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Eugene Field, a Study in Heredity — Volume 2
Eugene Field, a Study in Heredity — Volume 2

Chapter II · Chapter 2

Chapter 2 of Eugene Field, a Study in Heredity — Volume 2 is here in full — 288 sentences across 58 reading sections, with audio for every sentence and word.

Cover illustration for Eugene Field, a Study in Heredity — Volume 2
Context Illustration Reading 1/57 · 5 lines
English subtitles · tap any word to listen 1 / 5
INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.
His exquisitely neat, small, and beautifully legible handwriting has always been the subject of wondering comment and admiration.
He adopted and perfected that style of chirography deliberately to reduce the labor of writing to a minimum.
And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.
In over twenty years' experience in handling copy I have only known one regular writer for the press who wrote as many words to a sheet as Field.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Eugene Field, a Study in Heredity — Volume 2

Chapter II · Chapter 2

Chapter 2 of Eugene Field, a Study in Heredity — Volume 2 is here in full — 288 sentences across 58 reading sections, with audio for every sentence and word.

Reading 1/57 · 5 reading units · Lines 1–5

Line 1
INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.
/ˌɪntrəˈdʌkʃən tuː ˈkʌlərd ɪŋks maɪ ruːm ɪn ðə ˈʃɜːrmən haʊs ðen æz naʊ wʌn ʌv ðə moʊst kənˈviːnjəntli ˈloʊkeɪtəd hoʊˈtelz ɪn ðə ˈbɪznəs ˈdɪstrɪkt ʌv ʃəˈkɑːɡoʊ wɑːz ðə siːn ʌv juːˈdʒiːn fiːldz fɜːrst ˌɪntrəˈdʌkʃən tuː ðə juːs ʌv ˈkʌlərd ɪŋks/
Line 2
His exquisitely neat, small, and beautifully legible handwriting has always been the subject of wondering comment and admiration.
/hɪz ˌekˈskwɪzɪtli niːt smɔːl ənd ˈbjuːtəfli ˈledʒəbəl ˈhændraɪtɪŋ hæz ˈɔːlweɪz bɪn ðə səbˈdʒekt ʌv ˈwʌndərɪŋ ˈkɑːment ənd ˌædmərˈeɪʃən/
Line 3
He adopted and perfected that style of chirography deliberately to reduce the labor of writing to a minimum.
Line 4
And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.
Line 5
In over twenty years' experience in handling copy I have only known one regular writer for the press who wrote as many words to a sheet as Field.
/ɪn ˈoʊvər ˈtwenti jɪrz ɪkˈspɪriəns ɪn ˈhændlɪŋ ˈkɑːpi aɪ hæv ˈoʊnli noʊn wʌn ˈreɡjələr ˈraɪtər fɔːr ðə pres huː roʊt æz ˈmeni wɜːrdz tuː ə ʃiːt æz fiːld/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

excelled verb US /ɪkˈseld/

inflected form of “excel” — distinguish oneself

From this reading “And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.”

Field's noun US /fiːldz/

possessive form of “field” — a piece of land cleared of trees and usually enclosed

From this reading “INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.”

inks noun US /ɪŋks/

plural of “ink” — a liquid used for printing or writing or drawing

From this reading “INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.”

legible adjective US /ˈledʒəbəl/

(of handwriting, print, etc.) capable of being read or deciphered

From this reading “His exquisitely neat, small, and beautifully legible handwriting has always been the subject of wondering comment and admiration.”

minimum noun US /ˈmɪnəməm/

the smallest possible quantity

From this reading “He adopted and perfected that style of chirography deliberately to reduce the labor of writing to a minimum.”

perfected adjective US /pərˈfektɪd/

(of plans, ideas, etc.) perfectly formed

From this reading “He adopted and perfected that style of chirography deliberately to reduce the labor of writing to a minimum.”

Sherman noun US /ˈʃɜːrmən/

United States general who was commander of all Union troops in the West; he captured Atlanta and led a destructive march to the sea that cut the Confederacy in two (1820-1891)

From this reading “INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.”

typographical adjective US /ˌtaɪpəˈɡræfɪkəl/

relating to or occurring or used in typography

From this reading “And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.”

