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Eugene Field, a Study in Heredity — Volume 2
Eugene Field, a Study in Heredity — Volume 2

Chapter III · Chapter 3

Chapter 3 of Eugene Field, a Study in Heredity — Volume 2 is here in full — 192 sentences across 39 reading sections, with audio for every sentence and word.

Cover illustration for Eugene Field, a Study in Heredity — Volume 2
Context Illustration Reading 1/38 · 5 lines
English subtitles · tap any word to listen 1 / 5
SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.
All men, and especially literary men, seem to consider themselves on dress parade in their correspondence, and pose accordingly.
Ninety-nine persons out of a hundred are more self-conscious in writing than they are in talking.
Even the least conscious seem to imagine that what they put down in black and white is to pass under some censorious eye.
The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Eugene Field, a Study in Heredity — Volume 2

Chapter III · Chapter 3

Chapter 3 of Eugene Field, a Study in Heredity — Volume 2 is here in full — 192 sentences across 39 reading sections, with audio for every sentence and word.

Reading 1/38 · 5 reading units · Lines 1–5

Line 1
SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.
Line 2
All men, and especially literary men, seem to consider themselves on dress parade in their correspondence, and pose accordingly.
/ɔːl men ənd əˈspeʃli ˈlɪtəreri men siːm tuː kənˈsɪdər ðemˈselvz ɑːn dres pərˈeɪd ɪn ðer ˌkɔːrəˈspɑːndəns ənd poʊz əˈkɔːrdɪŋli/
Line 3
Ninety-nine persons out of a hundred are more self-conscious in writing than they are in talking.
Line 4
Even the least conscious seem to imagine that what they put down in black and white is to pass under some censorious eye.
Line 5
The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.
/ðə prəˈfeʃənəl ˈraɪtər ˈweðər hɪz ˌrepjəˈteɪʃən biː ˌɪntərˈnæʃənəl laɪk ðæt ʌv ə ˈloʊəl ɔːr ə ˈstiːvənsən ɔːr kənˈfaɪnd tuː ðə ˈsɜːrkəl ʌv hɪz ˈvɪlədʒ əˈsoʊsiəts ˈnevər əˈpɪrz tuː pen ə laɪn wɪˈθaʊt sʌm ˌæfekˈteɪʃən/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

affectation noun US /ˌæfekˈteɪʃən/

a deliberate pretense or exaggerated display

From this reading “The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.”

individuality noun US /ˌɪndɪvɪdʒuːˈælɪti/

the quality of being individual

From this reading “SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.”

international adjective US /ˌɪntərˈnæʃənəl/

concerning or belonging to all or at least two or more nations

From this reading “The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.”

Lowell noun US /ˈloʊəl/

United States poet (1917-1977)

From this reading “The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.”

mind's noun US /maɪndz/

possessive form of “mind” — that which is responsible for one's thoughts, feelings, and conscious brain functions; the seat of the faculty of reason

From this reading “SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.”

pose verb US /poʊz/

introduce

From this reading “All men, and especially literary men, seem to consider themselves on dress parade in their correspondence, and pose accordingly.”

self-conscious adjective US /ˌselfˈkɑːnʃəs/

aware of yourself as an individual or of your own being and actions and thoughts

From this reading “Ninety-nine persons out of a hundred are more self-conscious in writing than they are in talking.”

Stevenson noun US /ˈstiːvənsən/

Scottish author (1850-1894)

From this reading “The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.”

All words in this reading · 95

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

accordinglyadverbUS /əˈkɔːrdɪŋli/

(sentence connectors) because of the reason given

From this reading All men, and especially literary men, seem to consider themselves on dress parade in their correspondence, and pose accordingly.

acquaintancenounUS /əˈkweɪntəns/

personal knowledge or information about someone or something

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

affectationnounUS /ˌæfekˈteɪʃən/

a deliberate pretense or exaggerated display

From this reading The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.

afterprepositionUS /ˈæftər/

later than; following

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

AlladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading All men, and especially literary men, seem to consider themselves on dress parade in their correspondence, and pose accordingly.

amauxiliary verbUS /æm/

the form of “be” used with “I”

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

appearsverbUS /əˈpɪrz/

third-person singular of “appear” — give a certain impression or have a certain outward aspect

From this reading The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Ninety-nine persons out of a hundred are more self-conscious in writing than they are in talking.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

associatesnounUS /əˈsoʊsiəts/

plural of “associate” — a person who joins with others in some activity or endeavor

From this reading The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

blackadjectiveUS /blæk/

being of the achromatic color of maximum darkness; having little or no hue owing to absorption of almost all incident light

From this reading Even the least conscious seem to imagine that what they put down in black and white is to pass under some censorious eye.

censoriousadjective

harshly critical or expressing censure

From this reading Even the least conscious seem to imagine that what they put down in black and white is to pass under some censorious eye.

circlenounUS /ˈsɜːrkəl/

ellipse in which the two axes are of equal length; a plane curve generated by one point moving at a constant distance from a fixed point

