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English Critical Essays: Nineteenth Century
English Critical Essays: Nineteenth Century

Chapter VIII · Chapter 8

Chapter 8 of English Critical Essays: Nineteenth Century is here in full — 363 sentences across 73 reading sections, with audio for every sentence and word.

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JAMES HENRY LEIGH HUNT 1784-1859 AN ANSWER TO THE QUESTION WHAT IS POETRY?
(1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.
Its means are whatever the universe contains; and its ends, pleasure and exaltation.
Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.
Poetry is a passion,[25] because it seeks the deepest impressions; and because it must undergo, in order to convey, them.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

English Critical Essays: Nineteenth Century

Chapter VIII · Chapter 8

Chapter 8 of English Critical Essays: Nineteenth Century is here in full — 363 sentences across 73 reading sections, with audio for every sentence and word.

Reading 1/72 · 5 reading units · Lines 1–5

Line 1
JAMES HENRY LEIGH HUNT 1784-1859 AN ANSWER TO THE QUESTION WHAT IS POETRY?
Line 2
(1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.
Line 3
Its means are whatever the universe contains; and its ends, pleasure and exaltation.
Line 4
Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.
Line 5
Poetry is a passion,[25] because it seeks the deepest impressions; and because it must undergo, in order to convey, them.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

artistically adverb US /ɑːrˈtɪstɪkli/

in an artistic manner

From this reading “(1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.”

conceptions noun US /kənˈsepʃənz/

plural of “conception” — an abstract or general idea inferred or derived from specific instances

From this reading “(1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.”

embodying verb US /ɪmˈbɑːdiɪŋ/

-ing form of “embody” — represent in bodily form

From this reading “(1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.”

enduring adjective US /enˈdjʊrɪŋ/

lasting a long time

From this reading “Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.”

illustrating verb US /ˈɪləstreɪtɪŋ/

-ing form of “illustrate” — clarify by giving an example of

From this reading “(1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.”

leigh noun US /liː/

English film actress (1913-1967)

From this reading “JAMES HENRY LEIGH HUNT 1784-1859 AN ANSWER TO THE QUESTION WHAT IS POETRY?”

undergo verb US /ˌʌndərˈɡoʊ/

pass through

From this reading “Poetry is a passion,[25] because it seeks the deepest impressions; and because it must undergo, in order to convey, them.”

uniformity noun US /ˌjuːnəˈfɔːrməti/

a condition in which everything is regular and unvarying

From this reading “(1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

deepest impressions adjective + noun counted as “deep impression”

In this reading “Poetry is a passion,[25] because it seeks the deepest impressions; and because it must undergo, in order to convey, them.”

poetic feeling adjective + noun

In this reading “(1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.”

most enduring adverb + adjective

In this reading “Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.”

spiritual world adjective + noun

a belief that there is a realm controlled by a divine spirit

In this reading “Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.”

stands between verb + particle counted as “stand between”

In this reading “Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.”

in order preposition + noun

in a state of proper readiness or preparation or arrangement

In this reading “Poetry is a passion,[25] because it seeks the deepest impressions; and because it must undergo, in order to convey, them.”

all things adjective + noun

In this reading “Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.”

found in verb + particle

In this reading “Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.”

All words in this reading · 112

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1784

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading JAMES HENRY LEIGH HUNT 1784-1859 AN ANSWER TO THE QUESTION WHAT IS POETRY?

1844

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

1859

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading JAMES HENRY LEIGH HUNT 1784-1859 AN ANSWER TO THE QUESTION WHAT IS POETRY?

25

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Poetry is a passion,[25] because it seeks the deepest impressions; and because it must undergo, in order to convey, them.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

aliveadjectiveUS /əˈlaɪv/

possessing life

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

amongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

ANdeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading JAMES HENRY LEIGH HUNT 1784-1859 AN ANSWER TO THE QUESTION WHAT IS POETRY?

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

ANSWERverbUS /ˈænsər/

react verbally

From this reading JAMES HENRY LEIGH HUNT 1784-1859 AN ANSWER TO THE QUESTION WHAT IS POETRY?

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Its means are whatever the universe contains; and its ends, pleasure and exaltation.

artisticallyadverbUS /ɑːrˈtɪstɪkli/

in an artistic manner

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

beautynounUS /ˈbjuːti/

the qualities that give pleasure to the senses

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading Poetry is a passion,[25] because it seeks the deepest impressions; and because it must undergo, in order to convey, them.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

booknounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

byprepositionUS /baɪ/

showing who or what does the action

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

conceptionsnounUS /kənˈsepʃənz/

plural of “conception” — an abstract or general idea inferred or derived from specific instances

