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Ernest Maltravers — Volume 01
Ernest Maltravers — Volume 01

Chapter I · Chapter 1

Chapter 1 of Ernest Maltravers — Volume 01 is here in full — 39 sentences across 8 reading sections, with audio for every sentence and word.

Cover illustration for Ernest Maltravers — Volume 01
Context Illustration Reading 1/7 · 5 lines
English subtitles · tap any word to listen 1 / 5
TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.
PREFACE TO THE EDITION OF 1840.
HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.
The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.
As we grow older we observe less, we reflect more; and, like Frankenstein, we dissect in order to create.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Ernest Maltravers — Volume 01

Chapter I · Chapter 1

Chapter 1 of Ernest Maltravers — Volume 01 is here in full — 39 sentences across 8 reading sections, with audio for every sentence and word.

Reading 1/7 · 5 reading units · Lines 1–5

Line 1
TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.
Line 2
PREFACE TO THE EDITION OF 1840.
Line 3
HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.
Line 4
The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.
Line 5
As we grow older we observe less, we reflect more; and, like Frankenstein, we dissect in order to create.
/æz wiː ɡroʊ ˈoʊldər wiː əbˈzɜːrv les wiː rɪˈflekt mɔːr ənd laɪk ˈfræŋkənstaɪn wiː daɪˈsekt ɪn ˈɔːrdər tuː kriˈeɪt/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

dedicated adjective US /ˈdedəkeɪtəd/

devoted to a cause or ideal or purpose

From this reading “TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.”

dissect verb US /daɪˈsekt/

cut open or cut apart

From this reading “As we grow older we observe less, we reflect more; and, like Frankenstein, we dissect in order to create.”

Frankenstein noun US /ˈfræŋkənstaɪn/

an agency that escapes control and destroys its creator

From this reading “As we grow older we observe less, we reflect more; and, like Frankenstein, we dissect in order to create.”

gusto noun US /ˈɡʌstoʊ/

vigorous and enthusiastic enjoyment

From this reading “The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.”

paintings noun US /ˈpeɪntɪŋz/

plural of “painting” — graphic art consisting of an artistic composition made by applying paints to a surface

From this reading “The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.”

Pelham noun US /ˈpeləm/

a bit with a bar mouthpiece that is designed to combine a curb and snaffle

From this reading “The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.”

quickens verb US /ˈkwɪkənz/

third-person singular of “quicken” — move faster

From this reading “The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.”

thinkers noun US /ˈθɪŋkərz/

plural of “thinker” — an important intellectual

From this reading “TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.”

All words in this reading · 118

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1840

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading PREFACE TO THE EDITION OF 1840.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

accountnounUS /əˈkaʊnt/

a record or narrative description of past events

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

agenounUS /eɪdʒ/

how long something has existed

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

amidstprepositionUS /əˈmɪdst/

in the middle of; surrounded by

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

appreciationnounUS /əˌpriːʃiˈeɪʃən/

understanding of the nature or meaning or quality or magnitude of something

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

AsconjunctionUS /æz/

at the same time that; because; in the way that

From this reading As we grow older we observe less, we reflect more; and, like Frankenstein, we dissect in order to create.

atones

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

attentionnounUS /əˈtenʃən/

the process whereby a person concentrates on some features of the environment to the (relative) exclusion of others

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

audiencenounUS /ˈɑːdiəns/

a gathering of spectators or listeners at a (usually public) performance

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

AuthornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

boynounUS /bɔɪ/

a youthful male person

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

ByprepositionUS /baɪ/

showing who or what does the action

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

candidadjectiveUS /ˈkændəd/

characterized by directness in manner or speech; without subtlety or evasion

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

castverbUS /kæst/

put or send forth

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

colouredadjectiveUS /ˈkʌlərd/

having color or a certain color; sometimes used in combination

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

composedadjectiveUS /kəmˈpoʊzd/

serenely self-possessed and free from agitation especially in times of stress

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

createverbUS /kriˈeɪt/

make or cause to be or to become

From this reading As we grow older we observe less, we reflect more; and, like Frankenstein, we dissect in order to create.

