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English Verse
English Verse

Chapter IX · Chapter 9

Chapter 9 of English Verse is here in full — 332 sentences across 67 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/66 · 5 lines
English subtitles · tap any word to listen 1 / 5
Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.
It is capable of being used for the most commonplace and the most sublime utterances....
Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.
Plato mentions a Greek musical instrument called _panharmonion_, which was adapted to express the different modes and systems of melodious utterance.
This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

English Verse

Chapter IX · Chapter 9

Chapter 9 of English Verse is here in full — 332 sentences across 67 reading sections, with audio for every sentence and word.

Reading 1/66 · 5 reading units · Lines 1–5

Line 1
Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.
Line 2
It is capable of being used for the most commonplace and the most sublime utterances....
/ɪt ɪz ˈkeɪpəbəl ʌv ˈbiːɪŋ juːzd fɔːr ðə moʊst ˈkɑːmənpleɪs ənd ðə moʊst səˈblaɪm ˈʌtərənsɪz/
Line 3
Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.
Line 4
Plato mentions a Greek musical instrument called _panharmonion_, which was adapted to express the different modes and systems of melodious utterance.
Line 5
This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."
/ðɪs neɪm maɪt biː əˈplaɪd tuː ˈaʊər blæŋk vɜːrs ðer ɪz noʊ ˈhɑːrməni ʌv saʊnd noʊ ˈdɪɡnəti ʌv ˈmuːvmənt noʊ ˈswɪftnəs noʊ ˈsʌtəlti ʌv ˈlæŋɡwəd ˈswiːtnəs noʊ ˈbrevəti noʊ fɔːrs ʌv ˈemfəsəs bɪˈɑːnd ɪts skoʊp/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

brevity noun US /ˈbrevəti/

the use of brief expressions

From this reading “This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."”

idyllic adjective US /aɪˈdɪlɪk/

excellent and delightful in all respects

From this reading “Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.”

instituted verb US /ˈɪnstətuːtɪd/

past form of “institute” — set up or lay the groundwork for

From this reading “Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.”

lyrical adjective US /ˈlɪrɪkəl/

suitable for or suggestive of singing

From this reading “Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.”

metre noun US /ˈmiːtər/

the basic unit of length adopted under the Systeme International d'Unites (approximately 1.094 yards)

From this reading “Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.”

plastic adjective US /ˈplæstɪk/

capable of being molded or modeled (especially of earth or clay or other soft material)

From this reading “Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.”

subtlety noun US /ˈsʌtəlti/

a subtle difference in meaning or opinion or attitude

From this reading “This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."”

utterances noun US /ˈʌtərənsɪz/

plural of “utterance” — the use of uttered sounds for auditory communication

From this reading “It is capable of being used for the most commonplace and the most sublime utterances....”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

musical instrument adjective + noun

any of various devices or contrivances that can be used to produce musical tones or sounds

In this reading “Plato mentions a Greek musical instrument called _panharmonion_, which was adapted to express the different modes and systems of melodious utterance.”

blank verse adjective + noun

unrhymed verse (usually in iambic pentameter)

In this reading “Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.”

different modes adjective + noun counted as “different mode”

In this reading “Plato mentions a Greek musical instrument called _panharmonion_, which was adapted to express the different modes and systems of melodious utterance.”

most commonplace adverb + adjective

In this reading “It is capable of being used for the most commonplace and the most sublime utterances....”

most sublime adverb + adjective

In this reading “It is capable of being used for the most commonplace and the most sublime utterances....”

perhaps more adverb + adjective

In this reading “Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.”

All words in this reading · 95

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Plato mentions a Greek musical instrument called _panharmonion_, which was adapted to express the different modes and systems of melodious utterance.

adaptedadjectiveUS /əˈdæptɪd/

changed in order to improve or made more fit for a particular purpose

From this reading Plato mentions a Greek musical instrument called _panharmonion_, which was adapted to express the different modes and systems of melodious utterance.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

appliedadjectiveUS /əˈplaɪd/

concerned with concrete problems or data rather than with fundamental principles

From this reading This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

authorsnounUS /ˈɔːθərz/

plural of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading It is capable of being used for the most commonplace and the most sublime utterances....

beyondprepositionUS /bɪˈɑːnd/

on the far side of; further than

From this reading This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."

blankadjectiveUS /blæŋk/

(of a surface) not written or printed on

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

brevitynounUS /ˈbrevəti/

the use of brief expressions

From this reading This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."

byprepositionUS /baɪ/

showing who or what does the action

From this reading Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading Plato mentions a Greek musical instrument called _panharmonion_, which was adapted to express the different modes and systems of melodious utterance.

capableadjectiveUS /ˈkeɪpəbəl/

(usually followed by “of”) having capacity or ability

From this reading It is capable of being used for the most commonplace and the most sublime utterances....