All words in this reading · 103

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading He adopted and perfected that style of chirography deliberately to reduce the labor of writing to a minimum.

admirationnounUS /ˌædmərˈeɪʃən/

a feeling of delighted approval and liking

From this reading His exquisitely neat, small, and beautifully legible handwriting has always been the subject of wondering comment and admiration.

adoptedadjectiveUS /əˈdɑːptɪd/

acquired as your own by free choice

From this reading He adopted and perfected that style of chirography deliberately to reduce the labor of writing to a minimum.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading His exquisitely neat, small, and beautifully legible handwriting has always been the subject of wondering comment and admiration.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading His exquisitely neat, small, and beautifully legible handwriting has always been the subject of wondering comment and admiration.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

beautifullyadverbUS /ˈbjuːtəfli/

in a beautiful manner

From this reading His exquisitely neat, small, and beautifully legible handwriting has always been the subject of wondering comment and admiration.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading His exquisitely neat, small, and beautifully legible handwriting has always been the subject of wondering comment and admiration.

blameverbUS /bleɪm/

put or pin the blame on

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

blundersnounUS /ˈblʌndərz/

plural of “blunder” — an embarrassing mistake

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

businessnounUS /ˈbɪznəs/

a commercial or industrial enterprise and the people who constitute it

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

ChicagonounUS /ʃəˈkɑːɡoʊ/

largest city in Illinois; a bustling Great Lakes port that extends 26 miles along the southwestern shoreline of Lake Michigan

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

chirographynoun

beautiful handwriting

From this reading He adopted and perfected that style of chirography deliberately to reduce the labor of writing to a minimum.

COLOREDadjectiveUS /ˈkʌlərd/

having color or a certain color; sometimes used in combination

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

commentnounUS /ˈkɑːment/

a statement that expresses a personal opinion or belief or adds information

From this reading His exquisitely neat, small, and beautifully legible handwriting has always been the subject of wondering comment and admiration.

compositornoun

one who sets written material into type

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

convenientlyadverbUS /kənˈviːnjəntli/

in a convenient manner

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

copynounUS /ˈkɑːpi/

a reproduction of a written record (e.g. of a legal or school record)

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

deliberatelyadverbUS /dɪˈlɪbərətli/

with intention; in an intentional manner

From this reading He adopted and perfected that style of chirography deliberately to reduce the labor of writing to a minimum.

districtnounUS /ˈdɪstrɪkt/

a region marked off for administrative or other purposes

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

errornounUS /ˈerər/

a wrong action attributable to bad judgment or ignorance or inattention

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

EugenenounUS /juːˈdʒiːn/

Austrian general in the service of the Holy Roman Empire during the War of the Spanish Succession (1663-1736)

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

exceedverbUS /ɪkˈsiːd/

be greater in scope or size than some standard

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

excelledverbUS /ɪkˈseld/

inflected form of “excel” — distinguish oneself

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

experienceverbUS /ɪkˈspɪriəns/

undergo or live through a difficult experience

From this reading In over twenty years' experience in handling copy I have only known one regular writer for the press who wrote as many words to a sheet as Field.

exquisitelyadverbUS /ˌekˈskwɪzɪtli/

in a delicate manner

From this reading His exquisitely neat, small, and beautifully legible handwriting has always been the subject of wondering comment and admiration.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

FieldnounUS /fiːld/

a piece of land cleared of trees and usually enclosed

From this reading In over twenty years' experience in handling copy I have only known one regular writer for the press who wrote as many words to a sheet as Field.

Field'snounUS /fiːldz/

possessive form of “field” — a piece of land cleared of trees and usually enclosed

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

freeverbUS /friː/

grant freedom to; free from confinement

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

handlingnounUS /ˈhændlɪŋ/

manual (or mechanical) carrying or moving or delivering or working with something

From this reading In over twenty years' experience in handling copy I have only known one regular writer for the press who wrote as many words to a sheet as Field.

handwritingnounUS /ˈhændraɪtɪŋ/

something written by hand

From this reading His exquisitely neat, small, and beautifully legible handwriting has always been the subject of wondering comment and admiration.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading His exquisitely neat, small, and beautifully legible handwriting has always been the subject of wondering comment and admiration.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading In over twenty years' experience in handling copy I have only known one regular writer for the press who wrote as many words to a sheet as Field.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He adopted and perfected that style of chirography deliberately to reduce the labor of writing to a minimum.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

HisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading His exquisitely neat, small, and beautifully legible handwriting has always been the subject of wondering comment and admiration.

hotelsnounUS /hoʊˈtelz/

plural of “hotel” — a building where travelers can pay for lodging and meals and other services

