

UnlessconjunctionUS /ənˈles/

except if; if not

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

wantingadjectiveUS /ˈwɑːntɪŋ/

nonexistent

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

wondernounUS /ˈwʌndər/

the feeling aroused by something strange and surprising

From this reading There are not, indeed, examples wanting in the history of literature, of apparent paradoxes that have summoned the public wonder as new and startling truths, but which, on examination, have shrunk into tame and harmless truisms; as the eyes of a cat, seen in the dark, have been mistaken for flames of fire.

wordsnounUS /wɜːrdz/

the words that are spoken

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

Wordsworth's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ‘_There neither is nor can be any essential difference between the language of prose and metrical composition._’ Such is Mr. Wordsworth’s assertion.

worksnounUS /wɜːrks/

buildings for carrying on industrial labor

From this reading Now prose itself, at least in all argumentative and consecutive works, differs, and ought to differ, from the language of conversation; even as reading ought to differ from talking.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading Unless therefore the difference denied be that of the mere words, as materials common to all styles of writing, and not of the style itself in the universally admitted sense of the term, it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose, than is expected to distinguish prose from ordinary conversation.

Chapter 2 of English Critical Essays: Nineteenth Century by Edmund D. (Edmund David) [Editor] Jones holds 375 sentences, grouped into 75 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of English Critical Essays: Nineteenth Century contain?

Chapter 2 holds 375 sentences of English Critical Essays: Nineteenth Century, unabridged, divided into 75 reading sections.

This page carries chapter 2 of English Critical Essays: Nineteenth Century by Edmund D. (Edmund David) [Editor] Jones exactly as it stands in the source edition, without abridgement. It runs to 375 sentences, grouped into 75 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of English Critical Essays: Nineteenth Century?

Work through the 75 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 75 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading English Critical Essays: Nineteenth Century

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Is this the complete text of English Critical Essays: Nineteenth Century?

Yes. All 5718 sentences of Project Gutenberg eBook #31283 are kept, with a record of which sentences cover which part.

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Project Gutenberg eBook #31283, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does English Critical Essays: Nineteenth Century take to read?

About 476 minutes of reading across 1144 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in English Critical Essays: Nineteenth Century

Words and structures a reader meets early in English Critical Essays: Nineteenth Century, each tappable for pronunciation and meaning.

Present
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Selection
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English
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Critical
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