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English Critical Essays: Nineteenth Century
English Critical Essays: Nineteenth Century

Chapter IX · Chapter 9

Chapter 9 of English Critical Essays: Nineteenth Century is here in full — 370 sentences across 74 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/74 · 5 lines
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Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.
In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.
Such is Dryden’s use of the word _might_--the mere sign of a tense--in his pretended ridicule of the monkish practice of rising to sing psalms in the night.
And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._
(What a line full of another doze is that!)
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
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A keeper or guardian of historical records and memories.

English Critical Essays: Nineteenth Century

Chapter IX · Chapter 9

Chapter 9 of English Critical Essays: Nineteenth Century is here in full — 370 sentences across 74 reading sections, with audio for every sentence and word.

Reading 1/74 · 5 reading units · Lines 1–5

Line 1
Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.
Line 2
In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.
Line 3
Such is Dryden’s use of the word _might_--the mere sign of a tense--in his pretended ridicule of the monkish practice of rising to sing psalms in the night.
Line 4
And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex thethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._
Line 5
(What a line full ofanother dozeis that!)
/wʌt ə laɪn fʊl ʌv əˈnʌðər doʊz ɪz ðæt/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

clap verb US /klæp/

put quickly or forcibly

From this reading “And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._”

doze verb US /doʊz/

sleep lightly or for a short period of time

From this reading “(What a line full of ‘another doze’ is that!)”

ethereal adjective US /ɪˈθɪriəl/

characterized by lightness and insubstantiality; as impalpable or intangible as air

From this reading “And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._”

Inversion noun US /ˌɪnˈvɜːrʒən/

the layer of air near the earth is cooler than an overlying layer

From this reading “Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.”

molest verb US /məˈlest/

harass or assault sexually; make indecent advances to

From this reading “And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._”

psalms noun US /sɑːlmz/

an Old Testament book consisting of a collection of 150 Psalms

From this reading “Such is Dryden’s use of the word _might_--the mere sign of a tense--in his pretended ridicule of the monkish practice of rising to sing psalms in the night.”

uncivil adjective US /ənˈsɪvəl/

lacking civility or good manners

From this reading “And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._”

vex verb US /veks/

cause annoyance in; disturb, especially by minor irritations

From this reading “And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

sacred rites adjective + noun counted as “sacred rite”

In this reading “And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._”

pick up verb + adjective

take and lift upward

In this reading “In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.”

stumbled over verb + particle counted as “stumble over”

In this reading “In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.”

less confident adverb + adjective

In this reading “In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.”

lay in verb + particle

keep or lay aside for future use

In this reading “In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.”

All words in this reading · 139

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

agreeablyadverb

in an enjoyable manner

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

airnounUS /er/

a mixture of gases (especially oxygen) required for breathing; the stuff that the wind consists of

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

anotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading (What a line full of ‘another doze’ is that!)

another's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

appearancenounUS /əˈpɪrəns/

outward or visible aspect of a person or thing

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

atprepositionUS /æt/

in or near a particular place or position

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

birdnounUS /bɜːrd/

warm-blooded egg-laying vertebrates characterized by feathers and forelimbs modified as wings

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

byprepositionUS /baɪ/

showing who or what does the action

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

callverbUS /kɔːl/

assign a specified (usually proper) proper name to

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

choosingverbUS /ˈtʃuːzɪŋ/

-ing form of “choose” — pick out, select, or choose from a number of alternatives

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

clapverbUS /klæp/

put quickly or forcibly

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

classicaladjectiveUS /ˈklæsɪkəl/

of or relating to the first significant period of a civilization, culture, area of study, etc.

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

confidentadjectiveUS /ˈkɑːnfədənt/

having or marked by confidence or assurance

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

crestnounUS /krest/

the top line of a hill, mountain, or wave

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

dozeverbUS /doʊz/

sleep lightly or for a short period of time

From this reading (What a line full of ‘another doze’ is that!)

Dryden's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Such is Dryden’s use of the word _might_--the mere sign of a tense--in his pretended ridicule of the monkish practice of rising to sing psalms in the night.

etherealadjectiveUS /ɪˈθɪriəl/

characterized by lightness and insubstantiality; as impalpable or intangible as air

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

fallverbUS /fɔːl/

descend in free fall under the influence of gravity

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

familynounUS /ˈfæməli/

a social unit living together

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

footnounUS /fʊt/

the part of the leg of a human being below the ankle joint

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

fulladjectiveUS /fʊl/

containing as much or as many as is possible or normal

From this reading (What a line full of ‘another doze’ is that!)

gaveverbUS /ɡeɪv/

inflected form of “give” — cause to have, in the abstract sense or physical sense

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

gracenounUS /ɡreɪs/

(Christian theology) a state of sanctification by God; the state of one who is under such divine influence

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

griev'd

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

hallnounUS /hɔːl/

an interior passage or corridor onto which rooms open

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

headnounUS /hed/

the upper part of the human body or the front part of the body in animals; contains the face and brains

