used before a singular noun to mean one of a group, when it is not a particular one
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
additionaladjectiveUS /əˈdɪʃənəl/
further or added
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
how long something has existed
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
alleynounUS /ˈæli/
a narrow street with walls on both sides
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
the form of “a” used before a word that begins with a vowel sound
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
used to join words or parts of a sentence that go together
From this reading AT the Obelisk streets radiate, and the trams going to London have to make their choice.
apronsnounUS /ˈeɪprənz/
plural of “apron” — a garment of cloth or leather or plastic that is tied about the waist and worn to protect your clothing
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
areauxiliary verbUS /ɑːr/
the form of “be” used with you, we, they, or a plural noun
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
at the same time that; because; in the way that
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
askewadjectiveUS /əsˈkjuː/
turned or twisted toward one side
From this reading A pleasanter note in the frames of photographs that hang slightly askew.
in or near a particular place or position
From this reading AT the Obelisk streets radiate, and the trams going to London have to make their choice.
past form of “betray” — reveal unintentionally
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
Blackfriars
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
of the color intermediate between green and violet; having a color similar to that of a clear unclouded sky
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
confined by bonds
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
box-office
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
a structure that allows people or vehicles to cross an obstacle such as a river or canal or railway etc.
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
used to introduce something that contrasts with what came before
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
buysnounUS /baɪz/
plural of “buy” — an advantageous purchase
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
showing who or what does the action
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
chillnounUS /tʃɪl/
coldness due to a cold environment
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
the person or thing chosen or selected
From this reading AT the Obelisk streets radiate, and the trams going to London have to make their choice.
a timepiece that shows the time of day
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
colouredadjectiveUS /ˈkʌlərd/
having color or a certain color; sometimes used in combination
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
competitorsnounUS /kəmˈpetətərz/
plural of “competitor” — the contestant you hope to defeat
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
cordsnounUS /kɔːrdz/
cotton trousers made of corduroy cloth
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
crapenoun
small very thin pancake
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
absence of light or illumination
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
time for Earth to make a complete rotation on its axis
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
pass from physical life and lose all bodily attributes and functions necessary to sustain life
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
separated in space or coming from or going to a distance
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
a swinging or sliding barrier that will close the entrance to a room or building or vehicle
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
plural of “door” — a swinging or sliding barrier that will close the entrance to a room or building or vehicle
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
being or moving lower in position or less in some value
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
the cardinal number that is the sum of eleven and one
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
all through a period, or at some point within it
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
earlyadjectiveUS /ˈɜːrli/
at or near the beginning of a period of time or course of events or before the usual or expected time
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
inflected form of “eat” — take in solid food
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
electricadjectiveUS /ɪˈlektrɪk/
using or providing or producing or transmitting or operated by electricity
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
either extremity of something that has length
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
endeavours
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
something that provides access (to get in or get out)
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
at any time
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
exactadjectiveUS /ɪɡˈzækt/
Strictly particular and correct.
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
facingnounUS /ˈfeɪsɪŋ/
a lining applied to the edge of a garment for ornamentation or strengthening
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
be afraid or feel anxious or apprehensive about a possible or probable situation or event
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
intended to be given to, or used by, somebody
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
the cardinal number that is the sum of three and one
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
framesnounUS /freɪmz/
plural of “frame” — the framework for a pair of eyeglasses
From this reading A pleasanter note in the frames of photographs that hang slightly askew.
showing where something starts, or who sent it
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
containing as much or as many as is possible or normal
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
globesnounUS /ɡloʊbz/
plural of “globe” — the 3rd planet from the sun; the planet we live on
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
change location; move, travel, or proceed, also metaphorically
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
the act of departing
From this reading AT the Obelisk streets radiate, and the trams going to London have to make their choice.
grandfather'snounUS /ˈɡrændfɑːðərz/
possessive form of “grandfather” — the father of your father or mother
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
grislyadjectiveUS /ˈɡrɪzli/
shockingly repellent; inspiring horror
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
be suspended or hanging
From this reading A pleasanter note in the frames of photographs that hang slightly askew.
