AdeterminerUS /ə/
used before a singular noun to mean one of a group, when it is not a particular one
From this reading A moment ago this art was declared not human.
admirationnounUS /ˌædmərˈeɪʃən/
a feeling of delighted approval and liking
From this reading Their beauty is remote from our sympathy and admiration; and it is quite possible that we might miss it in pictorial presentation, and that the Japanese artist may have intended human beauty where we do not recognise it.
agoadverbUS /əˈɡoʊ/
in the past
From this reading A moment ago this art was declared not human.
AndconjunctionUS /ənd/
used to join words or parts of a sentence that go together
From this reading And, in fact, in no other art has the figure suffered such crooked handling.
artauxiliary verbUS /ɑːrt/
an old form of “are”, used with “thou”
From this reading A moment ago this art was declared not human.
artistnounUS /ˈɑːrtəst/
a person whose creative work shows sensitivity and imagination
From this reading Their beauty is remote from our sympathy and admiration; and it is quite possible that we might miss it in pictorial presentation, and that the Japanese artist may have intended human beauty where we do not recognise it.
atprepositionUS /æt/
in or near a particular place or position
From this reading But if it is not easy to recognise, it is certainly not difficult to guess at.
beautynounUS /ˈbjuːti/
the qualities that give pleasure to the senses
From this reading The Japanese have generally evaded even the local beauty of their own race for the sake of perpetual slight deformity.
ButconjunctionUS /bʌt/
used to introduce something that contrasts with what came before
From this reading But if it is not easy to recognise, it is certainly not difficult to guess at.
certainlyadverbUS /ˈsɜːrtənli/
definitely or positively (“sure” is sometimes used informally for “surely”)
From this reading But if it is not easy to recognise, it is certainly not difficult to guess at.
crookedadjectiveUS /ˈkrʊkəd/
having or marked by bends or angles; not straight or aligned
From this reading And, in fact, in no other art has the figure suffered such crooked handling.
declaredadjectiveUS /dɪˈklerd/
made known or openly avowed
From this reading A moment ago this art was declared not human.
deformitynounUS /dɪˈfɔːrməti/
an affliction in which some part of the body is misshapen or malformed
From this reading The Japanese have generally evaded even the local beauty of their own race for the sake of perpetual slight deformity.
difficultadjectiveUS /ˈdɪfəkəlt/
not easy; requiring great physical or mental effort to accomplish or comprehend or endure
From this reading But if it is not easy to recognise, it is certainly not difficult to guess at.
doauxiliary verbUS /duː/
used to form questions and negatives, and to give emphasis
From this reading Their beauty is remote from our sympathy and admiration; and it is quite possible that we might miss it in pictorial presentation, and that the Japanese artist may have intended human beauty where we do not recognise it.
easyadjectiveUS /ˈiːzi/
posing no difficulty; requiring little effort
From this reading But if it is not easy to recognise, it is certainly not difficult to guess at.
evadedverbUS /ɪˈveɪdɪd/
past form of “evade” — avoid or try to avoid fulfilling, answering, or performing (duties, questions, or issues)
From this reading The Japanese have generally evaded even the local beauty of their own race for the sake of perpetual slight deformity.
evenadjectiveUS /ˈiːvɪn/
divisible by two
From this reading The Japanese have generally evaded even the local beauty of their own race for the sake of perpetual slight deformity.
factnounUS /fækt/
a piece of information about circumstances that exist or events that have occurred
From this reading And, in fact, in no other art has the figure suffered such crooked handling.
figurenounUS /ˈfɪɡjər/
a diagram or picture illustrating textual material
From this reading And, in fact, in no other art has the figure suffered such crooked handling.
forprepositionUS /fɔːr/
intended to be given to, or used by, somebody
From this reading The Japanese have generally evaded even the local beauty of their own race for the sake of perpetual slight deformity.
fromprepositionUS /frʌm/
showing where something starts, or who sent it
From this reading Their beauty is remote from our sympathy and admiration; and it is quite possible that we might miss it in pictorial presentation, and that the Japanese artist may have intended human beauty where we do not recognise it.
generallyadverbUS /ˈdʒenərəli/
usually; as a rule
From this reading The Japanese have generally evaded even the local beauty of their own race for the sake of perpetual slight deformity.
