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Essays in English Literature, 1780-1860
Essays in English Literature, 1780-1860

Chapter V

Chapter 5 of Essays in English Literature, 1780-1860 is here in full — 395 sentences across 79 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/79 · 5 lines
English subtitles · tap any word to listen 1 / 5
To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.
To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."
They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.
It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.
"Go where Glory waits thee" is the first of the Irish melodies, and one of those most hackneyed by the enthusiasm of bygone Pogsons.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
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A keeper or guardian of historical records and memories.

Essays in English Literature, 1780-1860

Chapter V

Chapter 5 of Essays in English Literature, 1780-1860 is here in full — 395 sentences across 79 reading sections, with audio for every sentence and word.

Reading 1/79 · 5 reading units · Lines 1–5

Line 1
To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.
/tuː ˈmeni ˈpɜːrsənz ˌhaʊˈevər ðə rɪˈzʌlts ɑːr mɔːr ˈɪntrəstɪŋ ðæn ðə əˈnæləsəs ʌv ðer ˈkwɑːlətiz ənd ˈprɪnsəpəlz soʊ let ʌs ɡoʊ tuː ðə sɔːŋz ðemˈselvz/
Line 2
To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."
Line 3
They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.
/ðeɪ ɔːl ɪɡˈzempləfaɪ wʌt hæz bɪn ˈpɔɪntɪd aʊt əˈbʌv ðə kəmˈpliːt ˌædəpˈteɪʃən ʌv wɜːrdz tuː ˈmjuːzɪk ənd ˈmjuːzɪk tuː wɜːrdz ˈkʌpəld wɪð ə ˌdɪˈsaɪdədli haɪ ˈkwɑːləti ʌv poʊˈetɪkəl ˈmerət ɪn ðə vɜːrs kwaɪt əˈpɑːrt frʌm ðə mɪr ˈmjuːzɪk/
Line 4
It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.
Line 5
"Go where Glory waits thee" is the first of the Irish melodies, and one of those most hackneyed by the enthusiasm of bygone Pogsons.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

adaptation noun US /ˌædəpˈteɪʃən/

a written work (as a novel) that has been recast in a new form

From this reading “They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.”

bygone noun US /ˈbaɪɡɔːn/

past events to be put aside

From this reading “"Go where Glory waits thee" is the first of the Irish melodies, and one of those most hackneyed by the enthusiasm of bygone Pogsons.”

distinguishing verb US /dɪˈstɪŋɡwɪʃɪŋ/

-ing form of “distinguish” — mark as different

From this reading “It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.”

exemplify verb US /ɪɡˈzempləfaɪ/

be characteristic of

From this reading “They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.”

hackneyed adjective US /ˈhæknid/

repeated too often; overfamiliar through overuse

From this reading “"Go where Glory waits thee" is the first of the Irish melodies, and one of those most hackneyed by the enthusiasm of bygone Pogsons.”

melodies noun US /ˈmelədiz/

plural of “melody” — a succession of notes forming a distinctive sequence

From this reading “"Go where Glory waits thee" is the first of the Irish melodies, and one of those most hackneyed by the enthusiasm of bygone Pogsons.”

Moore's noun US /mʊrz/

possessive form of “moore” — United States composer of works noted for their use of the American vernacular (1893-1969)

From this reading “To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."”

recline verb US /rɪˈklaɪn/

move the upper body backwards and down

From this reading “To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

high quality adjective + noun

the quality of being superior

In this reading “They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.”

many persons adjective + noun counted as “many person”

In this reading “To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.”

All words in this reading · 110

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

aboveprepositionUS /əˈbʌv/

higher than, or over, something

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

adaptationnounUS /ˌædəpˈteɪʃən/

a written work (as a novel) that has been recast in a new form

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

analysisnounUS /əˈnæləsəs/

an investigation of the component parts of a whole and their relations in making up the whole

From this reading To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."

apartadverbUS /əˈpɑːrt/

separated or at a distance in place or position or time

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

BeachnounUS /biːtʃ/

an area of sand sloping down to the water of a sea or lake

From this reading To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

bestnounUS /best/

the supreme effort one can make

From this reading To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

byprepositionUS /baɪ/

showing who or what does the action

From this reading "Go where Glory waits thee" is the first of the Irish melodies, and one of those most hackneyed by the enthusiasm of bygone Pogsons.