hasauxiliary verbUS /hæz/
the form of “have” used with he, she, it, or a singular noun
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
haveauxiliary verbUS /hæv/
used with a past participle to form the perfect tenses
From this reading AT the Obelisk streets radiate, and the trams going to London have to make their choice.
belonging to a woman, girl, or female animal already mentioned
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
greater than normal in degree or intensity or amount
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
horridadjectiveUS /ˈhɔːrəd/
exceedingly bad
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
a period of time equal to 1/24th of a day
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
a dwelling that serves as living quarters for one or more families
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
hurledverbUS /hɜːrld/
past form of “hurl” — throw forcefully
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
inside something, or within a place, period, or state
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
the form of “be” used with he, she, it, or a singular noun
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
a thing, animal, or idea already mentioned
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
belonging to the thing or animal already mentioned
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
juvenileadjectiveUS /ˈdʒuːvənəl/
of or relating to or characteristic of or appropriate for children or young people
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
a polite name for any woman
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
leadsnounUS /liːdz/
plural of “lead” — an advantage held by a competitor in a race
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
of comparatively little physical weight or density
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
loadedadjectiveUS /ˈloʊdɪd/
filled with a great quantity
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
the capital and largest city of England; located on the Thames in southeastern England; financial and industrial and cultural center
From this reading AT the Obelisk streets radiate, and the trams going to London have to make their choice.
engage in
From this reading AT the Obelisk streets radiate, and the trams going to London have to make their choice.
a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
maskedadjectiveUS /mæskt/
having its true character concealed with the intent of misleading
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
the force of workers available
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
an area that is approximately central within some larger region
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
12 o'clock at night; the middle of the night
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
a written account of what transpired at a meeting
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
modernitynounUS /mɑːˈdɜːrnəti/
the quality of being current or of the present
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
belonging to the person speaking
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
near in time or place or relationship
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
the time after sunset and before sunrise while it is dark outside
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
not any; not one
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
used to make a word, phrase, or sentence negative
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
a brief written record
From this reading A pleasanter note in the frames of photographs that hang slightly askew.
Obelisknoun
a stone pillar having a rectangular cross section tapering towards a pyramidal top
From this reading AT the Obelisk streets radiate, and the trams going to London have to make their choice.
belonging to, or connected with, somebody or something
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
touching and supported by a surface
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
used to mean any person in general, including the speaker
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
a personal belief or judgment that is not founded on proof or certainty
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
orangesnounUS /ˈɔːrəndʒəz/
plural of “orange” — round yellow to orange fruit of any of several citrus trees
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
relating to or being on or near the outer side or limit
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
over-anxious
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
have ownership or possession of
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
passer-bynoun
a person who passes by casually or by chance
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
photographsnounUS /ˈfoʊtəɡræfs/
plural of “photograph” — a representation of a person or scene in the form of a print or transparent slide or in digital format
From this reading A pleasanter note in the frames of photographs that hang slightly askew.
pigsnounUS /pɪɡz/
plural of “pig” — domestic swine
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
pistolsnounUS /ˈpɪstəlz/
plural of “pistol” — a firearm that is held and fired with one hand
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
pleasanter
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading A pleasanter note in the frames of photographs that hang slightly askew.
postersnounUS /ˈpoʊstərz/
plural of “poster” — a sign posted in a public place as an advertisement
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
precipicenounUS /ˈpresəpəs/
a very steep cliff
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
preserveverbUS /prəˈzɜːrv/
keep or maintain in unaltered condition; cause to remain or last
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
punny
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
hitting a golf ball that is on the green using a putter
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
radiateverbUS /ˈreɪdiət/
send out rays or waves
From this reading AT the Obelisk streets radiate, and the trams going to London have to make their choice.
recentadjectiveUS /ˈriːsənt/
new
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
an open way (generally public) for travel or transportation
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
Identical; not different.