From this reading The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.

confinedadjectiveUS /kənˈfaɪnd/

not invading healthy tissue

From this reading The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.

consciousadjectiveUS /ˈkɑːnʃəs/

intentionally conceived

From this reading Even the least conscious seem to imagine that what they put down in black and white is to pass under some censorious eye.

considerverbUS /kənˈsɪdər/

deem to be

From this reading All men, and especially literary men, seem to consider themselves on dress parade in their correspondence, and pose accordingly.

constructionnounUS /kənˈstrʌkʃən/

the act of constructing something

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

correspondencenounUS /ˌkɔːrəˈspɑːndəns/

communication by the exchange of letters

From this reading All men, and especially literary men, seem to consider themselves on dress parade in their correspondence, and pose accordingly.

doomedadjectiveUS /duːmd/

marked for certain death

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading Even the least conscious seem to imagine that what they put down in black and white is to pass under some censorious eye.

dressverbUS /dres/

put on clothes

From this reading All men, and especially literary men, seem to consider themselves on dress parade in their correspondence, and pose accordingly.

DuncannounUS /ˈdʌŋkən/

United States dancer and pioneer of modern dance (1878-1927)

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

especiallyadverbUS /əˈspeʃli/

to a distinctly greater extent or degree than is common

From this reading All men, and especially literary men, seem to consider themselves on dress parade in their correspondence, and pose accordingly.

EvenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading Even the least conscious seem to imagine that what they put down in black and white is to pass under some censorious eye.

extensiveadjectiveUS /ɪkˈstensɪv/

large in spatial extent or range or scope or quantity

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

eyenounUS /aɪ/

the organ of sight

From this reading Even the least conscious seem to imagine that what they put down in black and white is to pass under some censorious eye.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

findverbUS /faɪnd/

come upon, as if by accident; meet with

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

foundverbUS /faʊnd/

set up or found

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.

hundrednounUS /ˈhʌndrəd/

ten 10s

From this reading Ninety-nine persons out of a hundred are more self-conscious in writing than they are in talking.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

imagineverbUS /ˌɪˈmædʒən/

form a mental image of something that is not present or that is not the case

From this reading Even the least conscious seem to imagine that what they put down in black and white is to pass under some censorious eye.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

inclinedadjectiveUS /ˌɪnˈklaɪnd/

(often followed by “to”) having a preference, disposition, or tendency

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

individualitynounUS /ˌɪndɪvɪdʒuːˈælɪti/

the quality of being individual

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

internationaladjectiveUS /ˌɪntərˈnæʃənəl/

concerning or belonging to all or at least two or more nations

From this reading The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

leastadjectiveUS /liːst/

the superlative of “little” that can be used with mass nouns and is usually preceded by “the”; a quantifier meaning smallest in amount or extent or degree

From this reading Even the least conscious seem to imagine that what they put down in black and white is to pass under some censorious eye.

LETTERSnounUS /ˈletərz/

the literary culture

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

likeverbUS /laɪk/

prefer or wish to do something

From this reading The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.

linenounUS /laɪn/

a formation of people or things one beside another

From this reading The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.

literaryadjectiveUS /ˈlɪtəreri/

of or relating to or characteristic of literature

From this reading All men, and especially literary men, seem to consider themselves on dress parade in their correspondence, and pose accordingly.

LowellnounUS /ˈloʊəl/

United States poet (1917-1977)

From this reading The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.

mennounUS /men/

the force of workers available

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

mind'snounUS /maɪndz/

possessive form of “mind” — that which is responsible for one's thoughts, feelings, and conscious brain functions; the seat of the faculty of reason

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Ninety-nine persons out of a hundred are more self-conscious in writing than they are in talking.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.

Ninety-nineadjective

being one less than one hundred and nine more than ninety

From this reading Ninety-nine persons out of a hundred are more self-conscious in writing than they are in talking.

nodeterminerUS /noʊ/

not any; not one

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading All men, and especially literary men, seem to consider themselves on dress parade in their correspondence, and pose accordingly.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading Ninety-nine persons out of a hundred are more self-conscious in writing than they are in talking.

paradenounUS /pərˈeɪd/

a ceremonial procession including people marching

From this reading All men, and especially literary men, seem to consider themselves on dress parade in their correspondence, and pose accordingly.

passverbUS /pæs/

go across or through

From this reading Even the least conscious seem to imagine that what they put down in black and white is to pass under some censorious eye.

pennounUS /pen/

a writing implement with a point from which ink flows

From this reading The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.

personsnounUS /ˈpɜːrsənz/

plural of “person” — a human being

From this reading Ninety-nine persons out of a hundred are more self-conscious in writing than they are in talking.

poseverbUS /poʊz/

introduce

From this reading All men, and especially literary men, seem to consider themselves on dress parade in their correspondence, and pose accordingly.

professionaladjectiveUS /prəˈfeʃənəl/

engaged in a profession or engaging in as a profession or means of livelihood

From this reading The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.

putverbUS /pʊt/

put into a certain place or abstract location

From this reading Even the least conscious seem to imagine that what they put down in black and white is to pass under some censorious eye.

reputationnounUS /ˌrepjəˈteɪʃən/

the state of being held in high esteem and honor

From this reading The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

seemverbUS /siːm/

give a certain impression or have a certain outward aspect

From this reading All men, and especially literary men, seem to consider themselves on dress parade in their correspondence, and pose accordingly.

self-consciousadjectiveUS /ˌselfˈkɑːnʃəs/

aware of yourself as an individual or of your own being and actions and thoughts

From this reading Ninety-nine persons out of a hundred are more self-conscious in writing than they are in talking.

SOMEadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

somewhatadverbUS /ˈsʌmˈwʌt/

to a small degree or extent

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

StevensonnounUS /ˈstiːvənsən/

Scottish author (1850-1894)

From this reading The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.

talkingnounUS /ˈtɔːkɪŋ/

an exchange of ideas via conversation

From this reading Ninety-nine persons out of a hundred are more self-conscious in writing than they are in talking.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Ninety-nine persons out of a hundred are more self-conscious in writing than they are in talking.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Even the least conscious seem to imagine that what they put down in black and white is to pass under some censorious eye.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

themselvespronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading All men, and especially literary men, seem to consider themselves on dress parade in their correspondence, and pose accordingly.

thereadverbUS /ðer/

in or at that place or location

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

There's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Ninety-nine persons out of a hundred are more self-conscious in writing than they are in talking.

thinkverbUS /θɪŋk/

judge or regard; look upon; judge

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

trueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading Even the least conscious seem to imagine that what they put down in black and white is to pass under some censorious eye.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

villagenounUS /ˈvɪlədʒ/

a community of people smaller than a town

From this reading The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.

whatpronounUS /wʌt/

used to ask for information about something

From this reading Even the least conscious seem to imagine that what they put down in black and white is to pass under some censorious eye.

whetherconjunctionUS /ˈweðər/

used to introduce two or more possibilities

From this reading The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.

whitenounUS /waɪt/

a Caucasian

From this reading Even the least conscious seem to imagine that what they put down in black and white is to pass under some censorious eye.

withprepositionUS /wɪð/

in the company of; together with

From this reading SOME LETTERS "There's no art," said the doomed Duncan, "to find the mind's construction in the face," nor after a somewhat extensive acquaintance with men and their letters am I inclined to think there is very much to be found of the true individuality of men in their letters.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.

writernounUS /ˈraɪtər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading The professional writer, whether his reputation be international, like that of a Lowell or a Stevenson, or confined to the circle of his village associates, never appears to pen a line without some affectation.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading Ninety-nine persons out of a hundred are more self-conscious in writing than they are in talking.

Chapter 3 of Eugene Field, a Study in Heredity — Volume 2 by Slason Thompson holds 192 sentences, grouped into 39 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of Eugene Field, a Study in Heredity — Volume 2 contain?

Chapter 3 holds 192 sentences of Eugene Field, a Study in Heredity — Volume 2, unabridged, divided into 39 reading sections.

This page carries chapter 3 of Eugene Field, a Study in Heredity — Volume 2 by Slason Thompson exactly as it stands in the source edition, without abridgement. It runs to 192 sentences, grouped into 39 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of Eugene Field, a Study in Heredity — Volume 2?

Work through the 39 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 39 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Eugene Field, a Study in Heredity — Volume 2

Common questions about reading Eugene Field, a Study in Heredity — Volume 2 by Slason Thompson on this page, its source edition and its audio.

Is this the complete text of Eugene Field, a Study in Heredity — Volume 2?

Yes. All 3243 sentences of Project Gutenberg eBook #12985 are kept, with a record of which sentences cover which part.

Which edition of Eugene Field, a Study in Heredity — Volume 2 is used?

Project Gutenberg eBook #12985, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Eugene Field, a Study in Heredity — Volume 2 take to read?

About 270 minutes of reading across 649 sections of 5 sentences each, at an unhurried pace.

How to read Eugene Field, a Study in Heredity — Volume 2 section by section

How to work through Eugene Field, a Study in Heredity — Volume 2 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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Vocabulary met early in Eugene Field, a Study in Heredity — Volume 2

Words and structures a reader meets early in Eugene Field, a Study in Heredity — Volume 2, each tappable for pronunciation and meaning.

Personal
A word that appears in the opening chapter of Eugene Field, a Study in Heredity — Volume 2; the reader can tap it to hear it and see its dictionary entry.
Relations
A word that appears in the opening chapter of Eugene Field, a Study in Heredity — Volume 2; the reader can tap it to hear it and see its dictionary entry.
Loving
A word that appears in the opening chapter of Eugene Field, a Study in Heredity — Volume 2; the reader can tap it to hear it and see its dictionary entry.
Memory
A word that appears in the opening chapter of Eugene Field, a Study in Heredity — Volume 2; the reader can tap it to hear it and see its dictionary entry.