criticsnounUS /ˈkrɪtɪks/

plural of “critic” — a person who is professionally engaged in the analysis and interpretation of works of art

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

dearadjectiveUS /dɪr/

dearly loved

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

dedicatedadjectiveUS /ˈdedəkeɪtəd/

devoted to a cause or ideal or purpose

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

dissectverbUS /daɪˈsekt/

cut open or cut apart

From this reading As we grow older we observe less, we reflect more; and, like Frankenstein, we dissect in order to create.

distinctlyadverbUS /dɪˈstɪŋktli/

clear to the mind; with distinct mental discernment

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

earlyadjectiveUS /ˈɜːrli/

at or near the beginning of a period of time or course of events or before the usual or expected time

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

EDITIONnounUS /əˈdɪʃən/

the form in which a text (especially a printed book) is published

From this reading PREFACE TO THE EDITION OF 1840.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

eventsnounUS /ɪˈvents/

plural of “event” — something that happens at a given place and time

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

exaggerationnounUS /ɪɡˌzædʒərˈeɪʃən/

extravagant exaggeration

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

familiaradjectiveUS /fəˈmɪljər/

well known or easily recognized

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

faultsnounUS /fɔːlts/

plural of “fault” — a wrong action attributable to bad judgment or ignorance or inattention

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

fictionnounUS /ˈfɪkʃən/

a literary work based on the imagination and not necessarily on fact

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

folliesnounUS /ˈfɑːliz/

a revue with elaborate costuming

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

foreignadjectiveUS /ˈfɔːrən/

of concern to or concerning the affairs of other nations (other than your own)

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

FrankensteinnounUS /ˈfræŋkənstaɪn/

an agency that escapes control and destroys its creator

From this reading As we grow older we observe less, we reflect more; and, like Frankenstein, we dissect in order to create.

generousadjectiveUS /ˈdʒenərəs/

willing to give and share unstintingly

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

GERMANnounUS /ˈdʒɜːrmən/

a person of German nationality

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

GREATadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

growverbUS /ɡroʊ/

pass into a condition gradually, take on a specific property or attribute; become

From this reading As we grow older we observe less, we reflect more; and, like Frankenstein, we dissect in order to create.

gustonounUS /ˈɡʌstoʊ/

vigorous and enthusiastic enjoyment

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

halfadjectiveUS /hæf/

consisting of one of two equivalent parts in value or quantity

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

HOWEVERadverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

judgmentnounUS /ˈdʒʌdʒmənt/

an opinion formed by judging something

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

leaveverbUS /liːv/

go away from a place

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading As we grow older we observe less, we reflect more; and, like Frankenstein, we dissect in order to create.

liesnounUS /laɪz/

plural of “lie” — a statement that deviates from or perverts the truth

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

likeverbUS /laɪk/

prefer or wish to do something

From this reading As we grow older we observe less, we reflect more; and, like Frankenstein, we dissect in order to create.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

mannernounUS /ˈmænər/

how something is done or how it happens

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

meritsnounUS /ˈmerəts/

plural of “merit” — any admirable quality or attribute

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

naturaladjectiveUS /ˈnætʃərəl/

in accordance with nature; relating to or concerning nature

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

noveltynounUS /ˈnɑːvəlti/

originality by virtue of being refreshingly novel

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

numerousadjectiveUS /ˈnuːmərəs/

amounting to a large indefinite number

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

observationnounUS /ˌɑːbzərˈveɪʃən/

the act of making and recording a measurement

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

observeverbUS /əbˈzɜːrv/

discover or determine the existence, presence, or fact of

From this reading As we grow older we observe less, we reflect more; and, like Frankenstein, we dissect in order to create.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

olderadjectiveUS /ˈoʊldər/

advanced in years; (“aged” is pronounced as two syllables)

From this reading As we grow older we observe less, we reflect more; and, like Frankenstein, we dissect in order to create.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

ordernounUS /ˈɔːrdər/

(often plural) a command given by a superior (e.g., a military or law enforcement officer) that must be obeyed

