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Essays
Essays

Chapter XIII · Chapter 13

Chapter 13 of Essays is here in full — 152 sentences across 31 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/30 · 5 lines
English subtitles · tap any word to listen 1 / 5
SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.
The opportunity is so fine a thing that it ought oftener to be offered to the light and to yonder handful of long sedges and rushes in a vase.
Their slender grey design of shadows upon white walls is better than a tedious, trivial, or anxious device from the shop.
The shadow has all intricacies of perspective simply translated into line and intersecting curve, and pictorially presented to the eyes, not to the mind.
The shadow knows nothing except its flat designs.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Essays

Chapter XIII · Chapter 13

Chapter 13 of Essays is here in full — 152 sentences across 31 reading sections, with audio for every sentence and word.

Reading 1/30 · 5 reading units · Lines 1–5

Line 1
SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.
Line 2
The opportunity is so fine a thing that it ought oftener to be offered to the light and to yonder handful of long sedges and rushes in a vase.
Line 3
Their slender grey design of shadows upon white walls is better than a tedious, trivial, or anxious device from the shop.
/ðer ˈslendər ɡreɪ dɪˈzaɪn ʌv ˈʃædoʊz əˈpɑːn waɪt wɔːlz ɪz ˈbetər ðæn ə ˈtiːdiəs ˈtrɪviəl ɔːr ˈæŋkʃəs dɪˈvaɪs frʌm ðə ʃɑːp/
Line 4
The shadow has all intricacies of perspective simply translated into line and intersecting curve, and pictorially presented to the eyes, not to the mind.
Line 5
The shadow knows nothing except its flat designs.
/ðə ˈʃæd.oʊ noʊz ˈnʌθɪŋ ɪkˈsept ɪts flæt dɪˈzaɪnz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

intersecting adjective US /ˌɪntərˈsektɪŋ/

crossed or intersected in the form of an X

From this reading “The shadow has all intricacies of perspective simply translated into line and intersecting curve, and pictorially presented to the eyes, not to the mind.”

intricacies noun US /ˈɪntrəkəsiz/

plural of “intricacy” — marked by elaborately complex detail

From this reading “The shadow has all intricacies of perspective simply translated into line and intersecting curve, and pictorially presented to the eyes, not to the mind.”

oftener adverb US /ˈɔːfənər/

more often or more frequently

From this reading “The opportunity is so fine a thing that it ought oftener to be offered to the light and to yonder handful of long sedges and rushes in a vase.”

patterns noun US /ˈpætərnz/

plural of “pattern” — a perceptual structure

From this reading “SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.”

perspective noun US /pərˈspektɪv/

a way of regarding situations or topics etc.

From this reading “The shadow has all intricacies of perspective simply translated into line and intersecting curve, and pictorially presented to the eyes, not to the mind.”

unencumbered adjective US /ˌʌnenˈkʌmbərd/

free of encumbrance

From this reading “SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.”

unique adjective US /juːˈniːk/

radically distinctive and without equal

From this reading “SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.”

vase noun US /veɪs/

an open jar of glass or porcelain used as an ornament or to hold flowers

From this reading “The opportunity is so fine a thing that it ought oftener to be offered to the light and to yonder handful of long sedges and rushes in a vase.”

All words in this reading · 83

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading The shadow has all intricacies of perspective simply translated into line and intersecting curve, and pictorially presented to the eyes, not to the mind.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

AnotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

anxiousadjectiveUS /ˈæŋkʃəs/

eagerly desirous

From this reading Their slender grey design of shadows upon white walls is better than a tedious, trivial, or anxious device from the shop.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

betteradjectiveUS /ˈbetər/

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading Their slender grey design of shadows upon white walls is better than a tedious, trivial, or anxious device from the shop.

blankadjectiveUS /blæŋk/

(of a surface) not written or printed on

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

byprepositionUS /baɪ/

showing who or what does the action

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

ceilingnounUS /ˈsiːlɪŋ/

the overhead upper surface of a covered space

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

curvenounUS /kɜːrv/

the trace of a point whose direction of motion changes

From this reading The shadow has all intricacies of perspective simply translated into line and intersecting curve, and pictorially presented to the eyes, not to the mind.

designnounUS /dɪˈzaɪn/

the act of working out the form of something (as by making a sketch or outline or plan)

From this reading Their slender grey design of shadows upon white walls is better than a tedious, trivial, or anxious device from the shop.

designsnounUS /dɪˈzaɪnz/

plural of “design” — the act of working out the form of something (as by making a sketch or outline or plan)

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

devicenounUS /dɪˈvaɪs/

an instrumentality invented for a particular purpose

From this reading Their slender grey design of shadows upon white walls is better than a tedious, trivial, or anxious device from the shop.

exceptprepositionUS /ɪkˈsept/

apart from; not including

From this reading The shadow knows nothing except its flat designs.

eyesnounUS /aɪz/

opinion or judgment

From this reading The shadow has all intricacies of perspective simply translated into line and intersecting curve, and pictorially presented to the eyes, not to the mind.