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

consideredadjectiveUS /kənˈsɪdərd/

carefully weighed

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

constitutedadjectiveUS /ˈkɑːnstətuːtəd/

brought about or set up or accepted; especially long established

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

containsverbUS /kənˈteɪnz/

third-person singular of “contain” — include or contain; have as a component

From this reading Its means are whatever the universe contains; and its ends, pleasure and exaltation.

conventionnounUS /kənˈvenʃən/

a large formal assembly

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

conveyverbUS /kənˈveɪ/

(of information) make known; pass on

From this reading Poetry is a passion,[25] because it seeks the deepest impressions; and because it must undergo, in order to convey, them.

deepestadjectiveUS /ˈdiːpəst/

superlative of “deep” — relatively deep or strong; affecting one deeply

From this reading Poetry is a passion,[25] because it seeks the deepest impressions; and because it must undergo, in order to convey, them.

embodyingverbUS /ɪmˈbɑːdiɪŋ/

-ing form of “embody” — represent in bodily form

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

endsnounUS /endz/

plural of “end” — either extremity of something that has length

From this reading Its means are whatever the universe contains; and its ends, pleasure and exaltation.

enduringadjectiveUS /enˈdjʊrɪŋ/

lasting a long time

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

enjoymentnounUS /ˌenˈdʒɔɪmənt/

the pleasure felt when having a good time

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

exaltationnoun

a state of being carried away by overwhelming emotion

From this reading Its means are whatever the universe contains; and its ends, pleasure and exaltation.

externaladjectiveUS /ɪkˈstɜːrnəl/

happening or arising or located outside or beyond some limits or especially surface

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

famenounUS /feɪm/

the state or quality of being widely honored and acclaimed

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

fancynounUS /ˈfænsi/

something many people believe that is false

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

feelingnounUS /ˈfiːlɪŋ/

the experiencing of affective and emotional states

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

foundverbUS /faʊnd/

set up or found

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

greatestadjectiveUS /ˈɡreɪtəst/

highest in quality

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

HENRYnounUS /ˈhenri/

a unit of inductance in which an induced electromotive force of one volt is produced when the current is varied at the rate of one ampere per second

From this reading JAMES HENRY LEIGH HUNT 1784-1859 AN ANSWER TO THE QUESTION WHAT IS POETRY?

HUNTverbUS /hʌnt/

pursue for food or sport (as of wild animals)

From this reading JAMES HENRY LEIGH HUNT 1784-1859 AN ANSWER TO THE QUESTION WHAT IS POETRY?

illustratingverbUS /ˈɪləstreɪtɪŋ/

-ing form of “illustrate” — clarify by giving an example of

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

imaginationnounUS /ˌɪmædʒəˈneɪʃən/

the formation of a mental image of something that is not perceived as real and is not present to the senses

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

impressionsnounUS /ˌɪmˈpreʃənz/

plural of “impression” — a vague idea in which some confidence is placed

From this reading Poetry is a passion,[25] because it seeks the deepest impressions; and because it must undergo, in order to convey, them.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

infinitudenoun

an infinite quantity

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

ISauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading JAMES HENRY LEIGH HUNT 1784-1859 AN ANSWER TO THE QUESTION WHAT IS POETRY?

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

JAMESnounUS /dʒeɪmz/

a Stuart king of Scotland who married a daughter of Henry VII; when England and France went to war in 1513 he invaded England and died in defeat at Flodden (1473-1513)

From this reading JAMES HENRY LEIGH HUNT 1784-1859 AN ANSWER TO THE QUESTION WHAT IS POETRY?

keepingnounUS /ˈkiːpɪŋ/

conformity or harmony

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

languagenounUS /ˈlæŋɡwədʒ/

a systematic means of communicating by the use of sounds or conventional symbols

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

LEIGHnounUS /liː/

English film actress (1913-1967)

From this reading JAMES HENRY LEIGH HUNT 1784-1859 AN ANSWER TO THE QUESTION WHAT IS POETRY?

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

LovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

meansnounUS /miːnz/

thing or person that acts to produce a particular effect or achieve an end

From this reading Its means are whatever the universe contains; and its ends, pleasure and exaltation.

merelyadverbUS /ˈmɪrli/

and nothing more

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

modulating

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

mostadverbUS /moʊst/

used to form the superlative

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading Poetry is a passion,[25] because it seeks the deepest impressions; and because it must undergo, in order to convey, them.

nationsnounUS /ˈneɪʃənz/

plural of “nation” — a politically organized body of people under a single government

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

nextadjectiveUS /nekst/

immediately following in time or order

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

operationnounUS /ˌɑːpərˈeɪʃən/

the state of being in effect or being operative

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

ordernounUS /ˈɔːrdər/

(often plural) a command given by a superior (e.g., a military or law enforcement officer) that must be obeyed

From this reading Poetry is a passion,[25] because it seeks the deepest impressions; and because it must undergo, in order to convey, them.