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

HousenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading In over twenty years' experience in handling copy I have only known one regular writer for the press who wrote as many words to a sheet as Field.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

INKSnounUS /ɪŋks/

plural of “ink” — a liquid used for printing or writing or drawing

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

INTRODUCTIONnounUS /ˌɪntrəˈdʌkʃən/

the act of beginning something new

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

knownadjectiveUS /noʊn/

apprehended with certainty

From this reading In over twenty years' experience in handling copy I have only known one regular writer for the press who wrote as many words to a sheet as Field.

labornounUS /ˈleɪbər/

a social class comprising those who do manual labor or work for wages

From this reading He adopted and perfected that style of chirography deliberately to reduce the labor of writing to a minimum.

layverbUS /leɪ/

put into a certain place or abstract location

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

leaveverbUS /liːv/

go away from a place

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

legibleadjectiveUS /ˈledʒəbəl/

(of handwriting, print, etc.) capable of being read or deciphered

From this reading His exquisitely neat, small, and beautifully legible handwriting has always been the subject of wondering comment and admiration.

locatedadjectiveUS /ˈloʊkeɪtəd/

situated in a particular spot or position

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading In over twenty years' experience in handling copy I have only known one regular writer for the press who wrote as many words to a sheet as Field.

minimumnounUS /ˈmɪnəməm/

the smallest possible quantity

From this reading He adopted and perfected that style of chirography deliberately to reduce the labor of writing to a minimum.

mostadverbUS /moʊst/

used to form the superlative

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

MydeterminerUS /maɪ/

belonging to the person speaking

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

neatadjectiveUS /niːt/

clean or organized

From this reading His exquisitely neat, small, and beautifully legible handwriting has always been the subject of wondering comment and admiration.

nodeterminerUS /noʊ/

not any; not one

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

nonepronounUS /nʌn/

not one, and not any

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading In over twenty years' experience in handling copy I have only known one regular writer for the press who wrote as many words to a sheet as Field.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading In over twenty years' experience in handling copy I have only known one regular writer for the press who wrote as many words to a sheet as Field.

pen-men

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

perfectedadjectiveUS /pərˈfektɪd/

(of plans, ideas, etc.) perfectly formed

From this reading He adopted and perfected that style of chirography deliberately to reduce the labor of writing to a minimum.

pressverbUS /pres/

exert pressure or force to or upon

From this reading In over twenty years' experience in handling copy I have only known one regular writer for the press who wrote as many words to a sheet as Field.

printernounUS /ˈprɪntər/

someone whose occupation is printing

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

producedverbUS /prəˈduːst/

past form of “produce” — bring forth or yield

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

questionverbUS /ˈkwestʃən/

challenge the accuracy, probity, or propriety of

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

rapiditynounUS /rəˈpɪdəti/

a rate that is rapid

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

reduceverbUS /rəˈduːs/

cut down on; make a reduction in

From this reading He adopted and perfected that style of chirography deliberately to reduce the labor of writing to a minimum.

regularadjectiveUS /ˈreɡjələr/

in accordance with fixed order or procedure or principle

From this reading In over twenty years' experience in handling copy I have only known one regular writer for the press who wrote as many words to a sheet as Field.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

scenenounUS /siːn/

the place where some action occurs

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

sendingnounUS /ˈsendɪŋ/

the act of causing something to go (especially messages)

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

sheetnounUS /ʃiːt/

any broad thin expanse or surface

From this reading In over twenty years' experience in handling copy I have only known one regular writer for the press who wrote as many words to a sheet as Field.

ShermannounUS /ˈʃɜːrmən/

United States general who was commander of all Union troops in the West; he captured Atlanta and led a destructive march to the sea that cut the Confederacy in two (1820-1891)

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

smalladjectiveUS /smɔːl/

limited or below average in number or quantity or magnitude or extent

From this reading His exquisitely neat, small, and beautifully legible handwriting has always been the subject of wondering comment and admiration.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

stylenounUS /staɪl/

how something is done or how it happens

From this reading He adopted and perfected that style of chirography deliberately to reduce the labor of writing to a minimum.

subjectnounUS /səbˈdʒekt/

the subject matter of a conversation or discussion

From this reading His exquisitely neat, small, and beautifully legible handwriting has always been the subject of wondering comment and admiration.