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
plural of “scene” — the place where some action occurs
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
seatsnounUS /siːts/
an area that includes places where several people can sit
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
semblancenounUS /ˈsembləns/
an outward or token appearance or form that is deliberately misleading
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
shillingnounUS /ˈʃɪlɪŋ/
the basic unit of money in Uganda; equal to 100 cents
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
plural of “show” — the act of publicly exhibiting or entertaining
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
a place within a region identified relative to a center or reference location
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
sixpennyadjective
of trifling worth
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
to a small degree or extent
From this reading A pleasanter note in the frames of photographs that hang slightly askew.
(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
sprungverbUS /sprʌŋ/
inflected form of “spring” — move forward by leaps and bounds
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
any distinct time period in a sequence of events
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
a flight of stairs or a flight of steps
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
plural of “street” — a thoroughfare (usually including sidewalks) that is lined with buildings
From this reading AT the Obelisk streets radiate, and the trams going to London have to make their choice.
suburbsnounUS /ˈsʌbərbz/
plural of “suburb” — a residential district located on the outskirts of a city
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
used to introduce what somebody said, thought, or felt
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading AT the Obelisk streets radiate, and the trams going to London have to make their choice.
a building where theatrical performances or motion-picture shows can be presented
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
theatresnounUS /ˈθiːətərz/
plural of “theatre” — a building where theatrical performances or motion-picture shows can be presented
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
belonging to the people or things already mentioned
From this reading AT the Obelisk streets radiate, and the trams going to London have to make their choice.
the cardinal number that is the sum of one and one and one
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
threepencenoun
former cupronickel coin of the United Kingdom equal to three pennies
From this reading Some steps go up to the shilling and the sixpenny seats; early doors, which exact from the over-anxious an additional threepence, are in a dark alley at the side, at the end of which is a door that leads to the box-office by day and the stage entrance by night.
used before the base form of a verb to make the infinitive
From this reading AT the Obelisk streets radiate, and the trams going to London have to make their choice.
tramsnounUS /træmz/
plural of “tram” — a conveyance that transports passengers or freight in carriers suspended from cables and supported by a series of towers
From this reading AT the Obelisk streets radiate, and the trams going to London have to make their choice.
traynounUS /treɪ/
an open receptacle for holding or displaying or serving articles or food
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
trestles
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
trotters
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
the cardinal number that is the sum of eleven and one
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
the cardinal number that is the sum of one and one or a numeral representing this number
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
underneathprepositionUS /ˌʌndərˈniːθ/
directly under, often hidden by what is above
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
being or moving higher in position or greater in some value; being above a former position or level
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
used to introduce a clause giving more about a thing just mentioned
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
a Caucasian
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
in the company of; together with
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
an adult female person (as opposed to a man)
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
plural of “woman” — an adult female person (as opposed to a man)
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
the words that are spoken
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
a late time of life
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
of the color intermediate between green and orange in the color spectrum; of something resembling the color of an egg yolk
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
the person or people being spoken to
From this reading The outside of the house has coloured posters of grisly scenes that make the passer-by chill with fear: a yellow woman hurled down a blue precipice; the same lady bound by cords to a grandfather’s clock, which shows the hour as three minutes to twelve, and facing her two crape masked men with pistols; underneath the horrid words, “At midnight, my lady, you die.”
a young person (especially a young man or boy)
From this reading The theatre in the road that leads to Blackfriars Bridge is a theatre of middle age, with its own opinion of the many juvenile competitors that have sprung up during recent years in near and in distant suburbs: it endeavours to preserve the semblance of youth and modernity by putting on four white globes of electric light, but its age is betrayed by a dozen women with aprons full of oranges, “Two a punny, a punny for two” (oranges are not eaten in the new theatres), and a tray on high trestles loaded with pigs’ trotters, which no one ever buys.