guessverbUS /ɡes/
expect, believe, or suppose
From this reading But if it is not easy to recognise, it is certainly not difficult to guess at.
handlingnounUS /ˈhændlɪŋ/
manual (or mechanical) carrying or moving or delivering or working with something
From this reading And, in fact, in no other art has the figure suffered such crooked handling.
hasauxiliary verbUS /hæz/
the form of “have” used with he, she, it, or a singular noun
From this reading And, in fact, in no other art has the figure suffered such crooked handling.
haveauxiliary verbUS /hæv/
used with a past participle to form the perfect tenses
From this reading The Japanese have generally evaded even the local beauty of their own race for the sake of perpetual slight deformity.
humanadjectiveUS /ˈhjuːmən/
characteristic of humanity
From this reading A moment ago this art was declared not human.
ifconjunctionUS /ɪf/
on condition that; in the event that
From this reading But if it is not easy to recognise, it is certainly not difficult to guess at.
inprepositionUS /ɪn/
inside something, or within a place, period, or state
From this reading And, in fact, in no other art has the figure suffered such crooked handling.
intendedadjectiveUS /ˌɪnˈtendɪd/
resulting from one's intentions
From this reading Their beauty is remote from our sympathy and admiration; and it is quite possible that we might miss it in pictorial presentation, and that the Japanese artist may have intended human beauty where we do not recognise it.
isauxiliary verbUS /ɪz/
the form of “be” used with he, she, it, or a singular noun
From this reading Their beauty is remote from our sympathy and admiration; and it is quite possible that we might miss it in pictorial presentation, and that the Japanese artist may have intended human beauty where we do not recognise it.
itpronounUS /ɪt/
a thing, animal, or idea already mentioned
From this reading Their beauty is remote from our sympathy and admiration; and it is quite possible that we might miss it in pictorial presentation, and that the Japanese artist may have intended human beauty where we do not recognise it.
JapanesenounUS /ˌdʒæpəˈniːz/
a native or inhabitant of Japan
From this reading The Japanese have generally evaded even the local beauty of their own race for the sake of perpetual slight deformity.
localadjectiveUS /ˈloʊkəl/
relating to or applicable to or concerned with the administration of a city or town or district rather than a larger area
From this reading The Japanese have generally evaded even the local beauty of their own race for the sake of perpetual slight deformity.
maymodal verbUS /meɪ/
used to say something is possible, or to give permission
From this reading Their beauty is remote from our sympathy and admiration; and it is quite possible that we might miss it in pictorial presentation, and that the Japanese artist may have intended human beauty where we do not recognise it.
mightmodal verbUS /maɪt/
used to say something is possible but not certain
From this reading Their beauty is remote from our sympathy and admiration; and it is quite possible that we might miss it in pictorial presentation, and that the Japanese artist may have intended human beauty where we do not recognise it.
missverbUS /mɪs/
fail to perceive or to catch with the senses or the mind
From this reading Their beauty is remote from our sympathy and admiration; and it is quite possible that we might miss it in pictorial presentation, and that the Japanese artist may have intended human beauty where we do not recognise it.
momentnounUS /ˈmoʊmənt/
a particular point in time
From this reading A moment ago this art was declared not human.
nodeterminerUS /noʊ/
not any; not one
From this reading And, in fact, in no other art has the figure suffered such crooked handling.
notadverbUS /nɑːt/
used to make a word, phrase, or sentence negative
From this reading A moment ago this art was declared not human.
ofprepositionUS /ʌv/
belonging to, or connected with, somebody or something
From this reading The Japanese have generally evaded even the local beauty of their own race for the sake of perpetual slight deformity.
otheradjectiveUS /ˈʌðər/
not the same one or ones already mentioned or implied
From this reading And, in fact, in no other art has the figure suffered such crooked handling.
ourdeterminerUS /ˈaʊər/
belonging to the speaker and others
From this reading Their beauty is remote from our sympathy and admiration; and it is quite possible that we might miss it in pictorial presentation, and that the Japanese artist may have intended human beauty where we do not recognise it.
ownverbUS /oʊn/
have ownership or possession of
From this reading The Japanese have generally evaded even the local beauty of their own race for the sake of perpetual slight deformity.
perpetualadjectiveUS /pərˈpetʃuːəl/
continuing forever or indefinitely
From this reading The Japanese have generally evaded even the local beauty of their own race for the sake of perpetual slight deformity.
