Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
English Eccentrics and Eccentricities
English Eccentrics and Eccentricities

Chapter X

Chapter 10 of English Eccentrics and Eccentricities is here in full — 435 sentences across 87 reading sections, with audio for every sentence and word.

Cover illustration for English Eccentrics and Eccentricities
Context Illustration Reading 1/87 · 5 lines
English subtitles · tap any word to listen 1 / 5
In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.
Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.
It is a perfect model for cottages, and I think for palaces of magnificence, only enlarging--not altering its proportions, and adding ornaments and not principles.
Nothing can be more grand than its simplicity and usefulness.
Simple without intricacy, it seems to be the spontaneous expression of humanity congenial to the wants of men.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

English Eccentrics and Eccentricities

Chapter X

Chapter 10 of English Eccentrics and Eccentricities is here in full — 435 sentences across 87 reading sections, with audio for every sentence and word.

Reading 1/87 · 5 reading units · Lines 1–5

Line 1
In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.
Line 2
Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.
Line 3
It is a perfect model for cottages, and I think for palaces of magnificence, only enlarging--not altering its proportions, and adding ornaments and not principles.
Line 4
Nothing can be more grand than its simplicity and usefulness.
/ˈnʌθɪŋ kæn biː mɔːr ɡrænd ðæn ɪts sɪmˈplɪsəti ənd ˈjuːsfəlnəs/
Line 5
Simple without intricacy, it seems to be the spontaneous expression of humanity congenial to the wants of men.
/ˈsɪmpəl wɪˈθaʊt ˈɪntrəkəsi ɪt siːmz tuː biː ðə spɑːnˈteɪniəs ɪkˈspreʃən ʌv hjuːˈmænɪti kənˈdʒiːnjəl tuː ðə wɑːnts ʌv men/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

altering noun US /ˈɔːltərɪŋ/

the sterilization of an animal

From this reading “It is a perfect model for cottages, and I think for palaces of magnificence, only enlarging--not altering its proportions, and adding ornaments and not principles.”

Blakes noun US /bleɪks/

plural of “blake” — visionary British poet and painter (1757-1827)

From this reading “In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.”

enlarging verb US /ɪnˈlɑːrdʒɪŋ/

-ing form of “enlarge” — make larger

From this reading “It is a perfect model for cottages, and I think for palaces of magnificence, only enlarging--not altering its proportions, and adding ornaments and not principles.”

intricacy noun US /ˈɪntrəkəsi/

marked by elaborately complex detail

From this reading “Simple without intricacy, it seems to be the spontaneous expression of humanity congenial to the wants of men.”

Sculptor noun US /ˈskʌlptər/

an artist who creates sculptures

From this reading “Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.”

spontaneous adjective US /spɑːnˈteɪniəs/

happening or arising without apparent external cause

From this reading “Simple without intricacy, it seems to be the spontaneous expression of humanity congenial to the wants of men.”

Sussex noun US /ˈsʌsɪks/

a county in southern England on the English Channel; formerly an Anglo-Saxon kingdom that was captured by Wessex in the 9th century

From this reading “In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.”

usefulness noun US /ˈjuːsfəlnəs/

the quality of being of practical use

From this reading “Nothing can be more grand than its simplicity and usefulness.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

perfect model adjective + noun

In this reading “It is a perfect model for cottages, and I think for palaces of magnificence, only enlarging--not altering its proportions, and adding ornaments and not principles.”

arrived at verb + particle counted as “arrive at”

reach a destination, either real or abstract

In this reading “Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.”

All words in this reading · 81

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1800

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading It is a perfect model for cottages, and I think for palaces of magnificence, only enlarging--not altering its proportions, and adding ornaments and not principles.

addingverbUS /ˈædɪŋ/

-ing form of “add” — make an addition (to); join or combine or unite with others; increase the quality, quantity, size or scope of

From this reading It is a perfect model for cottages, and I think for palaces of magnificence, only enlarging--not altering its proportions, and adding ornaments and not principles.

alteringnounUS /ˈɔːltərɪŋ/

the sterilization of an animal

From this reading It is a perfect model for cottages, and I think for palaces of magnificence, only enlarging--not altering its proportions, and adding ornaments and not principles.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

arrivedverbUS /ərˈaɪvd/

past form of “arrive” — reach a destination; arrive by movement or progress

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

artistnounUS /ˈɑːrtəst/

a person whose creative work shows sensitivity and imagination

From this reading In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.

atprepositionUS /æt/

in or near a particular place or position

From this reading In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Nothing can be more grand than its simplicity and usefulness.

beautifuladjectiveUS /ˈbjuːtəfəl/

delighting the senses or exciting intellectual or emotional admiration

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

BlakenounUS /bleɪk/

visionary British poet and painter (1757-1827)

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

BlakesnounUS /bleɪks/

plural of “blake” — visionary British poet and painter (1757-1827)