bygonenounUS /ˈbaɪɡɔːn/

past events to be put aside

From this reading "Go where Glory waits thee" is the first of the Irish melodies, and one of those most hackneyed by the enthusiasm of bygone Pogsons.

calmverbUS /kɑːm/

make calm or still

From this reading To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

completeverbUS /kəmˈpliːt/

come or bring to a finish or an end

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

coupledadjectiveUS /ˈkʌpəld/

joined together especially in a pair or pairs

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

DeathnounUS /deθ/

the event of dying or departure from life

From this reading To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."

decidedlyadverbUS /ˌdɪˈsaɪdədli/

without question and beyond doubt

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

distinguishingverbUS /dɪˈstɪŋɡwɪʃɪŋ/

-ing form of “distinguish” — mark as different

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

enthusiasmnounUS /ɪnˈθuːziæzəm/

a feeling of excitement

From this reading "Go where Glory waits thee" is the first of the Irish melodies, and one of those most hackneyed by the enthusiasm of bygone Pogsons.

everybodypronounUS /ˈevribɑːdi/

every person

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

excellencenounUS /ˈeksələns/

the quality of excelling; possessing good qualities in high degree

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

exemplifyverbUS /ɪɡˈzempləfaɪ/

be characteristic of

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

familiaradjectiveUS /fəˈmɪljər/

well known or easily recognized

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

fancynounUS /ˈfænsi/

something many people believe that is false

From this reading To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."

finestadjectiveUS /ˈfaɪnəst/

superlative of “fine” — being satisfactory or in satisfactory condition

From this reading To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading "Go where Glory waits thee" is the first of the Irish melodies, and one of those most hackneyed by the enthusiasm of bygone Pogsons.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."

generaladjectiveUS /ˈdʒenərəl/

applying to all or most members of a category or group

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

GlorynounUS /ˈɡlɔːri/

a state of high honor

From this reading "Go where Glory waits thee" is the first of the Irish melodies, and one of those most hackneyed by the enthusiasm of bygone Pogsons.

goverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.

hackneyedadjectiveUS /ˈhæknid/

repeated too often; overfamiliar through overuse

From this reading "Go where Glory waits thee" is the first of the Irish melodies, and one of those most hackneyed by the enthusiasm of bygone Pogsons.

hardlyadverbUS /ˈhɑːrdli/

only a very short time before

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

highadjectiveUS /haɪ/

greater than normal in degree or intensity or amount

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.

hundredsnounUS /ˈhʌndrədz/

plural of “hundred” — ten 10s

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."

intentionnounUS /ˌɪnˈtentʃən/

an anticipated outcome that is intended or that guides your planned actions

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

interestingadjectiveUS /ˈɪntrəstɪŋ/

arousing or holding the attention

From this reading To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.

IrishnounUS /ˈaɪrɪʃ/

people of Ireland or of Irish extraction

From this reading "Go where Glory waits thee" is the first of the Irish melodies, and one of those most hackneyed by the enthusiasm of bygone Pogsons.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading "Go where Glory waits thee" is the first of the Irish melodies, and one of those most hackneyed by the enthusiasm of bygone Pogsons.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

languagenounUS /ˈlæŋɡwədʒ/

a systematic means of communicating by the use of sounds or conventional symbols

From this reading To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.

melodiesnounUS /ˈmelədiz/

plural of “melody” — a succession of notes forming a distinctive sequence

From this reading "Go where Glory waits thee" is the first of the Irish melodies, and one of those most hackneyed by the enthusiasm of bygone Pogsons.

mereadjectiveUS /mɪr/

being nothing more than specified

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

meritnounUS /ˈmerət/

any admirable quality or attribute

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

Moore'snounUS /mʊrz/

possessive form of “moore” — United States composer of works noted for their use of the American vernacular (1893-1969)

From this reading To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.

mostadverbUS /moʊst/

used to form the superlative

From this reading "Go where Glory waits thee" is the first of the Irish melodies, and one of those most hackneyed by the enthusiasm of bygone Pogsons.

musicnounUS /ˈmjuːzɪk/

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."

nayexclamationUS /neɪ/

an old word for “no”

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

necessaryadjectiveUS /ˈnesəseri/

absolutely essential

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

NightnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."

nodeterminerUS /noʊ/

not any; not one

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.