pictorialadjectiveUS /pɪkˈtɔːriəl/
pertaining to or consisting of pictures
From this reading Their beauty is remote from our sympathy and admiration; and it is quite possible that we might miss it in pictorial presentation, and that the Japanese artist may have intended human beauty where we do not recognise it.
possibleadjectiveUS /ˈpɑːsəbəl/
capable of happening or existing
From this reading Their beauty is remote from our sympathy and admiration; and it is quite possible that we might miss it in pictorial presentation, and that the Japanese artist may have intended human beauty where we do not recognise it.
presentationnounUS /ˌprezənˈteɪʃən/
the activity of formally presenting something (as a prize or reward)
From this reading Their beauty is remote from our sympathy and admiration; and it is quite possible that we might miss it in pictorial presentation, and that the Japanese artist may have intended human beauty where we do not recognise it.
quiteadverbUS /kwaɪt/
to a degree (not used with a negative)
From this reading Their beauty is remote from our sympathy and admiration; and it is quite possible that we might miss it in pictorial presentation, and that the Japanese artist may have intended human beauty where we do not recognise it.
racenounUS /reɪs/
any competition
From this reading The Japanese have generally evaded even the local beauty of their own race for the sake of perpetual slight deformity.
recogniseverbUS /ˈrekəɡnaɪz/
show approval or appreciation of
From this reading Their beauty is remote from our sympathy and admiration; and it is quite possible that we might miss it in pictorial presentation, and that the Japanese artist may have intended human beauty where we do not recognise it.
remoteadjectiveUS /rɪˈmoʊt/
located far away spatially
From this reading Their beauty is remote from our sympathy and admiration; and it is quite possible that we might miss it in pictorial presentation, and that the Japanese artist may have intended human beauty where we do not recognise it.
sakenounUS /seɪk/
a reason for wanting something done
From this reading The Japanese have generally evaded even the local beauty of their own race for the sake of perpetual slight deformity.
slightnounUS /slaɪt/
a deliberate discourteous act (usually as an expression of anger or disapproval)
From this reading The Japanese have generally evaded even the local beauty of their own race for the sake of perpetual slight deformity.
suchdeterminerUS /sʌtʃ/
of the kind already mentioned
From this reading And, in fact, in no other art has the figure suffered such crooked handling.
sufferedverbUS /ˈsʌfərd/
past form of “suffer” — undergo or be subjected to
From this reading And, in fact, in no other art has the figure suffered such crooked handling.
sympathynounUS /ˈsɪmpəθi/
an inclination to support or be loyal to or to agree with an opinion
From this reading Their beauty is remote from our sympathy and admiration; and it is quite possible that we might miss it in pictorial presentation, and that the Japanese artist may have intended human beauty where we do not recognise it.
thatconjunctionUS /ðæt/
used to introduce what somebody said, thought, or felt
From this reading Their beauty is remote from our sympathy and admiration; and it is quite possible that we might miss it in pictorial presentation, and that the Japanese artist may have intended human beauty where we do not recognise it.
thedeterminerUS /ðə/
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading And, in fact, in no other art has the figure suffered such crooked handling.
theirdeterminerUS /ðer/
belonging to the people or things already mentioned
From this reading The Japanese have generally evaded even the local beauty of their own race for the sake of perpetual slight deformity.
thisdeterminerUS /ðɪs/
used for a person or thing that is near, or that has just been mentioned
From this reading A moment ago this art was declared not human.
toparticleUS /tuː/
used before the base form of a verb to make the infinitive
From this reading But if it is not easy to recognise, it is certainly not difficult to guess at.
wasauxiliary verbUS /wɑːz/
the past form of “be” used with I, he, she, it, or a singular noun
From this reading A moment ago this art was declared not human.
wepronounUS /wiː/
the speaker together with one or more other people
From this reading Their beauty is remote from our sympathy and admiration; and it is quite possible that we might miss it in pictorial presentation, and that the Japanese artist may have intended human beauty where we do not recognise it.
whereconjunctionUS /wer/
in or at the place that
From this reading Their beauty is remote from our sympathy and admiration; and it is quite possible that we might miss it in pictorial presentation, and that the Japanese artist may have intended human beauty where we do not recognise it.