fineadjectiveUS /faɪn/

being satisfactory or in satisfactory condition

From this reading The opportunity is so fine a thing that it ought oftener to be offered to the light and to yonder handful of long sedges and rushes in a vase.

flatadjectiveUS /flæt/

having a surface without slope, tilt in which no part is higher or lower than another

From this reading The shadow knows nothing except its flat designs.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Their slender grey design of shadows upon white walls is better than a tedious, trivial, or anxious device from the shop.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

greyadjectiveUS /ɡreɪ/

of an achromatic color of any lightness intermediate between the extremes of white and black

From this reading Their slender grey design of shadows upon white walls is better than a tedious, trivial, or anxious device from the shop.

handfulnounUS /ˈhændfʊl/

a small number or amount

From this reading The opportunity is so fine a thing that it ought oftener to be offered to the light and to yonder handful of long sedges and rushes in a vase.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading The shadow has all intricacies of perspective simply translated into line and intersecting curve, and pictorially presented to the eyes, not to the mind.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The opportunity is so fine a thing that it ought oftener to be offered to the light and to yonder handful of long sedges and rushes in a vase.

intersectingadjectiveUS /ˌɪntərˈsektɪŋ/

crossed or intersected in the form of an X

From this reading The shadow has all intricacies of perspective simply translated into line and intersecting curve, and pictorially presented to the eyes, not to the mind.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading The shadow has all intricacies of perspective simply translated into line and intersecting curve, and pictorially presented to the eyes, not to the mind.

intricaciesnounUS /ˈɪntrəkəsiz/

plural of “intricacy” — marked by elaborately complex detail

From this reading The shadow has all intricacies of perspective simply translated into line and intersecting curve, and pictorially presented to the eyes, not to the mind.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The opportunity is so fine a thing that it ought oftener to be offered to the light and to yonder handful of long sedges and rushes in a vase.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading The shadow knows nothing except its flat designs.

knowsnounUS /noʊz/

plural of “know” — the fact of being aware of information that is known to few people

From this reading The shadow knows nothing except its flat designs.

leaveverbUS /liːv/

go away from a place

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

lightadjectiveUS /laɪt/

of comparatively little physical weight or density

From this reading The opportunity is so fine a thing that it ought oftener to be offered to the light and to yonder handful of long sedges and rushes in a vase.

linenounUS /laɪn/

a formation of people or things one beside another

From this reading The shadow has all intricacies of perspective simply translated into line and intersecting curve, and pictorially presented to the eyes, not to the mind.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading The opportunity is so fine a thing that it ought oftener to be offered to the light and to yonder handful of long sedges and rushes in a vase.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading The shadow has all intricacies of perspective simply translated into line and intersecting curve, and pictorially presented to the eyes, not to the mind.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The shadow has all intricacies of perspective simply translated into line and intersecting curve, and pictorially presented to the eyes, not to the mind.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading The shadow knows nothing except its flat designs.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

offeredverbUS /ˈɔːfərd/

past form of “offer” — make available or accessible, provide or furnish

From this reading The opportunity is so fine a thing that it ought oftener to be offered to the light and to yonder handful of long sedges and rushes in a vase.

ofteneradverbUS /ˈɔːfənər/

more often or more frequently

From this reading The opportunity is so fine a thing that it ought oftener to be offered to the light and to yonder handful of long sedges and rushes in a vase.

opportunitynounUS /ˌɑːpərˈtuːnəti/

a possibility due to a favorable combination of circumstances

From this reading The opportunity is so fine a thing that it ought oftener to be offered to the light and to yonder handful of long sedges and rushes in a vase.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Their slender grey design of shadows upon white walls is better than a tedious, trivial, or anxious device from the shop.

oughtmodal verbUS /ɔːt/

used with “to” to say what is right or advisable

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

papernounUS /ˈpeɪpər/

a material made of cellulose pulp derived mainly from wood or rags or certain grasses

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

patternsnounUS /ˈpætərnz/

plural of “pattern” — a perceptual structure

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

perspectivenounUS /pərˈspektɪv/

a way of regarding situations or topics etc.

From this reading The shadow has all intricacies of perspective simply translated into line and intersecting curve, and pictorially presented to the eyes, not to the mind.

pictoriallyadverb

in a pictorial manner

From this reading The shadow has all intricacies of perspective simply translated into line and intersecting curve, and pictorially presented to the eyes, not to the mind.

plainadjectiveUS /pleɪn/

clearly revealed to the mind or the senses or judgment

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

presentedverbUS /priˈzentɪd/

past form of “present” — give an exhibition of to an interested audience

From this reading The shadow has all intricacies of perspective simply translated into line and intersecting curve, and pictorially presented to the eyes, not to the mind.

reasonnounUS /ˈriːzən/

a rational motive for a belief or action

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

rushesnounUS /ˈrʌʃəz/

plural of “rush” — the act of moving hurriedly and in a careless manner

From this reading The opportunity is so fine a thing that it ought oftener to be offered to the light and to yonder handful of long sedges and rushes in a vase.

sedges

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The opportunity is so fine a thing that it ought oftener to be offered to the light and to yonder handful of long sedges and rushes in a vase.

shadownounUS /ˈʃæd.oʊ/

A dark area or shape produced by a body coming between rays of light and a surface.