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

helpverbUS /help/

give help or assistance; be of service

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

highadjectiveUS /haɪ/

greater than normal in degree or intensity or amount

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Such is Dryden’s use of the word _might_--the mere sign of a tense--in his pretended ridicule of the monkish practice of rising to sing psalms in the night.

hoursnounUS /ˈaʊərz/

a period of time assigned for work

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

insteadadverbUS /ˌɪnˈsted/

in place of, or as an alternative to

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

InversionnounUS /ˌɪnˈvɜːrʒən/

the layer of air near the earth is cooler than an overlying layer

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Such is Dryden’s use of the word _might_--the mere sign of a tense--in his pretended ridicule of the monkish practice of rising to sing psalms in the night.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

jestingadjective

characterized by jokes and good humor

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

JustadverbUS /dʒʌst/

and nothing more

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

layverbUS /leɪ/

put into a certain place or abstract location

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

linenounUS /laɪn/

a formation of people or things one beside another

From this reading (What a line full of ‘another doze’ is that!)

lyingnounUS /ˈlaɪɪŋ/

the deliberate act of deviating from the truth

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

matinsnoun

the first canonical hour; at daybreak

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

mereadjectiveUS /mɪr/

being nothing more than specified

From this reading Such is Dryden’s use of the word _might_--the mere sign of a tense--in his pretended ridicule of the monkish practice of rising to sing psalms in the night.

midnightnounUS /ˈmɪdnaɪt/

12 o'clock at night; the middle of the night

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading Such is Dryden’s use of the word _might_--the mere sign of a tense--in his pretended ridicule of the monkish practice of rising to sing psalms in the night.

mitred

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

molestverbUS /məˈlest/

harass or assault sexually; make indecent advances to

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

monkishadjective

befitting a monk; inclined to self-denial

From this reading Such is Dryden’s use of the word _might_--the mere sign of a tense--in his pretended ridicule of the monkish practice of rising to sing psalms in the night.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

morningnounUS /ˈmɔːrnɪŋ/

the time period between dawn and noon

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

NayexclamationUS /neɪ/

an old word for “no”

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

neighboursnounUS /ˈneɪbərz/

plural of “neighbour” — a person who lives (or is located) near another

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

nextadjectiveUS /nekst/

immediately following in time or order

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

nighadjectiveUS /naɪ/

not far distant in time or space or degree or circumstances

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

nightnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading Such is Dryden’s use of the word _might_--the mere sign of a tense--in his pretended ridicule of the monkish practice of rising to sing psalms in the night.

obligedadjectiveUS /əˈblaɪdʒd/

under a moral obligation to do something

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

others

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

passagesnounUS /ˈpæsədʒəz/

plural of “passage” — the act of passing from one state or place to the next

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

PeternounUS /ˈpiːtər/

disciple of Jesus and leader of the Apostles; regarded by Catholics as the vicar of Christ on earth and first Pope

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

pickverbUS /pɪk/

select carefully from a group

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

poetsnounUS /ˈpoʊəts/

plural of “poet” — a writer of poems (the term is usually reserved for writers of good poetry)

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

powernounUS /ˈpaʊər/

possession of controlling influence

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

powersnounUS /ˈpaʊərz/

plural of “power” — possession of controlling influence

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

practicenounUS /ˈpræktəs/

a customary way of operation or behavior

From this reading Such is Dryden’s use of the word _might_--the mere sign of a tense--in his pretended ridicule of the monkish practice of rising to sing psalms in the night.

pretendedadjectiveUS /priˈtendɪd/

adopted in order to deceive

From this reading Such is Dryden’s use of the word _might_--the mere sign of a tense--in his pretended ridicule of the monkish practice of rising to sing psalms in the night.

psalmsnounUS /sɑːlmz/

an Old Testament book consisting of a collection of 150 Psalms

From this reading Such is Dryden’s use of the word _might_--the mere sign of a tense--in his pretended ridicule of the monkish practice of rising to sing psalms in the night.

quietadjectiveUS /ˈkwaɪət/

characterized by an absence or near absence of agitation or activity

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

raiseverbUS /reɪz/

raise the level or amount of something

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

restverbUS /rest/

not move; be in a resting position

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

rhymenounUS /raɪm/

correspondence in the sounds of two or more lines (especially final sounds)

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

ridiculenounUS /ˈrɪdəkjuːl/

language or behavior intended to mock or humiliate

From this reading Such is Dryden’s use of the word _might_--the mere sign of a tense--in his pretended ridicule of the monkish practice of rising to sing psalms in the night.

risingadjectiveUS /ˈraɪzɪŋ/

advancing or becoming higher or greater in degree or value or status

From this reading Such is Dryden’s use of the word _might_--the mere sign of a tense--in his pretended ridicule of the monkish practice of rising to sing psalms in the night.

ritesnounUS /raɪts/

plural of “rite” — an established ceremony prescribed by a religion

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

sacredadjectiveUS /ˈseɪkrəd/

concerned with religion or religious purposes

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

salvationnounUS /sælˈveɪʃən/

(theology) the act of delivering from sin or saving from evil

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

seekverbUS /siːk/

try to get or reach

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

signnounUS /saɪn/

a perceptible indication of something not immediately apparent (as a visible clue that something has happened)

