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English Poets of the Eighteenth Century
English Poets of the Eighteenth Century

Chapter IV · Chapter 4

Chapter 4 of English Poets of the Eighteenth Century is here in full — 251 sentences across 51 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/50 · 5 lines
English subtitles · tap any word to listen 1 / 5
FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'
Matter too soft a lasting mark to bear, And best distinguished by black, brown, or fair.
How many pictures of one nymph we view, All how unlike each other, all how true!
Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.
Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

English Poets of the Eighteenth Century

Chapter IV · Chapter 4

Chapter 4 of English Poets of the Eighteenth Century is here in full — 251 sentences across 51 reading sections, with audio for every sentence and word.

Reading 1/50 · 5 reading units · Lines 1–5

Line 1
FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'
/frʌm ˈmɔːrəl eˈseɪz ʌv ðə ˈkærəktərz ʌv ˈwɪmən ˈnʌθɪŋ soʊ truː æz wʌt juː wʌns let fɔːl moʊst ˈwɪmən hæv noʊ ˈkærəktərz æt ɔːl/
Line 2
Matter too soft a lasting mark to bear, And best distinguished by black, brown, or fair.
/ˈmætər tuː sɑːft ə ˈlæstɪŋ mɑːrk tuː ber ənd best dɪˈstɪŋɡwɪʃt baɪ blæk braʊn ɔːr fer/
Line 3
How many pictures of one nymph we view, All how unlike each other, all how true!
Line 4
Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.
Line 5
Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

charmer noun US /ˈtʃɑːrmər/

someone with an assured and ingratiating manner

From this reading “Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.”

essays noun US /eˈseɪz/

plural of “essay” — an analytic or interpretive literary composition

From this reading “FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'”

harps noun US /hɑːrps/

plural of “harp” — a chordophone that has a triangular frame consisting of a sounding board and a pillar and a curved neck; the strings stretched between the neck and the soundbox are plucked with the fingers

From this reading “Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.”

lasting adjective US /ˈlæstɪŋ/

continuing or enduring without marked change in status or condition or place

From this reading “Matter too soft a lasting mark to bear, And best distinguished by black, brown, or fair.”

Leda noun US /ˈliːdə/

(Greek mythology) a queen of Sparta who was raped by Zeus who had taken the form of a swan; Helen of Troy was conceived in the rape of Leda

From this reading “Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.”

nymph noun US /nɪmf/

(classical mythology) a minor nature goddess usually depicted as a beautiful maiden

From this reading “How many pictures of one nymph we view, All how unlike each other, all how true!”

sinner noun US /ˈsɪnər/

a person who sins (without repenting)

From this reading “Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.”

swan verb US /swɑːn/

to declare or affirm solemnly and formally as true

From this reading “Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.”

All words in this reading · 99

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Matter too soft a lasting mark to bear, And best distinguished by black, brown, or fair.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'

AndconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Matter too soft a lasting mark to bear, And best distinguished by black, brown, or fair.

angelsnounUS /ˈeɪndʒəlz/

plural of “angel” — spiritual being attendant upon God

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

Arcadia's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'

atprepositionUS /æt/

in or near a particular place or position

From this reading FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'

bearverbUS /ber/

have

From this reading Matter too soft a lasting mark to bear, And best distinguished by black, brown, or fair.

beautifullyadverbUS /ˈbjuːtəfli/

in a beautiful manner

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

bestnounUS /best/

the supreme effort one can make

From this reading Matter too soft a lasting mark to bear, And best distinguished by black, brown, or fair.

blackadjectiveUS /blæk/

being of the achromatic color of maximum darkness; having little or no hue owing to absorption of almost all incident light

From this reading Matter too soft a lasting mark to bear, And best distinguished by black, brown, or fair.

brownnounUS /braʊn/

an orange of low brightness and saturation

From this reading Matter too soft a lasting mark to bear, And best distinguished by black, brown, or fair.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Matter too soft a lasting mark to bear, And best distinguished by black, brown, or fair.

Cecilia

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

CHARACTERSnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'

charmernounUS /ˈtʃɑːrmər/

someone with an assured and ingratiating manner

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

countessnounUS /ˈkaʊntəs/

female equivalent of a count or earl

From this reading Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.

cryverbUS /kraɪ/

utter a sudden loud cry

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

distinguishedadjectiveUS /dɪˈstɪŋɡwɪʃt/

(used of persons) standing above others in character or attainment or reputation

From this reading Matter too soft a lasting mark to bear, And best distinguished by black, brown, or fair.

divineadjectiveUS /dɪˈvaɪn/

emanating from God

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

dressedadjectiveUS /drest/

dressed or clothed especially in fine attire; often used in combination

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading How many pictures of one nymph we view, All how unlike each other, all how true!

ermined

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.