parentsnounUS /ˈperənts/

plural of “parent” — a father or mother; one who begets or one who gives birth to or nurtures and raises a child; a relative who plays the role of guardian

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

passionnounUS /ˈpæʃən/

a strong feeling or emotion

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

pleasurenounUS /ˈpleʒər/

a fundamental feeling that is hard to define but that people desire to experience

From this reading Its means are whatever the universe contains; and its ends, pleasure and exaltation.

poet'snounUS /ˈpoʊəts/

possessive form of “poet” — a writer of poems (the term is usually reserved for writers of good poetry)

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

poeticadjectiveUS /poʊˈetɪk/

of or relating to poetry

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

POETRYnounUS /ˈpoʊətri/

literature in metrical form

From this reading JAMES HENRY LEIGH HUNT 1784-1859 AN ANSWER TO THE QUESTION WHAT IS POETRY?

powernounUS /ˈpaʊər/

possession of controlling influence

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

principlenounUS /ˈprɪnsəpəl/

a basic generalization that is accepted as true and that can be used as a basis for reasoning or conduct

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

probableadjectiveUS /ˈprɑːbəbəl/

likely but not certain to be or become true or real

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

proofnounUS /pruːf/

any factual evidence that helps to establish the truth of something

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

QUESTIONverbUS /ˈkwestʃən/

challenge the accuracy, probity, or propriety of

From this reading JAMES HENRY LEIGH HUNT 1784-1859 AN ANSWER TO THE QUESTION WHAT IS POETRY?

richesnounUS /ˈrɪtʃəz/

an abundance of material possessions and resources

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

sayverbUS /seɪ/

express in words

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

seeksnounUS /siːks/

plural of “seek” — the movement of a read/write head to a specific data track on a disk

From this reading Poetry is a passion,[25] because it seeks the deepest impressions; and because it must undergo, in order to convey, them.

sharedadjectiveUS /ʃerd/

have in common; held or experienced in common

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

spiritualadjectiveUS /ˈspɪrɪtʃuːəl/

concerned with sacred matters or religion or the church

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

standsnounUS /stændz/

plural of “stand” — a support or foundation

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

strictlyadverbUS /ˈstrɪktli/

restricted to something

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading JAMES HENRY LEIGH HUNT 1784-1859 AN ANSWER TO THE QUESTION WHAT IS POETRY?

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Poetry is a passion,[25] because it seeks the deepest impressions; and because it must undergo, in order to convey, them.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

TOparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading JAMES HENRY LEIGH HUNT 1784-1859 AN ANSWER TO THE QUESTION WHAT IS POETRY?

truthnounUS /truːθ/

a fact that has been verified

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

undergoverbUS /ˌʌndərˈɡoʊ/

pass through

From this reading Poetry is a passion,[25] because it seeks the deepest impressions; and because it must undergo, in order to convey, them.

uniformitynounUS /ˌjuːnəˈfɔːrməti/

a condition in which everything is regular and unvarying

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

universenounUS /ˈjuːnəvɜːrs/

everything that exists anywhere

From this reading Its means are whatever the universe contains; and its ends, pleasure and exaltation.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading Poetry stands between nature and convention, keeping alive among us the enjoyment of the external and the spiritual world: it has constituted the most enduring fame of nations; and, next to Love and Beauty, which are its parents, is the greatest proof to man of the pleasure to be found in all things, and of the probable riches of infinitude.

utterancenounUS /ˈʌtərəns/

the use of uttered sounds for auditory communication

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

varietynounUS /vərˈaɪəti/

a collection containing a variety of sorts of things

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

WHATpronounUS /wʌt/

used to ask for information about something

From this reading JAMES HENRY LEIGH HUNT 1784-1859 AN ANSWER TO THE QUESTION WHAT IS POETRY?

whateverdeterminerUS /ˌwʌˈtevər/

any or all of a kind, it does not matter which

From this reading Its means are whatever the universe contains; and its ends, pleasure and exaltation.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading (1844) Poetry, strictly and artistically so called, that is to say, considered not merely as poetic feeling, which is more or less shared by all the world, but as the operation of that feeling, such as we see it in the poet’s book, is the utterance of a passion for truth, beauty, and power, embodying and illustrating its conceptions by imagination and fancy, and modulating its language on the principle of variety in uniformity.

Chapter 8 of English Critical Essays: Nineteenth Century by Edmund D. (Edmund David) [Editor] Jones holds 363 sentences, grouped into 73 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 8 of English Critical Essays: Nineteenth Century contain?

Chapter 8 holds 363 sentences of English Critical Essays: Nineteenth Century, unabridged, divided into 73 reading sections.

This page carries chapter 8 of English Critical Essays: Nineteenth Century by Edmund D. (Edmund David) [Editor] Jones exactly as it stands in the source edition, without abridgement. It runs to 363 sentences, grouped into 73 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

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