From this reading Such is Dryden’s use of the word _might_--the mere sign of a tense--in his pretended ridicule of the monkish practice of rising to sing psalms in the night.

singverbUS /sɪŋ/

deliver by singing

From this reading Such is Dryden’s use of the word _might_--the mere sign of a tense--in his pretended ridicule of the monkish practice of rising to sing psalms in the night.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

sometimesadverbUS /səmˈtaɪmz/

on certain occasions or in certain cases but not always

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

St

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

stonenounUS /stoʊn/

a lump or mass of hard consolidated mineral matter

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

stumbledverbUS /ˈstʌmbəld/

past form of “stumble” — walk unsteadily

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

SuchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading Such is Dryden’s use of the word _might_--the mere sign of a tense--in his pretended ridicule of the monkish practice of rising to sing psalms in the night.

superioradjectiveUS /suːˈpɪriər/

of high or superior quality or performance

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

sweetnessnounUS /ˈswiːtnəs/

the taste experience when sugar dissolves in the mouth

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

tensenounUS /tens/

a grammatical category of verbs used to express distinctions of time

From this reading Such is Dryden’s use of the word _might_--the mere sign of a tense--in his pretended ridicule of the monkish practice of rising to sing psalms in the night.

thnounUS /ˈtiːˈeɪtʃ/

the fifth day of the week; the fourth working day

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

throwverbUS /θroʊ/

propel through the air

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

turnverbUS /tɜːrn/

change orientation or direction, also in the abstract sense

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

turnedadjectiveUS /tɜːrnd/

moved around an axis or center

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

unciviladjectiveUS /ənˈsɪvəl/

lacking civility or good manners

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

usenounUS /juːs/

the act of using

From this reading Such is Dryden’s use of the word _might_--the mere sign of a tense--in his pretended ridicule of the monkish practice of rising to sing psalms in the night.

usingnounUS /ˈjuːzɪŋ/

an act that exploits or victimizes someone (treats them unfairly)

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

vexverbUS /veks/

cause annoyance in; disturb, especially by minor irritations

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

warn'd

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

waynounUS /weɪ/

how something is done or how it happens

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

whatpronounUS /wʌt/

used to ask for information about something

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

whereconjunctionUS /wer/

in or at the place that

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

wilfuladjective

done by design

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

wingsnounUS /wɪŋz/

a means of flight or ascent

From this reading And much they griev’d to see so nigh their hall The bird that warn’d St. Peter of his fall; That he should raise his mitred crest on high, And clap his wings and call his family To sacred rites; and vex th’ ethereal powers With midnight matins at uncivil hours; Nay more, his quiet neighbours should molest _Just in the sweetness of their morning rest._

withprepositionUS /wɪð/

in the company of; together with

From this reading Inversion itself was often turned into a grace in these poets, and may be in others, by the power of being superior to it; using it only with a classical air, and as a help lying next to them, instead of a salvation which they are obliged to seek.

wordnounUS /wɜːrd/

a unit of language that native speakers can identify

From this reading Such is Dryden’s use of the word _might_--the mere sign of a tense--in his pretended ridicule of the monkish practice of rising to sing psalms in the night.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading In jesting passages also it sometimes gave the rhyme a turn agreeably wilful, or an appearance of choosing what lay in its way; as if a man should pick up a stone to throw at another’s head, where a less confident foot would have stumbled over it.

Chapter 9 of English Critical Essays: Nineteenth Century by Edmund D. (Edmund David) [Editor] Jones holds 370 sentences, grouped into 74 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 9 of English Critical Essays: Nineteenth Century contain?

Chapter 9 holds 370 sentences of English Critical Essays: Nineteenth Century, unabridged, divided into 74 reading sections.

This page carries chapter 9 of English Critical Essays: Nineteenth Century by Edmund D. (Edmund David) [Editor] Jones exactly as it stands in the source edition, without abridgement. It runs to 370 sentences, grouped into 74 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 9 of English Critical Essays: Nineteenth Century?

Work through the 74 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 74 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 9 be read aloud to me?

Yes — every sentence and every individual word in chapter 9 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Project Gutenberg eBook #31283, unabridged. The Project Gutenberg header, footer and licence are removed.

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About 476 minutes of reading across 1144 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in English Critical Essays: Nineteenth Century

Words and structures a reader meets early in English Critical Essays: Nineteenth Century, each tappable for pronunciation and meaning.

Present
A word that appears in the opening chapter of English Critical Essays: Nineteenth Century; the reader can tap it to hear it and see its dictionary entry.
Selection
A word that appears in the opening chapter of English Critical Essays: Nineteenth Century; the reader can tap it to hear it and see its dictionary entry.
English
A word that appears in the opening chapter of English Critical Essays: Nineteenth Century; the reader can tap it to hear it and see its dictionary entry.
Critical
A word that appears in the opening chapter of English Critical Essays: Nineteenth Century; the reader can tap it to hear it and see its dictionary entry.