ESSAYSnounUS /eˈseɪz/

plural of “essay” — an analytic or interpretive literary composition

From this reading FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'

eyenounUS /aɪ/

the organ of sight

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

fairadjectiveUS /fer/

free from favoritism or self-interest or bias or deception; conforming with established standards or rules

From this reading Matter too soft a lasting mark to bear, And best distinguished by black, brown, or fair.

fallverbUS /fɔːl/

descend in free fall under the influence of gravity

From this reading FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'

Fannia

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.

follynounUS /ˈfɑːli/

the trait of acting stupidly or rashly

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

fountainnounUS /ˈfaʊntən/

a structure from which an artificially produced jet of water arises

From this reading Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.

FROMprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.

growverbUS /ɡroʊ/

pass into a condition gradually, take on a specific property or attribute; become

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

hairnounUS /her/

a covering for the body (or parts of it) consisting of a dense growth of threadlike structures (as on the human head); helps to prevent heat loss

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

harpsnounUS /hɑːrps/

plural of “harp” — a chordophone that has a triangular frame consisting of a sounding board and a pillar and a curved neck; the strings stretched between the neck and the soundbox are plucked with the fingers

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.

How

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading How many pictures of one nymph we view, All how unlike each other, all how true!

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.

Isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

lastingadjectiveUS /ˈlæstɪŋ/

continuing or enduring without marked change in status or condition or place

From this reading Matter too soft a lasting mark to bear, And best distinguished by black, brown, or fair.

LedanounUS /ˈliːdə/

(Greek mythology) a queen of Sparta who was raped by Zeus who had taken the form of a swan; Helen of Troy was conceived in the rape of Leda

From this reading Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.

leeringadjective

showing sly or knowing malice in a glance

From this reading Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'

liftedadjectiveUS /ˈlɪftəd/

held up in the air

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

looseadjectiveUS /luːs/

not compact or dense in structure or arrangement

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

Magdalen's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading How many pictures of one nymph we view, All how unlike each other, all how true!

markverbUS /mɑːrk/

attach a tag or label to

From this reading Matter too soft a lasting mark to bear, And best distinguished by black, brown, or fair.

MatternounUS /ˈmætər/

a vaguely specified concern

From this reading Matter too soft a lasting mark to bear, And best distinguished by black, brown, or fair.

MORALadjectiveUS /ˈmɔːrəl/

concerned with principles of right and wrong or conforming to standards of behavior and character based on those principles

From this reading FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'

MostadverbUS /moʊst/

used to form the superlative

From this reading FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

nakedadjectiveUS /ˈneɪkəd/

completely unclothed

From this reading Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.

nodeterminerUS /noʊ/

not any; not one

From this reading FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'

NothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'

nymphnounUS /nɪmf/

(classical mythology) a minor nature goddess usually depicted as a beautiful maiden

From this reading How many pictures of one nymph we view, All how unlike each other, all how true!

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.

onceadverbUS /wʌns/

on one occasion

From this reading FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading How many pictures of one nymph we view, All how unlike each other, all how true!

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Matter too soft a lasting mark to bear, And best distinguished by black, brown, or fair.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading How many pictures of one nymph we view, All how unlike each other, all how true!

ownverbUS /oʊn/

have ownership or possession of

From this reading Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.

paintverbUS /peɪnt/

make a painting

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

palmsnounUS /pɑːmz/

plural of “palm” — the inner surface of the hand from the wrist to the base of the fingers

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

Pastora

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.

picturesnounUS /ˈpɪktʃərz/

plural of “picture” — a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading How many pictures of one nymph we view, All how unlike each other, all how true!

pridenounUS /praɪd/

a feeling of self-respect and personal worth

From this reading Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.

romanticadjectiveUS /roʊˈmæntɪk/

belonging to or characteristic of Romanticism or the Romantic Movement in the arts

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

saintnounUS /seɪnt/

a person who has died and has been declared a saint by canonization

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

shineverbUS /ʃaɪn/

be bright by reflecting or casting light

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

sidenounUS /saɪd/

a place within a region identified relative to a center or reference location

From this reading Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.