From this reading In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.

byprepositionUS /baɪ/

showing who or what does the action

From this reading In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading Nothing can be more grand than its simplicity and usefulness.

congenialadjectiveUS /kənˈdʒiːnjəl/

suitable to your needs

From this reading Simple without intricacy, it seems to be the spontaneous expression of humanity congenial to the wants of men.

convenientadjectiveUS /kənˈviːnjənt/

suited to your comfort or purpose or needs

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

cottagenounUS /ˈkɑːtədʒ/

a small house with a single story

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

cottagesnounUS /ˈkɑːtɪdʒɪz/

plural of “cottage” — a small house with a single story

From this reading It is a perfect model for cottages, and I think for palaces of magnificence, only enlarging--not altering its proportions, and adding ornaments and not principles.

DearadjectiveUS /dɪr/

dearly loved

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

emolumentnoun

compensation received by virtue of holding an office or having employment (usually in the form of wages or fees)

From this reading In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.

enlargingverbUS /ɪnˈlɑːrdʒɪŋ/

-ing form of “enlarge” — make larger

From this reading It is a perfect model for cottages, and I think for palaces of magnificence, only enlarging--not altering its proportions, and adding ornaments and not principles.

EternitynounUS /ɪˈtɜːrnəti/

time without end

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

expressionnounUS /ɪkˈspreʃən/

the feelings expressed on a person's face

From this reading Simple without intricacy, it seems to be the spontaneous expression of humanity congenial to the wants of men.

Felpham

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.

Flaxman

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading It is a perfect model for cottages, and I think for palaces of magnificence, only enlarging--not altering its proportions, and adding ornaments and not principles.

grandadjectiveUS /ɡrænd/

of behavior that is impressive and ambitious in scale or scope

From this reading Nothing can be more grand than its simplicity and usefulness.

Hayley

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.

humanitynounUS /hjuːˈmænɪti/

the quality of being humane

From this reading Simple without intricacy, it seems to be the spontaneous expression of humanity congenial to the wants of men.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

ideanounUS /aɪˈdiːə/

the content of cognition; the main thing you are thinking about

From this reading In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.

intricacynounUS /ˈɪntrəkəsi/

marked by elaborately complex detail

From this reading Simple without intricacy, it seems to be the spontaneous expression of humanity congenial to the wants of men.

invitedverbUS /ˌɪnˈvaɪtəd/

past form of “invite” — increase the likelihood of

From this reading In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading It is a perfect model for cottages, and I think for palaces of magnificence, only enlarging--not altering its proportions, and adding ornaments and not principles.

magnificencenoun

splendid or imposing in size or appearance

From this reading It is a perfect model for cottages, and I think for palaces of magnificence, only enlarging--not altering its proportions, and adding ornaments and not principles.

mennounUS /men/

the force of workers available

From this reading Simple without intricacy, it seems to be the spontaneous expression of humanity congenial to the wants of men.

modelnounUS /ˈmɑːdəl/

a hypothetical description of a complex entity or process

From this reading It is a perfect model for cottages, and I think for palaces of magnificence, only enlarging--not altering its proportions, and adding ornaments and not principles.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading It is a perfect model for cottages, and I think for palaces of magnificence, only enlarging--not altering its proportions, and adding ornaments and not principles.

NothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading Nothing can be more grand than its simplicity and usefulness.

occasionnounUS /əˈkeɪʒən/

an event that occurs at a critical time

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

occupationnounUS /ˌɑːkjəˈpeɪʃən/

the principal activity in your life that you do to earn money

From this reading In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading It is a perfect model for cottages, and I think for palaces of magnificence, only enlarging--not altering its proportions, and adding ornaments and not principles.

ornamentsnounUS /ˈɔːrnəmənts/

plural of “ornament” — something used to beautify

From this reading It is a perfect model for cottages, and I think for palaces of magnificence, only enlarging--not altering its proportions, and adding ornaments and not principles.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

palacesnounUS /ˈpæləsəz/

plural of “palace” — a large and stately mansion

From this reading It is a perfect model for cottages, and I think for palaces of magnificence, only enlarging--not altering its proportions, and adding ornaments and not principles.

perfectadjectiveUS /pərˈfekt/

being complete of its kind and without defect or blemish

From this reading It is a perfect model for cottages, and I think for palaces of magnificence, only enlarging--not altering its proportions, and adding ornaments and not principles.

principlesnounUS /ˈprɪnsəpəlz/

plural of “principle” — a basic generalization that is accepted as true and that can be used as a basis for reasoning or conduct

From this reading It is a perfect model for cottages, and I think for palaces of magnificence, only enlarging--not altering its proportions, and adding ornaments and not principles.

proportionsnounUS /prəˈpɔːrʃənz/

plural of “proportion” — the quotient obtained when the magnitude of a part is divided by the magnitude of the whole

From this reading It is a perfect model for cottages, and I think for palaces of magnificence, only enlarging--not altering its proportions, and adding ornaments and not principles.

providingverbUS /prəˈvaɪdɪŋ/

-ing form of “provide” — give something useful or necessary to

From this reading In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.

safeadjectiveUS /seɪf/

free from danger or the risk of harm

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

SculptornounUS /ˈskʌlptər/

an artist who creates sculptures

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

seemsverbUS /siːmz/

third-person singular of “seem” — give a certain impression or have a certain outward aspect

From this reading Simple without intricacy, it seems to be the spontaneous expression of humanity congenial to the wants of men.