commonplaceadjectiveUS /ˈkɑːmənpleɪs/

completely ordinary and unremarkable

From this reading It is capable of being used for the most commonplace and the most sublime utterances....

compositionsnounUS /ˌkɑːmpəˈzɪʃənz/

plural of “composition” — the spatial property resulting from the arrangement of parts in relation to each other and to the whole

From this reading Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.

differentadjectiveUS /ˈdɪfərənt/

unlike in nature or quality or form or degree

From this reading Plato mentions a Greek musical instrument called _panharmonion_, which was adapted to express the different modes and systems of melodious utterance.

dignitynounUS /ˈdɪɡnəti/

the quality of being worthy of esteem or respect

From this reading This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.

emphasisnounUS /ˈemfəsəs/

special importance or significance

From this reading This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

epicaladjective

constituting or having to do with or suggestive of a literary epic

From this reading Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.

especiallyadverbUS /əˈspeʃli/

to a distinctly greater extent or degree than is common

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.

expressverbUS /ɪkˈspres/

give expression to

From this reading Plato mentions a Greek musical instrument called _panharmonion_, which was adapted to express the different modes and systems of melodious utterance.

followingadjectiveUS /ˈfɑːloʊɪŋ/

about to be mentioned or specified

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading It is capable of being used for the most commonplace and the most sublime utterances....

forcenounUS /fɔːrs/

a powerful effect or influence

From this reading This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."

generaladjectiveUS /ˈdʒenərəl/

applying to all or most members of a category or group

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

GreeknounUS /ɡriːk/

the Hellenic branch of the Indo-European family of languages

From this reading Plato mentions a Greek musical instrument called _panharmonion_, which was adapted to express the different modes and systems of melodious utterance.

handsnounUS /hændz/

(with “in”) guardianship over; in divorce cases it is the right to house and care for and discipline a child

From this reading Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.

harmonynounUS /ˈhɑːrməni/

compatibility in opinion and action

From this reading This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.

idyllicadjectiveUS /aɪˈdɪlɪk/

excellent and delightful in all respects

From this reading Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.

institutedverbUS /ˈɪnstətuːtɪd/

past form of “institute” — set up or lay the groundwork for

From this reading Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.

instrumentnounUS /ˈɪnstrəmənt/

a device that requires skill for proper use

From this reading Plato mentions a Greek musical instrument called _panharmonion_, which was adapted to express the different modes and systems of melodious utterance.

interestingadjectiveUS /ˈɪntrəstɪŋ/

arousing or holding the attention

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It is capable of being used for the most commonplace and the most sublime utterances....

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."

languidadjectiveUS /ˈlæŋɡwəd/

lacking spirit or liveliness

From this reading This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."

lyricaladjectiveUS /ˈlɪrɪkəl/

suitable for or suggestive of singing

From this reading Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.

melodiousadjectiveUS /məˈloʊdiəs/

having a musical sound; especially a pleasing tune

From this reading Plato mentions a Greek musical instrument called _panharmonion_, which was adapted to express the different modes and systems of melodious utterance.

mentionsnounUS /ˈmenʃənz/

plural of “mention” — a remark that calls attention to something or someone

From this reading Plato mentions a Greek musical instrument called _panharmonion_, which was adapted to express the different modes and systems of melodious utterance.

metrenounUS /ˈmiːtər/

the basic unit of length adopted under the Systeme International d'Unites (approximately 1.094 yards)

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."

Milton's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.

modesnounUS /moʊdz/

plural of “mode” — how something is done or how it happens

From this reading Plato mentions a Greek musical instrument called _panharmonion_, which was adapted to express the different modes and systems of melodious utterance.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

mostadverbUS /moʊst/

used to form the superlative

From this reading It is capable of being used for the most commonplace and the most sublime utterances....

movementnounUS /ˈmuːvmənt/

a change of position that does not entail a change of location

From this reading This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

musicaladjectiveUS /ˈmjuːzɪkəl/

characterized by or capable of producing music

From this reading Plato mentions a Greek musical instrument called _panharmonion_, which was adapted to express the different modes and systems of melodious utterance.

nameverbUS /neɪm/

assign a specified (usually proper) proper name to

From this reading This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."

nationaladjectiveUS /ˈnæʃənəl/

of or relating to or belonging to a nation or country

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

nodeterminerUS /noʊ/

not any; not one

From this reading This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."

OfprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

OriginallyadverbUS /ərˈɪdʒənəli/

in an original manner

From this reading Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.

ownverbUS /oʊn/

have ownership or possession of

From this reading Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.

panharmonion

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Plato mentions a Greek musical instrument called _panharmonion_, which was adapted to express the different modes and systems of melodious utterance.

perhapsadverbUS /pərˈhæps/

by chance

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

plasticadjectiveUS /ˈplæstɪk/

capable of being molded or modeled (especially of earth or clay or other soft material)

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

PlatonounUS /ˈpleɪtoʊ/

ancient Athenian philosopher; pupil of Socrates; teacher of Aristotle (428-347 BC)

From this reading Plato mentions a Greek musical instrument called _panharmonion_, which was adapted to express the different modes and systems of melodious utterance.

receivedadjectiveUS /rəˈsiːvd/

conforming to the established language usage of educated native speakers

From this reading Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.

remarksnounUS /rɪˈmɑːrks/

plural of “remark” — a statement that expresses a personal opinion or belief or adds information

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

scopenounUS /skoʊp/

an area in which something acts or operates or has power or control: "the range of a supersonic jet"

From this reading This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."

soundnounUS /saʊnd/

the particular auditory effect produced by a given cause

From this reading This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."

sublimeadjectiveUS /səˈblaɪm/

inspiring awe

From this reading It is capable of being used for the most commonplace and the most sublime utterances....

subtletynounUS /ˈsʌtəlti/

a subtle difference in meaning or opinion or attitude

From this reading This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."

sweetnessnounUS /ˈswiːtnəs/

the taste experience when sugar dissolves in the mouth

From this reading This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."

swiftnessnounUS /ˈswɪftnəs/

a rate (usually rapid) at which something happens

From this reading This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."

Symonds's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

systemsnounUS /ˈsɪstəmz/

plural of “system” — instrumentality that combines interrelated interacting artifacts designed to work as a coherent entity

From this reading Plato mentions a Greek musical instrument called _panharmonion_, which was adapted to express the different modes and systems of melodious utterance.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

thereadverbUS /ðer/

in or at that place or location

From this reading This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading This name might be applied to our blank verse; there is no harmony of sound, no dignity of movement, no swiftness, no subtlety of languid sweetness, no brevity, no force of emphasis, beyond its scope."

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Plato mentions a Greek musical instrument called _panharmonion_, which was adapted to express the different modes and systems of melodious utterance.

treatmentnounUS /ˈtriːtmənt/

care provided to improve a situation (especially medical procedures or applications that are intended to relieve illness or injury)

From this reading Originally instituted for the drama, it received in Milton's hands an epical treatment, and has by authors of our own day been used for idyllic and even for lyrical compositions.

usedadjectiveUS /juːzd/

employed in accomplishing something

From this reading It is capable of being used for the most commonplace and the most sublime utterances....

utterancenounUS /ˈʌtərəns/

the use of uttered sounds for auditory communication

From this reading Plato mentions a Greek musical instrument called _panharmonion_, which was adapted to express the different modes and systems of melodious utterance.

utterancesnounUS /ˈʌtərənsɪz/

plural of “utterance” — the use of uttered sounds for auditory communication

From this reading It is capable of being used for the most commonplace and the most sublime utterances....

variousadjectiveUS /ˈveriəs/

of many different kinds purposefully arranged but lacking any uniformity

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

versenounUS /vɜːrs/

literature in metrical form

From this reading Of Mr. Symonds's remarks on the general nature of blank verse the following are especially interesting: "English blank verse is perhaps more various and plastic than any other national metre.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Plato mentions a Greek musical instrument called _panharmonion_, which was adapted to express the different modes and systems of melodious utterance.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Plato mentions a Greek musical instrument called _panharmonion_, which was adapted to express the different modes and systems of melodious utterance.

Chapter 9 of English Verse by Raymond MacDonald Alden holds 332 sentences, grouped into 67 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 9 of English Verse contain?

Chapter 9 holds 332 sentences of English Verse, unabridged, divided into 67 reading sections.

This page carries chapter 9 of English Verse by Raymond MacDonald Alden exactly as it stands in the source edition, without abridgement. It runs to 332 sentences, grouped into 67 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 9 of English Verse?

Work through the 67 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 67 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 9 be read aloud to me?

Yes — every sentence and every individual word in chapter 9 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading English Verse

Common questions about reading English Verse by Raymond MacDonald Alden on this page, its source edition and its audio.

Is this the complete text of English Verse?

Yes. All 5323 sentences of Project Gutenberg eBook #32262 are kept, with a record of which sentences cover which part.

Which edition of English Verse is used?

Project Gutenberg eBook #32262, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does English Verse take to read?

About 443 minutes of reading across 1065 sections of 5 sentences each, at an unhurried pace.

How to read English Verse section by section

How to work through English Verse section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 16 chapters of English Verse to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in English Verse

Words and structures a reader meets early in English Verse, each tappable for pronunciation and meaning.

Upper
A word that appears in the opening chapter of English Verse; the reader can tap it to hear it and see its dictionary entry.
Lower
A word that appears in the opening chapter of English Verse; the reader can tap it to hear it and see its dictionary entry.
Thorn
A word that appears in the opening chapter of English Verse; the reader can tap it to hear it and see its dictionary entry.
Footnotes
A word that appears in the opening chapter of English Verse; the reader can tap it to hear it and see its dictionary entry.