OftadverbUS /ɔːft/

many times at short intervals

From this reading To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading "Go where Glory waits thee" is the first of the Irish melodies, and one of those most hackneyed by the enthusiasm of bygone Pogsons.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

others

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

oughtmodal verbUS /ɔːt/

used with “to” to say what is right or advisable

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

personsnounUS /ˈpɜːrsənz/

plural of “person” — a human being

From this reading To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.

poeticaladjectiveUS /poʊˈetɪkəl/

of or relating to poetry

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

Pogsons

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Go where Glory waits thee" is the first of the Irish melodies, and one of those most hackneyed by the enthusiasm of bygone Pogsons.

pointnounUS /pɔɪnt/

a geometric element that has position but no extension

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

pointedadjectiveUS /ˈpɔɪntɪd/

having a point

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

principlesnounUS /ˈprɪnsəpəlz/

plural of “principle” — a basic generalization that is accepted as true and that can be used as a basis for reasoning or conduct

From this reading To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.

qualitiesnounUS /ˈkwɑːlətiz/

plural of “quality” — an essential and distinguishing attribute of something or someone

From this reading To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.

qualitynounUS /ˈkwɑːləti/

an essential and distinguishing attribute of something or someone

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

quiteadverbUS /kwaɪt/

to a degree (not used with a negative)

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

quoteverbUS /kwoʊt/

repeat a passage from

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

reclineverbUS /rɪˈklaɪn/

move the upper body backwards and down

From this reading To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."

resultsnounUS /rɪˈzʌlts/

plural of “result” — a phenomenon that follows and is caused by some previous phenomenon

From this reading To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.

sawverbUS /sɔː/

cut with a saw

From this reading To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."

scoresnounUS /skɔːrz/

a large number or amount

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

selectingverbUS /səˈlektɪŋ/

-ing form of “select” — pick out, select, or choose from a number of alternatives

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.

songsnounUS /sɔːŋz/

plural of “song” — a short musical composition with words

From this reading To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.

stillyadjective

(poetic) still or calm

From this reading To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.

theepronounUS /ðiː/

an old word for “you”, as the object, speaking to one person

From this reading "Go where Glory waits thee" is the first of the Irish melodies, and one of those most hackneyed by the enthusiasm of bygone Pogsons.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

themselvespronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading It can hardly be necessary to quote them, for they are or ought to be familiar to everybody; but in selecting these three I have no intention of distinguishing them in point of general excellence from scores, nay hundreds of others.

TheypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading "Go where Glory waits thee" is the first of the Irish melodies, and one of those most hackneyed by the enthusiasm of bygone Pogsons.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."

ToparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading To many persons, however, the results are more interesting than the analysis of their qualities and principles; so let us go to the songs themselves.

versenounUS /vɜːrs/

literature in metrical form

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

waitsnounUS /weɪts/

plural of “wait” — time during which some action is awaited

From this reading "Go where Glory waits thee" is the first of the Irish melodies, and one of those most hackneyed by the enthusiasm of bygone Pogsons.

whatpronounUS /wʌt/

used to ask for information about something

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

WhenconjunctionUS /wen/

at the time that

From this reading To my fancy the three best of Moore's songs, and three of the finest songs in any language, are "Oft in the stilly Night," "When in Death I shall calm recline," and "I saw from the Beach."

whereconjunctionUS /wer/

in or at the place that

From this reading "Go where Glory waits thee" is the first of the Irish melodies, and one of those most hackneyed by the enthusiasm of bygone Pogsons.

withprepositionUS /wɪð/

in the company of; together with

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

wordsnounUS /wɜːrdz/

the words that are spoken

From this reading They all exemplify what has been pointed out above, the complete adaptation of words to music and music to words, coupled with a decidedly high quality of poetical merit in the verse, quite apart from the mere music.

Chapter 5 of Essays in English Literature, 1780-1860 by George Saintsbury holds 395 sentences, grouped into 79 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of Essays in English Literature, 1780-1860 contain?

Chapter 5 holds 395 sentences of Essays in English Literature, 1780-1860, unabridged, divided into 79 reading sections.

This page carries chapter 5 of Essays in English Literature, 1780-1860 by George Saintsbury exactly as it stands in the source edition, without abridgement. It runs to 395 sentences, grouped into 79 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

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