succeededverbUS /səkˈsiːdɪd/

past form of “succeed” — attain success or reach a desired goal

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading He adopted and perfected that style of chirography deliberately to reduce the labor of writing to a minimum.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

TOparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

twentynounUS /ˈtwenti/

the cardinal number that is the sum of nineteen and one

From this reading In over twenty years' experience in handling copy I have only known one regular writer for the press who wrote as many words to a sheet as Field.

typographicaladjectiveUS /ˌtaɪpəˈɡræfɪkəl/

relating to or occurring or used in typography

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

usenounUS /juːs/

the act of using

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading INTRODUCTION TO COLORED INKS My room in the Sherman House, then, as now, one of the most conveniently located hotels in the business district of Chicago, was the scene of Eugene Field's first introduction to the use of colored inks.

whereconjunctionUS /wer/

in or at the place that

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

whopronounUS /huː/

which person or people

From this reading In over twenty years' experience in handling copy I have only known one regular writer for the press who wrote as many words to a sheet as Field.

withprepositionUS /wɪð/

in the company of; together with

From this reading And he succeeded, for few pen-men could exceed him in the rapidity with which he produced "copy" for the printer and none excelled him in sending that copy to the compositor in a form so free from error as to leave no question where blame for typographical blunders lay.

wonderingadjectiveUS /ˈwʌndərɪŋ/

showing curiosity

From this reading His exquisitely neat, small, and beautifully legible handwriting has always been the subject of wondering comment and admiration.

wordsnounUS /wɜːrdz/

the words that are spoken

From this reading In over twenty years' experience in handling copy I have only known one regular writer for the press who wrote as many words to a sheet as Field.

writernounUS /ˈraɪtər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading In over twenty years' experience in handling copy I have only known one regular writer for the press who wrote as many words to a sheet as Field.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading He adopted and perfected that style of chirography deliberately to reduce the labor of writing to a minimum.

wroteverbUS /roʊt/

inflected form of “write” — produce a literary work

From this reading In over twenty years' experience in handling copy I have only known one regular writer for the press who wrote as many words to a sheet as Field.

yearsnounUS /jɪrz/

a late time of life

From this reading In over twenty years' experience in handling copy I have only known one regular writer for the press who wrote as many words to a sheet as Field.

Chapter 2 of Eugene Field, a Study in Heredity — Volume 2 by Slason Thompson holds 288 sentences, grouped into 58 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Eugene Field, a Study in Heredity — Volume 2 contain?

Chapter 2 holds 288 sentences of Eugene Field, a Study in Heredity — Volume 2, unabridged, divided into 58 reading sections.

This page carries chapter 2 of Eugene Field, a Study in Heredity — Volume 2 by Slason Thompson exactly as it stands in the source edition, without abridgement. It runs to 288 sentences, grouped into 58 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of Eugene Field, a Study in Heredity — Volume 2?

Work through the 58 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 58 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Eugene Field, a Study in Heredity — Volume 2

Common questions about reading Eugene Field, a Study in Heredity — Volume 2 by Slason Thompson on this page, its source edition and its audio.

Is this the complete text of Eugene Field, a Study in Heredity — Volume 2?

Yes. All 3243 sentences of Project Gutenberg eBook #12985 are kept, with a record of which sentences cover which part.

Which edition of Eugene Field, a Study in Heredity — Volume 2 is used?

Project Gutenberg eBook #12985, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Eugene Field, a Study in Heredity — Volume 2 take to read?

About 270 minutes of reading across 649 sections of 5 sentences each, at an unhurried pace.

How to read Eugene Field, a Study in Heredity — Volume 2 section by section

How to work through Eugene Field, a Study in Heredity — Volume 2 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Eugene Field, a Study in Heredity — Volume 2

Words and structures a reader meets early in Eugene Field, a Study in Heredity — Volume 2, each tappable for pronunciation and meaning.

Personal
A word that appears in the opening chapter of Eugene Field, a Study in Heredity — Volume 2; the reader can tap it to hear it and see its dictionary entry.
Relations
A word that appears in the opening chapter of Eugene Field, a Study in Heredity — Volume 2; the reader can tap it to hear it and see its dictionary entry.
Loving
A word that appears in the opening chapter of Eugene Field, a Study in Heredity — Volume 2; the reader can tap it to hear it and see its dictionary entry.
Memory
A word that appears in the opening chapter of Eugene Field, a Study in Heredity — Volume 2; the reader can tap it to hear it and see its dictionary entry.