From this reading The shadow has all intricacies of perspective simply translated into line and intersecting curve, and pictorially presented to the eyes, not to the mind.

SHADOWSnounUS /ˈʃædoʊz/

plural of “shadow” — shade within clear boundaries

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

shopverbUS /ʃɑːp/

do one's shopping

From this reading Their slender grey design of shadows upon white walls is better than a tedious, trivial, or anxious device from the shop.

simpleadjectiveUS /ˈsɪmpəl/

having few parts; not complex or complicated or involved

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

simplyadverbUS /ˈsɪmpli/

and nothing more

From this reading The shadow has all intricacies of perspective simply translated into line and intersecting curve, and pictorially presented to the eyes, not to the mind.

slenderadjectiveUS /ˈslendər/

being of delicate or slender build

From this reading Their slender grey design of shadows upon white walls is better than a tedious, trivial, or anxious device from the shop.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading The opportunity is so fine a thing that it ought oftener to be offered to the light and to yonder handful of long sedges and rushes in a vase.

surfacenounUS /ˈsɜːrfəs/

the outer boundary of an artifact or a material layer constituting or resembling such a boundary

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

tediousadjectiveUS /ˈtiːdiəs/

so lacking in interest as to cause mental weariness

From this reading Their slender grey design of shadows upon white walls is better than a tedious, trivial, or anxious device from the shop.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Their slender grey design of shadows upon white walls is better than a tedious, trivial, or anxious device from the shop.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

TheirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Their slender grey design of shadows upon white walls is better than a tedious, trivial, or anxious device from the shop.

thingnounUS /θɪŋ/

a special situation

From this reading The opportunity is so fine a thing that it ought oftener to be offered to the light and to yonder handful of long sedges and rushes in a vase.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

translatedverbUS /trænzˈleɪtɪd/

past form of “translate” — restate (words) from one language into another language

From this reading The shadow has all intricacies of perspective simply translated into line and intersecting curve, and pictorially presented to the eyes, not to the mind.

trivialadjectiveUS /ˈtrɪviəl/

(informal) small and of little importance

From this reading Their slender grey design of shadows upon white walls is better than a tedious, trivial, or anxious device from the shop.

unencumberedadjectiveUS /ˌʌnenˈkʌmbərd/

free of encumbrance

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

uniqueadjectiveUS /juːˈniːk/

radically distinctive and without equal

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

unvexed

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading Their slender grey design of shadows upon white walls is better than a tedious, trivial, or anxious device from the shop.

vasenounUS /veɪs/

an open jar of glass or porcelain used as an ornament or to hold flowers

From this reading The opportunity is so fine a thing that it ought oftener to be offered to the light and to yonder handful of long sedges and rushes in a vase.

visitedverbUS /ˈvɪzɪtɪd/

past form of “visit” — go to see a place, as for entertainment

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

wallsnounUS /wɔːlz/

plural of “wall” — an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

whitenounUS /waɪt/

a Caucasian

From this reading Their slender grey design of shadows upon white walls is better than a tedious, trivial, or anxious device from the shop.

withprepositionUS /wɪð/

in the company of; together with

From this reading SHADOWS Another good reason that we ought to leave blank, unvexed, and unencumbered with paper patterns the ceiling and walls of a simple house is that the plain surface may be visited by the unique designs of shadows.

yonderadjectiveUS /ˈjɑːndər/

distant but within sight (“yon” is dialectal)

From this reading The opportunity is so fine a thing that it ought oftener to be offered to the light and to yonder handful of long sedges and rushes in a vase.

Chapter 13 of Essays by Alice Meynell holds 152 sentences, grouped into 31 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 13 of Essays contain?

Chapter 13 holds 152 sentences of Essays, unabridged, divided into 31 reading sections.

This page carries chapter 13 of Essays by Alice Meynell exactly as it stands in the public-domain source edition, without abridgement. It runs to 152 sentences, grouped into 31 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 13 of Essays?

Work through the 31 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 31 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 13 be read aloud to me?

Yes — every sentence and every individual word in chapter 13 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Essays

Common questions about reading Essays by Alice Meynell on this page, its source edition and its audio.

Is this the complete text of Essays?

Yes. All 2777 sentences of Project Gutenberg eBook #1434 are kept, with a record of which sentences cover which part.

Which edition of Essays is used?

Project Gutenberg eBook #1434, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Essays take to read?

About 231 minutes of reading across 556 sections of 5 sentences each, at an unhurried pace.

How to read Essays section by section

How to work through Essays section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 18 chapters of Essays to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Essays

Words and structures a reader meets early in Essays, each tappable for pronunciation and meaning.

Ceres'
A word that appears in the opening chapter of Essays; the reader can tap it to hear it and see its dictionary entry.
Runaway
A word that appears in the opening chapter of Essays; the reader can tap it to hear it and see its dictionary entry.
Wells
A word that appears in the opening chapter of Essays; the reader can tap it to hear it and see its dictionary entry.
Tethered
A word that appears in the opening chapter of Essays; the reader can tap it to hear it and see its dictionary entry.