simpering

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

sinnernounUS /ˈsɪnər/

a person who sins (without repenting)

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

smilesnounUS /smaɪlz/

plural of “smile” — a facial expression characterized by turning up the corners of the mouth; usually shows pleasure or amusement

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'

softadjectiveUS /sɑːft/

yielding readily to pressure or weight

From this reading Matter too soft a lasting mark to bear, And best distinguished by black, brown, or fair.

swanverbUS /swɑːn/

to declare or affirm solemnly and formally as true

From this reading Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.

sweetadjectiveUS /swiːt/

having or denoting the characteristic taste of sugar

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

thereadverbUS /ðer/

in or at that place or location

From this reading Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Matter too soft a lasting mark to bear, And best distinguished by black, brown, or fair.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading Matter too soft a lasting mark to bear, And best distinguished by black, brown, or fair.

trueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'

unlikeadjectiveUS /ənˈlaɪk/

marked by dissimilarity

From this reading How many pictures of one nymph we view, All how unlike each other, all how true!

viewnounUS /vjuː/

a way of regarding situations or topics etc.

From this reading How many pictures of one nymph we view, All how unlike each other, all how true!

wepronounUS /wiː/

the speaker together with one or more other people

From this reading How many pictures of one nymph we view, All how unlike each other, all how true!

whatpronounUS /wʌt/

used to ask for information about something

From this reading FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'

WhetherconjunctionUS /ˈweðər/

used to introduce two or more possibilities

From this reading Let then the fair one beautifully cry, In Magdalen's loose hair and lifted eye, Or dressed in smiles of sweet Cecilia shine, With simpering angels, palms, and harps divine; Whether the charmer sinner it, or saint it, If folly grow romantic, I must paint it.

withprepositionUS /wɪð/

in the company of; together with

From this reading Arcadia's countess, here in ermined pride, Is there Pastora by a fountain side; Here Fannia, leering on her own good man, And there, a naked Leda with a swan.

WOMENnounUS /ˈwɪmən/

plural of “woman” — an adult female person (as opposed to a man)

From this reading FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'

youpronounUS /juː/

the person or people being spoken to

From this reading FROM MORAL ESSAYS OF THE CHARACTERS OF WOMEN Nothing so true as what you once let fall, 'Most women have no characters at all.'

Chapter 4 of English Poets of the Eighteenth Century by Ernest [Editor] Bernbaum holds 251 sentences, grouped into 51 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of English Poets of the Eighteenth Century contain?

Chapter 4 holds 251 sentences of English Poets of the Eighteenth Century, unabridged, divided into 51 reading sections.

This page carries chapter 4 of English Poets of the Eighteenth Century by Ernest [Editor] Bernbaum exactly as it stands in the source edition, without abridgement. It runs to 251 sentences, grouped into 51 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of English Poets of the Eighteenth Century?

Work through the 51 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 51 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading English Poets of the Eighteenth Century

Common questions about reading English Poets of the Eighteenth Century by Ernest [Editor] Bernbaum on this page, its source edition and its audio.

Is this the complete text of English Poets of the Eighteenth Century?

Yes. All 3682 sentences of Project Gutenberg eBook #10161 are kept, with a record of which sentences cover which part.

Which edition of English Poets of the Eighteenth Century is used?

Project Gutenberg eBook #10161, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does English Poets of the Eighteenth Century take to read?

About 306 minutes of reading across 737 sections of 5 sentences each, at an unhurried pace.

How to read English Poets of the Eighteenth Century section by section

How to work through English Poets of the Eighteenth Century section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in English Poets of the Eighteenth Century

Words and structures a reader meets early in English Poets of the Eighteenth Century, each tappable for pronunciation and meaning.

Collection
A word that appears in the opening chapter of English Poets of the Eighteenth Century; the reader can tap it to hear it and see its dictionary entry.
Poetry
A word that appears in the opening chapter of English Poets of the Eighteenth Century; the reader can tap it to hear it and see its dictionary entry.
Authentic
A word that appears in the opening chapter of English Poets of the Eighteenth Century; the reader can tap it to hear it and see its dictionary entry.
Bowdlerized
A word that appears in the opening chapter of English Poets of the Eighteenth Century; the reader can tap it to hear it and see its dictionary entry.