SimpleadjectiveUS /ˈsɪmpəl/

having few parts; not complex or complicated or involved

From this reading Simple without intricacy, it seems to be the spontaneous expression of humanity congenial to the wants of men.

simplicitynounUS /sɪmˈplɪsəti/

the quality of being simple or uncompounded

From this reading Nothing can be more grand than its simplicity and usefulness.

spontaneousadjectiveUS /spɑːnˈteɪniəs/

happening or arising without apparent external cause

From this reading Simple without intricacy, it seems to be the spontaneous expression of humanity congenial to the wants of men.

SussexnounUS /ˈsʌsɪks/

a county in southern England on the English Channel; formerly an Anglo-Saxon kingdom that was captured by Wessex in the 9th century

From this reading In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.

thinkverbUS /θɪŋk/

judge or regard; look upon; judge

From this reading It is a perfect model for cottages, and I think for palaces of magnificence, only enlarging--not altering its proportions, and adding ornaments and not principles.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

thusadverbUS /ðʌs/

(used to introduce a logical conclusion) from that fact or reason or as a result

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.

UponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

usefulnessnounUS /ˈjuːsfəlnəs/

the quality of being of practical use

From this reading Nothing can be more grand than its simplicity and usefulness.

visitverbUS /ˈvɪzɪt/

go to see a place, as for entertainment

From this reading In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.

wantsnounUS /wɑːnts/

plural of “want” — a state of extreme poverty

From this reading Simple without intricacy, it seems to be the spontaneous expression of humanity congenial to the wants of men.

WepronounUS /wiː/

the speaker together with one or more other people

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

withprepositionUS /wɪð/

in the company of; together with

From this reading In 1800, the Blakes were invited by Hayley to visit him at Felpham, in Sussex, under the idea of providing the artist with occupation and emolument.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading Simple without intricacy, it seems to be the spontaneous expression of humanity congenial to the wants of men.

wroteverbUS /roʊt/

inflected form of “write” — produce a literary work

From this reading Upon this occasion Blake wrote thus to Flaxman:-- "Dear Sculptor of Eternity,--We are safe arrived at our cottage, which is more beautiful than I thought it, and more convenient.

Chapter 10 of English Eccentrics and Eccentricities by John Timbs holds 435 sentences, grouped into 87 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 10 of English Eccentrics and Eccentricities contain?

Chapter 10 holds 435 sentences of English Eccentrics and Eccentricities, unabridged, divided into 87 reading sections.

This page carries chapter 10 of English Eccentrics and Eccentricities by John Timbs exactly as it stands in the source edition, without abridgement. It runs to 435 sentences, grouped into 87 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 10 of English Eccentrics and Eccentricities?

Work through the 87 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 87 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 10 be read aloud to me?

Yes — every sentence and every individual word in chapter 10 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading English Eccentrics and Eccentricities

Common questions about reading English Eccentrics and Eccentricities by John Timbs on this page, its source edition and its audio.

Is this the complete text of English Eccentrics and Eccentricities?

Yes. All 6326 sentences of Project Gutenberg eBook #50439 are kept, with a record of which sentences cover which part.

Which edition of English Eccentrics and Eccentricities is used?

Project Gutenberg eBook #50439, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does English Eccentrics and Eccentricities take to read?

About 527 minutes of reading across 1266 sections of 5 sentences each, at an unhurried pace.

How to read English Eccentrics and Eccentricities section by section

How to work through English Eccentrics and Eccentricities section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 15 chapters of English Eccentrics and Eccentricities to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in English Eccentrics and Eccentricities

Words and structures a reader meets early in English Eccentrics and Eccentricities, each tappable for pronunciation and meaning.

English
A word that appears in the opening chapter of English Eccentrics and Eccentricities; the reader can tap it to hear it and see its dictionary entry.
Eccentrics
A word that appears in the opening chapter of English Eccentrics and Eccentricities; the reader can tap it to hear it and see its dictionary entry.
Author
A word that appears in the opening chapter of English Eccentrics and Eccentricities; the reader can tap it to hear it and see its dictionary entry.
Clubs
A word that appears in the opening chapter of English Eccentrics and Eccentricities; the reader can tap it to hear it and see its dictionary entry.