From this reading As we grow older we observe less, we reflect more; and, like Frankenstein, we dissect in order to create.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

ownverbUS /oʊn/

have ownership or possession of

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

paintingsnounUS /ˈpeɪntɪŋz/

plural of “painting” — graphic art consisting of an artistic composition made by applying paints to a surface

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

PelhamnounUS /ˈpeləm/

a bit with a bar mouthpiece that is designed to combine a curb and snaffle

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

PEOPLEnounUS /ˈpiːpəl/

(plural) any group of human beings (men or women or children) collectively

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

perhapsadverbUS /pərˈhæps/

by chance

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

plotnounUS /plɑːt/

a secret scheme to do something (especially something underhand or illegal)

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

PREFACEnounUS /ˈprefəs/

a short introductory essay preceding the text of a book

From this reading PREFACE TO THE EDITION OF 1840.

ProfoundadjectiveUS /proʊˈfaʊnd/

showing intellectual penetration or emotional depth

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

publishedadjectiveUS /ˈpʌblɪʃt/

prepared and printed for distribution and sale

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

quickensverbUS /ˈkwɪkənz/

third-person singular of “quicken” — move faster

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

racenounUS /reɪs/

any competition

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

ReadernounUS /ˈriːdər/

a person who enjoys reading

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

reflectverbUS /rɪˈflekt/

manifest or bring back

From this reading As we grow older we observe less, we reflect more; and, like Frankenstein, we dissect in order to create.

representverbUS /ˌreprɪˈzent/

take the place of or be parallel or equivalent to

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

reproofnoun

an act or expression of criticism and censure

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

satiriseverb

ridicule with satire

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

surfacenounUS /ˈsɜːrfəs/

the outer boundary of an artifact or a material layer constituting or resembling such a boundary

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

sympathising

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

thereadverbUS /ðer/

in or at that place or location

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

thinkersnounUS /ˈθɪŋkərz/

plural of “thinker” — an important intellectual

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

timesnounUS /taɪmz/

a more or less definite period of time now or previously present

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

TOparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

trespassed

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

vividlyadverbUS /ˈvɪvədli/

in a vivid manner

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

whatpronounUS /wʌt/

used to ask for information about something

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

whenconjunctionUS /wen/

at the time that

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

withprepositionUS /wɪð/

in the company of; together with

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading TO THE GREAT GERMAN PEOPLE, A race of thinkers and of critics; A foreign but familiar audience, Profound in judgment, candid in reproof, generous in appreciation, This work is dedicated By an English Author.

worksnounUS /wɜːrks/

buildings for carrying on industrial labor

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading The first of these, /Pelham/, composed when I was little more than a boy, has the faults, and perhaps the merits, natural to a very early age,--when the novelty itself of life quickens the observation,--when we see distinctly, and represent vividly, what lies upon the surface of the world,--and when, half sympathising with the follies we satirise, there is a gusto in our paintings which atones for their exaggeration.

yourdeterminerUS /jɔːr/

belonging to the person or people being spoken to

From this reading HOWEVER numerous the works of fiction with which, my dear Reader, I have trespassed on your attention, I leave published but three, of any account, in which the plot has been cast amidst the events, and coloured by the manner, of our own times.

Chapter 1 of Ernest Maltravers — Volume 01 by Edward Bulwer Lytton, Baron Lytton holds 39 sentences, grouped into 8 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Ernest Maltravers — Volume 01 contain?

Chapter 1 holds 39 sentences of Ernest Maltravers — Volume 01, unabridged, divided into 8 reading sections.

This page carries chapter 1 of Ernest Maltravers — Volume 01 by Edward Bulwer Lytton, Baron Lytton exactly as it stands in the source edition, without abridgement. It runs to 39 sentences, grouped into 8 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Ernest Maltravers — Volume 01?

Work through the 8 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 8 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Vocabulary met early in Ernest Maltravers — Volume 01

Words and structures a reader meets early in Ernest Maltravers — Volume 01, each tappable for pronunciation and meaning.

Chapter 1
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Chapter 2
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Chapter 3
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